(Big Band, Swing) Billy May & Glen Gray's Casa Loma Orchestra - The Swing Era: The Music Of 1938-1939 - Where Swing Came From - 1970 (Time Life Records), FLAC (tracks), [VINYL Rip 24bit 96khz] lossless

foobar2000 1.3.3 / Dynamic Range Meter 1.1.1
log date: 2020-06-13 19:11:34
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Analyzed: Billy May & His Orchestra / The Swing Era: The Music of 1938-1939 - Where Swing Came From (1-23)
          Glen Gray's Casa Loma Orchestra / The Swing Era: The Music of 1938-1939 - Where Swing Came From (24-30)
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DR         Peak         RMS     Duration Track
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DR11      -2.76 dB   -17.35 dB      3:22 03-My Reverie (Larry Clinton version)
DR12      -4.22 dB   -19.32 dB      2:57 04-Undecided (John Kirby version)
DR14      -0.37 dB   -18.87 dB      3:25 05-Pavanne (Glenn Miller version)
DR13      -2.45 dB   -17.59 dB      3:09 07-What's New (Bob Crosby version)
DR14      -1.95 dB   -18.98 dB      2:39 08-Piano Man (Earl Hines version)
DR13      -0.33 dB   -16.50 dB      3:08 10-Hawaiian War Chant (Tommy Dorsey version)
DR13      -1.63 dB   -17.50 dB      3:34 12-Lullaby In Rhythm (Benny Goodman version)
DR13      -2.35 dB   -18.93 dB      2:53 13-Cheatin' On Me (Jimmie Lunceford version)
DR14      -1.76 dB   -18.26 dB      2:39 14-In an Eighteenth Century Drawing Room (Raymond Scott version)
DR13      -0.26 dB   -16.69 dB      3:11 15-Big John's Special (Benny Goodman version)
DR13      -1.41 dB   -18.48 dB      3:06 16-Wrappin' It Up (Benny Goodman version)
DR12      -4.08 dB   -20.21 dB      3:12 17-Memories of You (Glen Gray version)
DR14      -0.29 dB   -17.71 dB      3:22 18-Softly, as In a Morning Sunrise (Artie Shaw version)
DR12      -3.35 dB   -20.42 dB      2:42 19-Big Noise from Winnetka (Haggart-Bauduc version)
DR13      -0.41 dB   -15.78 dB      3:15 22-Carioca (Artie Shaw version)
DR12      -3.94 dB   -17.95 dB      2:49 23-Anitra's Dance (John Kirby version)
DR13      -1.33 dB   -16.27 dB      2:37 24-Copenhagen (Artie Shaw version)
DR10      -1.31 dB   -15.11 dB      3:01 25-'Tain't What You Want (Jimmie Lunceford version)
DR13      -2.41 dB   -18.10 dB      3:07 26-Boy Meets Horn (Duke Ellington version)
DR15      -0.30 dB   -17.40 dB      2:59 27- Honky Tonk Train (Bob Crosby version)
DR12      -3.06 dB   -19.09 dB      3:01 28-Melancholy Lullaby (Benny Carter version)
DR12      -0.46 dB   -17.84 dB      3:11 29-Octoroon (Artie Shaw version)
DR12      -0.98 dB   -15.71 dB      3:09 30-And the Angels Sing (Benny Goodman version)
DR12      -1.38 dB   -16.23 dB      3:23 01-Begin The Beguine (Artie Shaw version)
DR12      -1.63 dB   -16.51 dB      2:45 02-Swingin' the Blues (Count Basie version)
DR13      -0.68 dB   -17.17 dB      3:23 06-Woodchopper's Ball (Woody Herman version)
DR12      -2.56 dB   -18.19 dB      2:54 09-Embraceable You (Bobby Hacket version)
DR12      -2.81 dB   -17.96 dB      2:53 11-Jumpin' at the Woodside (Count Basie version)
DR12      -2.96 dB   -18.20 dB      3:10 20-John Silver (Jimmy Dorsey version)
DR11      -0.29 dB   -15.48 dB      2:36 21-Floyd's Guitar Blues (Andy Kirk version)
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Number of tracks:  30
Official DR value: DR13
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2822 kbps
Codec:             FLAC
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Vinyl condition: Still Sealed after 45 years !!
Deadwax info
Side 1: STL-1-352-A1      IAM triangle
Side 2: STL-2-352-B2    IAM triangle
Side 3: STL-3-352-A1 #2 IAM triangle
Side 4: STL-4-352-A3    IAM triangle
Side 5: STL-5-352-A1    IAM triangle
Side 6: STL-6-352-A1    IAM triangle
Hardware
Nitty Gritty RCM 1.5
Audio Intelligent Vinyl Solutions 3-Step Record Cleaning
VPI TNT Mark IV turntable with VPI Single Motor Flywheel and VPI SDS
Eminent Technology ET-2.5 Air Bearing Tangential Tonearm
Audio-Technica AT33PTG/II Dual Moving Coil Cartridge
Turntable speed verified using KAB SpeedStrobe
Musical Surroundings Nova Phenomena Battery Powered Phono Preamp
Lavry AD11 external USB 2.0 ADC
Audioquest G-Snake LGC interconnects (TT to Preamp)
Mogami Gold TS/RCA interconnects (Preamp to ADC)
Mac Pro Dual Zeon 2.66 GHz ~ Mac OS 10.7.5
Mustek A3 1200HS Scanner
Software
Adobe Audition CC 2015 (v 8.1.0.162) for recording
Amadeus Pro for track splitting
Click Repair 3.9.3 (Build 46d) for de-click prewash (Manual mode)
iZotope RX2 Advanced 2.10.656 for additional cleanup and restoration
iZotope RX3 Redbook 2-step conversion
    Resample @ Filter Steepness: 80, Cutoff shift: 0.98, Pre-ringing: 1.0 /
    Dither: MBIT+ Noise shaping: Ultra, Dither: Normal, Limit noise peaks: On
XLD Version 20151214 (149.1) for 24/96 FLAC (Level 5)
xACT Version 2.37 (7448) for Redbook SBE correction, MD5 checksum and Redbook FLAC
Mustek ScanExpress A3 USB 1200HS Pro Scanner
Adobe Photoshop CC 14.2.1
Workflow
RCM > TNT > PTG > Preamp > ADC > Toshiba laptop on battery > Au CC @ 32/96 >
analyze (no clipping, DC Bias offset correction, Not Normalized) >
Click Repair DC @ 20-30, Wavelet (manual mode) >
iZotope DeClick (m-band (random) @ 1.2+ as needed) > FLAC encoded with XLD
No music was harmed in the making of this vinyl rip.
No silence been removed, please burn gapless to match original track layout.

A3, A4, A5, B1, B3, B5, C2, C6, C4, C5, D1, D2, D3, D4, E2, E3, E4, E5, F1-F5 - Re-creations conducted by Billy May
A1, A2, B1, B4, C1, D5, E1 - Re-creations by Glen Gray's Casa Loma Orchestra
Bass – Joe Mondragon (C3, E5), Mike Rubin* (A1, A2, B1, B4, C1, D5, E1), Rolly Bundock (A3 to A5, B2, B3, B5, C2, C4 to D4, E2 to E4, F1 to F5)
Drums – Alvin Stoller (C3, E5), Irv Cottler (A2, E1), Nick Fatool (A1, A3 to B3, B5 to C2, C4 to D5, E2 to E4, F1 to F5)
Guitar – Al Hendrickson (C3, E5), Jack Marshall (A1 to A3, A5 to D3, D5 to E2, E4, F1 to F5)
Leader – Billy May (A3 to A5, B2, B3, B5, C2 to D4, E2 to F5), Glen Gray (A1, A2, B1, B4, C1, D5, E1)
Piano – Jimmy Rowles (C3, E5), Ray Sherman (A1 to C2, C4 to D3, D5 to E4, F1 to F5)
Saxophone – Abe Most (A2, A4, A5, B3, B5, C4, D2, E1, E3, F3), Babe Russin (A1, A2, B1, B4, C1, D5, E1), Bob Lawson (C3, E5), Chuck Gentry (A1, A2, B1, B4, C1, C3, D5, E1, E5), Gus Bivona (A1, B1, B4, C1, D5), Jack Nimitz (A5, B3, F1), Joe Thomas (3) (C3, E5), Julie Jacobs (A1, B1, C1), Julie Jacob* (B4, D2, D5), Justin Gordon (A3, A5, B2, B3, B5, C2, C4 to D3, E2, E4, F1 to F5), Les Robinson (D2, D3, E4, F4), Plas Johnson (A2, A3, A5, B2, B5, C1, C2, C5, D1, D3, E1, E2, E4, F2 to F5), Skeets Herfurt (A1 to A4, B1, B2, B4, C1, C2, C5, D1, D5, E1 to E3, F1, F2, F5), Ted Nash (2) (C3, E5), Willie Schwartz* (A3, A5, B2, B3, B5, C2, C3, C5, D1, D3, E2, E4 to F5 ), Willie Smith (2) (C3, E5)
Trombone – Benny Benson (A1, B1), Dick Nash (A3, D3, E4, F2, F5), Dick Noel (2) (A5, C3, D5, E2, E4, E5, F3, F4), Ed Kusby (B4, C3, D5, E5), George Roberts (B4), Joe Howard (A1 to A3, A5, B2 to C3, C5 to D2, D5, E1, E2, E5 to F3), Lloyd Ulyate (B3, B5, C2, D2, D3, F1, F4), Milt Bernhart (A2, B4, C1, D5, E1), Murray McEachern (A1, B1, C1), Si Zentner (A1, A2, B1, C1, C3, E1, E5), Tommy Pederson (C1), Trummy Young (C3, E5)
Trumpet – Cappy Lewis (C1), Conrad Gozzo (A1, A2, B1, B4, C1, C3, D5, E1, E5), Joe Graves (A2, D5, E1), John Audino (C2, C5, D2, F1), Johnny Best* (A3, A5, B3, B5, D1, E2, E4, F3 to F5), Lew McCreary (A2, A3, A5, B2, B3, B5, C5 to D3, E1, E2, E4, F1 to F5), Manny Klein (A1, A2, B1, B4, C1, C3, D5, E1, E5), Ollie Mitchell (C3, E5), Pete Candoli (A1, A4, B1, B2, B4 to C3, D1, D3, D5, E4, E5, F2 to F4), Ray Triscari (D2), Shorty Sherock (A1 to A3, A5 to B4, C1, C4, C5, D2, D3, E1 to E4, F2, F4, F5), Uan Rasey (A2, A3, A5, B2 to B5, C2, C5 to D3, E2, E4, F1 to F5), Vito Mangano (C3, E5)
Vocals – Eileen Wilson (A3, F5), Joe Howard (D5), Trummy Young (C3, E5)
Whistling – Jack Marshall (D4)