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(Big Band) Duke Ellington - Happy Birthday Duke!, Vol. 4 - 1992 (LaserLight)
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 Релиз подготовлен Proper SelfMade Lossless Group "Always Proper, Ever SelfMade"--Duke Ellington - Happy Birthday Duke!, Vol. 4 (April 29th Birthday Sessions) - 1992 (LaserLight) --  Жанр: Big BandНоситель: CD Страна-производитель диска (релиза): USA Год издания оригинала: 1992 Издатель (лейбл): LaserLight Digital Номер по каталогу: 15 786 Страна исполнителя (группы) : USA Аудио кодек: FLAC (*.flac) Тип рипа: (tracks + .cue) Битрейт аудио: lossless Наличие сканов в содержимом раздачи: full scans, png, 300 dpi Продолжительность: 38:51 Источник (релизер): Моя коллекция, мой рип Трэклист: 1 Coffee & Kisses 3:05 2 Johnny Come Lately 2:37 3 (Maybe I Should) Change My Ways 3:20 4 Primping At The Prom 2:31 5 Band Call 3:30 6 Satin Doll 3:10 7 Blue Jean Beguine 3:27 8 Tulip Or Turnip (Tell Me, Tell Me, Dream Face) 2:55 9 Honeysuckle Rose 4:48 10 Theme For Trambeam 2:48 11 Blue Moon 4:42  
Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Jazz    [CUETools log; Date: 12/8/2018 2:58:06 PM; Version: 2.1.5] foobar2000 1.3.10 / Замер динамического диапазона (DR) 1.1.1    HAPPY BIRTHDAY, DUKE!
Three previous Laserlight discs (15783, 15784 and 15785) have presented selections from programs played on Duke Ellington's birthday at McElroy's Ballroom in Portland, Oregon. Here the listener is returned to the same venue on the same date exactly a year later. Ellington himself is in a more restrained mood and less voluble, but his exclamations at the piano and shouted instructions to the band indicate that he was in good spirits. As usual at a dance, the band plays several numbers at comfortable dance tempos before he makes his appearance. Coffee and Kisses is played from an arrangement that was apparently kept in the band's book for only a short time. The emphasis is primarily on the ensemble, although Ray Nance, Clark Terry and Harry Carney are heard from briefly, and Dave Black, who replaced Butch Ballard on drums, makes himself felt agreeably. Johnny Come Lately, an early Billy Strayhorn composition, follows. The chief soloists are Quentin Jackson (using his plunger mute very expressively) and Harry Carney. Britt Woodman plays the bridge in the first chorus and bassist Wendell Marshall, Jimmy Blanton's cousin, is heard to advantage throughout the brisk, confident performance. Change My Ways was written by Ellington and lyricist John LaTouche for the Broadway show, Beggar's Holiday, in 1947. It is a sad, moving song with a self-questioning element implicit in the melody. Britt Woodman has the solo passage in the second chorus that was originally played by Lawrence Brown. After accidentally tapping the mike with his bow, Ray Nance takes over on violin for a warmly emotional statement. Primpin' for the Prom, like Strayhorn's Smada and Boodah. was obviously written for what Ellington called "the dance book". Although an attractive, catchy number, it did not enjoy a long life, Paul Gonsalves is the soloist. Band Call signals Ellington's arrival at the piano in no uncertain terms. On occasions like this, he customarily used this piece after intermissions to summon wandering members of his flock to the stand. Unique in its length, and probably the best ever recorded, this version makes his happiness in playing very evident. By the time he gets through, Clark Terry and a few other musicians have taken their places. Satin Doll was written the previous year, but it was a long way from being the monster hit it would later become after the treatment had been modified to feature the bassist. Here Ray Nance gets his regular eight bars at the mike and Paul Gonsalves leads the reeds. Blue Jean Beguine was written by Cat Anderson, who blows with ferocious power in the upper register. The sober opening chorus is attractively arranged. The muted trumpets and the trombone counter-melody combine to create an atmosphere in sharp contrast with what follows as Anderson figuratively steps once more, sword in hand, into the bright sun of the bullring. Which explains the title not at all Tulip or Turnip has characteristically humorous singing by Ray Nance, who clearly enjoys the Don George lyrics. Britt Woodman and Cat Anderson both solo in the third chorus. Honeysuckle Rose, announced as "Portland Rose" by Ellington, is a showcase for Hamilton's clarinet expertise. The leader and the band swing hard in support. Theme for Trambean is a lip-busting display of virtuosity by Woodman, who goes from the top to bottom of his horn with astonishing agility. To end this section of the night's work, a possibly moonstruck Jimmy Grissom sings a relaxed, good-humored Blue Moon, aided by more expert Nance fiddle. STANLEY DANCE author of The World of Duke Ellington (Da Capo Press) DUKE ELLINGTON - piano
Willie Cook, Clark Terry, Cat Anderson - trumpet Ray Nance - trumpet, violin & vocal Britt Woodman, Quentin Jackson, John Sanders - trombone Russell Procope - also sax and clarinet Rick Henderson - alto sax Paul Gonsalves - tenor sax Jimmy Hamilton - clarinet & tenor sax Harry Carney - baritone sax & bass clarinet Wendell Marshall - bass Dave Black - drums Jimmy Grissom - vocal Для того, чтобы скачать .torrent Вам необходимо зарегистрироваться |
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