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(Hard Bop) Milt Jackson - 1957 - Plenty, Plenty Soul (2012 Atlantic 7567-81979-2
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-Milt Jackson - 1957 - Plenty, Plenty Soul (2012 Atlantic 7567-81979-2)-Жанр: Hard Bop
Носитель: CD (Studio, Remaster, Reissue) Страна-производитель диска (релиза): EU Год издания оригинала: 1957 Год переиздания: 2012 Издатель (лейбл): Atlantic Серия: Jazz Best Collection 1000 Номер по каталогу: 7567-81979-2 Страна исполнителя (группы): USA Дата / место записи: January 1957, New York Аудио кодек: FLAC (*.flac) Тип рипа: (tracks + .cue) Битрейт аудио: lossless Наличие сканов в содержимом раздачи: full scans Продолжительность: 41:48 Источник (релизер): диск из коллекции Ordo (с благодарностью), мой рип Трэклист: 1. Plenty, Plenty Soul (Milt Jackson) - 9:33 2. Boogity Boogity (Quincy Jones) - 4:55 3. Heartstrings (Milt Jackson) - 4:53 4. Sermonette (Julian Adderley) - 5:23 5. The Spirit-Feel (Milt Jackson) - 4:22 6. Ignunt Oil (Milt Jackson) - 5:35 7. Blues At Twilight (Quincy Jones) - 6:46 Exact Audio Copy V1.6 from 23. October 2020 REM GENRE "Hard Bop" foobar2000 2.0 / Dynamic Range Meter 1.1.1 Many of the “modern” jazz musicians are concerned (healthily and, necessarily for them, self-consciously I think) with their roots in blues and church music. This quality of earthiness they call “funk”. They also talk about “soul”, which means something like depth of feeling and conviction. Vibraphonist Milt Jackson is a man who need not worry, it seems to me, about either of these things, nor about a commanding presence nor individuality. (If there’s anything he might give a thought to it could be the structure of a few of his lines.) But, somehow, a great deal of what happens on this record is either sluggish or almost contrived. Half of it features scores for nine pieces with several soloists by Quincy Jones and the rest of it (the better part) is by a sextet with the frequently excellent tenor saxist Lucky Thompson. Perhaps everyone was too concerned with the kind of rhythm that was supposed to be generated, and the manner and mood that were supposed to be conveyed.
I have nothing but respect for the care with which Atlantic goes about its recording work, but I confess that I think some of the very casually got together dates Jackson has made for other labels have produced better music than these did. Alto Saxophone – Ronnie Peters (tracks: 1 to 3)
Arranged By – Quincy Jones Baritone Saxophone – Sahib Shihab (tracks: 1 to 3) Bass – Oscar Pettiford (tracks: 4 to 7), Percy Heath (tracks: 1 to 3) Drums – Art Blakey (tracks: 1 to 3), Connie Kay (tracks: 4 to 7) Piano – Horace Silver Tenor Saxophone – Frank Foster (tracks: 1 to 3), Lucky Thompson (tracks: 4 to 7) Trombone – Jimmy Cleveland (tracks: 1 to 3) Trumpet – Joe Newman Vibraphone [Vibraharp] – Milt Jackson Written-By – Julian Adderley (tracks: 4), Milt Jackson (tracks: 1 to 3, 5, 7), Quincy Jones (tracks: 1, 2, 7) Для того, чтобы скачать .torrent Вам необходимо зарегистрироваться |
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