-Cargoe - Live In Memphis! - 1972 (2004 Lucky Sewen)-Gustav (old-rock): Американцы, но не открывают Америк. В русле, не тяжеляк, но и не абсолютный поп, вполне стандартные рок-структуры, без заездов в прог или в психоделию, но с четким отпечатком южного рока. Изредка журчат клавишные, но погоды не делают - доминируют 2 гитары. Живая запись, в студии радиостанции перед группой поклонников, увидевшая свет через 31 год. Несмотря на вполне предсказуемое музыкальное развтие - я получил удовольствие от драйва, непосредственности и свободы в рамках жанра и года. Жанр: Southern Rock, Psychedelic Rock Носитель: CD (Live, archival, radio broadcasting) Страна-производитель диска (релиза): USA Год издания оригинала: 1972 Год переиздания: 2004 Издатель (лейбл): Lucky Sewen (Twentieth Century Memphis Series) Номер по каталогу: CD 9212 Страна исполнителя (группы): USA Дата / место записи: 1972 Live concert instituted by the Memphis rock station WMC FM-100 directly from Ardent Recording Studios Аудио кодек: FLAC (*.flac) Тип рипа: (image + .cue) Битрейт аудио: lossless Корректность рипа:Defeat audio cache : No Наличие сканов в содержимом раздачи: full scans Продолжительность: 48:24 Источник (релизер): Marios Трэклист:
1. Come Down (With Radio Intro) (Bill Phillips) - 4:28
2. Things We Dream Today (Bill Phillips) - 2:46
3. Feel Alright (Tommy Richard) - 2:36
4. Horses And Silver Things (Tommy Richard, Max Wisley) - 3:34
5. Scenes (Max Wisley) - 4:30
6. Heal Me (Bill Phillips, Max Wisley) - 3:16
7. Intro/This Is Real (Max Wisley) - 1:54
8. Feelin Mighty Poorly (Tim Benton) - 3:16
9. Thousand Peoples Song (Tommy Richard) - 4:13
10.Leave Today (Bill Phillips) - 4:46
11.Time (Bill Phillips, Max Wisley) - 4:21
12.I Love You Anyway (Tommy Richard) - 3:45
13.Tokyo Love (Bill Phillips, Jim Peters) - 4:53
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009 EAC extraction logfile from 13. July 2013, 10:30 Cargoe / Live In Memphis! Used drive : TSSTcorpCD/DVDW TS-L632D Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : No Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : No Used interface : Native Win32 interface for Win NT & 2000 Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:27.73 | 0 | 20097 2 | 4:27.73 | 2:46.67 | 20098 | 32614 3 | 7:14.65 | 2:36.22 | 32615 | 44336 4 | 9:51.12 | 3:34.50 | 44337 | 60436 5 | 13:25.62 | 4:30.16 | 60437 | 80702 6 | 17:56.03 | 3:16.19 | 80703 | 95421 7 | 21:12.22 | 1:54.66 | 95422 | 104037 8 | 23:07.13 | 3:16.43 | 104038 | 118780 9 | 26:23.56 | 4:13.19 | 118781 | 137774 10 | 30:37.00 | 4:46.56 | 137775 | 159280 11 | 35:23.56 | 4:21.30 | 159281 | 178885 12 | 39:45.11 | 3:45.68 | 178886 | 195828 13 | 43:31.04 | 4:53.64 | 195829 | 217867 Range status and errors Selected range Filename C:\Users\Cargoe - Live In Memphis!\Cargoe - Live In Memphis!.wav Peak level 100.0 % Range quality 99.9 % Copy CRC 6717C5D8 Copy OK No errors occurred AccurateRip summary Track 1 not present in database Track 2 not present in database Track 3 not present in database Track 4 not present in database Track 5 not present in database Track 6 not present in database Track 7 not present in database Track 8 not present in database Track 9 not present in database Track 10 not present in database Track 11 not present in database Track 12 not present in database Track 13 not present in database None of the tracks are present in the AccurateRip database End of status report
REM GENRE Rock REM DATE 1972 REM DISCID C50B580D PERFORMER "Cargoe" TITLE "Live In Memphis!" FILE "Cargoe - Live In Memphis!.flac" WAVE TRACK 01 AUDIO TITLE "Come Down" FLAGS DCP INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Things We Dream Today" FLAGS DCP INDEX 01 04:27:73 TRACK 03 AUDIO TITLE "Feel Alright" FLAGS DCP INDEX 00 07:14:64 INDEX 01 07:14:65 TRACK 04 AUDIO TITLE "Horses And Silver Things" FLAGS DCP INDEX 00 09:51:10 INDEX 01 09:51:12 TRACK 05 AUDIO TITLE "Scenes" FLAGS DCP INDEX 00 13:25:60 INDEX 01 13:25:62 TRACK 06 AUDIO TITLE "Heal Me" FLAGS DCP INDEX 00 17:56:01 INDEX 01 17:56:03 TRACK 07 AUDIO TITLE "Intro/This Is Real" FLAGS DCP INDEX 00 21:12:20 INDEX 01 21:12:22 TRACK 08 AUDIO TITLE "Feelin' Might Poorly" FLAGS DCP INDEX 01 23:07:13 TRACK 09 AUDIO TITLE "Thousand Peoples Song" FLAGS DCP INDEX 00 26:23:54 INDEX 01 26:23:56 TRACK 10 AUDIO TITLE "Leave Today" FLAGS DCP INDEX 01 30:37:00 TRACK 11 AUDIO TITLE "Time" FLAGS DCP INDEX 01 35:23:56 TRACK 12 AUDIO TITLE "I Love You Anyway" FLAGS DCP INDEX 01 39:45:11 TRACK 13 AUDIO TITLE "Tokyo Love" FLAGS DCP INDEX 00 43:31:02 INDEX 01 43:31:04
foobar2000 1.5.5 / Dynamic Range Meter 1.1.1 log date: 2020-08-25 17:17:25 -------------------------------------------------------------------------------- Analyzed: Cargoe / Live In Memphis! -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR11 0.00 dB -12.85 dB 4:28 01-Come Down DR10 0.00 dB -12.02 dB 2:47 02-Things We Dream Today DR9 0.00 dB -11.00 dB 2:36 03-Feel Alright DR9 0.00 dB -11.50 dB 3:35 04-Horses And Silver Things DR11 0.00 dB -12.95 dB 4:30 05-Scenes DR9 0.00 dB -10.67 dB 3:16 06-Heal Me DR12 0.00 dB -14.19 dB 1:55 07-Intro/This Is Real DR10 0.00 dB -12.15 dB 3:17 08-Feelin' Might Poorly DR9 0.00 dB -11.69 dB 4:13 09-Thousand Peoples Song DR11 0.00 dB -12.58 dB 4:47 10-Leave Today DR11 -0.69 dB -13.93 dB 4:21 11-Time DR13 -0.69 dB -17.98 dB 3:46 12-I Love You Anyway DR11 0.00 dB -14.20 dB 4:54 13-Tokyo Love -------------------------------------------------------------------------------- Number of tracks: 13 Official DR value: DR11 Samplerate: 44100 Hz Channels: 2 Bits per sample: 16 Bitrate: 921 kbps Codec: FLAC ================================================================================
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The year was 1972, and Cargoe were flying high. They had migrated from Oklahoma to JL the musical confines of Memphis, and had landed a recording contract with the newly invigorated Ardent Records. Their first album was recorded, and ready for release to the waiting throngs of music fans out there in the hinterland. Their first single, Feel Alright, started gathering tremendous radio play, and instant, positive feedback wherever it was aired. Within weeks, it had arrived on the Top 100 national music charts. The band flew to Los Angeles, where they introduced their single on KHJ-TV, and played a sold out show at The Whiskey-A-Go-Go on Sunset Boulevard. A music video (one of the first ever!) was filmed, edited, and mailed out to TV stations across America (of course there was no MTV yet!) But a funny thing happened on the way to the Grammys. As many artists found out before them, many have discovered since, and many more will know in future, there are no guarantees in the music business. In fact, the industry is rife with "I Could'a Been a Contender" stories. And the stated reasons for lack of stardom, while as varied as the stars in the heavens, all come down to several basic principles. Ardent, the label on which Cargoe's music lived, was small, and new, and, although distributed by the then-already-world-famous Stax Records, was not prepared to play in the big leagues dominated by the Brothers Warner, Columbia, RCA, and like others. In fact Stax, while certainly playing at a very high level in R&B music, was not prepared itself to play in the "Pop" world. Records weren't available in stores when people came to buy them. Large city pop or rock radio stations were much more inclined to add songs by the major labels' artists to their play lists. And touring on a national scale was just too expensive to pull off. Was Cargoe's music good enough to "make it", had it been on a major label? Probably so. History may now make that judgement. But in 1972, on a small, independent label, distributed by another independent label best known for a very different style of music than that which Cargoe played and recorded, the odds just weren't good. The same exact fate was to befall the second group released on Ardent Records, that being Big Star. And the third, The Hot Dogs, and so on down the line. Yet, while this "disappearing act" was pretty common with small label rock groups, there seems to have been something special in Ihe Memphis night air that the Ardent groups were breathing back then. Because another funny thing happened on the way to musical obscurity. This music just wouldn't go away. The people hanging around John Fry's door, we now sec in hindsight, weren't your average garage band folks. While the biggest contemporary record on the Ardent label was certainly Cargoe's "Feel Alright", the torch wound up being carried, at first single-handedly, by Big Star. Year after year, the myth, admiration, and yes, let's say it, cult of Big Star has grown. Band after band have traced their inspiration back to Big Star, and musical historians and writers have embraced them as being, in many cases, second only to The Beatles in pop music importance. And in recent years, this interest in Big Star has trickled down to the other Ardent groups. More and more, fans and critics have "discovered" Cargoe or the others. Re-issues, especially in Japan and Europe, of Cargoe and The Hot Dogs, have followed the Big Star re-issues. And Feel Alright is beginning to re-assume its place as a power pop anthem. In the middle of all this 1972 hullabaloo with Cargoe and Big Star, the Cargoe guys, well known for their live playing prowess, performed a very special concert. The Memphis rock station of the day, WMC FM-100, had instituted a series of live concerts by many well known artists, to be broadcast over the airwaves directly from Ardent Recording Studios. These were engineered usually by Terry Manning, and sometimes by Richard Rosebrough.The artists included The Groundhogs, The Charlie Daniels Band, Stories, Martin Mull (soon to be released as Lucky Seven CD 9215) and others, including none other than Cargoe! In each case, a live audience of invited guests was brought into the studio. This CD is the actual recording of that concert back hi 1972! Since the original broadcast, this Cargoe concert has gone "unheard" for these last 31 years! Cargoe were made up of Bill Phillips on keyboards and rhythm guitar, Max Wisley on bass, Tommy Richard on lead and rhythm guitar, and Tim Bent on drums. Bui the magic was that all members were excellent vocalists, as well as songwriters. Good vocal harmony has certainly become a trademark of the "Power Pop" genre, and Cargoe was not to disappoint on that score! So sit back, let your mind drift to 1972, turn on your I'M radio, and enjoy this live broadcast.
Bill Phillips - Keyboards, Vocals
Tommy Richard - Guitar, Vocals
Max Wisley - Bass, Vocals
Tim Benton - Drums, Vocals
