(Big Band, Swing) [VINYL Rip 24bit 96khz] Billy May & His Orchestra & Glen Gray's Casa Loma Orchestra - The Swing Era 1944-1945 - The Golden Age of Network Radio - 1970, FLAC (tracks), lossless
-Billy May & His Orchestra & Glen Gray's Casa Loma Orchestra - The Swing Era 1944-1945 - The Golden Age of Network Radio - 1970-Жанр: Big Band, Swing Носитель: LP Страна-производитель диска (релиза): US Год издания: 1970 Издатель (лейбл): Time Life Records, Capitol Records Номер по каталогу: STL 348 Страна исполнителя (группы): US Битрейт аудио: lossless Формат: VINYL Rip 24bit 96khz Источник оцифровки: Dr. Robert Устройство воспроизведения: VPI TNT Mark IV turntable with VPI Single Motor Flywheel and VPI SDS Головка звукоснимателя: Eminent Technology ET-2.5 Air Bearing Tangential Tonearm Предварительный усилитель: Audio-Technica AT33PTG/II Dual Moving Coil Cartridge Программа-оцифровщик: Adobe Audition CC 2015 (v 8.1.0.162) Наличие сканов в содержимом раздачи: full scans Продолжительность: 1:35:02 Источник (релизер): REDacted Трэклист:
A1. Glen Gray & The Casa Loma Orchestra - Opus One (Tommy Dorsey version)
A2. Glen Gray & The Casa Loma Orchestra - Oh, What A Beautiful Mornin' (Jimmy Dorsey version)
A3. Billy May - Taps Miller (Count Basie version)
A4. The Nat King Cole Trio - It's Only A Paper Moon (Nat King Cole version)
A5. Billy May - 'S Wonderful (Artie Shaw version)
B1. Billy May - Carnival (Harry James version)
B2. Billy May - Sentimental Journey (Les Brown version)
B3. Billy May - Wildroot (Woody Herman version)
B4. The Nat King Cole Trio - Sweet Lorraine (Nat King Cole version)
B5. Billy May - Things Ain't What They Used To Be (Duke Ellington version)
C1. Billy May - Eager Beaver (Stan Kenton version)
C2. Glen Gray & The Casa Loma Orchestra - Begin The Beguine (Eddie Heywood version)
C3. Billy May - It's Been A Long, Long Time (Harry James version)
C4. Glen Gray & The Casa Loma Orchestra - Tippin' In (Erskine Hawkins version)
C5. Billy May - Northwest Passage (Woody Herman version)
D1. Glen Gray & The Casa Loma Orchestra - Apple Honey (Woody Herman version)
D2. Billy May - On The Sunny Side Of The Street (Tommy Dorsey version)
D3. Billy May - Slipped Disc (Benny Goodwin version)
D4. Billy May - Poinciana (Benny Carter version)
D5. Billy May - Leave Us Leap (Gene Krupa version)
E1. Billy May - Skyliner (Charlie Barnet version)
E2. Billy May - Twilight Time (Les Brown version)
E3. Billy May - Tampico (Stan Kenton version)
E4. Glen Gray & The Casa Loma Orchestra - Malibu (Benny Carter version)
E5. Billy May - Hamp's Boogie Woogie (Lionel Hampton version)
F1. Glen Gray & The Casa Loma Orchestra - Leap Frog (Les Brown version)
F2. Billy May - I'm Beginning To See The Light (Harry James version)
F3. Billy May - Clarinade (Benny Goodman version)
F4. Billy May - Southern Scandal (Stan Kenton version)
F5. Billy May - Goosey Gander (Woody Herman version)-
foobar2000 1.3.3 / Dynamic Range Meter 1.1.1 log date: 2020-06-14 07:39:47 -------------------------------------------------------------------------------- Analyzed: Billy May & His Orchestra / The Swing Era: The Music of 1944-1945 - The Golden Age of Network Radio (1-21) Glen Gray's Casa Loma Orchestra / The Swing Era: The Music of 1944-1945 - The Golden Age of Network Radio (22-28) Nat King Cole Trio / The Swing Era: The Music of 1944-1945 - The Golden Age of Network Radio (29-30) -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR14 -0.14 dB -16.42 dB 3:23 03-Taps Miller (Count Basie version) DR12 -2.22 dB -18.02 dB 3:01 05-'S Wonderful (Artie Shaw version) DR11 -1.72 dB -15.41 dB 3:08 06-Carnival (Harry James version) DR12 -0.88 dB -17.15 dB 3:20 07-Sentimental Journey (Les Brown version) DR12 -0.33 dB -15.08 dB 2:57 08-Wildroot (Woody Herman version) DR13 -0.94 dB -17.41 dB 3:10 10-Things Ain't What They Used to Be (Duke Ellington version) DR13 -2.67 dB -19.81 dB 3:17 11-Eager Beaver (Stan Kenton version) DR11 -2.60 dB -18.31 dB 3:32 13-It's Been a Long Time (Harry James version) DR14 -0.21 dB -17.86 dB 3:19 15-Northwest Passage (Woody Herman version) DR13 -0.83 dB -18.51 dB 3:10 17-On the Sunny Side of the Street (Tommy Dorsey version) DR13 -1.50 dB -18.77 dB 3:20 18-Slipped Disc (Benny Goodman version) DR13 -1.98 dB -19.65 dB 3:05 19-Poinciana (Benny Carter version) DR15 -1.01 dB -18.25 dB 3:03 20-Leave Us Leap (Gene Krupa version) DR13 -1.85 dB -17.89 dB 3:04 21-Skyliner (Charlie Barnet version) DR12 -1.63 dB -19.09 dB 3:31 22-Twlight Time (Les Brown version) DR13 -2.18 dB -17.92 dB 2:40 23-Tampico (Stan Kenton version) DR13 -0.59 dB -17.49 dB 3:23 25-Hamp's Boogie Woogie (Lionel Hampton version) DR13 -3.33 dB -19.45 dB 3:10 27-I'm Beginning to See the Light (Harry James version) DR13 -0.90 dB -16.70 dB 2:49 28-Clarinade (Benny Goodman version) DR12 -0.80 dB -16.66 dB 3:07 29-Southern Scandal (Stan Kenton version) DR12 -0.82 dB -16.87 dB 3:20 30-Goosey Gander (Woody Herman version) DR12 -0.74 dB -16.11 dB 3:02 01-Opus One (Tommy Dorsey version) DR12 -0.93 dB -17.64 dB 3:13 02-Oh What a Beautiful Mornin' (Jimmy Dorsey version) DR15 -3.10 dB -22.32 dB 3:22 12-Begin the Beguine (Eddie Heywood version) DR12 -4.45 dB -19.33 dB 3:26 14-Tippin' In (Erskine Hawkins version) DR12 -3.64 dB -18.74 dB 3:12 16-Apple Honey (Woody Herman version) DR10 -5.10 dB -19.11 dB 2:52 24-Malibu (Benny Carter version) DR13 -3.09 dB -18.08 dB 2:42 26-Leap Frog (Les Brown version) DR11 -5.10 dB -19.49 dB 2:59 04-It's Only a Paper Moon (Nat King Cole version) DR11 -3.70 dB -18.06 dB 3:26 09-Sweet Lorraine (Nat King Cole version) -------------------------------------------------------------------------------- Number of tracks: 30 Official DR value: DR13 Samplerate: 96000 Hz Channels: 2 Bits per sample: 24 Bitrate: 2688 kbps Codec: FLAC ================================================================================
Vinyl condition: Still Sealed after 45 years !! Deadwax info Side 1: STL-1-352-A1 IAM triangle Side 2: STL-2-352-B2 IAM triangle Side 3: STL-3-352-A1 #2 IAM triangle Side 4: STL-4-352-A3 IAM triangle Side 5: STL-5-352-A1 IAM triangle Side 6: STL-6-352-A1 IAM triangle Hardware Nitty Gritty RCM 1.5 Audio Intelligent Vinyl Solutions 3-Step Record Cleaning VPI TNT Mark IV turntable with VPI Single Motor Flywheel and VPI SDS Eminent Technology ET-2.5 Air Bearing Tangential Tonearm Audio-Technica AT33PTG/II Dual Moving Coil Cartridge Turntable speed verified using KAB SpeedStrobe Musical Surroundings Nova Phenomena Battery Powered Phono Preamp Lavry AD11 external USB 2.0 ADC Audioquest G-Snake LGC interconnects (TT to Preamp) Mogami Gold TS/RCA interconnects (Preamp to ADC) Mac Pro Dual Zeon 2.66 GHz ~ Mac OS 10.7.5 Mustek A3 1200HS Scanner Software Adobe Audition CC 2015 (v 8.1.0.162) for recording Amadeus Pro for track splitting Click Repair 3.9.3 (Build 46d) for de-click prewash (Manual mode) iZotope RX2 Advanced 2.10.656 for additional cleanup and restoration iZotope RX3 Redbook 2-step conversion Resample @ Filter Steepness: 80, Cutoff shift: 0.98, Pre-ringing: 1.0 / Dither: MBIT+ Noise shaping: Ultra, Dither: Normal, Limit noise peaks: On XLD Version 20151214 (149.1) for 24/96 FLAC (Level 5) xACT Version 2.37 (7448) for Redbook SBE correction, MD5 checksum and Redbook FLAC Mustek ScanExpress A3 USB 1200HS Pro Scanner Adobe Photoshop CC 14.2.1 Workflow RCM > TNT > PTG > Preamp > ADC > Toshiba laptop on battery > Au CC @ 32/96 > analyze (no clipping, DC Bias offset correction, Not Normalized) > Click Repair DC @ 20-30, Wavelet (manual mode) > iZotope DeClick (m-band (random) @ 1.2+ as needed) > FLAC encoded with XLD No music was harmed in the making of this vinyl rip. No silence been removed, please burn gapless to match original track layout.
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Conductor – Billy May (A3, A5, B1, B2, B3, B5, C1, C3, C5, D2, D3, D4, D5, E1, E2, E3, E5, F2, F3, F4, F5)
Orchestra – Glen Gray & The Casa Loma Orchestra (A1, A2, C2, C4, D1, E4, F1), The Nat King Cole Trio (A4, B4)
Alto Saxophone – Les Robinson, Skeets Herfurt
Bass – Charlie Harris (A4, B4), Buck Berghofer, Mike Rubin, Rolly Bundock
Cello – Anne Goodman, Armand Kaproff, Fred Seykora, Nino Rosso, Ray Cramer, Ray Kelley
Directed By [Studio Orchestra with changing personnel] – Billy May (A3,. A5, B1 to B3, B5, C1, C3, C5, D2 to E3, E5, F2 to F5), Glen Gray (A1, A2, C2, C4, D1, E4, F1)
Drums – Nick Fatool
Guitar – Al Hendrickson, George Van Eps, Jack Marshall, John Collins (2) (A4, B4)
Piano – Ray Sherman
Piano, Vocals – Nat King Cole (A4, B4)
Saxophone – Chuck Gentry, Don Raffell, Willie Schwartz
Saxophone, Clarinet – Abe Most, Gus Bivona
Saxophone, English Horn – Julie Jacob
Tenor Saxophone – Babe Russin, Justin Gordon
Tenor Saxophone, Soprano Saxophone – Plas Johnson (A3)
Trombone – Dick Nash, Dick Noel (2), Ed Kusby, George Roberts, Joe Howard, Lew McCreary, Lloyd Ulyate, Milt Bernhart, Murray McEachern, Si Zentner, Tommy Pederson
Trumpet – Bud Brisbois, Cappy Lewis, Conrad Gozzo, Frank Beach, Joe Graves, John Audino, John Best, Manny Klein, Pete Candoli, Shorty Sherock, Uan Rasey
Vibraphone – Emil Richards
Vibraphone, Piano – Larry Bunker
Viola – Allan Harshman, Gareth Nuttycombe, Lou Kievman, Samuel Boghossian
Violin – Assa Drori, Darrel Terwilliger, Eddie Bergman, Jerry Vincy, Harold Dicterow, Irving Geller, Jack Gotkin, John De Voogdt, Leonard Atkins, Leonard Malarsky, Miran Kojian, Mischa Russell, Paul Shure, Sid Sharp, Spiro Stamos
Vocals – Eileen Wilson (B2, C3, E5, F2), Nat King Cole (A4)
Vocals [Band Vocals] – Billy May Studioband (E3)
Vocals [Vocal Group] – Ann Clark Terry (D2), Jakie M. Ward (S2), Peggy Clark (S2), Sue Allen (D2)
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