(Big Band, Swing) [VINYL Rip 24bit 96khz] Billy May & His Orchestra & Glen Gray's Casa Loma Orchestra - The Swing Era 1942-1944 - When Sport Was Mighty Sporty - 1971, FLAC (tracks), lossless
-Billy May & His Orchestra & Glen Gray's Casa Loma Orchestra - The Swing Era 1942-1944 - When Sport Was Mighty Sporty - 1971-Жанр: Big Band, Swing Носитель: LP Страна-производитель диска (релиза): US Год издания: 1971 Издатель (лейбл): Time Life Records, Capitol Records Номер по каталогу: STL 347 Страна исполнителя (группы): US Аудио кодек: FLAC (*.flac) Тип рипа: (tracks) Битрейт аудио: lossless Формат: VINYL Rip 24bit 96khz Источник оцифровки: Dr. Robert Устройство воспроизведения: VPI TNT Mark IV turntable with VPI Single Motor Flywheel and VPI SDS Головка звукоснимателя: Eminent Technology ET-2.5 Air Bearing Tangential Tonearm Предварительный усилитель: Audio-Technica AT33PTG/II Dual Moving Coil Cartridge Программа-оцифровщик: Adobe Audition CC 2015 (v 8.1.0.162) Наличие сканов в содержимом раздачи: full scans Продолжительность: 1:31:38 Источник (релизер): REDacted Трэклист:
A1. Billy May & His Orchestra - Trumpet Blues And Cantabile (Harry James Version)
A2. Billy May & His Orchestra - On The Alamo (Tommy Dorsey Version)
A3. Billy May & His Orchestra - Clarinet A La King (Benny Goodman Version)
A4. Billy May & His Orchestra - Ida! Sweet As Apple Cider (Glenn Miller Version)
A5. Billy May & His Orchestra - Rockin' Chair (Gene Krupa Version)
B1. Billy May & His Orchestra - Mexican Hat Dance (Les Brown Version)
B2. Billy May & His Orchestra - Chelsea Bridge (Duke Ellington Version)
B3. Nat King Cole Trio - Straighten Up And Fly Right (Nat King Cole Version)
B4. Billy May & His Orchestra - Bear Mash Blues (Erskine Hawkins Version)
B5. Billy May & His Orchestra - After You've Gone (Gene Krupa Version)
C1. Billy May & His Orchestra - I've Got A Gal In Kalamazoo (Glenn Miller Version)
C2. Billy May & His Orchestra - Sleepy Lagoon (Harry James Version)
C3. Billy May & His Orchestra - Six Flats Unfurnished (Benny Goodman Version)
C4. Billy May & His Orchestra - Blues In The Night, Part I (Jimmie Lunceford Version)
C5. Billy May & His Orchestra - Blues In The Night, Part II (Jimmie Lunceford Version)
D1. Glen Gray's Casa Loma Orchestra - Mission To Moscow (Benny Goodman Version)
D2. Billy May & His Orchestra - I Guess I'll Have To Dream The Rest (Glenn Miller Version)
D3. Billy May & His Orchestra - St. Louis Blues (John Kirby Version)
D4. Billy May & His Orchestra - Cherry (Harry James Version)
D5. Billy May & His Orchestra - Where Oh Where Has My Little Dog Gone? (Claude Thornhill Version)
E1. Billy May & His Orchestra - Down For Double (Count Basie Version)
E2. Billy May & His Orchestra - I've Heard That Song Before (Harry James Version)
E3. Billy May & His Orchestra - The Earl (Benny Goodman Version)
E4. Billy May & His Orchestra - Moonlight On The Ganges (Tommy Dorsey Version)
E5. Billy May & His Orchestra - I Dreamt I Dwelt In Harlem (Glenn Miller Version)
F1. Glen Gray's Casa Loma Orchestra - C Jam Blues (Duke Ellington Version)
F2. Billy May & His Orchestra - He's My Guy (Harry James Version)
F3. Billy May & His Orchestra - Bugel Blues (Count Basie Version)
F4. Glen Gray's Casa Loma Orchestra - Stardreams (Charlie Spivak Version)
F5. Glen Gray's Casa Loma Orchestra - The Elks' Parade (Bobby Sherwood Version)-
foobar2000 1.3.3 / Dynamic Range Meter 1.1.1 log date: 2020-06-14 06:24:22 -------------------------------------------------------------------------------- Analyzed: Billy May & His Orchestra / The Swing Era: The Music of 1942-1944 - When Sport Was Mighty Sporty (1-25) Glen Gray's Casa Loma Orchestra / The Swing Era: The Music of 1942-1944 - When Sport Was Mighty Sporty (26-29) Nat King Cole Trio / The Swing Era: The Music of 1942-1944 - When Sport Was Mighty Sporty (30) -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR12 -2.86 dB -17.29 dB 3:00 01-Trumpet Blues and Cantabile (Harry James version) DR11 -4.18 dB -18.30 dB 3:17 02-On the Alamo (Tommy Dorsey version) DR12 -2.90 dB -18.53 dB 3:10 03-Clarinet a La King (Benny Goodman version) DR15 -1.18 dB -20.03 dB 3:24 04-Ida! Sweet as Apple Cider (Glenn Miller version) DR13 -3.17 dB -19.30 dB 3:20 05-Rockin' Chair (Gene Krupa version) DR11 -0.41 dB -15.88 dB 3:17 06-Mexican Hat Dance (Les Brown version) DR12 -4.63 dB -18.47 dB 3:11 07-Chelsea Bridge (Duke Ellington version) DR12 -3.13 dB -18.11 dB 3:18 09-Bear Mash Blues (Erskine Hawkins version) DR12 -1.54 dB -16.85 dB 2:49 10-After You've Gone (Gene Krupa version) DR14 -0.33 dB -18.41 dB 3:09 11-I've Got a Gal In Kalamazoo (Glenn Miller version) DR11 -3.06 dB -18.58 dB 2:59 12-Sleepy Lagoon (Harry James version) DR13 -1.66 dB -18.29 dB 3:17 13-Six Flats Unfurnished (Benny Goodman version) DR12 -3.83 dB -19.61 dB 2:40 14-Blues In the Night, Part I (Jimmie Lunceford version) DR11 -2.92 dB -18.85 dB 2:38 15-Blues In the Night, Part II (Jimmie Lunceford version) DR13 -2.29 dB -19.53 dB 3:15 17-I Guess I'll Have to Dream the Rest (Glenn Miller version) DR12 -2.01 dB -16.94 dB 3:10 18-St. Louis Blues (John Kirby version) DR12 -1.49 dB -17.26 dB 3:12 19-Cherry (Harry James version) DR13 -1.16 dB -17.35 dB 3:03 20-Where Oh Where Has My Little Dog Gone? (Claude Thornhill version) DR11 -0.88 dB -15.54 dB 3:04 21-Down for Double (Count Basie version) DR12 -1.62 dB -16.21 dB 3:03 22-I've Heard That Song Before (Harry James version) DR12 -0.88 dB -16.16 dB 2:33 23-The Earl (Benny Goodman version) DR13 -2.09 dB -18.54 dB 2:55 24-Moonlight On the Ganges (Tommy Dorsey version) DR12 -1.82 dB -18.68 dB 3:46 25-I Dreamt I Dwelt In Harlem (Glenn Miller version) DR13 -1.58 dB -18.40 dB 3:25 27-He's My Guy (Harry James version) DR13 -2.25 dB -17.82 dB 2:26 28-Bugle Blues (Count Basie version) DR13 -0.87 dB -16.75 dB 2:49 16-Mission to Moscow (Benny Goodman version) DR11 -1.71 dB -16.15 dB 2:45 26-C Jam Blues (Duke Ellington version) DR11 -3.64 dB -18.25 dB 3:06 29-Stardreams (Charlie Spivak version) DR12 -1.30 dB -17.42 dB 2:59 30-The Elks' Parade (Bobby Sherwood version) DR11 -4.52 dB -18.07 dB 2:39 08-Straighten Up and Fly Right (Nat King Cole version) -------------------------------------------------------------------------------- Number of tracks: 30 Official DR value: DR12 Samplerate: 96000 Hz Channels: 2 Bits per sample: 24 Bitrate: 2631 kbps Codec: FLAC ================================================================================
Vinyl condition: Still Sealed after 45 years !! Deadwax info Side 1: STL-1-352-A1 IAM triangle Side 2: STL-2-352-B2 IAM triangle Side 3: STL-3-352-A1 #2 IAM triangle Side 4: STL-4-352-A3 IAM triangle Side 5: STL-5-352-A1 IAM triangle Side 6: STL-6-352-A1 IAM triangle Hardware Nitty Gritty RCM 1.5 Audio Intelligent Vinyl Solutions 3-Step Record Cleaning VPI TNT Mark IV turntable with VPI Single Motor Flywheel and VPI SDS Eminent Technology ET-2.5 Air Bearing Tangential Tonearm Audio-Technica AT33PTG/II Dual Moving Coil Cartridge Turntable speed verified using KAB SpeedStrobe Musical Surroundings Nova Phenomena Battery Powered Phono Preamp Lavry AD11 external USB 2.0 ADC Audioquest G-Snake LGC interconnects (TT to Preamp) Mogami Gold TS/RCA interconnects (Preamp to ADC) Mac Pro Dual Zeon 2.66 GHz ~ Mac OS 10.7.5 Mustek A3 1200HS Scanner Software Adobe Audition CC 2015 (v 8.1.0.162) for recording Amadeus Pro for track splitting Click Repair 3.9.3 (Build 46d) for de-click prewash (Manual mode) iZotope RX2 Advanced 2.10.656 for additional cleanup and restoration iZotope RX3 Redbook 2-step conversion Resample @ Filter Steepness: 80, Cutoff shift: 0.98, Pre-ringing: 1.0 / Dither: MBIT+ Noise shaping: Ultra, Dither: Normal, Limit noise peaks: On XLD Version 20151214 (149.1) for 24/96 FLAC (Level 5) xACT Version 2.37 (7448) for Redbook SBE correction, MD5 checksum and Redbook FLAC Mustek ScanExpress A3 USB 1200HS Pro Scanner Adobe Photoshop CC 14.2.1 Workflow RCM > TNT > PTG > Preamp > ADC > Toshiba laptop on battery > Au CC @ 32/96 > analyze (no clipping, DC Bias offset correction, Not Normalized) > Click Repair DC @ 20-30, Wavelet (manual mode) > iZotope DeClick (m-band (random) @ 1.2+ as needed) > FLAC encoded with XLD No music was harmed in the making of this vinyl rip. No silence been removed, please burn gapless to match original track layout.
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Conductor – Billy May (A1--A5, B1, B2, B4, B5-C5, D2-E5, F2, F3), Glen Gray (D1, F1, F4, F5)
Performer – The Nat King Cole Trio (B3)
Piano – Nat King Cole (B3)
Producer – Bill Miller (5), David Cavanaugh
Vocals – Bob Grabeau (D2), Eileen Wilson (E2), Helen Forrest (F2), Nat King Cole (B3), Tex Beneke (A4, C1), Trummy Young (C5)
Bass – Charlie Harris (B3), Mike Rubin, Morty Corb, Rolly Bundock
Cello – Igor Horoshevsky (A1), Nino Rosso (A1), Ray Kelley (A1)
Drums – Irv Cotler, Nick Fatool
Guitar – Jack Marshall, John Collins (B3)
Orchestra – The Nat King Cole Trio (B3)
Piano – Ray Sherman
Piano, Vocals – Nat King Cole (B3)
Saxophone – Abe Most, Babe Russin, Chuck Gentry, Don Raffell, Gus Bivona, Jack Nimitz, Julie Jacob, Justin Gordon, Les Robinson, Plas Johnson, Skeets Herfurt, Willie Schwartz
Trombone – Benny Benson, Dick Nash, Ed Kusby, George Roberts, Hoyt Bohannon, Joe Howard, Lew McCreary, Lloyd Ulyate, Milt Bernhart, Murray McEachern, Si Zentner, Tommy Pederson
Trumpet – Cappy Lewis, Conrad Gozzo, Frank Beach, Joe Graves, John Audino, Manny Klein, Pete Candoli, Ray Triscari, Shorty Sherock, Uan Rasey
Viola – Al Harshman (A1), Lou Kievman (A1), Myron Sandler (A1)
Violin – Eddie Bergman (A1), Irving Geller (A1), Jack Gootkin (A1), John De Voogdt (A1), Mischa Russell (A1), Nat Kaproff (A1), Paulo Alencar (A1), Sid Sharp (A1), Spiro Stamos (A1), Ted Rosen (A1)
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