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olaf_alien |
Häx Cel - Häxcellent
 (green-brain-krautrock.de): So, twenty eight years later, Häx Cel have returned with their first full length album, and their first studio release! The album features a combination of tracks that had appeared on their debut as well as re-recordings of the pieces that had featured on their demo/mini-album A Second Time.The album opens with the b-side of their first single, Difference which is pretty much true to the original version, which together with Albinoni was the only recording made in the studio and released in the seventies by the band. The other piece that had appeared on the first album, Zwai is Music. On the other hand, practically all the pieces that had appeared on the A Second Time were re-recorded for this release, apart from the title track and Marsch. It seems that the band have also identified their ability to re-work and rock up classical pieces of music and no less than six of the twelve tracks on the album are such. J.S. Bach has four themes utilised on the album in the pieces Compression, Coronation, Fuga and Intervention. Fuga had already appeared on A Second Time, Intervention is given a total make over with various funk interludes whilst Coronation is remade as a rocker with lyrics also added to the tune. Once again I have to add that the inclusion of the guitar has detracted from the duetting between flute and keyboards, which previously was one could say, a trademark of the band. Having said that the flute and guitar do complete each other in a great fashion, yet at times the guitar has too much of a distorted rock sound which creates an uneasy feeling. This is also what occurs in Compression which is fantastic in the quiet periods, yet sounds so much out of place when the guitar suddenly breaks loose. Tchaikovsky's theme of the Nutcracker waltz is revamped into a stomper as Nutrocker with Neubauer's electric piano given free rein to romp about whilst Vivaldi's Largo is a perfect example how the presence of a guitar does not necessarily mean distortion and crunching chords. The whole band manage to indulge in solos with prominence given to flute and guitar, and all in all this is definitely one of the album highlights. A Distant Light is the first track on the album that is a totally new composition and sees the band in a rather different light, possibly because it was composed with the presence of a guitarist which seems to have shifted the overall style towards a more blues-rock style, much in the original Deep Purple vein. The whole of the album was recorded in the studio except for the closing Wasted Times, which once again is too similar Purple's Wasted Sunsets (Including excerpts of the lyrics!) that it would have been best left out. Häxcellent is a most interesting album allowing the listener to indulge in some great rocking numbers together with various classical references. One cannot describe the album as being the traditional progressive rock album yet it has features that are sure to appeal to most prog-fans. With Häxcellent, Häx Cel have rewritten themselves on the progressive rock map and I look forward to much more from them.. Жанр: Progressive Rock, Krautrock Страна исполнителя: Germany Страна - производитель диска: Germany Год издания: 2001 Издатель (лейбл): Parodise Records Номер по каталогу: 10300129-2 Тип: CD, Album Аудио кодек: FLAC (*.flac) Тип рипа: (tracks + .cue) Битрейт аудио: lossless Наличие сканов в содержимом раздачи: Full scans, jpg, 600 dpi Продолжительность: 01:00:57 Источник (релизер): Моя коллекция, мой рип Трэклист: 1. Difference (5:09) 2. M.O.H. (3:57) 3. A Distant Light (5:27) 4. Intervention (3:01) 5. Coronation (4:43) 6. Nutrocker (5:31) 7. Music (5:18) 8. Largo (6:37) 9. Beautiful Scarlet (6:43) 10. Fuga (2:41) 11. Compression (7:20) 12. Wasted Times (4:25) Состав: - Michael Moebus (bass, vocals) - Achim-Peter Neubauer (keyboards) - Dieter Neumann (flute, vocals) - Tobias Neumann (guitars) - Michael Fromm (drums) Music and lyrics by Häx Cel Themes from J.S. Bach adapted in Compression, Coronation, Fuga, Intervention Themes from P. Tschaikowski in Nutrocker Themes from A. Vivaldi in Largo Recorded by T.R.O.S. Dec. 2000-Mar. 2001 at Parodise II, Hannover, Germany except Wasted Times, recorded live at Flohcircus, Hannover, November 1998   
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