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olaf_alien |
-Huminoita - Discography - 2010-2018-
  Страна исполнителя: FinlandЖанр: Progressive Rock, Psychedelic/Space Rock, Post-Rock, Stoner Rock, Jazz Rock || Аудио кодек: FLAC || Тип рипа: (tracks + .cue) || Битрейт аудио: lossless || Включает: Full artwork, jpg, 600 dpi || Общая длительность: 01:16:09 ||    
 Носитель: CD (Album, Reissue, Remastered)Страна-производитель диска (релиза): Finland Год издания оригинала: 2010, CD-r Self-released/Not on Label Год переиздания: 2015 Издатель (лейбл): Luova Records Номер по каталогу: LUOVA0003 Продолжительность: 36:37 Источник (релизер): Моя коллекция, мой рип  Трэклист: 1. Huminoita [Intro] (2:38) 2. Muistijäljet (5:27) 3. Ilmatila (9:26) 4. Toinen Tie (3:55) 5. Kolmas Silmä (4:10) 6. Takaumia (4:18) 7. Itä-Tuira Skyline (6:42) Exact Audio Copy V1.0 beta 3 from 29. August 2011 REM GENRE "Progressive Rock" ----------------------- It is easy to hear that this is a band with a fascination for many aspect of music, but they have chosen to hone in on what might be described as a psychedelic stoner rock sound of the vintage variety, as in more psychedelic than most stoner bands. Not in a flamboyant or dramatic manner, but carefully and with subtle ease.
Hard, booming vintage era guitar riffs is a key and prominent feature in most compositions, as are delicate echoing guitar details, gnarly but brittle riffs and psychedelic tinged and soaked guitar solo runs. A nervous electric piano finds it’s way into the proceedings here and there, as do careful organ textures and nonverbal, layered backing vocals either soft or with a more chant-like expression. The saxophone makes some occasional visits too, and in one instance the flute is brought in to add an earthy, folky vibe to the proceedings. Expanding the stylistic landscapes ever so slightly are textured guitar layers that adds a slight touch of post-rock to the proceedings, here and there some jazz-oriented instrument details will be tossed in too. The ebb and flow in intensity that is a clear tendency throughout also makes me suspect that these compositions does feature some improvised tendencies. Either de facto, or material developed in improvised runs that have later been developed and recorded proper. [by Olav Martin Bjørnsen, houseofprog.com] - Ville Mäkäräinen / guitar, flute, vocals, synth
- Timo Keränen / guitar, percussion - Ville Mäkinen / bass - Jonne Ketola / drums - Matti Salo / saxophone, keyboards, vocals, synths  Носитель: CD (Album)Страна-производитель диска (релиза): Finland Год издания оригинала: 2015 Издатель (лейбл): Luova Records Номер по каталогу: LUOVA0002 Продолжительность: 39:32 Источник (релизер): Моя коллекция, мой рип Трэклист: 1. The Sheriff (6:53) 2. Hymn 23 (5:26) 3. Goliath (5:17) 4. The Pilgrim (6:25) 5. King Of Hearts (10:40) 6. Hymn 24 (4:57) Exact Audio Copy V1.0 beta 3 from 29. August 2011 REM GENRE "Progressive Rock" ----------------------- All Is Two is a relatively short album that holds six compositions that can be seen as instrumental. Sure, Ville Mäkäräinen is indicated as the band's vocalist, but his vocals combined with Laura's voice are shamanistic vocal harmonies, without real lyrics or even words, just to create a suiting atmosphere to the compositions. At first the psychedelic post rock, still gives you the feeling you are listening to a fairly regular band in the genre, nice guitar solo's over mesmerising rhythms and with the wordless vocals the retro feel has been set. Especially the Hammond organ sounding keyboards take you back in time. Close to the end of the albums opener The Sheriff the saxophone appears, giving the song more depth and certainly adds something to the music. The first tunes of Hymn 23 take you back to the times the Led Zeppelin frequently was spotted in the air, but with the relaxed guitars and “vocals” the song takes another turn towards the genres described above. A perfect song that blends two worlds is the outcome. The Pilgrim is another special song, a playful rhythm, filled with nice guitar melodies and a stunning wah-wah part, gives room to the sax and flute to embed their instruments deep into the music, working their way to a high, finishing with of John Paul Jones reminding keyboards at the end. King Of Hearts is the band's pièce of résistance, a ten minute walk through different spheres and moods. All kept basic and relaxed, never really over the top. My personal favourite song is kept to finish the album; Hymn 24 is basic, almost minimalistic and über relaxed, just simple melodies and a smooth guitar solo taking the album to the end.
[by Pedro Bekkers, backgroundmagazine.nl] - Ville Mäkäräinen / guitar, flute, vocals, synth
- Timo Keränen / guitar, percussion - Ville Mäkinen / bass - Jonne Ketola / drums - Matti Salo / saxophone, keyboards, vocals, synths + - Laura Lehtola / voice (1,4,6) - Oula Karppinen / saxophone, trumpet, sopramino (5)  Носитель: CD (Album, Digipak)Страна-производитель диска (релиза): Finland Год издания оригинала: 2018 Издатель (лейбл): Luova Records Номер по каталогу: LUOVA0042 Продолжительность: 39:25 Источник (релизер): Моя коллекция, мой рип Трэклист: 1. Zinerheum (4:24) 2. Gameover (4:42) 3. Ringfinger (5:19) 4. Maalismoon (4:34) 5. Marsvolga (7:39) 6. Sandmare (7:33) 7. Pimpimpom (5:04) Exact Audio Copy V1.3 from 2. September 2016 REM GENRE "Progressive Rock" ----------------------- Finnish band Huminoita plays instrumental psychedelic rock with some Post-Rock and jazzy ingredients. 369, officially released just few days ago, is their third album. I rated All Is Two (2015) with four stars (actually 3½ rounded up) and this time rounding down seems more suitable, but I'm not suggesting 369 to be musically weaker. In fact my main complaints have nothing to do with the music itself: the CD could have just as well been wrapped in a simple cardboard sleeve without the plastic disc holder, since the inner side has no graphics at all. Why the band members are - again - unnamed? Hardly because one of them is also the leader of the record label (he's mentioned for recording & mixing). I'm not fond of a "less is more" attitude in the covers of albums. BTW, the tracks are numbered as A1, A2, ..., B1,... which is unappropriate on a CD, and there are accidentally two A3's.
No idea what the numeral album title is referring to. Most of the track titles are made-up words such as 'Maalismoon' (mixing Finnish and English around the third month) or 'Marsvolga'. The music is pleasant, slightly melancholic and introspective psychedelic space rock, more on the calm and dreamy side than on hard rocking edginess. All of the eight tracks are under 8 minutes. The previous album had a bit more variety on track lengths, and also on the arrangements. It featured some wordless singing on the background and more reeds; I spotted no human voice here, and only 'Sandmare' seems to have saxophone in a bigger role. Another reason why I personally prefer their second album is that it feels spacier, or Krautrock-ish if you like, compared to the more structured feel of 369. But this album is equally worth listening to if you enjoy melancholic, instrumental psychedelic rock. [by Matti, 'progarchives] Band members unnamed
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