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(Glitch, Abstract, Techno, Modern Classical, Minimal) Steve Reich - Reich: Remixed - 1999 (Nonesuch #7559-79555-
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beat77 |
Steve Reich / Reich: Remixed
 Жанр: Glitch, Abstract, Techno, Modern Classical, MinimalСтрана-производитель диска: Europe Год издания диска: 1999 Тип издания: CD, Album Издатель (лейбл): Nonesuch Каталожный номер: 7559-79555-2 Аудиокодек: FLAC (*.flac) Тип рипа: tracks.+cue Источник (релизер): RED Наличие сканов в содержимом раздачи: да Треклист: 01 - Megamix (Tranquility Bass Remix) (09:36) 02 - City Life (DJ Spooky That Subliminal Kid Open Circuit) (06:58) 03 - Music For 18 Musicians (Coldcut Remix) (06:03) 04 - Come Out (Ken Ishii Remix) (06:58) 05 - Drumming (Mantronik Maximum Drum Formula) (04:02) 06 - Proverb (Nobukazu Takemura Remix) (07:44) 07 - Piano Phase (D*Note's Phased & Konfused Mix) (05:05) 08 - Eight Lines (Howie B Remix) (08:12) 09 - The Four Sections (Andrea Parker Remix) (06:22) 10 - The Desert Music (FreQ. Nasty & B.L.I.M. Remix) (07:15) Notes p & ©1999 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. Made in Germany. Distributed by Warner Music (UK) Ltd.  
Exact Audio Copy V1.3 from 2. September 2016 REM GENRE "Glitch, Abstract, Techno, Modern Classical, Minimal" “Few living composers have created a style so fiercely original, immediately recognizable and wholly accessible … it would be hard to think of any American music more important than this.” —New York Times
“From the phase-shifting tape loop pieces of the early to mid-60s, to the later, more ‘composed’ works with their gradually developing cellular rhythmic and melodic structures, an approach which reached its apogee in the late 70s, Reich’s music can be heard echoing across the Electronica spectrum, from the most hardcore German Techno to Aphex Twin, D*Note, Alec Empire, Tortoise, Panasonic…” —The Wire We are just off a long leg of extended travel and find ourselves turning again and again to the minimal yet complex works of Reich. Adrift in the boat on my own, cerulean waters over the reef just below, and the chromium glint of a plane high in deepest of skies. Just perfect for letting Reichs pieces air your head out. Remixed is perhaps not as cerebral as the original but it has it’s place in our record collection. Throw the bags on the floor, sift through a months worth of post and let the reverberations was over you. It was 1991 when the Orb’s “Fluffy Little Clouds” gave a major pop nod to Steve Reich, whose composition “Electric Counterpoint” served as the foundation for the band’s breakthrough hit. Yet the Orb is not alone in their admiration of Steve Reich. Reich’s entire output — from early tape collages and pioneering work with phasing techniques to his later, larger and more intricate works, including collaborations with visual artists — has served as both template and inspiration for a growing legion of electronic musicians and DJs. The ideas and strategies that Steve Reich has been mining for the past three decades have predated not only the sensibilities of today’s youth culture, but also the technological developments that have shaped them. It is the prevailing relevance of Reich’s music to the post-modern chill-out rooms and concert halls alike that now lead us to Reich Remixed, a collection of Steve Reich material remixed by some of today’s most important DJs and remixers. In addition to paying homage to Reich’s work, Reich Remixed breaks down previously exclusive boundaries between classical and club music to create a new sound for audiences of today and tomorrow. CREDITS MUSICIANS Steve Reich and Musicians (1) Bang on a Can (2), Bradley Lubman, conductor London Symphony Orchestra (3), Michael Tilson Thomas, conductor Bob Becker, Russell Hartenberger, Garry Kvistad, James Preiss, percussion Edmund Niemann, Nurit Tilles, pianos Neil Percy, Simon Carrington, Ray Northcott, Frank Ricotti, Clive Malabar, percussion Steve Reich and Musicians Members of the Manhattan Marimba Quartet Bob Becker, Kory Grossman, Russell Hartenberger, James Preiss, Bill Ruyle, William Trigg, marimbas Pat Metheny, guitar Theatre of Voices: Andrea Fullington, Sonja Rasmussen, Alison Zelles, sopranos; Alan Bennett, Paul Elliott, tenors; Bob Becker, Russell Hartenberger, vibraphone; Nurit Tilles, Edmund Niemann, electric organs; Paul Hiller, conductor PRODUCTION CREDITS Track 1: Remix and additional production by Coldcut Recorded August 1998 at Woodbine Studios, Learnington Spa, England Engineered by Coldcut and Paul Brook Programming by Paul Book Track 2: Produced, recorded, engineered, and mixed April 1998 by Howie B at Milo Studios, London, England Assistant: Greg Fleming Tuning by Jeremy Shaw Programming by Jon Rockstar and Howie B Track 3: Remix and additional production by Andrea Parker Recorded March 1998 in Bavaria Engineer: David Morley Track 4: Remix and additional production by Michael Kandel Recorded August 1998 in Heaven Track 5: Remix and additional production by Mantronik for OMW Recorded June 1998 at The Robot Crib, New York City Engineer: Andy Heermans Track 6: Remix and additional production by Nobukazu Takemura Recorded July 1998 at Moonlit Studio, Kyoto, Japan Track 7: Remix and additional production by Matt Winn Recorded June 1998 at Metropolis Studio, London, England Engineer: Dave Pemberton Track 8: Remix and additional production by DJ Spooky that Subliminal Kid Engineered April 1998 by Chris Flam at Mindswerve, New York City Track 9: Remix and additional production by Ken Ishii Recorded June 1998 at Far East Lab, Tokyo, Japan Tracks 1-3 and parts of 4 produced by Judith Sherman Engineer: John Kilgore Track 5-9 and parts of 4 produced by Judith Sherman and Steve Reich Engineer: John Kilgore Part of track 4 produced by Steve Reich Design by John Gall Cover photograph courtesy of The Special Photographer’s Company Executive Producer of original material: Robert Hurwitz Executive Producer of remix album: Amy Coffey  Since he's one of the most influential classical composers for later electronica producers, it's only natural that Steve Reich should get his own remix collection, to file alongside Pierre Henry and others. This ten-track collection includes some of the most respected new producers in the field -- from beat veterans Coldcut, Howie B and Kurtis Mantronik to relative newcomers Andrea Parker and Nobukazu Takemura (aka Child's View) -- dissecting the gorgeous sounds of Reich classics like "Music for 18 Musicians" and "Come Out" for a younger audience. And though it's difficult to think of Reich's usual followers appreciating these remixes for what they are, the cast is one of the best for a remix album in recent memory. Coldcut's version of "Music for 18 Musicians" is quite faithful, retaining the luxuriant waves of sound that make the original one of the best-sounding pieces of music ever recorded. Kurtis Mantronik, one of the best hip-hop producers of all time, puts his legendary drum programming abilities to the test by taking on "Drumming," Reich's study of African percussion. Two of the tracks, by Tranquility Bass and DJ Spooky, are megamixes that use material from several different Reich compositions. There have been far too many subpar remix albums in the late '90s devoted to bands who don't deserve them, but Reich Remixed is both a worthy cause and an excellent production. Для того, чтобы скачать .torrent Вам необходимо зарегистрироваться |
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