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Attrition / Discography
 Жанр: Dark Electro, Darkwave, Synthpop, Industrial, Noise, Experimental, Modern Classical Страна-производитель диска: UK Год издания диска: 1981-2020 Тип издания: Web, CD, Vinyl Аудиокодек: FLAC (*.flac) Тип рипа: tracks, tracks+.cue Продолжительность: 72:38:44 Источник (релизер): Bandcamp, REDacted, Apollo, what.cd Наличие сканов в содержимом раздачи: digital Благодарность и Уважение: magradush2  Attrition образовались еще в далеком 1980-м году. Группа была основана Martin Bowes и изначально была ориентирована на сочетание раннего пост-индастриала, синти-попа и атмосферной готики с мужским и женским вокалами. Их самая ранняя запись датируется 1982 годом, что и говорить: более 25 лет - срок очень солидный для готически-индустриальной сцены, при этом еще большее уважение вызывает то, что группа все это время активно экспериментировала со своим звучанием, постоянно изобретая что-то новое, начав свой творческий путь с post-punk, они быстро перешли в электронно-индустриально-экспериментальную область, создавали неоклассические и ethereal комозиции, экспериментировали с darkwave и dark electro…  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 46:08 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Crawling (23:21) 02. Attrition - Dead Of Night (22:48) The legendary Attrition began their musical career back in 1980. In two years time they would go on and release their masterful debut "Death House", an album that conjures the most macabre of Attrition's elements. Allegedly influenced by classic zombie films, "Death House" lends truth to that rumor by delivering forty six minutes of blackened paranoia inducing ambiance. Split into two sprawling pieces, "Death House" conjures the grim, unsettling atmospheres of such films like "The Last Man On Earth" and the original "Night of the Living Dead" and portrays them into musical form. The album is oftentimes uncomfortable to listen to, much like when you watch that scene in "Night of the Living Dead" where Judy and Tom's pickup truck explodes for the first time. The ghastly scene of watching Tom and Judy's corpses get eaten by zombies was the turning point in the film. How that scene made you feel queasy, well, Attriton do that for the entirety of "Death House". Attrition's actual musical approach is pretty minimal. They use light percussion and synthesizers to comprise their sound. The walls of synthesizer swell and bellow with agitation, twisting and morphing into all kinds of unfettered sounds while getting progressively both louder and softer. Tension is always high, as is dread and psychosis. In "The Dead of Night" you are greeted by harrowing synth effects that sound like a ambulance siren. It picks up in strength before it ominously fades away, conjuring a thought of some speeding ambulance that never quite made it to it's destination. Instead, the ambulance lies turned over on it's side, all occupants inside the vehicle lying motionless with the cracked windshield stained red and a vast, slow moving horde silently moving in to corner the tragic victims. Wind samples and bleeping computer effects are also used magnificently, with the wind providing a naturalistic sense of horror while the computer projects something more sinister. The album essentially composes the soundtrack to the perfect horror film as it has all the trademark elements of one. High-strung motion, unwavering tension and absolute conviction define this record but it comes as no surprise to me that a legendary band like Attrition would immediately come out the gate swinging with a masterpiece. The synthesizers and percussion are used to such a stunning effect on "Death House" that I highly recommend this album to everyone who can appreciate genuine, dark music. released July 7, 1982 Originally released as a cassette on Adventures in Reality in 1982. Later on vinyl and then CD. This is the Two Gods label remastered reissue. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 44:33 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Inside/Outside (5:34) 02. Attrition - For The Child (4:52) 03. Attrition - Talkback (9:31) 04. Attrition - The Christening (2:49) 05. Attrition - No Ending (5:44) 06. Attrition - Casual Nightmare (5:19) 07. Attrition - Critique Of Leisure Consumption (7:15) 08. Attrition - Bluegrass Xmas (3:30) released July 23, 1983 A collaboration between ATTRITION and Audio Leter from Seattle, USA. originally released on Cassette in 1983. This is the Two Gods label remastered reissue. Regen magazin e - USA - 2007 Attrition delve into their archive to unearth this early experimental jam session from 1983. Considering that Attrition have always been on the cusp of the acclaim, it's rather amazing that this venerable British act continues to slog onwards. A key player in the genre who never gets proper credit, they stand nearly alone as one of the few original "industrial" cult acts that are still mercilessly active. Since their inception in 1982, their soundscapes have covered everything from folk to industrial, tribal to even ambient. Action and Reaction is a document from their formative years; culled from 1983, it is a collaboration with a long-defunct American project called Audio Letter. Unlike their cinematic two-track debut from the previous year, Action and Reaction is a collection of shorter pieces. According to the liner notes, the first half of this disc contains tracks begun by Attrition and completed by Audio Letter, and vice versa for the second half. Re-released on their Two Gods label, and re-mastered by Attrition's mastermind, Martin Bowes, the recording itself sounds surprisingly clear for its age. A noodling enigma, "Inside Outside" is an odd start that only later makes sense after digesting the whole. Guitar and its bass sibling titter, ping, and mutter confused, their puzzlement echoed by the duck-like din of dissonant trumpet and occasionally punctuated by cardboard box bongo woofs. Though still following the avant-garde path, "Talkback" is quite different; it is like a conversation between an experimental jazz saxophone and a seventies television commercial. Age-faded announcers gleefully recite monologue fractions while their sax squeals and chirps like an irate R2-D2. Beneath this argument in noise, synths putter and drum machines click, but their presence seems rather inconsequential and ignored. Closing out the first half of the disc, "The Christening" is certainly the most dynamic relic amongst the eight, mostly thanks to Sue Ann Harkey's tortured operatic melodrama, as the instrumentation once more is murky and abstract. The constructions on the second half are a little bit more consistent. Sounding like a flu-borne hallucination, "No Ending" finds Harkey's personality bisected a between deep monotone and a trilling falsetto siren as she half reads and half off-kilter trills through what sounds like medical documents. Musically, she is accompanied by the loose pluck of tin guitar, abrasive waves of synth, and slow motion ear piercing explosions of metallic noise. Harkey's confrontational presence is absent during "Critique of Leisure Consumption," where guest Deran Ug'ly resides at the microphone under the given title of "orator." Over a nausea-inducing sea of plucked guitar and hooting and bellowing tuba-like whales, Ug'ly speaks mechanical, blurred, and stilted of the "show being over." However, there is the final piece, "Bluegrass Xmas," which certainly does not resemble its title at all, a mess of hand drums, off-key woodwind noises, and cymbals. In summary, Action and Reaction is an interesting artifact, but one that is designed to sate avid Attrition collectors more than it is a tool that could be used to gather new fans. Perhaps parties who name-check artists like Nurse with Wound, early Coil, or Diamanda Galas might find these avant-garde experiments of greater interest than their later, more harmonic works, as may prove fairly interesting to someone with an ear for early experimentalism. It cements the fact that Attrition's double-decade scope is epic, and is certainly an interesting (albeit challenging) chapter in this band's lengthy career. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 43:36 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Vigil (3:13) 02. Attrition - Onslaught (5:16) 03. Attrition - Shrinkwrap (82) (3:38) 04. Attrition - Tones In Black (3:24) 05. Attrition - First Onslaught (6:44) 06. Attrition - Black Death (4:03) 07. Attrition - The Visitor (3:50) 08. Attrition - Hungry Ghosts (4:14) 09. Attrition - Mr Toma (I Looked But It Was Gone) (9:13) ATTRITION - SECOND ONSLAUGHT A re-release of ATTRITION's seminal 1983 cassette album "Onslaught" A very limited edition cassette remake on Germany's Maneki Neko Tapes Originally released on the legendary "Third Mind" label, with bonus tracks from the same period and enhanced with tracks from such legendary compilations as "Rising from the Red Sand" and "The Last Supper". Never reissued in it's original form, this collection presents a valuable insight into ATTRITION's early days. -Side A- Originally released on Third Mind tapes. 1983 -Side B- Taken from various cassette compilations. 1982 - 84 Officially release the first week of November 2016. We are taking advance orders now...! released October 28, 2016 Remastered For this collection by Martin Bowes at the Cage studios. England. 2016 A Two Gods Production for Maneki Neko Tapes ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:03:11 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Day I Was Born (4:08) 02. Attrition - The Redoubt Of Light (4:50) 03. Attrition - You Will Remember Nothing (7:25) 04. Attrition - Take A Walk (5:09) 05. Attrition - Beast Of Burden (Take A Walk) (3:10) 06. Attrition - Behind Innocence, Lies (6:33) 07. Attrition - The Decline (4:08) 08. Attrition - Prayer For The Head (9:11) 09. Attrition - The Next Day (From 12” EP "The Voice Of God") (Bonus Track) (4:16) 10. Attrition - The Outer Edge (From 12” EP "The Voice Of God") (Bonus Track) (3:57) 11. Attrition - Across The Divide (From 12” EP "The Voice Of God") (Bonus Track) (3:23) 12. Attrition - Reflections (From 12” EP "The Voice Of God") (Bonus Track) (7:02) released August 9, 1984 Originally released on Third Mind records in 1984. This is the Two Gods label remastered reissue. Musictap.net - USA. - 2007 Martin Bowes' remastering and reissue project of his Attrition albums continues with the reissue of his debut album, The Attrition of Reason (1984). Created in a time where gothic music was more distinctive – and popular – than it is now, Attrition was the experimental side of a wider genre. Remember the success of Cure, Bauhaus, The Damned, and others of that ilk, and you'll remember how much Gothic played a part in that time. While Attrition wasn't as popular as the aforementioned bands, their impact, nevertheless, gave rise and influence to much of the industrial music popularity that sprung up later in the 80s. Martin Bowes brought sounds and elements into the construction of his songs to create a strangely satisfying and truly gothic experience and he has evolved that Attrition sound in the years that followed. In order to fully realize the Attrition sound, Bowes managed to stay outside the confines of larger labels so as to not compromise the integrity of what he wanted his audience to enjoy. A few years later, Attrition would find a suitable home in Projekt Records where, within the realm of a few years, a large collection of his Attrition music would become accessible to a US audience. Marrying gothic with late night horror film creep, The Attrition of Reason delivers, first by way of its cover and then by its music, the look and feel of a walk through a ancient house of evil. The album's opener track, “Day I Was Born,” sounds like the ghosts of the past communicating by singing in a mix of banshee backing vocals and a monotone voice, accompanied by eerie keyboards not uncommon in classic horror. But to pin the entirety of The Attrition of Reason on this board would be wrong. While the elements of horror remain throughout the album, there are songs that explore the juxtaposition of sounds to excellent effect and making for an album of note. On “You Will Remember Nothing,” there is an element of a suspenseful movie score with a consistent looping electronic track and whispering, ghostly, movie-like vocals (voiceovers?). Other songs, like the highly experimental instrumental cut “Take a Walk,” with its dance beats, and its sister, “Beast of Burden (take a walk),” also a dance track, add to the heart of this album. Added to this reissue is the 4-track EP, The Voice of God (1984). This EP's collection of songs are all danceable, sounding more like the 80s period of pop tunes that you remember. The Attrition of Reason stays true to its gothic roots and explorations of horror in its 8 tracks. That element was explored by bands like The Cure but never cut into the arm as deeply as Attrition does. With this reissue's expanded addition of the 4-song EP, The Attrition of Reason is a greater collector value. Fans should be quite happy to get this next remastered disc for their Attrition library. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 47:30 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Look Out! Hedonist (3:31) 02. Attrition - The Game Is Up (3:43) 03. Attrition - Feel The Backlash (4:27) 04. Attrition - Mind Drop (4:04) 05. Attrition - Pendulum Turns (3:21) 06. Attrition - Fusillade Part 1 (3:53) 07. Attrition - Fusillade Part 2 (3:35) 08. Attrition - Hallucinator (3:20) 09. Attrition - My Eyes (4:30) 10. Attrition - Fate Is Smiling (5:50) 11. Attrition - Shrinkwrap (From the 12” - "Shrinkwrap") (Bonus Track) (3:37) 12. Attrition - Fusillade 3 (From compilation "For Your Ears Only") (Bonus Track) (3:39) released July 10, 1985 Originally released on Third Mind records in 1985. This is the Two Gods label remastered reissue. Smiling, At The Hypogonder Club review from Judas Kiss Continuing with the reissue of their back catalogue, Attrition this time take a drive back into their distant past and deliver their second proper album, 1985’s ‘Smiling, At The Hypogonder Club’. Following on from their ’84 debut ‘The Attrition Of Reason’, there’s a dramatic shift in the output of the band, with a greater emphasis on electronics and beats being utilised with a clear and precise delivery to give the album an uneasy dancefloor feel which has reverberated through their work to the present day. There are also the embryonic beginnings of the male / female vocal interplay which is a pivotal element in Attrition’s recorded output. Although coming from more experimental origins, with ‘Smiling,…’ Martin Bowes forges ahead with an interesting assemblage of synth passages, dramatic vocals and a dark undercurrent that ties the whole package together. At the time, I can imagine their sound must have been strangely leftfield whilst not sitting too comfortably within other genres of similarly styled music. It had the beats and dark dancefloor aesthetic of early Skinny Puppy, the experimental edge that tied it somewhat uncomfortably to the outskirts of the industrial scene at the time, and a dark presence that had one foot firmly planted in the gothic scene, making it still indefinable as one specific genre or another and immensely difficult to pigeonhole. Yet in only a matter of years, Attrition’s mid-80s sound would influence a whole plethora of copyists and be held in some way responsible for birthing the gothic / ethereal sound that became synonymous with the American label Projekt. With a dark poppy edge and a strangely enticing sound and atmosphere, ‘Smiling,..’ has a feel that has aged brilliantly well with time and manages to keep itself from sounding aged and of its time, which is surely a credit to the recording skills of Martin and the rest of the band. Presented with updated artwork and the inclusion of two additional tracks, a compilation appearance ‘Fusillade Part 3’ and the annoyingly catchy 12” ‘Shrinkwrap’ which is one song I have a real love / hate relationship with. However, this 12” along with ‘Smiling,..’ helped catapult Attrition into the very (darkened) heart of the European darkwave scene. Attrition were years ahead of their time as innovators of dark, stylised poppy experimental music, and ‘Smiling,..’ demonstrates with wonderful glee why their fanbase has continued to grow since the band’s inception and doesn’t look like peaking anytime soon. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 52:03 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Vigil (3:12) 02. Attrition - Dreamsleep (3:55) 03. Attrition - In Your Hand (3:22) 04. Attrition - Surge And Run (7:59) 05. Attrition - Marianne's Dream (5:11) 06. Attrition - Into The Waves (5:34) 07. Attrition - The Last Refuge (5:50) 08. Attrition - The Beginning Of The End (6:05) 09. Attrition - Questions (Bonus Track from Future Tense) (2:43) 10. Attrition - Which Hand? (Bonus Track from Future Tense) (3:16) 11. Attrition - A Forgotten Dream (Bonus Track from Future Tense) (1:32) 12. Attrition - A'dam And Eva (Bonus Track from Future Tense) (3:26) A collection of rarities originally released on Third Mind records in 1986. This is the Two Gods label remastered reissue. released July 4, 1986 Review from Amazon - 2000 One of the best Attrition releases ever, taking its title, I assume, from the idea of The Afterlife from Eastern Religion (Buddhist) and the " Realm Of The Hungry Ghosts " (clever and appropriate usage of a title). From the opening, "Vigil," with its stark, electronic, post-modern edge, you are led "Into The Waves," with its Black Tape... "With My Sorrows" sort of feel (did they get the idea from Attrition for this song?), which are two of the best tracks. Next is "In Your Hand," with its rapid tempo and murky electronica, is quirky and surreal; next follows "Surge And Run," a langourous song resembling most of those found on the excellent "The Attrition Of Reason," with its fading and surging female voice, Bowe's sing-song voice, melting in, and bizarre electronic effects; the next song, "Marianne's Dream," which seems incongruous at first, but then melts into this slow dream-like song, again, it sounds like something Black Tape... would later use for their "Remnants Of a Deeper Purity," only difference being, that in Attrition's version, surrealism abounds. Besides the slow, droning, pathos of the song, there are children screaming and...chattering...in the background noise...which makes it seem even more mysterious...then this too fades away, and we're left with that very ominous yet drowing effect and feeling of the drone...for most of the time; "Dreamsleep" follows, with its dark wall of sound, vibrating like broken speakers, with chirping electronica here and there, and a void-like sound, of empty space, which continues to assault its listener, finally breaking into a female voice, which doesn't seem to compliment the austere and surreal music, but nevertheless works out; "The Last Refuge" is next, and sounds like something that could be used for the soundtrack to an Italian horror film, maybe a zombie film by Fulci, replete with a female voice and ominous whispers in the background droning away, against the electronica (here mimicking a cathedral organ, perfect touch); "The beginning of the End" follows -- dark again, refined, Gothic, surreal, resembling the works to be found in the excellent "Smiling At The Hypogonder Club." Along with the strange lyrics, which sounds mad and...well...it's Attrition , what can you say? Next follows "Questions," which starts out with birds chirping and a slow, piano introduction (resembling the work of Scriabin), with a female voice recounting surreal poetry; next comes the driving "Which Hand," with a slighly angry, or vehement female voice, contrasting against the once again bizarre "horrific" electronic effects, only to meld together in a very tasteful ariatic-like blend, tapering off into a sort of ecstaty of sounds and voices (also angelic background choir), another very excellent song. Finally, we reach "A Forgotten Dream," with its slow mournful piano, ballad-like intoduction, which continues with more strange effects, like someone blowing into empty bottles, tinny sounds, electronic refuse, glassy notes in the background, very much like a dream deferred, especially as the piano music grows in intensity. The last song "A'dam and E'va" has been featured elsewhere. It has a Gothic feel again, with pipe organ effects and ominous singing and its almost humourous lyrics ("Turning on red lights and swimming in beer fights, dancing on tables, Amsterdam..." I love Attrition , and if you like really dark Gothic music, you will too. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:08:27 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Attrition - Theme I (1:55) 02. Attrition - Haydn (Or Mine) (3:13) 03. Attrition - My Friend Is Golden (3:34) 04. Attrition - Death Truck (3:28) 05. Attrition - Peacemaker (3:03) 06. Attrition - Two Miles Up (4:06) 07. Attrition - Milano (Auto-Italian) (3:42) 08. Attrition - Interlude (2:14) 09. Attrition - History Man (3:31) 10. Attrition - Theme Ii (2:39) 11. Attrition - The Fiftieth Gate (5:26) 12. Attrition - Haydn (Or Mine - 12" Remix) (4:10) 13. Attrition - Lady Look Now (3:43) 14. Attrition - Haydn (Biding Time) (3:22) 15. Attrition - Sideways Glance (3:33) 16. Attrition - To The Devil (3:39) 17. Attrition - Take Five (4:08) 18. Attrition - Shotgun Dream (4:03) 19. Attrition - Haydn (The Final Cut) (4:58) released July 6, 1988 Originally released on Antler records in 1988. This is the Two Gods label remastered reissue with bonus tracks from two 12 " singles on Antler and 2 tracks from the 1987 Take Five mini LP on Supporti Fonografici. Gothic Beauty- USA - 2009 This album was first released in 1988, and it still impresses without sounding dated -- one wonders what happened, when a twenty-year old album comes up freshly remastered and sounds better and more innovative than a great deal of brand-new electronic music. Not to say that it is detached from its time, but when pulses and patterns recognizable from late-eighties electronic music do surface here, they've been turned and sharpened such that they've kept their edge. If it's all new to you, too, "At the Fiftieth Gate" is a good place to catch up with Attrition, with song structures influenced by Garry Cox on guitar ("History Man"; "Two Miles Up"), contagiously affecting electronics (the title track; "Haydn," included here with versions previously available on 12"singles), and unsparing, unsettling lyrics. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:01:27 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Thin Red Line (4:23) 02. Attrition - Right Hand Man (4:10) 03. Attrition - Scenario (4:21) 04. Attrition - First Love (4:39) 05. Attrition - A Girl Called Harmony (5:07) 06. Attrition - The Rising Tide (I. Recollection / II. The Tide Is Rising) (5:40) 07. Attrition - Legitimate Son (5:01) 08. Attrition - Hush (4:58) 09. Attrition - Something In My Eye (5:35) 10. Attrition - Your Face, My Gift (From "Something In My Eye" 12" - Bonus Track) (4:16) 11. Attrition - Under the Bridge (From "Thin Red Line" CDS - Bonus Track) (4:29) 12. Attrition - Resurrection (Reprise) (From "Thin Red Line" CDS - Bonus Track) (3:09) 13. Attrition - Something In My Eye (12" Mix) (Bonus Track) (5:39) released July 7, 1991 Originally released on Contempo records in 1991. This is the Two Gods label remastered reissue with bonus tracks from two 12 " singles. Sphere zine - UK - 2009 Originally released in 1991 this album was at the forefront of a new and exciting time for Industrial music in the UK. Its dark tones and coldwave-style beats led the way for the UK scene. ‘ A Thin Red Line ' finds itself somewhere between Skinny Puppy and Nick Cave via a trip to Numan land. Its powerful drum machine beats smash against jazz-influenced keys for a funky-yet-sadistic opener. ‘ Right Hand Man ' is a little more sinister with 8-bit-esque electronics and some classic elements working alongside the unique shared vocals from Martin Bowes and Julia Waller . ‘ Scenario ' is a thundering standout with a haunting backdrop leading perfectly into confident vocals and a powerful mix of dark-electro. ‘ First Love ' keeps the pace moving with a heavier tone that builds and builds to keep the listener hooked in. The personal nature of the song, alongside the fantastic harmonies of Waller are certainly worthy of a mention here as the tracks most enticing elements. ‘ A Girl Called Harmony ' is possibly Attrition 's most accessible track with elements of neo-classical embedded within a trad-Goth structure. Here you may actually be reminded of Maynard James Keenan 's Puscifer project in terms of the slow, methodic style. From this, you can see here the influence of Attrition 's on a range of different acts within the Goth genre nowadays. ‘ The Rising Tide ' is our favourite track, it's effortlessly dark and seductive, and it betrays the acts heavier side. ‘ Legitimate Son ' is an extroadinary blend of classical, Industrial and Goth genres. It's simply epic and will definitely be something to see if they break it out live. ‘ Hush ' relies heavily on electronics and it's a sample-based instrumental effort with a soft, almost trip-hoppy build up. This one is the soundtrack to the ultimate head-trip. At times it's totally chilled, at times it's chaotic and it perfectly showcases Attrition 's passion and skill. Follow-up ‘ Something In My Eye ' is almost pop, but it works well to get the point across. Okay... it is about as pop as a Revolting Cocks tune, but it is certainly accessible with some excellent keyboard work and well programmed beats. It's more than a little fun. The bonus songs on this re-release are fairly enjoyable, with the cyberpunk awesomeness of ‘ Your Face, My Gift ' and the electro-opera -beast that is ‘ Under The Bridge ', meeting with the soulful ‘ Resurrection (reprise) ' and a hard-hitting new mix of ‘ Something In My Eye ' to finish. To summarise, There is a unique ambience within Attrition 's work that makes them easier to listen to and take in than a lot of their contemporaries. ‘ A Tricky Business ' is still so relevant now in that it's a raw and intelligent Industrial record that will serve as a great reference point for younger bands and fans alike who want to find out more about the “originators” of the genre. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 56:24 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Lip Sync (Xenophobia Edit) (5:33) 02. Attrition - Agenda Station (4:11) 03. Attrition - The Deadline (4:04) 04. Attrition - This Great Design (4:50) 05. Attrition - Sister Teresa (4:31) 06. Attrition - The Silent Mind (3:56) 07. Attrition - The Cage (4:15) 08. Attrition - The Mercy Machine (5:11) 09. Attrition - The Next Day (Re-visited) (4:12) 10. Attrition - His Latest Flame (3:03) 11. Attrition - Lip Sync (Reprise) (3:53) 12. Attrition - The Third House (4:35) 13. Attrition - A Wing And A Prayer (4:09) Originally released on Hyperium records in 1993. This is the Two Gods label remastered reissue. credits released July 3, 1993 Darklife - DE - 2011 The Hidden Agenda ranks among the highest in my personal favorites, and I'm not far from the truth if I state that this the album is the incarnation of the highest levels of Martin Bowes and Julia Waller partnership. One of the first things noticed upon spinning the disk, is the fact that there's little to nothing on it betraying its revered age. 1993 was the year the work was originally released, and I frankly cannot think of just one more example of an album that could have been released yesterday, or any day during the past 18 years and still be able to disguise its age with such ease. Martin's electronic arrangements, a combination of gritty electronic phrases, fatter than life bass lines, laid against a backdrop of atmospheric synth movements, have meanwhile become an universally celebrated manifesto of electronic avant-garde going hand in hand with a moderate gothic sensation. These are laid down at their best here, with Martin's trademark growled quasi-spoken vocal work, coupled with Julia's unique counterpoint that ranges from operatic to ethereal and much in between. Here is where über classics such as Lip Sync and Mercy Machine have found their first life. Now, if there's an album I would urge any relatively recent scenesters to go and listen to, this is Hidden Agenda. This edition also includes three tracks extra to the original, which first appeared on the Lip Sync single. Although not the first time the album is released featuring this tracklist, there are obvious improvements over previous versions due to a wise remastering process. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 49:00 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - The Long Wait (9:42) 02. Attrition - A Great Desire (9:48) 03. Attrition - The Big Lie (9:56) 04. Attrition - Wetenschap (Dream Number Nine) (9:40) 05. Attrition - Lang Zal Jij Leven (9:53) released July 9, 1995 Originally released on Hyperium records in 1994. This is the Two Gods label remastered reissue. The Wire magazine - UK - 1994 "...Check out the post-industrial phenomena that Martin Bowes lines up on this splendid album: consumerism (the modish, airbrushed box sleeve), new technologies (a planetful of synths and samplers) and postmodern decentring (a bewildering array of borrowed styles glimsed with disorientating speed and transitoriness). This is a seriously listenable, cutting-edge industrial masterpiece, an album that for once dares to transcend the genres narratives. sure, there's the time-honoured blurring of the known boundaries of sound,but there's something more than the usual gothic grind here - something traditional, something almost representational. The found-sound panorama Bowes creates can sometimes be almost picaresque in it's diversity - scratched mongrel-barks, looped coughs, flyaway piano, all underpinned with rock tempi and heart stopping stop-starts. "from a whisper, to a rage" the sleeve contends portentously, but with sonic polyvariance like this on show it's an apt description. "Wetenscap (dream number nine)" is a case in point - scraps of seraphic singing and timelapsed rolling tides whirlpool around a sluggish two-cylinder beat, when in wanders a plaintive synth intoning Beethoven's big "Ode to Joy" theme from the Ninth Symphony. Great stuff." ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 50:31 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - ...Tune In (0:35) 02. Attrition - White Men Talk (4:45) 03. Attrition - Cosmetic Citizen (4:47) 04. Attrition - Slice Of Life (4:19) 05. Attrition - Acid Tongue (4:23) 06. Attrition - One Of These Mornings... (5:41) 07. Attrition - The Second Hand (4:30) 08. Attrition - Demi-God (3:58) 09. Attrition - Predicament? (5:31) 10. Attrition - Red Eye (3:54) 11. Attrition - 3 Arms And A Dead Cert (5:40) 12. Attrition - Prelude... (2:27) Originally released on Hyperium and Projekt records in 1996. This is the Two Gods label remastered reissue. released July 5, 1996 Sideline - Belgium - 1996 The British pioneers strike back and add another album to their huge discography. ATTRITION is one of the few electronic bands that has managed to avoid it's curse through the eighties and nineties without ever losing authenticity, i would even dare to say "spontaneity"! Release after release, the genius Martin Bowes brings his sound a bit further. He deepens his search for the perfect sound and probes into the numerous unexplored sonic landscapes to create something new with no reference to the various trends he went through with time. On this 3 arms and a dead cert, he gives a twist to the taste of dark techno (as they would call it in Germany) on the latest material by re-inforcing his marriage between digital and analog ingredients, shy guitars and beautiful violins. Franck Dematteis' violin parts give a totally different dimension to the electronica, plunging them into a sort of semi-classical semi-theatrical atmosphere (Predicament?, 3 arms and a dead cert, or Prelude). The instrument perfectly suits the convincing male and female vocal contrasts. Julia Wallers' voice most often underlines the dramatic side of the songs, while Martin sounds cold and strong. The lyrics are once again off the beaten track, adding another interesting feature to this rather varied album. Although globally it sounds sombre and mid-paced, there are also rhythmic songs with effective bass sequences (Acid Tongue or Demi-God). The best tracks in my opinion are White men talk, Acid Tongue or Demi God. Attrition lead us into a new world, their own world, a world where they deserve to climb higher, a world i strongly advise you to enter at least once in your short life. Competently accomplished and perfectly mastered from the first second to the last. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 53:44 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Tune Up... (1:00) 02. Attrition - Vigil/Scenario (A Medley) (2:07) 03. Attrition - Dreamsleep (6:18) 04. Attrition - Feel The Backlash (3:43) 05. Attrition - Into The Waves (4:23) 06. Attrition - Cold Genius (3:51) 07. Attrition - A Girl Called Harmony (Estranged) (5:14) 08. Attrition - Which Hand? (3:31) 09. Attrition - I Am (Eternity) (4:07) 10. Attrition - A'dam And Eva (Refrain) (3:32) 11. Attrition - Cold Genious (Sans Vox) (3:27) 12. Attrition - Fate Is Smiling (4:28) 13. Attrition - Fusillade I (8:03) released July 13, 1997 A collection of ATTRITION songs reworked for classical instrumentation in collaboration with Franck Dematteis of the Paris Opera. Originally released on Projekt records in 1997. This is the Two Gods label remastered reissue. Regen magazine. 2008 Attrition reinterprets selections from their past for strings and voice, creating a haunting collection of avant-garde classical power. Even since the beginning, Attrition has maintained a flair for combining dark electronic textures with classical arrangements, creating a unique style of darkwave that has been often imitated over the years. The 1997 release, Etude , now reissued and remastered by founder Martin Bowes on his Two Gods label, is the perfect demonstration of their classical mindset. In collaboration with Franck Dematteis, Attrition revisits a variety of their past work and rearranges them for orchestral instrumentation, albeit with a minimalist approach driven primarily by solo violins and violas. Dematteis infuses his strings with a haunting quality that truly augments the dark flavors as if to create soundtracks for a gothic stage play, reminiscent of Danny Elfman's scores for Tim Burton's films. This is particularly so on the resonant plucks and scraping harmonic solos of "Feel the Backlash" and with a backing of harpsichord arpeggios on "A Girl Called Harmony (Estranged)" coupled with longtime collaborator Julia Waller's operatic intonations. As is usually the case with Attrition, Bowes takes the backseat and plays the role of producer or even a conductor of sorts, allowing Waller and Dematteis to revel in their talents and bring the music to life. "Which Hand?" swoops in and soars with rapid fire violin solos and a droning organ to provide only the slightest bit of footing on solid ground - one can detect a sense of where Emilie Autumn may have received some of her inspiration with this track. Of course, the actual lyrics are sparse with Waller's voice acting mainly as another instrument, singing those floating and fluttering melodies. While she does occasionally go out of tune, it lends a dissonant yet harmonic quality that hardly detracts from the music, in fact enhancing it. We even get a helping of thrumming snare drums on "Fate is Smiling," adding to the already tense rising chord progression, as if to signify the approach of some unknown peril. Fans of Attrition or even those with an ear for avant-garde classical music should find much enjoyment in these interpretations of some of their best known works; while lighter on the instrumentation, they are certainly not lacking in depth and power. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 52:08 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - A Virtual Angel (1:39) 02. Attrition - Atomizer (Custom Mother) (5:04) 03. Attrition - Waste Not, Want... More (4:40) 04. Attrition - I Am A Thief (5:33) 05. Attrition - Dream Time Collector (5:04) 06. Attrition - A Virtual Reprise (1:32) 07. Attrition - The Thin Veil (6:14) 08. Attrition - "A Few Of My Favorite Things" (7:11) 09. Attrition - The Illuminator (6:45) 10. Attrition - Have A Nice Time (3:14) 11. Attrition - God Save The Queen (2:03) 12. Attrition - Infant Joy (Bonus Track) (3:09) released March 16, 1999 Originally released on Projekt records in 1999. This is the Two Gods label remastered reissue with a bonus track in Infant Joy - an interpretation of the poem by William Blake. The Jeopardy Maze - Rock Sound magazine - UK - 1999 "A violin caustically weaves it's way amongst a collection of analogue synths and organic beats on Attrition's best offering to date, an album as musically stylish as it's artwork suggests. The Jeopardy Maze is an almost perfect example of darkwave-ambient, a subtle and sinister tapestry of electro and classical elements with the occasional female gothic vocal progression strung across the top. Spine-tinglingly atmospheric but not an album to put on at parties, unless you want everyone to leave. This is a very personal listening experience, an isolation in sound and not something to be intruded on. Occasionally it displays too much of the bands industrial roots and some intrusive chanting noises, but otherwise this is essential listening. The perfect gothic antidote to the bloated fuzz of more recent triphop, The Jeopardy Maze is dark, sinister, and impeccably good." ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:04:14 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - "Andante" (1:41) 02. Attrition - Dante's Kitchen (5:45) 03. Attrition - The Head Of Gabriel (5:16) 04. Attrition - Two Gods (4:58) 05. Attrition - The Ladder (4:54) 06. Attrition - Dreamcatcher (5:57) 07. Attrition - Feed The Crow (5:40) 08. Attrition - The Long Hall (6:44) 09. Attrition - "Crash" (0:47) 10. Attrition - Still Life? (4:37) 11. Attrition - The Head Of Gabriel (Insomniac Mix by Phil Hickman [Bonus Track]) (4:00) 12. Attrition - The Head Of Gabriel (Saturated Mix by Sonic Terrorist [Bonus Track]) (5:00) 13. Attrition - The Head Of Gabriel (Autocrat Mix by Empire State Human [Bonus Track]) (4:27) 14. Attrition - Dante's Kitchen (Re-Assmbled by Sveldt [Bonus Track]) (4:26) Album mixed and mastered by Martin Bowes at The Cage studios, Coventry, England. 2004 released December 12, 2004 Originally released on Invisible records in the USA in 2004. This is the Two Gods label remastered reissue with 4 bonus remixes Dante's Kitchen review from Sideline magazine. 2004 Dante's Kitchen brandishes a reborn sound for Attrition, abundant with new influences and passion. Certainly, one can draw a few comparisons to the sound the fluxes throughout. The eerie opera of Die Form, the sultry rhythms of recent Massive Attack, and the alien organics of perhaps Coil. Preceded by the introductory tortured violin of "Andante", the disc plunges into the disjointed dance macabre of the title track. Martin Bowes gravel voice bristles across break beats as high-pitched female operatic pleads for divine help. "The Head of Gabriel" continues with reptilian grace; an elastic bass beat twang here summons the shimmer of ghostly ethereal vocal as the violin flutters around like a moth lost in the piece's trance. Warm warbling waves of bass carry driftwood banshees and samples through "The Long Hall", before being disrupted by a frenetic rhythm, as their chanteuse is chased by a retro horror keyboard line. "A Ladder" is a seething dub exploration that bounds through in nocturnal slow motion, while the subterranean samba of "Two Gods" is enhanced by doom-laden violin while the title repeated as a mantra. "Dreamcatcher" exhales a nightmare underneath banshee wails and nightmare-depicting dialogue samples, spilling out natural drums that somewhat slice through its claustrophobic tension. Attrition also delves back into their worlds of dark ambience. "Feed the Crow" is a grim piece haunted by the hiss and clunk of ancient steam tunnels amidst the choppy flutter of electronics and banshee sighs. Finally, the closing "Still Life?" glistens with ambient textures and the birdcall of flutes before being drenched in a field recording of a foreboding storm. Overall, I find Dante's Kitchen is balanced precisely between ominous soundtracks and the vivid thrum of fetish-istic techno. Enthralling as well as eerie, it might be their best effort to date. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks+.cue Продолжительность: 44:46 Наличие сканов в содержимом раздачи: discogs Tracklist: 01. Attrition - What Shall I Sing? (6:52) 02. Attrition - The Burial Club (7:31) 03. Attrition - The Reinsch Test (8:04) 04. Attrition - The Trial (6:40) 05. Attrition - The Gates Of Eternity (10:35) 06. Attrition - Heaven Is My Home (5:05) Credits Design – Sam Rosenthal Photography By [Cover] – Lauren E. Simonutti Photography By [Martin] – Stephane Lord Producer, Mixed By, Mastered By, Design, Photography By [Sewing Box, Poison Bottles], Recorded By – Martin Bowes Notes CD housed in a 4-panel digipak. Limited first edition of 1000 copies. Comes with a liner notes booklet and four reproduction Victorian poison bottle stickers. The first 200 copies of the album bought through Projekt's website had their booklets signed by Martin Bowes. Album concept & initial recordings at The Cage (Coventry, UK). 2004-2006. Additional material recorded at Chicago, San Francisco & Krefeld, Germany, 2006. Produced, mixed & mastered at The Cage. 2007. ©2008 Seireenien Music for USA. Licensed worldwide from Two Gods recordings. Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Gothic ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 44:27 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - What Shall I Sing? (6:52) 02. Attrition - The Burial Club (7:27) 03. Attrition - The Reinsch Test (8:08) 04. Attrition - The Trial (6:36) 05. Attrition - The Gates Of Eternity (10:20) 06. Attrition - Heaven Is My Home (5:04) The Story. Mary Ann Cotton was born October 1832 in County Durham , Northern England . Possibly the greatest female mass murderer Britain has ever known, she left a trail of death throughout her life, killing between 16 to 21 of her children and former husbands over many years by arsenic poisoning . She was eventually arrested, tried and hanged in Durham Jail on the 24th March 1873. The Police officer that arrested Mary Ann Cotton was a Sergeant Tom McCutcheon. Coincidentally, his daughter, Louisa McCutcheon, had worked for a while for Mary as a seamstress.. On departing for Durham jail Mary gave Louisa her prized sewing box as the only way she could now pay her for her work… The sewing box was kept in Louisa's family and passed down through the generations. Rather uneasily considering what it represented… My own father met a by then very old Louisa when he was a young child in the 1940's - He recently recounted this story and passed on the box on to me. Louisa McCutcheon was my great great great aunt…. Martin Bowes. 2007 released July 18, 2008 Originally released on Projekt records in 2008. This is the revised second edition. Attrition - All mine enemys whispers - review from Key 64 There are tones and ranges of sound that can channel emotional response directly into one's consciousness... Rhythmic entrainment and psychoacoustics are capable of eliciting specific emotional responses and constructing narrative experience. Few musicians are able to construct tracks in such a way as to accomplish this feat successfully, and fewer still are able to sustain such an experience across an entire album. Attrition is certainly one of those few.. this is easily the most unsettling album I've heard in years, as deeply disturbing as anything I've come across in any piece of media. The album's six tracks are spaces against which the mind unfolds the full tale of Mary Ann Cotton, a soundtrack conjuring her essence. If any sequence of music has a chance of evoking a specific entity, this is the one. It begins with an evokation, the children's rhyme that opens the very first track "Mary Ann Cotton, She's dead and she's rotten She lies in her bed, With her eyes wide open Sing, sing, oh, what can I sing, Mary Ann Cotton is tied up with string Where, where? Up in the air Sellin' black puddens a penny a pair." Legend has it that When the walls are thin between the world of the living and the dead on Halloween, reciting this rhyme over her grave was enough to call the spirits of those she'd killed to audible experience. Whispers of long dead children are heard, bemoaning their painful deaths at her hands. In those days, arsenic was often used for murder but few were as prolific, or as reviled, as Britain's Mass Murderess Mary Ann Cotton by the time she was publicly executed. (One particularly interesting bit of trivia, newspapers had deliberately coarsened Mary Ann's features in what is likely the earliest incidents of airbrushing.) At first listen this may seem like a soundtrack to a horror film, but this album is much more intentional and holds up to repeated listening in ways a soundtrack never could, subservient as they generally are to the director's vision--rather, this is a evocation of the essence of Mary Ann Cotton's story, linked by way of the sewing box she once held in her hand. Martin Bowes great great great aunt Louisa McCutheon, a seamstress, recieved as payment from Mary Ann Cotton a sewing box, prior to her incarceration and subsequent public execution in March of 1873. This same sewing box can now be heard on track five, 'played' by Martin Bowes to provide texture to one of the most moving tracks on the cd. The first track, "What shall i sing?" is available for download via Attrition's website , and provides a stunning introduction to this piece of work, but my favorite track is easily the fifth. A chilling piece entitled "The Gates of Eternity" split into two sections, i. A short Drop and ii. Rock of Ages , an incredible ten and a half minute track that sumons Cotton's public execution to the mind's eye while conjuring wind and ghosts through Bowes' soundscaping and Erica Mulkey's complex cello arrangement of Mary Ann Cotton's self-professed favorite hymnal. Emilie Autumn's vocals on ii.Rock of Ages manage to be both purifying and lost, a melodic anchor that fleshes out the mental construct the entire album creates. The album comes to a close with the sixth track, "Heaven is my home or the other side of Jordan..." an auditory experience of the veils of space and time ripping apart to reveal some glorious afterlife and the deep fabric of souls wailing in harmonics outside of human hearing. This is an album you feel as much as hear, an album of dark ambient neoclassical compositions constructed both acoustically and electronically by a master of the craft. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 53:43 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Invocation I (5:24) 02. Attrition - Invocation II (2:01) 03. Attrition - Invocation III (3:24) 04. Attrition - Invocation IV (1:33) 05. Attrition - Invocation V (7:12) 06. Attrition - Invocation VI (2:43) 07. Attrition - Invocation VII (2:09) 08. Attrition - Invocation VIII (10:48) 09. Attrition - Invocation IX (18:30) Watch a video for Invocation by Holger Karas www.youtube.com/watch?v=lX4NopKjY98&list=UUlR78ad3IIbjDAPnrByZmsg released October 23, 2012 Electronics, samples, production: Martin Bowes Piano, Strings, voices: Kerri Bowes Photography: Holger Karas Attrition – Invocation - santasangremagazine - 2013 There you are! This is the Attrition I know and love, the one which does disturbingly experimental work. You know, the albums which don’t get the rave reviews or have heavy rotation in the clubs. No, what they’ve done with Invocation can proudly join the ranks of the sublime releases This Death House, Something Stirs and Esoterica. It’s no accident this was released 30 years after their debut I’m certain, and it’s no coincidence that Martin Bowes does these sorts of outings sporadically. In the world of this Coventry institution there are no accidental observations… never does the smoke rise without purpose. I’d call this Incidental Musics IV if it hadn’t already been titled. An ongoing circular inspection of the mind, an inquisitive foray into the regions most would give anything not to have or acknowledge. Here is where this group excel; in the sphere of music telling the tales the eyes can only behold when closed, Attrition are king. There is an oft-repeated phrase which defines Invocation to a tee: no one who is evil believes they are. They act for the good of those around them, they do what must be done. The end always justifies the means and to that end we have this work to drink in gratefully. Tell me the last time a record made your skin crawl like this, the walls closing in all around, and even if you could break the spell you wouldn’t dare. Attrition chronicle the purity and unadulterated bliss those who suffer a psychotic break must feel. I have not seen the movie this serves as a score to, but based upon what I’m hearing I don’t suspect it has a happy ending. No sunshine on the face in fields of lilies as the woman you love walks quietly beside you out of the underworld. Orpheus with his empty hand standing in the spring as the vines grow over where she lies imprisoned, the bittersweet melancholy of this album is perhaps what gives it the incredible range it possesses. Much like a caramel you slowly dissolve in your mouth, everything is coated in a thick layer of cloying constitution. The taste of all these things coalesces to form the sticky web one cannot get rid of. Again and again Attrition demonstrate how ambient is more than just a mood or setting on one’s emotional thermometer. In their skilled hands it transcends mere background and permeates the surroundings to become ambiance. The brooding, temperamental nature of Invocation is not going to be what people remember them for – they have a newer, more accessible album for that – but when they do decide that the time has come to retire, it is material such as this which their fans will come back to and re-discover. No catchy melodies, no driving beats and no sinewy bass lines but rather the defragmentation of the psyche. A dismantling of perceptions. In this realm where the skies are perpetually shrouded in unending twilight and crawling shadows, an Attrition is indeed going on. But it is more to do with the literal meaning of the word than what sound can convey. Bowes work of this nature is some of the most disturbing you will hear and that his wife Kerri joined him on this excursion into boundless midnight clearly demonstrates what can be accomplished when the fates align. Here’s to more, you two. Many many more. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 54:17 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - The Unraveller (1:10) 02. Attrition - Karma Mechanic (4:47) 03. Attrition - Narcissist (4:58) 04. Attrition - Histrionic! (4:06) 05. Attrition - One Horse Rider (4:41) 06. Attrition - Snakepit (4:24) 07. Attrition - Suicide Engineer (4:45) 08. Attrition - The Causal Agent (5:57) 09. Attrition - Hollow Latitudes (13:28) 10. Attrition - The Internal Narrator (6:01) The long awaited album from legendary dark industrial pioneers ATTRITION. Founder Martin Bowes has teamed up with US singer Tylean on vocals and created 10 new works varying in style from industrial to gothic to dark ambient soundscapes, whilst lyrically continuing his exploration of introspective themes of life, love and death... With a host of special guest appearances: Mona Mur (Einsturzende Neubauten, En Esch etc), Matt Howden (Seiben etc), Annie Hogan (Marc and the Mambas, Nick Cave etc) Erica Mulkey (Unwoman) Ian Arkely (My Silent Wake, Seventh Angel) Jyri Glynn, Joanna Dalin and more.. released April 1, 2013 Music and lyrics: Martin Bowes Recorded, mixed and mastered by Martin at the Cage studios, Coventry, England. 2009 - 2012 Photography by Holger Karas Cover model: Jezebel Attrition: 'The Unraveller of Angels' – Fearnet.com Just last month, UK musician Martin Bowes gave us a taste of the latest offering from his legendary gothic/industrial music project Attrition, in the form of the digital EP Narcissist (check it out here), which represents the band in a more intense, heavy beat-driven mode while still maintaining the hypnotic ambient soundscapes that Bowes brings to the game. Ever since hearing him describe the band's new stylistic direction in an earlier interview, I've been anxious to hear the entirety of The Unraveller of Angels, the band's highly-anticipated sixteenth studio album. The roster of guest artists on this record is impressive enough – Tylean, Mona Mur, Matt Howden, Ian Arkley, Jyri Glynn and Erica Mulkey are among the contributors – and many musical genres are represented, from straight-up electro to neoclassical to dark ambient noise. That said, Unraveller is still pure Attrition: dark, mysterious and sexy at any speed. The seriously creepy intro “The Unraveller” sets the beautiful but nightmarish tone with its icy piano sprinkled over distorted, contorted vocal samples before launching us into the bumping drum & bass and synth surges of “Karma Mechanic,” with Bowes trading vocal lines with gothic legend Mona Mur. “Narcissist,” which we've covered previously in its many EP variations, appears in its twitchiest, most urgent version here. Eerie cello, piano and violin twist through “Histrionic!” with distortion effects often transforming the string instruments and ambient female vocals into musical wraiths. String instruments also play a dominant role in “One Horse Rider,” turning a minimal beat pattern into a dance of doom, and a pensive cello blends with snarling guitar licks in “Snakepit.” In a cool twist on the pattern, Jyri Glynn's effects-heavy electric violin weaves a flute-like tone (reminiscent of Vangelis's iconic Blade Runner theme) through mid-tempo synth rhythms and deep guitar chugs in “Suicide Engineer”... The full compliment of strings and piano comes to bear in “The Causal Agent,” joined by a deep, heartbeat-like synth bass pulse, resulting in the album's most haunting and memorable track. It's not as club-friendly as the others, but to my ears it represents Attrition's essence perfectly. It also prepares you for the thirteen-minute epic “Hollow Latitudes,” described as “a story in three parts” which stitches the themes of all the other tracks into one. It drifts from a gothic/neoclassical opening to experimental noise, peaking with a low, wailing guitar and thick layers of reverb applied to acoustic and electric violins. The record ends as it began, with bone-chilling instrumental beauty – in the form of “The Internal Narrator.” Soaring synths, guitar and piano are confronted by nightmarish organic and metallic noise elements, bringing the tone of Unraveller full circle to the cinematic style of the band's horror soundtrack album Invocation, or their earlier concept album All Mine Enemys Whispers... both of which I highly recommend to fans of more experimental horror music. Martin was right about The Unraveller of Angels marking a new phase in the band's timeline, and that phase brings new urgency and tension to their already dangerous sound. But even within the more straightforward dance tracks there's a kind of wonderful chaos at work, pushing classical and electronic instruments and human voices out of the comfort zone and into strange new patterns... but it all comes together thanks to Bowes' moody talk-sung vocals which create an otherworldly narrative, guiding you down the many dark hallways that this artist knows so well. Attrition will begin their next world tour this month, criss-crossing Europe in the spring and summer and touring the west US coast this fall (dates and venues are being updated regularly at the band's official site), and Martin is currently working with filmmaker Daniel Gouyette on a series of music videos – a rare occurrence for this band – as well as a documentary on the making of the album. So expect to hear and see more from them soon... ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 2:24:57 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Attrition - Narcissist (ID Mix by Angst Pop feat. Technomancer) (4:17) 02. Attrition - Narcissist (Void Prototype remix) (4:58) 03. Attrition - One Horse Rider (Man Woman Machine mix) (5:00) 04. Attrition - Narcissist (ID Before Ego Mix by ANKST) (5:15) 05. Attrition - One Horse Rider (Technomancer mix) (5:04) 06. Attrition - Narcissist (Analog Angel remix) (4:56) 07. Attrition - Narcissist (Egoist Anarchism mix by Fearpassage) (4:42) 08. Attrition - One Horse Rider (do.service mix) (4:04) 09. Attrition - Narcissist (Remixed by Pete Every) (4:59) 10. Attrition - Narcissist (Ego RMX by DJ Darkside) (5:07) 11. Attrition - One Horse Rider (Johnathan|Christian Mix 1) (5:21) 12. Attrition - Narcissist (Lagowski mix) (8:43) 13. Attrition - Narcissist (Contaminated Intelligence mix) (4:41) 14. Attrition - Narcissist (Piano Improvisation By iNsCissorS) (4:22) 15. Attrition - One Horse Rider (Soft Riot remix) (6:03) 16. Attrition - Narcissist (Zero Corporation remix) (5:09) 17. Attrition - Narcissist (Dust Orchestra remix) (6:16) 18. Attrition - One Horse Rider (Viy Remix) (5:06) 19. Attrition - Narcissist (BBCom Remix) (5:51) 20. Attrition - One Horse Rider (Empire State Human mix) (4:45) 21. Attrition - One Horse Rider (Acclimate Darda'il mix) (4:52) 22. Attrition - One Horse Rider (The Pain Machinery Remix) (4:30) 23. Attrition - One Horse, Reprise (The Attrition remix) (3:10) 24. Attrition - Narcissist (Lagowski Deep Chamber mix) (6:37) 25. Attrition - One Horse Rider (Synthetic Terrorist mix) (9:02) 26. Attrition - Narcissist (Noir Magnetik Remix) (6:17) 27. Attrition - Narcissist (Crash Mix By Andrew Lagowski) (5:50) (24Bit) released September 25, 2014 Mastered by Martin Bowes at the Cage Studios, Coventry, England. 2014. www.thecagestudios.co.uk Cover photo of Jezebel by Holger Karas A Two Gods Production: 2GODSDIG Thank you to all the bands that contributed to this release... ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:05:53 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Dante's Kitchen (In Tenebris Remix) (5:42) 02. Attrition - Head of Gabriel (Lukotyk Remix) (6:59) 03. Attrition - Head of Gabriel (Haemogoblin Remix) (5:58) 04. Attrition - Dante's Kitchen (Pablo Sonic Terrorist Remix) (4:03) 05. Attrition - Head of Gabriel (Kinetic Remix) (4:40) 06. Attrition - Head of Gabriel (Vorpal Remix) (5:23) 07. Attrition - Head of Gabriel (Mercy Cage Remix) (5:18) 08. Attrition - Head of Gabriel (XP8 Remix) (6:37) 09. Attrition - Dante's Kitchen (Superchoir Remix) (5:40) 10. Attrition - Head of Gabriel (Galskap Remix) (5:09) 11. Attrition - Head of Gabriel (Wry Yelp Remix) (6:14) 12. Attrition - Dante's Kitchen (Minefield Remix) (4:10) The lost remixes from 2004 Dante’s Kitchen album sessions... Originally destined for a remix collection that never materialised at the time, finally rescued from the archives, lovingly mastered at The Cage by Martin and allowed out to play here... released January 14, 2016 Mastered by Martin Bowes at The Cage, Coventry, England. 2016 Cover Photo of Martin and Jezebel by Holger Karas A Two Gods Production 16GODSDIG ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 39:53 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Pendulum Turns (6:49) 02. Attrition - Across The Divide (3:07) 03. Attrition - The Outer Edge (3:57) 04. Attrition - The Redoubt Of Light (4:37) 05. Attrition - The Next Day (3:45) 06. Attrition - Reflections (6:30) 07. Attrition - Beast Of Burden (3:29) 08. Attrition - Surge And Run (7:39) Originally released in 1985 on Ding Dong Discs as the ATTRITION side of a joint live cassette document of the 1984 tour with the Legendary Pink Dots. This version with 2 extra tracks taken from a 1984 live recording from Arnhem holland for Dutch radio VPRO. Remastered for Two Gods. released July 24, 1985 Across the Divide - Gothtronic review Attrition had a fond relation with the Netherlands since the band's early years. The first foreign performance of Attrition took place in the Dutch town of Arnhem on the 29th of march 1984. That concert was part of a joint Dutch/Swiss tour together with The Legendary Pink Dots during the spring of that year. The tracks on Across The Divide were part of a cassette-only live album called The Terminal Kaleidoscope which featured The Legendary Pink Dots on side A and Attrition on side B. It was issued by the Dutch experimental label Ding Dong Records And Tapes, totalling one thousand copies. These rare recordings show Attrition in its early incarnation, with Ashley Niblock on keyboards. For this re-issue the original track sequencing was altered as it contains two songs that weren't part of The Terminal Kaleidoscope cassette: "Pendulum turns" and "The outer edge". They were recorded by VPRO radio on the 22nd of july 1984 at the venue Korenmarkt in Arnhem. "Pendulum turns" would appear as the b-side to the single Shrinkwrap in 1985. This live version has a long, grey, desolate synth intro that makes it all the more intriguing. The urgent rhythms are a vital part of this composition while Martin growls and Julia Waller throws in here forceful, operatic voice. "The outer edge" with its restless yet dragging cadence was part of the Voice Of God EP, here presented live in its entirety. Minimal, dark synth melodies with a strong percussive accompaniment and free-form vocals is the best way to describe the sound of Attrition in 1984. It ain't synthpop as it lacks the smoothness that is a typical part of that genre, it has more to do with an initial manifestation of industrial: a blend of avant-garde electronic experiments. On the long, post-punk soundscapes of "Surge and run" Legendary Pink Dot Pat Paganini takes care of the percussion. Compared to the studio versions the renditions on these recordings sound bit sharper, especially on "Across the divide". It is surprising how intense the intricate style of Attrition emerged on stage. Across The Divide (Live in Holland) is a most interesting document of Attrition's formative years. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 24:11 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Agenda Station (The Electronica Sessions) (4:53) 02. Attrition - Right Hand Man (The Electronica Sessions) (4:08) 03. Attrition - My Friend Is Golden (The Electronica Sessions) (3:14) 04. Attrition - Scenario (The Electronica Sessions) (4:20) 05. Attrition - The Outer Edge (The Electronica Sessions) (3:51) 06. Attrition - Fusillade VI (The Electronica Sessions) (3:46) Six songs selected from the 1994 UK Electronica festival show set. Recorded live in session at The Cage studios, Coventry, England, One long afternoon in May 1995. Mixed by Martin Bowes - 1995 Mastered by Martin Bowes - 2013 Photograph of Martin taken at the Pushing against the Wire festival, Northampton, England by Mark Lomax. Martin Bowes - Vocals/Electronics Julia Waller - Vocals John Waller - Synthesiser Originally released in 1000 copies with the first edition of the ‘3 arms & a dead cert’ album on Hyperium Records. Germany. 1995 A Two Gods Production released July 18, 2013 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 44:27 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - "Ladies and Gentlemen" (0:57) 02. Attrition - Prelude (3:00) 03. Attrition - Acid Tongue (3:49) 04. Attrition - Right Hand Man (4:12) 05. Attrition - Atomizer (Custom Mother) (5:16) 06. Attrition - The Second Hand (4:17) 07. Attrition - I Am (Eternity) (5:13) 08. Attrition - Lip Sync (4:14) 09. Attrition - The Mercy Machine (6:24) 10. Attrition - Interference... (0:41) 11. Attrition - A Girl Called Harmony (6:23) released July 27, 2000 Live from the 1999 Jeopardy Maze US tour and originally released in 2000 on Trisol in Europe. This is the Two Gods label remastered reissue. Review from Legends magazine. USA. 2000 Opening with the melancholic viola from Prelude, Attrition quickly shifts gears into the live version of Acid Tongue. The song's viola intro segues well and alludes to Attrition's well thought out live performances. This is the first chance many fans have to hear Attrition's new vocalist. Julia Waller has meandered off, to be replaced with Christine Reid. It's a change. It's not the same band. Julia's disaffected, angelic voice has been replaced with a sultry street smart wail and whisper. The live version of Acid Tongue seems more straight ahead, more electro. I was thinking the majority of the live versions would lend themselves to the same treatment, but Atomizer actually sounds remarkably similar to the album version. The Second Hand actually sounds much different. Slower, perhaps, and we finally get to hear Christine really color a song. Her wails lend the song more despair, while on I Am she sounds more stately. In a couple of places, the updated performances add intriguing new touches to Attrition's music. Their classic, Lip Sync, sounds like it could have come off of their last album, The Jeopardy Maze. The Mercy Machine invokes the same effect. Maybe he's using a new keyboard? Attrition encore with their all-time favorite track, A Girl Called Harmony... Overall, a valuable record of Attrition's live sound. . ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 48:39 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Invitation (0:31) 02. Attrition - Favourite Things (2:39) 03. Attrition - The Head Of Gabriel (5:13) 04. Attrition - Dante’s Kitchen (5:46) 05. Attrition - Dreamcatcher (5:24) 06. Attrition - A’dam & Eva (3:35) 07. Attrition - I Am Eternity (4:54) 08. Attrition - Two Gods (4:41) 09. Attrition - The Mercy Machine (5:51) 10. Attrition - The Long Hall (8:01) 11. Attrition - November 18th. 2006 (2:03) released July 19, 2009 Live recordings from the 25 year anniversary tour of Europe, the USA and Mexico over 2006 - 2007. Originally released in 2009 on Projekt records in the USA and Two Gods for the rest of the world. Kill the Buddha! review from fearnet.com Last year I introduced some of you open-minded souls out there to the work of amazing electronic group Attrition – the twisted creation of UK artist Martin Bowes – whose acclaimed album All Mine Enemys Whispers was one of the most chilling and immersive sonic experiments of that or any year. Now it's time for an entirely new experience, as Attrition has released their new 25th Anniversary live CD – which represents the band's impressive history and hints at new, even more sinister directions in the years to come. Recorded during the band's 2006-2007 “Tearing Arms From Deities” world tour – which included stops throughout Europe and North America – the nine performances captured on Kill the Buddha! feature a few of the band's earlier works (as a sort of precursor to the Gothic/Darkwave movement, before anyone knew what to call it), but is built primarily of cuts from their more recent release Dante's Kitchen . The tracks were all culled directly from each show's live sound mix, recorded on mini-disk and remastered by Bowes himself. The result is a completely new spin on the band's immersive sonic landscapes, with an injection of immediate energy and spontaneity, fury and beauty, that feels almost monolithic in scope while managing to steer clear of the self-indulgent tendencies than can dog so many bands of the Gothic variety. For this tour, Bowes shares onstage vocal duties with operatic American singer Laurie Reade, and turns over most of the offbeat electronic instrumentation (his own forte in the studio) to several other keyboardists, including frequent Attrition collaborator Ned Kirby (of the band Stromkern). The result is a layered, haunting, hypnotic collection of genre-defying soundscapes that alternately seduce and frighten. “Favourite Things” sets the mood with creeping, crawling electronic drones accompanying a spoken tally of the contents on a mad scientist's workbench (“Sulfuric Acid... Sodium Cyanide... rubber gloves... a gurney... restraint gear...”) and gives way to the throbbing analog beat that begins “The Head of Gabriel,” the first in a cluster of Dante's Kitchen tracks and a solid example of the band's latter-day output. Bowes' guttural whisper holds down the low frequencies while Reade's angelic intonations soar, loop and reverberate across the sound field, while the entire mix is punctuated by knob-twiddling synth effects and sprinklings of samples. It's followed by the title track from the same album, a more drum 'n' bass infused version of a similar formula. “Dreamcatcher” adds to the sultry danger with its lurching, Middle Eastern electro-bass rhythm and a cool repetitive spoken line from Bowes. Next up are two songs from 1997's Etude: “A'dam & Eva” is filled with dark carnival atmosphere, thanks to its waltz-time organ accompaniment to Reade's lyrical material – this time Bowes switches to the background to provide eerie demonic accents. “I Am Eternity” is essentially a shoegazing trip-hop number – albeit with more evil intensity than, say, Portishead – and features a seriously catchy keyboard arpeggio line. Then it's ahead to Dante again with “Two Gods,” propelled mainly by Bowes' dark murmurings and a groaning bass line, surrounded by a swarm of electronic insect buzzing. “The Mercy Machine” (from The Hidden Agenda ) is a more hard-driving and dance-friendly piece, with deep, bouncy bass, more pronounced percussion and a dreamy, melancholy vocal quality that demonstrates just how much influence Bowes has lent to the whole Darkwave thing. “The Long Hall” is another up-tempo piece with a jungle-esque rhythm loop, which builds momentum to a point, plateaus in trance mode for a while, then kicks in more frenetic beats to an orgasmic, breathless climax. For a fun closer, “November 18, 2006” is taken from a live tribute to Martin, with Reade crooning a very sultry “Happy Birthday,” but the whole event is turned slightly creepy by a deep synth drone in the background. Think of it as a sexy alien party for the damned... and now that I think of it, that's a perfect description of the Attrition experience. Though not for all tastes, Attrition has managed to secure a solid niche audience for a quarter-century, all the while resisting categorization despite recognizable elements of early industrial, dark ambient and trance. Come to think of it, Martin Bowes has probably influenced most, if not all, of those genres himself. There's a damn good reason why this group is still around, and this CD is a cool way to find out. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 39:55 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Introducing... (0:15) 02. Attrition - Mind Drop (5:28) 03. Attrition - In The Attic (4:02) 04. Attrition - Feel The Backlash (2:52) 05. Attrition - The Aftermath (2:45) 06. Attrition - Shrinkwrap (3:34) 07. Attrition - Hallucinator (3:22) 08. Attrition - Pendulum Turns (4:48) 09. Attrition - Fate Is Smiling (5:57) 10. Attrition - The Wrecking Ground (6:51) released July 31, 2011 Recorded live on the april 1985 tour of The Netherlands the set comprised many embryonic versions of tracks that were later recorded for the "Smiling, at the hypogonder club" album...with 2 unreleased songs! Originally released on Other Voices records. The truth in dark corners - Chain DLK review "The Truth In Dark Corners" is a recording of live tracks coming from the band's 1985 Holland tour plus a closing track coming from a London gig. Back then Attrition were releasing their second album "Smiling, At The Hypogonder Club" on Third Mind and this release contains many tracks coming from that one plus "Shrinkwrap" (which was a single) and two unreleased tracks "In The Attic" and "The Aftermath". Formed on those days by Martin Bowes, Marianne Teunissen and Alex Novak, the band was creating their distinctive darkwave electronic sound which was capable to mix danceable rhythms and electronic experimental attitude. "The Truth In Dark Corners" contains good recordings of classic Attrition's tracks (or at least they are what I consider their classics) like "Mind Drop" or "Pendulum Turns" and here you can listen them sounding direct and powerful. These recordings represent quite well the essence of the band on those days so I don't consider this album only a release for hard core fans. And sleeve notes you'll find by Justin Mitchell back then. I'm quite sure that if you a long time reader of our magazine you know this guy, because when he knew Attrition he was an electronic music enthusiast who became their friend but soon after he founded Cold Spring Records. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 18:37 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Missionary (3:05) 02. Attrition - Jesus (2:51) 03. Attrition - Nice Young Man (2:34) 04. Attrition - Cultural Death (2:42) 05. Attrition - Screaming Room (3:30) 06. Attrition - Monotone (3:54) The first ever ATTRITION show... mastered from the original analogue cassette recording made on the night... None of the songs have been released in any form previously... with the exception of "Screaming room" that made it to demo format in 1981. This is ATTRITION in the original anarchist post-punk line up.... no synths at all...a raw 4 piece guitar bass drums and vocals line up... Live at the Belgrade Venue Coventry. England. December 8th. 1980 Martin Bowes: Vocals Julia Waller: Bass/Vocals Chris Bowes: Guitar Robbo: Drums No synths were used in the making of these recordings A Two Gods Production. 3GODSDIG ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 31:33 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Commandment (3:44) 02. Attrition - Cut It Fine (2:57) 03. Attrition - Dilemma (4:41) 04. Attrition - Monkey In A Bin (2:33) 05. Attrition - Day I Was Born (3:48) 06. Attrition - Hit The Dirt (2:44) 07. Attrition - You Said (3:45) 08. Attrition - Surge And Run (7:21) Anarchic synthesised rhythms and noise... Embryonic live versions of songs from the year before the debut single and album, with 2 songs never actually released... A recording of our live show at the General Wolfe. Coventry. on April 21st 1983 released February 10, 2014 Martin Bowes: Vocals Julia Waller: Vocals Ash: Synthesiser Alan Rider: Bass guitar Woody: Synthesiser Mastered from the original cassette recording by Martin Bowes at The Cage Studios. 2014 A Two Gods Production. 5GODSDIG ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 39:06 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - The Rising Tide (5:39) 02. Attrition - Right Hand Man (4:10) 03. Attrition - Look Out! Hedonist (3:17) 04. Attrition - Scenario (4:19) 05. Attrition - The Game Is Up (3:52) 06. Attrition - Thin Red Line (4:59) 07. Attrition - Mind Drop (4:13) 08. Attrition - Fusillade III (3:25) 09. Attrition - Agenda Station (5:13) Live at The Pushing Against The Wire Festival Northampton, England. 1992 A Cold Spring Records event that also featured In The Nursery, Legendary Pink Dots and Meat Beat Manifesto. released May 16, 2014 Recorded in stereo from the mixing desk direct to DAT. Mastered by Martin Bowes at The Cage Studios, Coventry, England. 2014. Cover Photo by Phil Clarke A Two Gods Production. 6GODSDIG ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 45:43 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - A Few Of My Favourite Things (2:44) 02. Attrition - The Head Of Gabriel (5:09) 03. Attrition - Dante's Kitchen (5:48) 04. Attrition - Dreamcatcher (5:25) 05. Attrition - A'dam & Eva (3:38) 06. Attrition - I Am Eternity (4:50) 07. Attrition - The Mercy Machine (5:26) 08. Attrition - The Long Hall (6:35) 09. Attrition - A Girl Called Harmony (5:16) 10. Attrition - Between A Rock And A... (0:52) released October 21, 2014 ATTRITION Live at Le Klub. Paris. October 7th . 2010 Mixed and Mastered by Martin Bowes at The Cage Studios, Coventry, England. 2014 A Two Gods Production. 9GODSDIG ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 32:48 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Attrition - ATTRITION interview (2:05) 02. Attrition - Something Stirs (2:17) 03. Attrition - Reflections (5:30) 04. Attrition - The Outer Edge (4:05) 05. Attrition - The Next day (4:04) 06. Attrition - The Redoubt of Light (4:43) 07. Attrition - Pendulum Turns (7:09) 08. Attrition - Across the Divide (Part and Radio outro) (2:55) ATTRITION Live on Spleen from the VPRO, Korenmarkt, Arnhem, Netherlands, July 22nd 1984 Martin Bowes: Vocals/Electronics Julia Waller: Vocals Ashley Niblock: Synths Mastered from a cassette recording from the original broadcast and presented here in all its lo-fi glory. by Martin Bowes at The Cage Studios, Coventry, England. 2015 A Two Gods Production: 14GODSDIG released September 18, 2015 A Live interview and most of the live set from our appearance on VPRO, the national Dutch radio station, broadcast live from (a far too light and sunny) Arnhem market square in July 1984. Taken from a cassette somebody recorded off the radio that day, copied and sent to me 27 years later in 2011 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 48:34 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Pendulum Turns (4:12) 02. Attrition - Look Out! Hedonist (3:07) 03. Attrition - The Game Is Up (3:45) 04. Attrition - Haydn (3:06) 05. Attrition - Death Truck (3:29) 06. Attrition - Mind Drop (2:33) 07. Attrition - Fusillade III (3:59) 08. Attrition - Shrinkwrap (3:56) 09. Attrition - Two Miles Up (3:59) 10. Attrition - Hallucinator (3:17) 11. Attrition - Shotgun Dream (3:45) 12. Attrition - The Fiftieth Gate (5:32) 13. Attrition - The Next Day (3:54) ATTRITION At The Fiftieth Gate Tour Live at AKW. Wurzburg. Germany 19-05-1988 Recorded on the tour in Germany in May 1988 organised by Diva Performance. With songs from At the Fiftieth Gate and a little from Smiling, at the Hypogonder Club... All reworked for the guitar driven line up of that year... released November 16, 2015 Martin Bowes: Vocals/Electronics Garry Cox: Guitar Bob Oliver: Percussion Mastered from the original recording off the desk. by Martin Bowes at The Cage, Coventry, England. 2015 Cover Photo by Brenda Stumpf Thanks to Carsten S. for the copy of the original recording A Two Gods Production 15GODSDIG ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:03:27 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Prelude (2:25) 02. Attrition - The Head of Gabriel (5:10) 03. Attrition - Dante's Kitchen (5:44) 04. Attrition - Dreamcatcher (5:24) 05. Attrition - A'dam & Eva (3:47) 06. Attrition - I am Eternity (4:46) 07. Attrition - The Mercy Machine (5:24) 08. Attrition - The Long Hall (6:39) 09. Attrition - A Girl called Harmony (5:12) 10. Attrition - Rock of Ages (7:19) 11. Attrition - Dante's Kitchen (Encore) (5:51) 12. Attrition - The Mercy Machine (Encore) (5:47) ATTRITION Live at Club Neutral. Toronto. Canada. 06.06.2010 From our first Canadian tour in 2010, the second of 2 shows With songs from Dante's Kitchen and the attrition back catalogue Thanks to Steve Dreamsko for guesting on synths and Ryan Clarke for making this all possible. released February 3, 2016 Martin Bowes: Vocals/Electronics TyLean: Vocals Steve Dreamsko: Synthesisers Recorded by Bigfix productions. Remastered for this release by Martin Bowes at The Cage, Coventry, England. 2016 Photo by Onsendesigns Photography A Two Gods Production 17GODSDIG ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 17:22 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Attrition - One Horse Rider (4:36) 02. Attrition - Snakepit (4:12) 03. Attrition - Narcissist (4:59) 04. Attrition - A'dam and Eva (3:35) 24Bit ATTRITION Recorded Live at the Hard Luck Bar, Toronto, May 20th 2017 Martin Bowes: Vocals and Electronics Alia Synesthesia: Vocals www.attrition.co.uk www.thecagestudios.co.uk A Two Gods Production 40GODSDIG.2017 released August 2, 2017 Mixed and Mastered by Martin Bowes at The Cage Studios, Coventry, England Cover photo by Dylan Madeley Thanks to Jason Cabanaw for live sound Thanks to Dentata Music and Ryan Clark for making things happen... foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 31:39 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Attrition - Karma Mechanic (4:47) 02. Attrition - Narcissist (4:57) 03. Attrition - Snakepit (4:15) 04. Attrition - The Mercy Machine (5:21) 05. Attrition - The Long Hall (6:26) 06. Attrition - Dante's Kitchen (5:52) 24Bit released June 21, 2018 Recorded Live by Bryan Tabuteau At Valhalla, Wellington, New Zealand, May 11th 2018. Mixed and Mastered by Martin Bowes At The Cage Studios, Coventry, England June 2018. Cover Photo By Mark Wallbank Thanks to the talented Alia for singing with me and opening the shows in New Zealand with her Subterranea... and Bryan, Artemis Kowalski, Mark Wallbank, Raymond Ross and everyone else that helped made this all happen.. A Two Gods Production. 45GODSDIG foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 41:40 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Invocation I - Live in Toronto. 15.03.19 (4:59) 02. Attrition - Invocation II - Live in Toronto. 15.03.19 (8:05) 03. Attrition - Invocation III - Live in Toronto. 15.03.19 (2:45) 04. Attrition - Invocation IV - Live in Toronto. 15.03.19 (9:57) 05. Attrition - Invocation V - Live in Toronto. 15.03.19 (15:54) released April 3, 2019 The ATTRITION film score: Re-interpreted and recorded Live at ALTÆR At Christie Pits Pub,Toronto.Canada March 15th 2019 Martin Bowes: All Electronics and Midi Sax Sharon Victoria: Violin and Effects Mastered by Martin Bowes At The Cage Studios, Coventry, England March 2019 Cover Photo By Dylan Madeley A Two Gods Production. 47GODSDIG Thanks to Kerri Bowes for additional programming, and to Ryan Clark for making this all happen... ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 47:21 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Prelude - Live In Copenhagen - 14-01 2000 (2:44) 02. Attrition - Acid Tongue - Live In Copenhagen - 14-01 2000 (4:18) 03. Attrition - Right Hand Man - Live In Copenhagen - 14-01 2000 (4:12) 04. Attrition - Atomizer (Custom Mother) - Live In Copenhagen - 14-01 2000 (4:59) 05. Attrition - I Am A Theif (Part One) - Live In Copenhagen - 14-01 2000 (1:13) 06. Attrition - The Second Hand - Live In Copenhagen - 14-01 2000 (4:15) 07. Attrition - I Am Eternity - Live In Copenhagen - 14-01 2000 (5:05) 08. Attrition - Cosmetic Citizen - Live In Copenhagen - 14-01 2000 (4:43) 09. Attrition - The Mercy Machine - Live In Copenhagen - 14-01 2000 (5:39) 10. Attrition - A Girl Called Harmony - Live In Copenhagen - 14-01 2000 (5:48) 11. Attrition - His Latest Flame - Live In Copenhagen - 14-01 2000 (4:24) 24Bit Christine Reid performed with ATTRITION in the UK, Europe and the USA between 1999 - 2004. During the current lock down i have been spending time going through my archive, audio and visual, and digitising/editing towards my eventual book on my life with ATTRITION... I came across this live recording on mini disk from a show at Club Metropolis in Copenhagen in 2000... Sadly, i have recently heard that Christine passed away a few years ago... This document is here in her memory Christine Reid... R.I.P. released April 7, 2020 Martin Bowes - Vocals / Synthesisers/ programming Christine Reid - Vocals Craig Ward - Synthesisers Rich Wall - Live Sound Recorded in stereo to mini disk. Mastered by Martin Bowes at the Cage Studios. 2020 Thanks to Brian and Malene for making this show happen... Photo of Christine by David Velez 
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 21:19 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Screaming Room (Mix 2) (3:19) 02. Attrition - Possessed (Mix 2) (3:10) 03. Attrition - Alter Ego (Mix 2) (2:24) 04. Attrition - Fear (3:04) 05. Attrition - Stiletto (2:46) 06. Attrition - Screaming Room (Mix 1) (3:22) 07. Attrition - Possessed (Mix 1) (3:14) The historic first recordings that we ever made in a studio. Resurrected from the only cassette tape we still had of them Two demos from April and July 1981 and the only studio recordings of that early line up with our drummer. The songs were soon discarded from the set as we went through our metamorphosis into a more electronic sound. Martin: Vocals and Bass guitar Julia: Vocals and Bass guitar Ashley: Synthesiser Robbo: Drums and a long forgotten special guest on guitar... released November 19, 2014 Recorded on 4 track Portastudio with Paul Johnson at Rhythm Studios in Warwick, England 1 - 3 and 6 - 7 April 1981 and 4 - 5 July 1981 Cover photo taken March 1981 at The Queen Inn, Coventry Mastered for this release by Martin Bowes at The Cage Studios, Coventry. England A Two Gods Production. 8GODSEP ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 14:32 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Monkey In A Bin (2:36) 02. Attrition - Surge And Run (8:05) 03. Attrition - How About That Dum Dum? (3:51) Originally released in 1984 on Recording Union as side A of a split 12” single with Swiss band Schamanen Circel. This 30th anniversary edition includes a very rare bonus track in "How about that dum dum" - originally releaed on cassette only in 1983 - on the digital and CD versions! Recorded on 4 track portastudio, Coventry. 1983 Remastered from the 4 tracks by Martin Bowes at The Cage studios, Coventry, England. 2014 This is a Two Gods production 7GODSEP released March 10, 2014 Martin Bowes : Vocals and electronics Julia Niblock : Vocals and bass guitar Ashley Niblock : Keyboards and synthesisers Recorded on 4 track portastudio, Coventry. 1983 Remastered from the 4 tracks by Martin Bowes at The Cage studios, Coventry, England. 2014 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 22:39 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - The Next Day (4:14) 02. Attrition - The Outer Edge (3:57) 03. Attrition - Across The Divide (3:23) 04. Attrition - Reflections (7:05) 05. Attrition - The Outer Edge - Demo (3:59) "If only they were humans we could fall in love...." Zigzag UK released August 23, 2017 Recorded at IPS Studios. London. England. October 1984 Remastered by Martin Bowes at The Cage Studios. Coventry. England. 2017 Martin Bowes: Vocals, drum programs, cut up tapes and effects Julia Waller: Vocals Ashley Niblock: Keyboards, Synthesisers and Sequencing. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks+.cue Продолжительность: 18:19 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Thin Red Line (Redmixed By FM & Paolo F) (5:33) 02. Attrition - Thin Red Line (Extended Remix) (5:05) 03. Attrition - Under The Bridge (4:29) 04. Attrition - Resurrection (Reprise) (3:12) Credits Cover – Mark P. Lomax Engineer – Mark Beswick (tracks: 2 to 4) Lyrics By – Martin Bowes (tracks: 1 to 3) Music By – Martin Bowes (tracks: 1, 2, 4) Producer – Martin Bowes (tracks: 2 to 4) Notes Track 1 remixed during October 1991 at Blue Velvet, Firenze, Italy. Track 2, 3 and 4 recorded & mixed May - June 1991 at Cabin Studios, Coventry, England. Exact Audio Copy V1.0 beta 3 from 29. August 2011 REM GENRE Darkwave ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 24:16 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Something In My Eye (12” Mix) (5:41) 02. Attrition - My Face, Your Gift (4:18) 03. Attrition - High Tide (3:25) 04. Attrition - Kicking Up Dust (5:48) 05. Attrition - Something In My Eye (Demo) (4:53) Whatever happened to the old singles and eps? over the years they seem to get lost amongst the reissues... a track or two appearing as album bonuses...with original artwork and b-sides condemned to obscurity... I am working on the resurrection... remastering the attrition catalogue of singles and eps with the original artwork...and some bonus tracks in demos and alternate takes... Something in my eye was originally released on Italy's Contempo Records in 1992... and is here again now... along with the original demo version...and a long lost video we made for the title track in Rome digitised from the vhs tape. that same year.. i even found the last few copies of the original 12 inch vinyl... enjoy.... until the next one... released August 5, 2016 Martin Bowes : Vocals and all electronics Julia Niblock : Vocals Tracks 1 - 4 recorded with Paul Samson at Cabin Studios Coventry. 1992 Track 5 from 4 track cassette demo. 1991 Remastered by Martin Bowes at The Cage Studios, Coventry, England. 2016 Cover Photo collage by Mark P. Lomax A Two Gods Production. 12GODSEP ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 20Ж20 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Lip Sync (Xenophobia Edit) (5:34) 02. Attrition - His Latest Flame (3:03) 03. Attrition - Sister Teresa (4:31) 04. Attrition - Lip Sync (Aversion) (3:56) 05. Attrition - The Cage (Refrain) (3:16) Originally released in 1993 on German label Hyperium and long since deleted. Includes a very rare version of Lip Sync (aversion). This newly remastered version features a variation on the original artwork. released June 24, 2019 Martin Bowes - Electronics and Vocals Julia Waller - Vocals Produced by Mark Beswick and Martin Bowes At The Cage Studios. Coventry. 1993. Remastered by Martin Bowes at The Cage Studios. 2019. Cover art by Mark P Lomax A Two Gods Production. 48GODSDIG ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 19:31 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - I Am (Eternity) (4:48) 02. Attrition - Cold Genius (4:04) 03. Attrition - Feel The Backlash (3:44) 04. Attrition - At The Fiftieth Gate (A Slight Return) (2:13) 05. Attrition - I Am (Eternity Mix) (4:41) In 1997 Projekt records released the (long since deleted) 4 track Eternity EP on CD... Electronic dance reworkings of the classical infused tracks of the "Etude" album...plus an unreleased track in "At the fiftieth gate ( a slight return)... this ep was later bundled with the similarly classical influenced tracks of 1999's "Kissing a virtual Angel EP" and in 2001 became "The Eternity LP"... We recently came across a stash of the original Eternity EP in our stock in New York.. 68 copies in total... I have decided to just give these away.... Tell us you would like a copy when you order any physical items from our bandcamp store and we will include this in your order with free shipping too... The download version here is also free for a limited period - and includes a bonus mix - a version of I am eternity from the Diva X Machina compilation released on Cop International records in 1997... released July 14, 2017 Remastered for the release by Martin Bowes, at The Cage Studios, Coventry, England. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 12:49 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Dante's Kitchen - Dante's Dub Mix 1 (6:25) 02. Attrition - Dante's Kitchen - Dante's Dub Mix 2 (6:25) Drum and Bass act Rascal & Klone remixed Dante's Kitchen in 2004 for this limited 12 inch single... a very few copies recently were rediscovered here at the back of the attrition merchandise stock cupboard... (some of you may know Rascal & Klone from the original Grand Theft Auto game soundtrack, at least one of them was also a Music Tech student of mine here in Coventry in the late 90's ...) Enjoy... Martin Bowes released October 22, 2004 Dante's Kitchen from the ATTRITION album of the same name Remixed by Rascal & Klone in 2004 Remastered for the digital format: by Martin Bowes at The Cage Studios, Coventry. 2015 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 15:06 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Narcissist (Album Mix) (5:00) 02. Attrition - Narcissist (ID Mix by Angst Pop feat. Technomancer) (4:16) 03. Attrition - Narcissist (Vi Rez Mix) (5:50) This is a Two Gods production 2GODSEP released March 1, 2013 Mastered by Martin Bowes at the Cage Studios. 2013 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 13:05 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Acid Tongue (BBCom's Minimal Mix) (4:28) 02. Attrition - Acid Tongue (Void Prototype Remix) (4:13) 03. Attrition - Acid Tongue (BBCom's Maximal Mix) (4:23) Something that's old...and something that's new.... Acid Tongue : remodel. I was asked recently if i had the masters for our song Acid Tongue... from the 1996 album "3 arms & a dead cert".... and the vocals and viola on this album was recorded on 8 track analogue tape... so as i no longer have the machine the answer was going to be NO... until i chanced upon a DAT tape i had copied the audio parts over to in 2000... so i sent it over... and a couple of other bands asked for copies as well... and here are the results... 3 remixes of Acid Tongue... one from Void Prototype (Texas), and 2 versions from BBCOM (Germany).... Enjoy. Martin Bowes released January 6, 2014 Martin Bowes: Vocals/Electronics Julia Waller: Vocals Orginally released on the “3 arms & a dead cert” album, 1996 Mastered by Martin Bowes at The Cage Studios, Coventry, England. 2013 Photograph: Holger Karas A Two Gods Production: 5GODSEP ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 6:02 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Lullaby (6:02) Originally released as a part of the Sin -Tech compilation CD on Shinto Records. 2008 released April 29, 2014 Martin Bowes - Electronics and Production Sin D'rella - Voice Mastered at The Cage studios by Martin Bowes ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 27:25 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - One Horse Rider (Technomancer Remix) (5:01) 02. Attrition - One Horse Rider (Denial.Of.Service Mix) (4:48) 03. Attrition - One Horse Rider (Man Woman Machine Mix) (4:59) 04. Attrition - One Horse Rider (Rossetti's Compass Mix) (4:05) 05. Attrition - One Horse Rider (Johnathan Christian - A Pale Horse Named Death Mix) (5:24) 06. Attrition - One Horse: Reprise (Attrition Remix) (3:07) One Horse Rider... the remixes The season continues, with a six part reinvention... A Two Gods production 6GODSEP Original version on the ATTRITION album: The Unraveller of Angels. Martin Bowes: Vocals and electronics Tylean : Voices Joanna Dalin: Violin Ian Arkley: Guitar released April 25, 2014 Mastered by Martin Bowes at the Cage Studios. 2014 Cover Photo of Jezebel by Holger Karas ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 4:55 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - The Mouthless Dead (4:55) "Dark, chilling, and compelling.... Millions Of the Mouthless Dead is one of the most powerful albums about the First World War to date..." Listen to the full album here: attritionuk.bandcamp.com/album/millions-of-the-mouthless-dead The video can be also be watched here: www.youtube.com/watch?v=udPuZ83NytU released August 21, 2015 On this track Martin Bowes: Poetry reading/Electronics Anni Hogan: Grand Piano/Keyboards A poem by Charles Hamilton Sorley. 1915. A Two Gods production Mixed and Mastered by Martin Bowes, At The Cage Studios, Coventry, England, 2014 - 2015 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 13:47 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition Vs. TV Smith - Gary Gilmore's Eyes (KGB Half Circle Mix) (3:39) 02. Attrition Vs. TV Smith - Gary Gilmore's Eyes (KGB Let's Do It Mix) (3:05) 03. Attrition Vs. TV Smith - Gary Gilmore's Eyes (Unplugged the Naked Song) (2:47) 04. Attrition Vs. TV Smith - Gary Gilmore's Eyes (Attrition Remix) (4:17) "Wow, that's pretty fuckin' cool Martin - I love it! The punks will probably hate it and I don't care! That's been worth waiting for, very happy about it..." TV Smith 1977. A year that changed everything for me. I remember seeing the Advert's performing Gary Gilmore's eyes on Top of the Pops. Loved TV Smith's song writing. I still do. He's been more than a little influence on me. 23 years later and a chance meeting between us online and i was helping arrange a show in Coventry for a now solo TV Smith. We started recording a collaborative version of Gary Gilmore's eyes in my studio. It wasn't the right time for me and the project lay shelved for 14 years... Until another chance meeting online between me and our old Antler records label boss Roland Beelen. We talked music as we never had the chance to back in the late 80's when ATTRITION were signed to Antler. We shared a love for the Adverts and i mentioned this long forgotten project. Now lying in state on obsolete hardware somewhere at the back of my studio storage. It had to be completed. and it has. finally. and we both love it. and KGB has created some fine remixes for this release. So here it is: "Let's do it"... released June 11, 2015 The original re-recording recorded and mixed by Martin Bowes, at The Cage Studios, Coventry, England. 2000 and 2014. TV Smith: Vocals and acoustic guitar Martin Bowes: Electronics and programming. Additional vocals TyLean: Backing vocals Christine Reid: Backing vocals Ian Arkley: Electric guitar and Gary Gilmore as himself... Extra drums on KGB mixes by KGB KGB remixes and mastering made at Atomic Studios. Belgium. 2014 Why2K Graphics ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 4:14 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Acid Tongue (Welcome Aboard...) (4:14) A rare remix of the song Acid Tongue by Martin Bowes, originally released on the "Hardware" compilation CD in 1999 (MCT Productions) The full CD is also available through our merchandise pages: attritionuk.bandcamp.com/merch/hardware-compilation released November 23, 2015 Remastered by Martin Bowes at The Cage Studios, 2015 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 9:57 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Two Gods (4:58) 02. Attrition - Two Gods (First take) (4:59) Two Gods... the 2004 version taken from the Dante's Kitchen album c/w Two Gods (First take)... the original first mix available on the In Dark Dreams : 1980 - 2015 best of released February 11, 2016 All music by Martin Bowes. Julia Waller: Vocals Martin Bowes: Vocals and electronics and featuring Raf: Violin Mixed and mastered by Martin Bowes at The Cage Studios Cover Photograph of Martin and Kerri taken in Leipzig by Holger Karas A Two Gods Production 11GODSEP ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 21:33 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - A Girl Called Harmony (5:09) 02. Attrition - A Girl Called Harmony (1990 Demo) (4:34) 03. Attrition - I Am Eternity (Classical Version) (4:07) 04. Attrition - I Am Eternity (Electronica Mix) (4:48) 05. Attrition - I Am (1986 Demo) (2:55) "Something that's old, and something that's new..." A Girl Called Harmony was released on the Tricky business album in 1991. Certainly our most "Gothic" and possibly our most popular song, although never released as a single at the time it appeared on many compilations around the globe. I recently rediscovered the original 4 track demo portastudio recording, which i have mixed and mastered for you here... Coincidentally i also received the last remaining cassette promo singles for A Girl Called Harmony c/w I am Eternity - classical and electronica versions (a promotional give away on Projekt records from 1997).... they are here too, together with the original demo for that song from 1987... released January 5, 2017 Album mixed and mastered by Martin Bowes at The Cage Studios (with help from Mark Beswick at Cabin Studios, Coventry for the title track) Cover photo from the original "Tricky Business" sessions in the cellar of the house i lived in in Coventry, by Mark Lomax. 1991 A Two Gods Production: 16GODSEP ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 5:33 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Fires Rise (5:33) ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 3:28 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Silent Night (3:28) ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 27:50 Наличие сканов в содержимом раздачи: digital Tracklist: 01. ddos.vs.Attrition - Beast Of Burden (Reconstructed) (3:10) 02. Attrition - Beast of Burden (Autoclav1.1 mix) (3:49) 03. Attrition - Day I Was Born (DMT Berzerk Remix) (7:53) 04. Attrition - Beast of Burden (Edge of Decipher mix) (5:40) 05. ddos.vs.Attrition - I Was Born A Burden (7:19) 24Bit An addendum... A selection of remixes from various artists taken from the original 4 track tapes of the "attrition of reason" album i recently remixed/remastered for 2CD release on Ultra Mail. released January 8, 2018 A Two Gods Production. Originally recorded on 4 track portastudio. 1984 Mastered by Martin Bowes at The Cage Studios. 2017 Cover Photos by Rob Lapworth. 1984 foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 28:14 Наличие сканов в содержимом раздачи: digital booklet Tracklist: 01. Attrition - The Great Derailer (5:01) 02. Attrition - The Pillar I (For Ossington) (4:02) 03. Attrition - The Great Derailer (Planetdamage remix) (4:30) 04. Attrition - Entertain you (Dead Happy remix) (2:53) 05. Attrition - The Great Derailer (Mr. Toma vs Noir Magnetik) (4:34) 06. Attrition - Derail (Khost remix) (7:15) 24Bit The Great Derailer c/w The Pillar I (For Ossington) The first single from the upcoming ATTRITION album, due later in 2020 "The Black Maria" Available as a digital download, Streaming through all the major platforms, or as a Limited CD single and as part of a CD/T-Shirt, Pin/Badge and Incense package. You will also find the first 4 remixes as bonus download only tracks...more of those to follow with the second single and album release... Watch the video here: youtu.be/x05At-BuyhA released January 31, 2020 Martin Bowes - Vocals/ All Electronics, Programming and. Field recordings from Ossington Station, Toronto on The Pillar I Emese Arvai-Illes - Female lead vocals Elisa day - Female backing vocals Vancorvid - Violin Marietta Fox - Violin Anni Hogan - Piano Kris Force - Cello Steve Clarke - Guitar Written by Martin Bowes Cover photo of Martin taken in Auckland, New Zealand by Mark Wallbank Recorded and Mastered at The Cage Studios, Coventry.England www.attrition.co.uk www.facebook.com/ATTRITIONMUSIC/ www.youtube.com/user/attrition twitter.com/attritionuk www.thecagestudios.co.uk A big thank you to the remixers ... Planetdamage, Noirmagnetik, Dead Happy and Khost A Two Gods Production 34GODSCD "The offset of Elisa Day's operatic grandeur, Emese's bluesy and soulful melody, and Bowes' subdued yet throaty and guttural growl... such a layering of disparate vocal styles into such a disturbingly appealing package is unparalleled and adds to Attrition's singularity and longevity. Add to that a wispy helping of pulsing technoid bass and rhythms, Vancorvid's shrill violins to provide a rather ghostly and almost Victorian ambience, the discordant guitar and Anni Hogan's lonely pianos give the instrumentation an urgency befitting any dance floor while still nuanced in its production to demand deeper listening. There's a reason Attrition has lasted this long and continues to standout among the myriad of goth/industrial…” Ilker / Regen magazine ATTRITION ‘The Great Derailer’ c/w ‘The Pillar I (for Ossington)’ When asked about their dark art Joy Division said they were influenced by their post-industrial surroundings. I wonder if Coventry’s oppressive brutalist architecture had a similar effect on Attrition’s Martin Bowes because he’s been unsettling listeners for 40 years by illuminating the dark recesses of the human psyche with flickering candlelight. To mark Attrition’s fourth decade this new two track EP is released to highlight the bands Licht und Blindheit. Opening with a spectral wail, a piece of electronic voice phenomena, as if recorded at a séance and counterpointed by ice cold tinkering keys that stand stark, the title track is a truly disconcerting piece of music. The arrival of an upbeat central bassline, which in itself is very catchy, but it is the smorgasbord of sounds that swirl around, like apparitions circling an Ouija, that give ‘The Great Derailer’ its sinister feel. Voices are taken out of context, like a musical cut and paste, and their meanings are changed and thus they take on more indistinct and suggestive tones. Best listened through headphones it’s a multilayered affair, with Martin scrawling sound on every available surface as it swarms to the point of overload as different aspects are brought forward and then foregrounded. This EP can be viewed as different sides of the same coin as ‘The Pillar I (for Ossington)’ takes a more dark ambient approach. Sorrowful viola and a voice like a female hazzan almost cries against a backdrop of a cattle train rattling into the distance. It’s a track that breathes as it ululates with the voice that ebbs and flows. A discombobulating, cinematic soundscape the images it creates will be personal to you but to my mind it draws parallels to the Holocaust and positions the track somewhere between Steve Reich’s ‘Different Trains’ and the Swans ‘Soundtracks for the Blind’. Attrition are not always a comfortable listen but they’re always rewarding. Embrace the darkness... Pulse alternative magazine www.facebook.com/altpulse/ Attrition – "The Great Derailer" BY ADELE SINNAMON. ONYX MUSIC REVIEWS. FEB 18, 2020 When you talk about industrial electronic noise acts like Coil, Throbbing Gristle and In The Nursery, you have to add Coventry band, Attrition. January saw the release of a new single, “The Great Derailer” from the album, The Black Maria, which is due out in the coming months. Martin Bowes is the one member who has been continuously part of the group from the beginning in 1980 and has always steered Attrition to being a much lauded and still viable act now, even in 2020. Of course the title song is first, “The Great Derailer” which is exactly five minutes long and begins with the jangling of guitars, juxtaposted with female vocals. Bowes‘ gutteral tones gravel along with Emese Arvai-Illes as the female lead, almost floating above Bowes. Who is “The Great Derailer“? There is a sound bite that seems awfully like one U.S. president called Trump. The violins are discordant and almost manically high pitched with fervour, off-set by the mellow tones of the cello, all heightened by the soprano wailing, rising and falling. Whoever this Great Derailer is, they revel in the turmoil created by the direputable and unruly. The B-side is “The Pillar (For Ossington)“. Ossington Subway Station is located in Toronto, Canada and also the place that Martin made field recordings of the trains as they pass by and stop. This is a much more sublime piece, almost clasical in nature, with female vocals like the calling of the sirens to lure you into their world within a hurtling steel carriage. There are a bonus four remixes of “The Great Derailer” on the digital format. There is “The Great Derailer” by Planetdamage remix, “Entertain You” Dead Happy remix, “The Great Derailer” Mr Toma Vs Noirmagnetik remix and Khost‘s remix “Derail“. Each is diverse and a new surprise from Planetdamage’s laid back dismantling to Khost’s reimagination in industrial power noise. My first real introduction to Attrition was in the early 90’s with the compilation Recollections ’84 – ’89, put out by the label Projekt, who are well known for their electro ambient releases, even though I had heard the odd song here and there. As leaders in their field, they have released some powerful albums full of creativity and dark beauty. Now in 2020, on the Two Gods label, Attrition is about to grace our ears again. Martin Bowes is threatening us with another single and new album….. and I for one can’t wait to hear what comes next.
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks+.cue Продолжительность: 1:01:20 Наличие сканов в содержимом раздачи: discogs Tracklist: 01. Attrition - Monkey In A Bin (2:28) 02. Attrition - Beast Of Burden (3:10) 03. Attrition - A'dam & Eva (3:26) 04. Attrition - Into The Waves (5:33) 05. Attrition - The Next Day (4:15) 06. Attrition - Shrinkwrap (3:40) 07. Attrition - Pendulum Turns (3:20) 08. Attrition - Mind Drop (4:04) 09. Attrition - Fusillade III (Both Barrels) (3:40) 10. Attrition - Haydn (Remix) (4:06) 11. Attrition - Death Truck (3:25) 12. Attrition - My Friend Is Golden (3:33) 13. Attrition - Lady Look Now (3:41) 14. Attrition - Shotgun Dream (4:02) 15. Attrition - To The Devil! (3:39) 16. Attrition - At The Fiftieth Gate (5:18) Notes Retrospective compilation album intended for the American market. This collection represents a cross section of Attrition's work from the period 1984-1989. Tracks have been selected from regular releases, some compiltions and rarities. CD Digital Mastering Daniel Hersch, Digiprep. First issue in 1990 as CD and CS on Projekt, US. Second issue in 1993 as CD on Projekt, US. 1990 CD has white cover with big black Attrition lettering and foto collage by Sam Rosenthal. 1993 CD re-issue has different cover artwork with white Attrition title in type set lettering and cover collage adopted from the "Smiling, At The Hypogonder Club" cover artwork. Re-issue has cat# 'PROJEKT 28' on spine, 'PRO 28' on disc. Licensed from Third Mind Records - England and Antler Records - Belgium Tacks 1-9: published by Third Mind Music Tracks 10-16 published by Be's Songs Except track 14 published by Sonar Music Exact Audio Copy V1.0 beta 3 from 29. August 2011 REM GENRE Electronic ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 54:35 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - At The Fiftieth Gate (2:11) 02. Attrition - Nine Tails, To Follow You Round (3:12) 03. Attrition - My Eyes (4:30) 04. Attrition - Marianne’s Dream (5:11) 05. Attrition - Silent Night (3:29) 06. Attrition - Cold Genius (3:36) 07. Attrition - Dream Nine (Recurring) (3:58) 08. Attrition - Have A Nice Time (2:56) 09. Attrition - Ephemeral (4:21) 10. Attrition - Still Life? (4:39) 11. Attrition - Crawling (Excerpt) (6:36) 12. Attrition - The Big Lie (9:56) A collection of ambient and classical works originally released on Russian label Brudenia in 2000 this is the second expanded and remastered edition from Two Gods with many exclusive mixes! REGEN magazine. USA . USA 2007 A lovely collection of classical and ambient pieces from one of darkwave's most talented artists. Ranging from moody industrial soundscapes to modern classical arrangements, this collection of instrumental work showcases Attrition founder Martin Bowes as the master composer he is. Fans of the classically-inspired material explored on albums like Étude have reason to rejoice, as Esoteria features several previous Attrition tracks arranged for strings. "Cold Genius" is simply gorgeous, and a new interpretation of darkwave club track "At the Fiftieth Gate," though barely recognizable, is no less majestic than the original. There's much more going on here than chamber music though. "Nine Tails, to Follow You Round" creates a lingering dread with slow, dissonant pianos and echoing footsteps, while the hints of rowdy children's voices emerging from layered drones and synths give "Marianne's Dream" the dreamlike quality embodied in its title. On several tracks, Bowes appropriates familiar melodies for his own nefarious ends; "Silent Night" processes wisps of a familiar Christmas carol and lets them drift over rumbling drones and mechanical clunks, while a muffled synth rendition of Beethoven's "Ode to Joy" on the dark ambience of "Dream Nine (Recurring)" places the piece in a decidedly less joyful context. Finishing things off is the epic-length "The Big Lie." In many ways, this is the most conventional Attrition track on the CD, and it would provide a perfect backdrop for Bowes' signature raspy whisper, but by leaving it as an instrumental he draws attention to sonic details that might otherwise go unnoticed: the subtle, tribal-inspired rhythms, the deep foghorn bleats of the pipe organ, and the juxtaposition of both organic and synthesized choir effects. When an artist puts out a collection like this one, it's usually just the devoted fans that have any need or want for it, but Esoteria has a lot more going for it than a couple of previously unreleased tracks. Anyone with an interest in neo-classical and dark ambient music, Attrition fan or not, will find plenty to savor here. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:11:07 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - I Am A Thief (Intro) (Dance Or Die Remix) (0:48) 02. Attrition - Cold Genius (Polaxe Remix) (7:16) 03. Attrition - Waste Not, Want... More (D.O.S. Remix) (6:23) 04. Attrition - Cosmetic Citizen (Stromkern Remix) (5:15) 05. Attrition - Lip Sync (IT Remix) (3:12) 06. Attrition - I Am (Eternity) (Chris N Cosey Remix) (7:49) 07. Attrition - White Men Talk (Morbus Kitahara Remix) (3:22) 08. Attrition - The Mercy Machine (Attrition Remix) (5:31) 09. Attrition - My Friend Is Golden (Regenerator Remix) (4:40) 10. Attrition - Acid Tongue (New Mind Remix) (4:20) 11. Attrition - The Second Hand (Mark Crumby Remix) (6:51) 12. Attrition - IAE (In the Nursery Remix) (5:05) 13. Attrition - Ephemeral (The Truth Remix) (4:44) 14. Attrition - One Of These Mornings (Flip Shriner Remix) (Bonus Track) (5:50) released July 25, 2000 Our remix album originally released in 2000 on Invisible records in the USA, and on Trisol in Europe. This is the Two Gods label remastered reissue with a bonus track in the Flip Shriner remix. Heathen Harvest zine 2009 Just like an obelisk defying the course of time and standing in there, immovable and lustrous, preserving its very essence in the continuous variation granted by entropy there is Attrition, the band, not the misfortune. This is one of those bands that has transcended experimentation and has definitively rooted its name in history with their multiple sonic vocations: Avant garde Electronica, Industrial and Neoclassical, their sonic palette is extensive and with such a vast discography that ranks them in the status of a prolific authority. “The hand that feeds” is a particular compilation that probably sides them with most of their famous counterparts from the scene, it is a compendium of remixes from their albums by highly regarded bands such as –In the Nursery-, -Chris n’Cosey-, -Dance or Die- and –Regenerator- and additional guests that finds curious interstices to adapt tracks and add an special touch, demark contours and characters or simply rejuvenate certain details. The CD was issued by the band’s own label A Two God records and has a suggestive erotica artwork by John Santerineross. The whole album set preserves a remix quality pretty much following the standards from the 80s-90s techniques, basically oriented beat worshipping later transcending into bits of break beat and amplifying the groovy experience from 808s sequences. Enhancing the sound mix for the pristine Neoclassical parts and giving more danceable punch to the whole repertoire. It is indeed an Attrition compilation, but these variations manage to transport the versions a bit more into a contemporary status and most of the times they are guessed right by the bands who choose them. After passing the beautiful artwork and the introductory track the work dives directly into Henry Purcell’s adaptation of “Cold Song” named by Attrition as “Cold Genious” and remixed by Polaxe, this is really moving track, with an exquisite neoclassical cadence and succulent set of electronic arrangements that suits perfectly in tempo and harmonic synchrony. This track will demark the aesthetic that the work introduced with its cover artwork, sexy and devious, a bit darkened and above all rhythmically provocative. Imagine Die Form went more psychedelic and classy, perhaps a bit more sophisticated but still too deviant there you’ll have the album’s direction. The shadows from an epoch appears through the compendium of tracks like for example: “Waste Not, Want...More” that comes as a ghost sequel from Kraftwerk and twisted Die form influences to a Front Line Assembly presence on the following “Cosmetic citizen” punctuating the beat and malicious sequence with the obscured voice and joined by the glorious operatic chorals and Neoclassical details. Chris n’ Cosey opted in “I Am (Eternity)” for tribal beat joined with a mind engulfing canticle and an instrumental eastern influx that imprints its characteristic dark touch and magical mesmerism over the track, transforming it in a hit for the dance hall of a savage sex ritual or perhaps a private party with lustful finalities. Another dark erotica with heart oppressing pulsation would be “My Friend Is Golden” by Regenerator back again with this retro remix and ritualistic rhythmic cadence, very oblivious and dark. My personal favourite from the album is “The mercy machine”, a remix executed by the band itself, it is a brilliant track with a really seducing rhythm and vicious voice along with the a catchy chorus sequence at charge of the female vocalist. All in all the remixes maintain a constant tension that combines a twisted sexual insight represented in the moving rhythms sided with the sublime spirituality from the Neo classical contours and atmospherics all this contrasted with the frantic mechanizations from Industrial music and the mantra like vocals. This work compilation summons a certain aura with its listening, a veil of seductive mystery and sexual secrecy that cleverly represents an epoch and results a clever diversion for the dark side of electronica. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:05:17 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Kill The Poor (Dr Speedlove Dub) (4:21) 02. Attrition - Thin Red Line (Pankow Remix) (5:32) 03. Attrition - Underpass (Click, Click, Drone...) (3:27) 04. Attrition - Scenario II (4:19) 05. Attrition - Memory, Uncaring Friend (4:22) 06. Attrition - Kharb (4:46) 07. Attrition - Cannibal Song (6:15) 08. Attrition - Keepsakes And Reflections (4:30) 09. Attrition - Metamorphosis (2:52) 10. Attrition - High Tide (3:23) 11. Attrition - Thin Red Line (Instrumental Mix) (3:46) 12. Attrition - Red Letter (5:47) 13. Attrition - L'echange (5:28) 14. Attrition - Nine Tails, To Follow You Round : (3:09) 15. Attrition - The Cage - Refrain (3:19) released July 26, 2001 Our collection of 90's rarities originally released in 2001 on Invisible records in the USA and on Big Blue in Europe. This is the Two Gods label remastered reissue with 2 bonus track in Scenario Ii and The Cage - refrain. Sideline.com 2010 Attrition brings a new re-release from their back catalogue. “Keepsakers And Reflections” that had been originally released on 2001 on the American Invisible Records and was a collection of rare and unreleased tracks mainly from the 90s. This album is without hesitation one of my favorite Attrition albums ever. It’s an album full of surprises (thinking to several cover songs) while showing the very unique sound approach of Attrition that got really famous during the 90s. The debut songs are simply excellent. Starting with an unexpected remix of Dead Kennedy’s “Kill The Poor” Attrition proved to be simply genius in covering this famous punk anthem. The cover version comes closer to a kind of ethereal and mystical electronic wave piece of music. “Thin Red Line” coming next delivers a remix by Pankow. This version sounds more clubby while evoking some good souvenirs from the Italian masters of EBM. The 3rd song is also a cover version. John Foxx’ famous “Underpass”-hit has been totally transposed into the Attrition sound and is an honest and minimal adaptation. Among the other covers, there’s also Ministry’s “Cannibal Song” and Black Tape For A Blue Girl’s “Memory, Uncaring Friend”. The absolute masterpiece is without any shadow of a doubt the more atmospheric “High Tide”. “Metamorphosis” is another attention grabber where Martin Bowes walked on more soundtrack fields with a sensitive violin play as absolute apotheosis. The song “Keepsakes And Reflections” also takes a mystic approach. It’s really surprising to (re)discover these songs, which originally appeared on compilations and/or maxi’s. The last part of this album reveals a more soundtrack approach with songs like “Red Letter”, “L’echange”, “Nine Tails, To follow You round” or yet the bonus version of “The Cage” (entitled “Refrain”). This is not just a re-release, but a magic way to (re)discover this legendary band! ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 32:45 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - I Am (Eternity) (Remix) (4:46) 02. Attrition - Cold Genius (Everlasting) (4:02) 03. Attrition - Feel The Backlash (3:41) 04. Attrition - At The Fiftieth Gate (A Slight Return) (2:11) 05. Attrition - Prelude (2:27) 06. Attrition - A Virtual Angel (Complete) (4:29) 07. Attrition - Metamorphosis (2:56) 08. Attrition - L'echange (5:31) 09. Attrition - "Illuminati" (2:43) released July 20, 2002 A collection of tracks from 2 EP releases. Tracks 1 -4 from The Eternity EP - Projekt records -1997. Tracks 5 - 9 from Kissing a virtual angel - Ars Benevola mater. 1999. This is the Two Gods label remastered reissue. Attrition - The Eternity LP- from Liar Society 2007 The Eternity LP is quintessential Attrition . Comprised of the previously released Eternity EP (97 - which featured four re-workings of classically-inspired songs from Etude ) and five cuts from 99's Kissing a Virtual Angel EP. As such, the songs range from the violin, electronics, and operatic vocal-fueled darkwave of "I Am (Eternity)" and "Cold Genius" to the more ambient, virtuosic "A Virtual Angel" and "Illuminati." While many repackaged and remastered albums in this vein are generally limited in appeal to completeists, The Eternity LP actually works as a rather fine introduction to Attrition's singular sense of aesthetics. Much like the work of Bernard Herrmann , Attrition's soundscapes are darkly cinematic, hinting at the horror that lurks just off-screen. The atmosphere is melancholic, but with the expectation that something is about to happen...and it's that tension that makes this music so very worthwhile. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 46:41 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Something Stirs (2:11) 02. Attrition - Pain (3:32) 03. Attrition - Birthrite (3:05) 04. Attrition - Cut It Fine (3:24) 05. Attrition - Onslaught (5:14) 06. Attrition - Hungry Ghosts (4:12) 07. Attrition - Mr Toma (I Looked But It Was Gone) (9:11) 08. Attrition - I Saw You, Slowly (4:42) 09. Attrition - Tones In Black (3:23) 10. Attrition - Domus (Live) (2:17) 11. Attrition - Hologram (Live) (2:32) 12. Attrition - Alter Ego (Live) (2:59) released July 10, 2006 Album mastered by Martin Bowes at The Cage Studios, England. 2006 Originally released on Two Gods records. 2006 Something Stirs. review from Sonic Curiosity This CD from 2006 features 47 minutes of dark industrial music culled from ancient compilations and old cassette releases by the band. Included are five previously unreleased tracks, three of them live from the General Wolfe in Coventry in 1981. These selections represent the band's early period. Attrition is: Martin Bowes, Julia Waller, and Ashley Niblock. The electronics are sparse but haunting, jarring and dire. Angry diodes screech and gurgle, producing an environment of eerie pulsations seasoned with growling noises of unearthly demeanor. Scraping sounds rise and claw for the audience's faces, while basic synthesizer bellows grumble with contention. Waller's vocals convey a desperation that rings from the cemetery, rich with ghostly timbre. Her lyrics are concerned with taboo subjects and forbidden affection. Death fuses with emotion as she croons with emphatic determination. Several tracks feature spooky basslines that generate a thumping undercurrent for the angry electronics. Percussion is present in a number of songs too, establishing mechanical rhythms overlaid with more forceful tempos. Sometimes the beats throb with hollow retorts, as if sounding from deep in a well. The compositions are melodic, but focused to agitate more than enthrall. The mood evoked by this tuneage is surly and dissident. The live tracks are abrasive and reminiscent of an angrier Joy Division. This music will appeal to fans who miss Throbbing Gristle and the good old days of Coil. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:11:19 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Acid Tongue (4:20) 02. Attrition - Cosmetic Citizen (Stromkern Remix) (5:13) 03. Attrition - Two Gods (4:56) 04. Attrition - Lip Sync (3:52) 05. Attrition - The Mercy Machine (97) (5:39) 06. Attrition - A Girl Called Harmony (5:07) 07. Attrition - A'dam & Eva (3:25) 08. Attrition - I Am (Eternity) (4:07) 09. Attrition - Dreamsleep (3:54) 10. Attrition - Shrinkwrap (3:37) 11. Attrition - Beast of Burden (Remix) (3:05) 12. Attrition - Monkey in a Bin (2:29) 13. Attrition - To the Devil! (3:40) 14. Attrition - Into the Waves (Remix) (5:45) 15. Attrition - What Shall I Sing? (6:24) 16. Attrition - Fate is Smiling (5:46) The ATTRITION best of collection... Originally released on Metropolis records in 2010 released September 28, 2012 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 45:27+44:37+15:23 Наличие сканов в содержимом раздачи: cover Tracklist: LP1 01. Attrition - Interference (3:08) 02. Attrition - Shrinkwrap (Original Version) (3:35) 03. Attrition - The Mistake (3:47) 04. Attrition - Beast Of Burden (3:05) 05. Attrition - Devoid (3:02) 06. Attrition - Monkey In A Bin (Demo) (3:04) 07. Attrition - The Visitor (3:46) 08. Attrition - Dilemma (3:37) 09. Attrition - Commandment (Live) (3:40) 10. Attrition - Oblivion (2:19) 11. Attrition - Head Culture Rally (5:06) 12. Attrition - Pendulum Turns (7:19) LP2 01. Attrition - I Am Eternity (Demo) (2:51) 02. Attrition - Into The Waves (Demo) (5:50) 03. Attrition - Twisted (2:47) 04. Attrition - Possessed (3:30) 05. Attrition - Clock Baroque (2:15) 06. Attrition - First Onslaught (6:35) 07. Attrition - Alter Ego (2:28) 08. Attrition - Stiletto (2:48) 09. Attrition - The Screaming Room (3:23) 10. Attrition - Fear (2:42) 11. Attrition - This Final Push (3:18) 12. Attrition - The Wrecking Ground (6:11) 7'' 01. Attrition - The Redoubt Of Light (4:49) 02. Attrition - Cut It Fine (3:22) 03. Attrition - Across The Divide (3:20) 04. Attrition - Dreamsleep (3:52) Credits Artwork [Hand Logo] – Mark P Lomax Compiled By, Mastered By, Liner Notes [On Sheet] – Martin Bowes Cover [Cover Model] – Kerri Richardson Liner Notes [Sleeve Notes] – Gary Levermore Photography By [Back Cover Photos] – Mark Osborne Photography By [Front Cover Photo] – Holger Karas Photography By [Insert Photo] – Rob Lapworth Notes Limited Edition of 600 copies includes a 12"x12" inch sized sheet with tracklist, liner notes and the complete album discography of Attrition & an individual numbered certificate. In addition the member edition includes an additional 7" inch EP (around 300 copies). Album compiled and mastered at The Cage, 2011. All songs copyright control. Inside cover right by Rob Lapsworth. Playing time Side A: (23:29) Track A1 (82) Previously unreleased. Track A2 (82) Original released on the Attrition – Onslaught cassette EP. Track A3 (82) Previously unreleased. Track A4 (84) Orinally released as part of the debut album The Attrition Of Reason. This version recovered from the actual 4 track tapes and remastered 2011. Track A5 (82) Originally released on a flexi disc free with Adventures in Reality fanzine. Issue J. 1982. Track A6 (Demo) (83) Re-recorded for the debut 12" single in 1984. I always prefered this more powerful and raw demo version! Track A7 (82) With special guest Steven Parker of Bron Area. Originally released on the Rising From The Red Sand cassette compilation. Volume 1. Third Mind Records. 1982. Playing time Side B: (22:06) Track B1 (82) Previously unreleased. Track B2 (Live) ( 83) Although a demo recording exists of this track this live version from the General Wolfe in Coventry from 1983 is by far the better version. Track B3 (82) Previously unreleased. Track B4 (83) Originally released on the Sensationnel Nr 2 cassette compilation. Illusion Production. 1983. Track B5 (83) Originally released on the Rising From The Red Sands cassette compilation. Volume 4. Third Minds Records. 1983. Re-recorded as B-side of the third Attrition single in 1985. Also on Third Mind. (Orinal title is "Rising From The Red Sand"). Playing time Side C: (23:56) Track C1 (Demo) (86) Mixed at the Surgeons Lab. London. Originally released on the 7" compilation EP free with German magazine Popnoise. (Original title on the Various – Untitled 7" is "I Am"). Re-recorded for the The Eternity EP in 97. (On sheet is stated Eternity LP). Track C2 (84) A demo that was never recorded in the studio but appeared later on the In The Realm Of The Hungry Ghosts compilation. This version recovered from the 4 track tapes and remastered 2006. Track C3 (82) Previously unreleased. Track C4 (82) Previously unreleased, a live band version did appear on the Facet I cassette compilation. Alternative Sounds. 1981. Track C5 (82) Previously unreleased. Track C6 (82) Originally released on the Attrition – Onslaught cassette EP. Third Mind Records. 1983. A Re-edited version. Playing time Side D: (20:49) Track D1 (81) Recorded at Paul Johnsons 4 track studio. Warwick. Originally released on the Facet I cassette compilation. Alternative Sounds. 1981. Track D2 (81) Recorded at Paul Johnsons 4 track studio. Warwick. Originally available on the Attrition archive cassette demo. 1981. Track D3 (81) Recorded at Paul Johnsons 4 track studio. Warwick. Originally released on the Facet I cassette compilation. Alternative Sounds. 1981. Track D4 (82) Orinally released on a flexi disc free with Adventures in Reality fanzine. Issue J. 1982. Track D5 (86) Recorded at Cabin Studios. Coventry. Originally released as part of the Take Five EP on Supporti Fonografici. 1987. Track D6 Electronics recorded on 4 track in 1984. Overdubs at Cabin Studios. Coventry. Originally released as part of the Take Five EP on Supporti Fonografici. 1987. Track E1 from The Attrition Of Reason LP. Track E2 from The Wonderful World Of Glass Volume 2 compilation. (Original title is: Various – Shadow And Substance (The Wonderful World Of Glass Volume 2). Track F1 from The Voice Of God EP. Track F2 from The Elephant Table Album compilation. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 38:11 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Two Gods (4:57) 02. Attrition - A Girl Called Harmony (5:08) 03. Attrition - A'dam & Eva (3:25) 04. Attrition - I Am Eternity (4:48) 05. Attrition - Suicide Engineer (4:45) 06. Attrition - Acid Tongue (4:20) 07. Attrition - Dreamsleep (3:54) 08. Attrition - What Shall I Sing? (6:55) 8 pieces of music telling the story of ATTRITION from 1983 - 2013. At a budget price of only £3.49 and including an exclusive mix from the latest album "the unraveller of angels".... released August 9, 2012 Remastered at the Cage studios by Martin Bowes. 2012 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:15:59 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Interference (3:07) 02. Attrition - Monkey In A Bin (Demo) (3:03) 03. Attrition - Shrinkwrap (82) (3:34) 04. Attrition - Black Death (3:59) 05. Attrition - The Mistake (3:48) 06. Attrition - Devoid (3:03) 07. Attrition - The Visitor (3:46) 08. Attrition - Mutation (3:22) 09. Attrition - Dilemma (3:38) 10. Attrition - Twisted (2:45) 11. Attrition - Fear (2:40) 12. Attrition - Commandment (Live) (3:40) 13. Attrition - Head Culture Rally (5:17) 14. Attrition - Oblivion (2:20) 15. Attrition - Pendulum Turns (83) (7:20) 16. Attrition - Vision (3:24) 17. Attrition - Retrograde (4:18) 18. Attrition - In The Attic (5:08) 19. Attrition - First Onslaught (6:38) 20. Attrition - Mind Drop In Centre (1:09) ATTRITION – Demonstro – 1982 – 85 A definitive collection of 20 of the rarest ATTRITION songs… With previously unreleased tracks, demos and alternate versions. So many experiments with analogue synths, drum machines, tape loop, bass guitar and effects... Many of these tracks were released on cassette compilations at the time … and 2 of them on our very first vinyl release... a 2 track flexi disc with Adventures in reality fanzine in 82... But there were a lot of tracks that never did get released back then... some were demos, some just never found a home at the time... For the last 30 years i have been carrying boxes of those cassettes around with me as i travelled around the UK, and Holland briefly... I've spent a lot of time selecting the best and cleaning them up in my studio from the old cassette mixes, and in some cases from the original 4 track tapes... It's time to put these to bed.... i hope you enjoy this little slice of our life.... Martin Bowes, Coventry, England, 2014 released February 14, 2014 A Peripheral Minimal CD release. Review from Norman Records This is fascinating. I'd heard the name but now I get to put some music to the doom-laden face. As a Yorkshire lad of a certain vintage I've always had a passion for the Gothic sub-culture but as age envelopes me I find much of it faintly comical. However, this lovingly compiled collection of 4 track demos, early flexidisc excerpts and altogether impossible-to-source rarities from Martin Boyes' cult Croydon-based vehicle is a genuine revelation. Attrition were initially a 3-piece comprising Boyes and brother/sister friends Julia & Ashley Niblock. That Julia went on to work with cult weirdos The Legendary Pink Dots makes perfect logical sense. This is Gothic music but in the truest sense of the word. Welding together unhinged spidery industrialisms; moody EBM; dark, skittering electro and intoxicating, foreboding yet playful F/M vocals (that make Siouxsie and the like sound like stagy pretenders), this sprawling collection is absolutely essential to any lovers of dusty, doom-laden 80's tape culture and the experimental darkwave scene this wee gang helped spawn. Because of the limitations of the technology used, these strange songs have a raw, cracked vitality containing an alarming array of sonic invention and this near-feral reek of the unknown. Sometimes I wonder why I bother with new music when there's wonderful stuff like this, over 30 years old that has sat in somebody's attic unheard. Music as exciting and exotic as this from the long, long days when not absolutely everybody had a studio and was making shite dance music. Forward-wind to 20....no, don't fucking bother. I'd heartily recommend this to lovers of anything from Tuxedomoon's madder moments to authentic modern practitioners such asCrossover, whilst taking in the frightening, ghostly realms of early ClockDVA and Throbbing Gristle. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 2:23:11 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Attrition - Prelude (2:25) 02. Attrition - Dreamsleep (2014 Remaster) (3:56) 03. Attrition - Two Gods (first take) (4:59) 04. Attrition - Cosmetic Citizen (Stromkern Remix) (5:15) 05. Attrition - Lip Sync (3:55) 06. Attrition - Mercy Machine (97 Remodel) (5:43) 07. Attrition - A Girl Called Harmony (5:09) 08. Attrition - A'dam & Eva (3:27) 09. Attrition - I Am (Original 86 version) (2:56) 10. Attrition - Acid Tongue (First Take) (4:14) 11. Attrition - Shrinkwrap (3:40) 12. Attrition - Beast of Burden (2006 Remaster) (3:08) 13. Attrition - Monkey In A Bin (1986 Reworking) (2:30) 14. Attrition - Fusillade III (3:42) 15. Attrition - Into The Waves (2006 Remaster) (5:49) 16. Attrition - One Horse Rider (4:44) 17. Attrition - My Friend Is Golden (3:18) 18. Attrition - Which Hand? (3:18) 19. Attrition - Reflections (7:00) 20. Attrition - Fate Is Smiling (5:47) 21. Attrition - The Illuminator (6:49) 22. Attrition - Mr Toma (9:11) 23. Attrition - What Shall I Sing? (6:25) 24. Attrition - The Bone Factory (3:46) 25. Attrition - Mutation (3:25) 26. Attrition - Silent Night (3:31) 27. Attrition - Invocation V (7:15) 28. Attrition - Crawling (excerpt) (6:36) 29. Attrition - A Great Desire (9:50) 30. Attrition - God Save The Queen (1:28) "Forever there will be the speculation that the exploration of darkness as a beautiful place will lessen our fear of it all, ease the pain a little..." A 30 track collection spanning 35 years of ATTRITION. With many unreleased takes and alternate versions of classic songs this collection has been compiled by founder Martin Bowes and traces the many styles and twists and turns in the band's work over the decades... Available for download at a budget single album price and as limited edition 2 CDr set... released December 10, 2014 Remastered for this release by Martin Bowes 2014 at The Cage Studios, Coventry. England Cover images by Holger Karas www.seventh-sin.de A Two Gods Production. 10GODSDIG ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 29:36 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Beast Of Burden - 4 Track Stems - Audio Left (3:13) 02. Attrition - Beast Of Burden - 4 Track Stems - Audio Right (3:13) 03. Attrition - Beast Of Burden - 4 Track Stems - Sax / Martin And Julia (3:13) 04. Attrition - Beast Of Burden - 4 Track Stems - Julia (3:13) 05. Attrition - Day I Was Born - 4 Track Stems - Audio Left (4:11) 06. Attrition - Day I Was Born - 4 Track Stems - Audio Right (4:11) 07. Attrition - Day I Was Born - 4 Track Stems - Audio - Sax Etc (4:11) 08. Attrition - Day I Was Born - 4 Track Stems - Audio - Vox (4:11) Tracks 5-8 are 24Bit The original 4 track cassette portastudio stems for two songs from our 1984 debut album, The attrition of reason. Cleaned up in The Cage as part of the forthcoming "Attrition of reason redux" CD reissue, which will also include unreleased versions of many songs from that seminal album, sleeve notes and full colour photographs from the original "Reason" sessions that have never been published before... The stems are here for anyone to enjoy, rework, remake, remodel into something new... we will be releasing the best of them as part of this historic reissue on the reborn Two Gods record label... Let us know how you get on... Martin Bowes, Coventry, England. 2016 released March 6, 2016 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 2:03:43 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Attrition - Day I Was Born (redux) (4:06) 02. Attrition - Redoubt Of Light (redux) (4:53) 03. Attrition - You Will Remember Nothing (redux) (8:51) 04. Attrition - Take A Walk (redux) (3:27) 05. Attrition - Beast Of Burden (redux) (3:12) 06. Attrition - Behind Innocence, lies (redux) (6:31) 07. Attrition - The Decline (redux) (4:08) 08. Attrition - Prayer For The Head (redux) (9:45) 09. Attrition - Monkey In A Bin (redux) (2:44) 10. Attrition - Surge And Run (redux) (7:46) 11. Attrition - Redoubt Of Light - demo (5:29) 12. Attrition - Day I Was Born - demo (4:18) 13. Attrition - Take A Walk - demo (3:09) 14. Attrition - You Will Remember Nothing - demo (7:15) 15. Attrition - Vigil (3:12) 16. Attrition - Onslaught (5:15) 17. Attrition - Shrinkwrap (82) (3:37) 18. Attrition - Tones In Black (3:23) 19. Attrition - First Onslaught (6:41) 20. Attrition - I Saw You, slowly (4:44) 21. Attrition - Black Death (4:03) 22. Attrition - The Visitor (3:50) 23. Attrition - Hungry Ghosts (4:13) 24. Attrition - Mr Toma (I Looked But It Was Gone) (9:10) The Attrition of Reason was our first album proper. Originally released on vinyl by Third Mind Records in 1984. After rediscovering the original 4 track tapes 10 years ago and remastering the song "Beast of Burden" for the 2006 ATTRITION best of collection i knew i had to remaster the rest of the album... along the way i discovered demos and alternate takes of some of the songs. I was also pleased to be in contact with the original cover photographer and find full colour photographs from that 1984 session. The 2 CD set also includes a selection of hard to find bonus tracks from the many cassette and vinyl compilations we contributed to over 1982 - 84. So here it is... after a rather long wait... The attrition of reason - redux released September 11, 2017 Disc A Tracks 1 - 8 from The Attrition of Reason. 1984 Tracks 9 - 10 from The Deliverance EP. 1984 Tracks 11 - 14 are original demo mixes. 1983 Bonus Disc Tracks 1 - 5 originally released on the Attrition Onslaught Cassette. 1983. Tracks 6 - 10 taken from various compilation releases 1982 - 84 This version mixed and mastered from the original 4 track cassette tapes by Martin Bowes At The Cage Studios, Coventry, England. 2016-17 Including the single that preceded it and a collection of demos, With a bonus disc of material from compilations and cassette releases. 1982 - 84. All tracks recorded direct to 4 track portastudio at Black Prince Studios, Coventry : 1982 - 84. Cover photos by Rob Lapworth at his photo studio and live at The General Wolfe, Coventry. 1984 Martin Bowes: Vocals, electronics. effects Julia/Chryzz: Vocals, bass guitar, percussion Ashley Niblock: Keyboards, electronics Guest saxophone by Gordon Maxwell... This is a Two Gods production for Ultra Mail. 2017 “A veritable Punk Floyd...” Dave Henderson, Sounds. 1984 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 50:38 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Martin Bowes & Anni Hogan - Into Cleaness, Leaping (4:32) 02. Martin Bowes & Anni Hogan - Hammer Blow (4:05) 03. Martin Bowes & Anni Hogan - Divine Providence (2:16) 04. Martin Bowes & Anni Hogan - La Voie Sacre (2:29) 05. Martin Bowes & Anni Hogan - The Blue Forest (3:37) 06. Martin Bowes & Anni Hogan - Mincing Machine (3:52) 07. Martin Bowes & Anni Hogan - The Bone Factory (3:45) 08. Martin Bowes & Anni Hogan - The Third Light (6:30) 09. Martin Bowes & Anni Hogan - Ghost Of Empire (4:30) 10. Martin Bowes & Anni Hogan - Shell Shock (0:58) 11. Martin Bowes & Anni Hogan - The Mouthless Dead (4:55) 12. Martin Bowes & Anni Hogan - Heimatschluss (0:47) 13. Martin Bowes & Anni Hogan - A Madman's Flash - As Quiet As (1:01) 14. Martin Bowes & Anni Hogan - A Madman's Flash - All The Mad Men (2:46) 15. Martin Bowes & Anni Hogan - A Madman's Flash - Krieg (1:58) 16. Martin Bowes & Anni Hogan - A Drawing Down Of Blinds (2:37) 24Bit “June 1917. Ypres. Flanders. Belgium. Private William Bowes of the West Yorks Regiment, British Expeditionary Force, was hit by a German shell while out working on trench defences. He suffered a severe stomach wound. Rescued by stretcher-bearers, his life was saved by Canadian army medics in a front line field hospital. He was repatriated to England where he stayed and recuperated for the remainder of the Great War...” William Bowes was my Grandfather. This album is inspired and dedicated to both him and the millions on all sides that experienced the living hell that was the Europe of 1914-18. Martin Bowes. Coventry, England, 2015 released August 4, 2015 Martin Bowes: Readings/Electronics Anni Hogan: Readings/Grand Piano/Keyboards Special Guest: Wolfgang Flur (ex-Kraftwerk) Guest Readings: Alexander Nym/Peter Rainman/Karla Aelswitha Original war poetry: Wilfred Owen/Adrien Bertrand/Guillaume Apollinaire Ludwig Ganghofer/Kurt Tucholsky/Roland Leighton Charles Sorley, and inspired words from Fenella Tillier All Music: Martin Bowes and Anni Hogan ‘Krieg’ Lyrics by Wolfgang Flur Cover Photographs by Holger Karas and Andrzej Juja Wth original photographs, letters and postcards from the family collection Anni’s Grand piano tuning and care by Michael D. Harrison M.I.M.I.T.,C.G.L.I. With thanks to TyLean and Gerrard Peers. A Two Gods production Mixed and Mastered by Martin Bowes, At The Cage Studios, Coventry, England, 2014 - 2015 Released by Ultra Mail Production: U.M.P. 038 foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 38:49 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Martin Bowes & Anni Hogan - Love? What Is It? (4:23) 02. Martin Bowes & Anni Hogan - Lemmy Caution (4:09) 03. Martin Bowes & Anni Hogan - Inter Alpha Love (5:48) 04. Martin Bowes & Anni Hogan - Bluclear Atoms (4:41) 05. Martin Bowes & Anni Hogan - Most Natural Pain Killer (4:52) 06. Martin Bowes & Anni Hogan - Destination Interzone (3:54) 07. Martin Bowes & Anni Hogan - Organ Donor (4:10) 08. Martin Bowes & Anni Hogan - Alphabill (Endless Dystopian Visions) (6:51) The limited digipack edition of The Alphabill Soundtrack by Anni Hogan and Martin Bowes. Only 150 copies made. and i have 10. CD edition with original art prints signed by Billy, Anni and Martin. Music for : “BILLY CHAINSAW’S ALPHABILL (a love story)”: an art exhibition London’s Horse Hospital from 6 – 28 March 2015. Billy Chainsaw says: “While re-watching Godard’s Alphaville some years ago, the thematic and visual similarities between the movie and the writings of William S. Burroughs hit me harder than a slug from a .45. The more I investigated the connections, the more apparent they became… until my journey reached a conclusion that resonates in Burroughs’ last ever written words: ‘Love? What is it? Most natural painkiller what there is. LOVE’.” The limited digipack edition from Ultramail Productions. released October 30, 2015 Grand pianos, Wurlitzer organs, Tibetan bells, keyboards recorded by Anni Hogan @StudioBlue (4C.H.I.P) Sound design, Synths Mixing and Mastering by Martin Bowes Attrition @The Cage Produced by Martin Bowes and Anni Hogan Cover image Natural Painkiller by Billy Chainsaw All tracks Hogan/Bowes ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1 John Costello, Martin Bowes
 Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 19:34 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Engram - What Am I? (5:18) 02. Engram - Law Of Betrayal (4:08) 03. Engram - Hi Teiki No (4:49) 04. Engram - What Am I? (Original 1996 Version) (5:18) Composed By – John Costello Composed By, Mastered By, Mixed By – Martin Bowes ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 7:57 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Engram - Karl Marx (4:50) 02. Engram - Highgate - Part 1 (3:07) 24Bit ENGRAM – Karl Marx c/w Highgate (Part I) Released officially worldwide on the date of the UK General Election, May 7th 2015, and available here as "Name your price" until that date. After 17 years between formation and the What Am I? EP of 2013, ENGRAM follow up with the single from the forthcoming album. 'Stalinism, Leninism, Revolution.' An 80's influenced political marriage of minimal synth wave and dark electronic rhythms and textures. Karl Marx has a new platform on the electro dancefloor. ENGRAM has released one EP and contributed to vinyl, CD and download compilations worldwide. A live set is currently in preparation ahead of the debut album release, scheduled for late 2015. John and Martin have each created and performed electronic experiments in sound for 30 years; Martin with ATTRITION, John under his own name. released April 9, 2015 All songs by Martin Bowes & John Costello All songs published by copyright control Performed by Martin Bowes & John Costello Mixed and Mastered at The Cage, Coventry, England by Martin Bowes foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Rossetti’s Compass was created in 2010 by Mark Warner to explore different directions in music ranging from pure synth pop through to dark electro. Mark is also a member of Touching The Void and a former member of Sudeten Creche. Amongst other works are remixes for bands such as Angst Pop, HNN, Kant Kino and Technomancer In March 2013 Mark invited Per Aksel Lundgreen to join him as a permanent member of Rossetti's Compass. Per Aksel has performed with (and as) Angst Pop. Cronos Titan , Chinese Detectives and Apoptygma Berzerk and remixed tracks for many bands including Sudeten Creche, Leather Strip, Die Krupps, Attrition, Carlos Peron, Shatoo, Technomancer and many others.  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 45:31 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Rossetti's Compass - Tear Garden (4:36) 02. Rossetti's Compass - In This Together (4:15) 03. Rossetti's Compass - In Your Hands (4:18) 04. Rossetti's Compass - Bleed (3:52) 05. Rossetti's Compass - Desire (Burning Flesh Remix by Attrition) (3:44) 06. Rossetti's Compass - In Your Hands (Chloral Haze Remix by Clive Pierce of hard CORPS) (3:58) 07. Rossetti's Compass - Tear Garden (Disko Remix by Kant Kino) (5:43) 08. Rossetti's Compass - My Will (Master Slave Remix by Technomancer) (4:25) 09. Rossetti's Compass - Echo (10:41) Rossetti's Compass' debut release through No Emb Blanc and Sub Culture records. Features 4 tracks, 4 remixes and a digital only bonus track released June 7, 2013 All tracks written by Mark Warner except "In This Together" by Stephan Groth and "Bleed" by Kant Kino All Instruments, Programming and Vocals: Mark Warner Produced by : Angst Pop / Per Aksel Lundgreen Mastered at : The Cage by Martin Bowes Recorded at : Le jardin éléctronique Release by: No Emb Blanc and LJEM Music Digital release by : LJE Music Cover - Photography: Adam der Somnambule Cover - Model: Marina Thanks to : Kirsty Warner, Per Aksel Lungreen and Angst Pop, Stephan Groth and Apoptygma Berzerk, Lars Myklebust Madsen, Kenneth Fredstie and Kant Kino, Martin Bowes and Attrition, Rainer Di Meo and Rhona Meuter at No Emb Blanc and Genetic Music, Clive Pierce, Andy Oppenheimer, Roy Julian Digre, Adam der Somnambule and Morze do Rana Productions and Marina. Cat. No. LJEM D001 ©&(P) 2013 LJE Music / Mark Warner This release is dedicated to the memory of Martin Lloyd without whose enthusiasm, help and support it could not have been made. Martin was working on a 5th remix for this release at the time of his death which sadly remains uncompleted. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 22:23 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Rossetti's Compass - My Beloved (3:50) 02. Rossetti's Compass - Blood On The Carpet (3:11) 03. Rossetti's Compass - Wounds (3:20) 04. Rossetti's Compass - Glorious Treason (5:22) 05. Rossetti's Compass - My Beloved (Abi's Electro Mix by Angst Pop feat. Technomancer) (3:16) 06. Rossetti's Compass - Blood On The Carpet (Knife In The Back Remix by Angst Pop feat. Technomancer) (3:25) This is the second EP release by Rossetti's Compass and features 4 new mixes and 2 remixes of song written between 2005 and 2010. Some songs had additional recording work for this EP and all are different to previous versions released or performed. Thanks to : Abigail Warner, Roy Julian Digre, Martin Bowes, Sub Culture Records, Marc Scaffer, Orpheo Weidelt-Baur, Espen Ixtlan & Clive Pierce All tracks Written by Mark Warner except My Beloved written by Marc Shaffer and Orpheo Weidelt-Baur (Solitude FX) released September 20, 2013 Vocals / Synths / Programming - Mark Warner Produced by - Per Aksel Lundgreen / Angst Pop Remixes / Mixed August 2013 at Le Jardin Electronique Mastered at - The Cage by Martin Bowes ©&(P) 2013 LJE Music / Mark Warner Cat. No. LJEM D002 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 17:29 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Rossetti's Compass - Nothing (4:33) 02. Rossetti's Compass - Discipline (6:24) 03. Rossetti's Compass - Are Kisses Out Of Fashion? (3:27) 04. Rossetti's Compass - Come As You Are (3:05) released November 5, 2013 Mark Warner: Vocals/Guitar/Synths/Drum programming Per Aksel Lundgreen: Electronic Percussion/Backing vocals/synthesiser effects Martin Bowes: Drum programming and backing vocals John Costello: Vocals on Nothing Recorded at The Cage Studios, Coventry, England. October 14th 2013. Mixed by Martin Bowes & Mark Warner with thanks to Per Aksel. Mastered by Martin Bowes. Cover photo by Daniel Gouyette Rossetti’s Compass interview by Kerri Bowes A Two Gods Production. TGCS01 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 44:26 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Rossetti's Compass - Attrition (3:54) 02. Rossetti's Compass - Perfection (3:59) 03. Rossetti's Compass - Desire (3:33) 04. Rossetti's Compass - My Will (5:32) 05. Rossetti's Compass - Shivering Skin (2:55) 06. Rossetti's Compass - Coboloid Race (6:56) 07. Rossetti's Compass - Attrition (Digital ENERGY Remix) (4:43) 08. Rossetti's Compass - Perfection (Fearpassage Remix) (4:41) 09. Rossetti's Compass - Desire (Burning Flesh Remix by ATTRITION) (3:45) 10. Rossetti's Compass - My Will (Master Slave Remix by Technomancer) (4:26) Attrition features the first two songs written specifically by Rossetti's Compass "My Will" and "Desire" which have remain unreleased until now in their original form. The latest two songs are "Attrition" and "Perfection" plus we have included 2 covers we really like, Shivering Skin by Tom Wunder and Love? and Coboloid Race by the Canadian giants of Minimal Electronic music Rational Youth. Also included here are four remixes, two of which are new, by Digital ENERGY and Fearpassage and two that are just too good to be left out by Technomancer and ATTRITION. So why Attrition? Because doing anything worth while is a hard slog, up hill in the rain. Because it can destroy more than it creates. Because most people take more than they give. Because walking the road less travelled is a lonely path. Because we fall, pick ourselves up and start again many times. Attrition - Noun "the process of reducing something's strength or effectiveness through sustained attack or pressure." The EP could have just as easily been called Fortitude - noun "courage in pain or adversity" but we didn't write a song called Fortitude. The 4 original songs on this EP are the 4 pillars of Rossetti's Compass. "Attrition" - represents relentless preasure, "Perfection" - the need to succeed, "Desire" - the love for what we do and "My Will" - the means by which it will be achieved. released November 19, 2015 Our Thanks go to : Claudia Terporten, Tylean Polley, Kirsty warner, Tracy Howe, Kevin Komoda, Simon Helm, Tom Wunder, Michael Fear, Bernd Kupke, David Erdmann, Roy Julian Digre, Tanja Gryzewski, Andrrzej Juja and John Costello. Vocals: Mark Warner and TyLean Instruments: Mark Warner and Martin Bowes Producer: Per Aksel Lundgreen Recorded at: Le JardinElectronioque Mastered at:The Cage - Coventry ©&(P) 2015 LJE Music / Mark Warner Cat. No. LJEM D003 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 8:17 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Rossetti's Compass - Shivering Skin (2:55) 02. Rossetti's Compass - Glorious Treason (feat. Tylean) [Goodbye Lazarus Mix] (5:22) The Shivering Skin single is the 5th release from Rossetti's Compass - It is available digitally only. The Shivering Skin single consists of 2 tracks - Shivering Skin is a cover of the Love? song from our Attrition EP and Glorious Treason (Goodbye Lazarus Mix) is a previously unreleased version of the song. The original can be found on our My Beloved EP released February 18, 2016 Our Thanks go to : Tom Wunder, Tanja Gryzewski and Kirsty Warner Vocals: Mark Warner Instruments: Mark Warner Producer: Per Mark Warner Recorded at: Le JardinElectronioque Mastered at:The Cage - Coventry ©&(P) LJE Music and Mark Warner Cat No. LJEM-D007 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  TyLean goes beyond a vocalist with a power set of pipes; she's an envelope-pushing avant garde artist with a penchant for disturbing sights and sounds. With frequent use of dissonance, conflicting time signatures, a-tonal key signatures, nonscoreable instrumentation and lyrics that reflect a harsh perception of reality, TyLean's music has been described as Audial Terrorism.  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 17:41 Наличие сканов в содержимом раздачи: cover Tracklist: 01. TyLean - Unsaid (4:35) 02. TyLean - Feel (2:54) 03. TyLean - Do Nyanono (4:17) 04. TyLean - Green (2:21) 05. TyLean - Pages & Keys (3:34) Bast Records released August 13, 2005 Piano and Vocals Performed by TyLean All Lyrics and Music Written by TyLean ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 22:15 Наличие сканов в содержимом раздачи: cover Tracklist: 01. TyLean - The Last One Awake (1:25) 02. TyLean - Corner of My Eye (3:35) 03. TyLean - Rosalyn (3:48) 04. TyLean - Out of Sight, Out of Mind (3:07) 05. TyLean - Distractions (3:50) 06. TyLean - Spiders (3:20) 07. TyLean - Caught in the Web (1:30) 08. TyLean - Misery (1:41) Bast Records released December 15, 2007 Piano, Vocals, and Cello Performed by TyLean Lyrics and Music Written by TyLean ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 22:01 Наличие сканов в содержимом раздачи: cover Tracklist: 01. TyLean - MirrorrorriM (1:18) 02. TyLean - Do Nyanono (6:56) 03. TyLean - October (1:21) 04. TyLean - The Monster I've Become (3:13) 05. TyLean - Your Abuse (2:15) 06. TyLean - Music Is My Lover (2:58) 07. TyLean - Years & Miles Away (1:51) 08. TyLean - Palinode (2:09) This album was recorded live at The George Tavern in London, England on 15 November 2009. released August 13, 2010 Piano and Vocals Performed by TyLean Cello Performed by Bela Emerson Lyrics and Music Written by TyLean ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 24:51 Наличие сканов в содержимом раздачи: cover Tracklist: 01. TyLean - Unsaid (4:35) 02. TyLean - Feel (2:54) 03. TyLean - Green (2:21) 04. TyLean - Corner of My Eye (3:35) 05. TyLean - Out of Sight, Out of Mind (3:07) 06. TyLean - The Monster I've Become (3:13) 07. TyLean - Music Is My Lover (2:58) 08. TyLean - Palinode (2:09) Featuring tracks from TyLean's three releases: When All Else Fails (EP) - 2005 Between 10 and 2 - 2007 The Unforgivable, the Unforgettable - 2010 released December 3, 2010 Music by TyLean Photography by Darren Gallagher www.darren-gallagher.com ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 4:17 Наличие сканов в содержимом раздачи: cover Tracklist: 01. TyLean - Love Always Dies (4:17) ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 3:13 Наличие сканов в содержимом раздачи: cover Tracklist: 01. TyLean - Amputation of a Heart (Radio Edit) (3:13) ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 23:58 Наличие сканов в содержимом раздачи: digital Tracklist: 01. TyLean - Love Always Dies (Formaldehyde Mix) (4:22) 02. TyLean - The Dark and the Blue and the Grey (3:42) 03. TyLean - Big Hearts (5:10) 04. TyLean - Amputation of a Heart (3:14) 05. TyLean - Amputation of a Heart (Radio Edit) (3:13) 06. TyLean - Love Always Dies (4:17) Four cardiac chambers that take you on a journey through a diseased and damaged heart. Each atria or ventricle of the album features an original piece of artwork that depict hearts in various stages of misery, rot and decay. All have been preserved in Formaldehyde for medicinal, educational purposes. released January 13, 2012 Lyrics and Music by TyLean Arrangement by James Scott Vocals and Piano by TyLean Guitar by James Scott Produced, Engineered, Mixed, and Mastered by James Scott Special thanks to Martin Bowes for recording vocals for "The Dark and the Blue and the Grey," "Big Hearts" and "Amputation of a Heart" at The Cage. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 14:06 Наличие сканов в содержимом раздачи: cover Tracklist: 01. TyLean - Zero (5:09) 02. TyLean - Anodyne (2:22) 03. TyLean - Pandora (4:47) 04. TyLean - Spinning Round (1:48) released December 17, 2013 Recorded at The Cage Studios in Coventry, England on October 1st 2013 All Music and Lyrics by TyLean Vocals, Piano, Keyboards and Percussion by TyLean Produced and Mixed by Martin Bowes Mastered by Martin Bowes. TyLean interview by Kerri Bowes Cover photo by Daniel Gouyette A Two Gods Production. TGCS02 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 23:55 Наличие сканов в содержимом раздачи: cover Tracklist: 01. TyLean - Rosalyn (3:39) 02. TyLean - Rosalyn (A Cappella) (2:55) 03. TyLean - Death Net Swaddling (3:27) 04. TyLean - Crudos Mulieres: I. Mictus Cruentus (3:13) 05. TyLean - Crudos Mulieres: II. Intra Urinas Et Faeces Nascimur (3:27) 06. TyLean - Crudos Mulieres: III. Cupio Dissolvi (3:09) 07. TyLean - Rosalyn (Axeman Jim Remix) (4:04) released October 31, 2015 Thank you to Justin Duncan, Micah Rowe, Paul Sinclair, James Scott and Martin Bowes for their help on this album. ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 5:52 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Attrition - Silent Night (3:31) 02. TyLean - Silent Night (2:21) ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:45:14 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Nyarlathotep - Favourite Things (3:03) 02. Murder Happens with En Esch - Which Hand? (3:24) 03. Imprint - Reflections (6:36) 04. Chiasm - A Girl Called Harmony (4:37) 05. Stromkern - The Cage (4:01) 06. My Silent Wake - Two Gods (4:52) 07. High Blue Star - I Am Eternity (5:19) 08. Machine in the garden - Dreamsleep (3:52) 09. Fluxus Syndrom - A Great Design (3:18) 10. Elephant Leaf - The Second Hand (6:22) 11. Remora - Fusillade (3:26) 12. Terroritmo - Kharb (3:54) 13. Unwoman - A'dam & Eva (3:23) 14. Accolade - The Silent Mind (4:25) 15. Patricia Wake - Fate Is Smiling (5:18) 16. Protea - Into The Waves (4:19) 17. Stoa - A Girl Called Harmony (3:15) 18. Sharks - Monkey In A Bin (2:44) 19. Phantom Vision - A Girl Called Harmony (3:33) 20. Iammynewt - Acid Tongue (4:11) 21. Vice Deviant - A'dam & Eva (4:00) 22. Beati Mortui - To The Devil! (4:34) 23. Audra - Dreamsleep (3:51) 24. Veronique Diabolique - Death Truck (3:00) 25. Mortal Clay - Fate Is Smiling (5:56) released March 1, 2009 WRAPPED IN THE GUISE OF MY FRIEND GOTHIC BEAUTY MAGAZINE “With over two decades of albums under it's belt, the UK band has truly impacted many. This album is a collection of Attrition covers, collected and re-mastered by Martin Bowes of Attrition. Considered the grandparents of dark experimental electronic music, they are the reason why many bands like them exist today. Fans of Nine Inch Nails or avant-garde cinema and art owe it to themselves to check out Attrition if they are unfamiliar. The covers on this album offer a fresh outlook on the band's music. Contributors are listed for each song including their websites. The covers truly create an aural setting of gloomy delight, with bold orchestral arrangements, choral harmonics, and the twisted path of industrial samplings. The ambiance of instrumentation is often contrasted by deep vocalizations, eerie operatic bellows or dramatic synth effects. It is remarkable that an album emulating this influential band stands alone as it's own work of art. “ ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 3:12:21 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Mona Mur & En Esch - Eiskalt (5:17) 02. The Klinik - White Trash (3:49) 03. The Hiram Key - Amerikafka (5:34) 04. Attrition - One Horse Rider (4:39) 05. Jet Noir - WTM (5:35) 06. Fear Passage - Falling for you (5:49) 07. Contaminated Intelligence - Vaporization (5:59) 08. Engram - What Am I - (original '96 version) (5:19) 09. Die Form - Silent Order (4:07) 10. DJ Enfusion - Black Dog (6:12) 11. Ed Ka-spel - Tanith and the Lion Tree (3:53) 12. In Loving Memory - Fading Away (3:21) 13. Cortex Defect - Heart of Dust (5:02) 14. John Costello - Lock Load Aim Fire (5:30) 15. Otto Dix - 3RO (4:51) 16. Naked Lunch - Slipping again (3:56) 17. Zero Corporation - This Disconnection (3:47) 18. Black Tape for a Blue Girl - Inch Worm (4:02) 19. Nouvelle Phenomene - Secret (3:56) 20. Oppenheimer MK II - Nobody ever says thank you (4:21) 21. Soft Riot - The Commuters (3:18) 22. Rossetti's Compass - Desire (3:45) 23. The Arch - Metelitsa (3:37) 24. Scene Noir - She Cuts (3:28) 25. 3 Cold Men - Heavy Smile (4:31) 26. iNsCissorS - Narcissist (Piano improvisation mix) (4:23) 27. Anni Hogan - Marat (3:47) 28. Attrition - Invocation V (7:12) 29. Tylean - The Dark and the Blue and the Grey (3:40) 30. Strange Walls - Mirror in your dream (4:18) 31. Sci Fi Mafia - Pain (3:59) 32. Tyler Milchmann - With Bare Hands (4:44) 33. Kofe - Balance (5:32) 34. Stress - Elisabeth Selwyn (5:04) 35. Prelude to a Pistol - Silhouette (3:58) 36. My Silent Wake - Light and Shadows (2:37) 37. Acclimate - Hello (5:53) 38. Satori - Entity (7:02) 39. Iron Fist of the Sun - Who will help me wash my right hand? (4:58) 40. Ten Horned Beast + Husere Grav - Unite the lightening whore (11:35) Recording Mastering Production Mixing & Re-mixing Film & TV soundtracks Live sound production Private tuition The Cage studios was founded in 1993 as a vehicle for me to produce my own music. Originally used primarily for Attrition works and a few select remix , production and mastering projects, I opened the Cage doors to the world in 2011 and since then have been working with so many inspiring bands and labels in genres as diverse as dark ambient, post punk, space rock, folk, industrial, drum n bass, neo-classical, punk and metal... This collection showcases just some of those artists and my work with them... The Cage is set in the heart of England: but working with file transfers these days it really could be anywhere at all. Thank you to all the bands and labels for wanting to be a part of all this.. Martin Bowes. Coventry. England. 2013 martin@thecagestudios.co.uk www.thecagestudios.co.uk released June 25, 2013 Album compiled and remastered by Martin Bowes at the Cage 2013. ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:45:27 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Naked Lunch - We are: Humanity mix (7:28) 02. Contaminated Intelligence feat. Martin Bowes - Just Us (5:33) 03. Seraph Sin - One Touch (3:08) 04. Scarlet Leaves - Believe (4:58) 05. Lost Elegy feat. Martin Bowes - Heavy Rain (4:11) 06. Apsara Maschima - Hole (3:36) 07. Accolade feat. Sean Henry - Bleeding Cry (5:20) 08. Man Woman Machine - Drop: attrition remix (3:12) 09. Rossetti's Compass - Are Kisses Out Of Fashion (3:28) 10. Acclimate - Nothing to Mend: attrition remix (4:58) 11. Engram - Law Of Betrayal (3:58) 12. TyLean - Pandora (4:46) 13. Michael X Christian (feat. Rachel Lesko) - Misery: attrition remix (4:26) 14. Disjecta Membra - Death by Discotheque: attrition remix (5:43) 15. Roladex - Cathode Rays (4:10) 16. Johnathan|Christian - Haunted: Another World attrition mix (5:12) 17. Attrition - The Bone Factory (3:39) 18. John Costello - The Sweet Hereafter (4:16) 19. Empire State Human feat. Martin Bowes - The Digital World (4:03) 20. Casa De Orates - Tibet (8:15) 21. My Silent Wake - Hunting Season (11:08) Album compiled and remastered by Martin Bowes at the Cage 2014. www.thecagestudios.co.uk The Cage studios was founded in 1993 as a vehicle for me to produce my own music. Originally used primarily for Attrition works and a few select remix , production and mastering projects, I opened the Cage doors to the world in 2011 and since then have been working with so many inspiring bands and labels in genres as diverse as dark ambient, post punk, noise, folk, industrial, drum n bass, neo-classical, punk and metal... This collection showcases just some of those artists and my work with them... The Cage is set in the heart of England: but working with file transfers these days it really could be anywhere at all. Thank you to all the bands and labels for wanting to be a part of all this.. Here's looking at 22... Martin Bowes. Coventry. England. 2014 released August 1, 2014 ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:53:19 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Deathwatch Beetle Repairman - Rip Tide (3:39) 02. Touching The Void - Parallel Lives (Dark Minial Remix By Rossetti's Compass) (4:30) 03. Attasalina - Heart of the Beast (5:35) 04. Lisa Cay - Reality Biscuit (4:04) 05. Red Painted Red - Late November (4:20) 06. The Veil - Pale Hose (2:37) 07. Sasha Boole - Hand (4:30) 08. Glass Apple Bonzai - Edge of Morrow (5:40) 09. Engram - Karl Marx (4:49) 10. General Dub - It's about (7:43) 11. Peine Perdue - Disparition Fantome (4:32) 12. Epic Dreams - Daybreak (4:20) 13. Train to Spain - All About (4:08) 14. 23rd Underpass - Running (Thousand Miles Away) (6:21) 15. Michael X Christian - Rock Lobster - ATTRITION Mix (3:49) 16. Zone Tripper - First Contact (Edit) (4:15) 17. Dead Boys Girlfriend - Queen of the Nude (3:57) 18. Venus Fly Trap - Voodoo Voodoo - ATTRITION Revenge Mix (3:28) 19. Anni Hogan and Martin Bowes - Organ Donor (4:26) 20. Attrition - Mind Drop. Original Demo. 1985 (7:02) 21. Tunnels of Ah - Shattering The Black Crone (7:20) 22. Merzbow - Joteish (Extract) (12:14) Album compiled and remastered by Martin Bowes at the Cage 2015. www.thecagestudios.co.uk The Cage studios was founded in 1993 as a vehicle for me to produce my own music. Originally used primarily for Attrition works and a few select remix , production and mastering projects, I opened the Cage doors to the world in 2011 and since then have been working with so many inspiring bands and labels in genres as diverse as dark ambient, post punk, noise, folk, industrial, drum n bass, neo-classical, rockabilly, punk and metal... This collection showcases just some of those artists and my work with them... The Cage is set in the heart of England: but working with the speed of fibre optic file transfers it really could be anywhere at all. Thank you to all the bands and labels for wanting to be a part of all this.. Here's to Cage 23... Martin Bowes. Coventry. England. 2015 released May 8, 2015 Cover image taken in Coventry by Daniel Gouyette ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:37:52 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Warriors Of The Dystoteque - Return To Coney - ATTRITION Mix (5:28) 02. Eric Random - In Blood (5:33) 03. Honeymoon Cowboys - Closed Souls - Live (2:54) 04. Amys Arms - Glow (3:05) 05. Factice Factory - Disaray (4:23) 06. Jet Noir - Cold Day In Hell - ATTRITION Mix (4:58) 07. Poetry of Thorns - Vanished Seas (3:35) 08. Michael X Christian with Gitane Demone - Satyr - ATTRITION Mix (4:45) 09. Planetdamage - Firewalls (5:59) 10. ZE:RO - Immersion (4:03) 11. Nanochrist - Sleep Guardian (3:35) 12. Khost - Red Spot (3:49) 13. ATTRITION - The Mouthless Dead (4:54) 14. Rachel Haywire - Anti Social Justice - ATTRITION Mix (4:16) 15. Prole Position - Shangri La La (3:24) 16. Spatial Relation - Diminished Sight (3:32) 17. This Cold Night - Wings Of Regret (4:08) 18. Vagonovozgatye - Jovniar (5:45) 19. Venus Fly Trap - Vitesse (4:14) 20. Red Fetish - Church Music (2:28) 21. Ultra Arcanum - Strange Kinda Love (3:09) 22. Colossloth - Your Flag Stands For Nothing (3:46) 23. Mad Masks - Tragodia (6:08) released June 1, 2016 Album compiled and remastered by Martin Bowes at the Cage Studios. 2016. The Cage studios was founded in 1993 as a vehicle for me to produce my own music. Originally used primarily for Attrition works and a few select remix , production and mastering projects, I opened the Cage doors to the world in 2011 and since then have been working with so many inspiring bands and labels in genres as diverse as dark ambient, post punk, noise, folk, industrial, drum n bass, house, neo-classical, rockabilly, punk and metal... This new collection showcases just some of those artists and my work with them... The Cage is set in the heart of England: but working with the speed of fibre optic file transfers it really could be anywhere at all. Thank you to all the bands and labels for wanting to be a part of all this... I am already looking at Cage 24... Martin Bowes. Coventry. England. 2016 Cover photo by Stephane Lord ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:14:34 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Planetdamage Ft. Emke - Angst (5:08) 02. ENGRAM - Karl Marx (4:50) (24Bit) 03. Fearpassage - Between Us (5:08) 04. Michael X. Christian - Satyr (Ft. Gitane Demone) (4:03) 05. Contaminated Intelligence - Status Control (4:19) 06. John Costello - The Sweet Hereafter (4:22) 07. Sex Death Religion - Hell Bound (3:24) 08. Venus Fly Trap - Vitesse (4:13) 09. My Silent Wake - Two Gods (4:55) 10. ATTRITION - The Mouthless Dead (4:55) 11. I - Deus Ex Machina (6:36) 12. Patternclear - Stormwing (4:03) 13. Re-Arbeiten - Destile (6:53) 14. Casa de Orates - Solaris (9:36) 15. TyLean - Auld Lang Syne (2:09) Two Gods presents a free to download first collection of tracks: 2014 - 2016 New material, reissues, and tasters from releases coming this way soon... The album will also be available worldwide through all major digital outlets... released November 30, 2016 Remastered for this release by Martin Bowes at The Cage, Studios, Coventry, England. 2016 Cover photo by Attasalina: www.Attasalina.com A Two Gods Production 29GODSDIG ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:50:00 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Accolade - O Virga (5:54) 02. Depression Era - Like Hell (4:14) 03. Anni and Itchy - Nouveaunoir (6:48) 04. Aidan Casserly - The Serpent (2:57) 05. Fearpassage - Left Behind (4:08) 06. Le Cliche - Terms & Conditions (2:54) 07. Qoqo Roboqs - Cable News (4:15) 08. Sex Death Religion - Human Dissection (4:33) 09. Slutmother - Oculi (3:26) 10. Lycia - Ionia (5:11) 11. Scrape - Descent (4:28) 12. I - I am I (3:43) 13. Enirva - Zen Breaker (5:05) 14. XYZ - Touch (4:13) 15. Raf and O - Magic (4:30) 16. Philippe Laurent - Agapao (4:46) 17. Sine Silex - Modeliste (3:56) 18. Tearful Moon - Rain of sorrow (5:53) 19. La Breiche - Le Mal Des Ardents (4:41) 20. Jenna Leigh-Raine - Loud Silent (3:01) 21. Autoclav1.1 - Eventide (7:35) 22. PBK - Cluster Sequencer compositions - Track one (extract) (3:52) 23. Dryads - Of Arcane Fires (3:53) 24. She Spread Sorrow - Lust (6:02) A selection of music produced and mastered during the Cage Studio's 24th year... released June 29, 2017 Album compiled and remastered by Martin Bowes at the Cage Studios. Coventry. England. 2017. Born in 1993. The Cage Studios was a vehicle used primarily for Attrition works and a few select remix , production and mastering projects, The Cage doors opened to the world in 2011 and since then have been working with so many inspiring bands and labels in genres as diverse as dark ambient, post punk, noise, folk, industrial, drum n bass, house, neo-classical, punk and metal... This latest, and fifth collection showcases just some of those artists and my work with them... The Cage is set in the heart of England: but working with the speed of fibre optic file transfers it really could be anywhere at all. Thank you to all the bands and labels for wanting to be a part of all this... Here's to the next one... Martin Bowes. Coventry. England. 2017 Cover photo by Stephane Lord A Two Gods Production 33GODSDIG ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:48:04 Наличие сканов в содержимом раздачи: digital Tracklist: 01. Attrition - Dante's Kitchen - Live in Wellington. NZ - 11.05.18 (5:47) 02. Blurt - Man to Fly (3:06) 03. Jan Doyle Band - Green (3:23) 04. Naked Lunch - Captain Black (Is Back!) (6:13) 05. Pilgrims of Yearning - Baccanalia (4:22) 06. Mitra Mitra - Snakes - Low sea remix (4:16) 07. Planetdamage - Vex 443 (5:20) 08. Manic Youth - Do I Do It (Ft TB Frank) (3:23) 09. Suburban Birth Canal - Aggro (4:50) 10. Subterranea - Escape (4:47) 11. Negative Response - A new beginning (5:16) 12. The Shapes - We're Not Very Famous (3:15) 13. ZANTI (Anni Hogan and Derek Forbes) - Will You Bee Mine (4:22) 14. The Wild Boys - We're Only Monsters (2:14) 15. Daffodill - Boom Boom Baby (4:13) 16. Venus Fly Trap - Dalek (4:13) 17. Rose - Hells locked from the inside (5:02) 18. Sex Death Religion - Monsters (3:43) 19. Junior - Sensei (3:31) 20. Vintersolverv - I (4:21) 21. DZ'OB - Techno 2 (5:12) 22. Psychic TV - Dead Cat (BBC Telepathic Edit) (4:40) 23. Barry Adamson - The Hymn Of The 7th Illusion (Radio Edit) (5:39) 24. Acclimate - New York (3:02) 25. Penny Rimbaud's Kernschmelze II - 4 (3:55) THIS IS NOT A TEST! A selection of music produced and mastered during the Cage Studio's 25th year... released July 20, 2018 Album compiled and remastered by Martin Bowes at the Cage Studios. Coventry. England. 2018. Born in 1993. The Cage Studios was a vehicle used primarily for Attrition works and a few select remix , production and mastering projects, The Cage doors opened to the world full time in 2011 and since then have been working an ever expanding circle of inspiring bands and labels in genres as diverse as dark ambient, post punk, noise, folk, industrial, grime, drum n bass, deep house, techno, neo-classical, punk and metal... This latest, and sixth collection showcases just a selection of those artists and my work with them... The Cage is set in the heart of England: but working with the speed of fibre optic file transfers it really could be anywhere at all. Thank you to all the bands and labels for wanting to be a part of all this... Here's to the next chapter... Martin Bowes. Coventry. England. 2018 Cover photo at the old CET building, Coventry, by Martin Bowes A Two Gods Production 46GODSDIG ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1        Для того, чтобы скачать .torrent Вам необходимо зарегистрироваться |
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