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(New Orleans Early Jazz) Paul Barbarin And His Band - Sounds of New Orleans, Vol. 1 - 1990 (Storyville)
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 Релиз подготовлен Proper SelfMade Lossless Group "Always Proper, Ever SelfMade" Paul Barbarin And His Band - Sounds of New Orleans, Vol. 1 - 1990 (Storyville)   Жанр: New Orleans Early JazzСтрана исполнителя: USA Страна - производитель диска: Sweden Дата и место записи: New Orleans; 1951, 1954 Год издания: 1990 Издатель (лейбл): Storyville Номер по каталогу: STCD 6008 Тип: Archival Аудио кодек: FLAC (*.flac) Тип рипа: (tracks + .cue) Битрейт аудио: lossless Наличие сканов в содержимом раздачи: full scans, png, 300 dpi Продолжительность: 41:17 Источник (релизер): коллекция Рендера, мой рип Трэклист: 1. Muskrat Ramble 2:55 (Kid Ory) 2. Clarinet Marmalade 2:50 (Shields - Ragas) 3. Milenberg Joys 3:13 (Mares, Rappolo, Morton, Melrose) 4. Put On Your Old Grey Bonnet 3:04 (Murphy - Wenrich) 5. Jazz Me Blues 3:00 (T. Delaney) 6. Panama (Take 2) 3:16 (W.H. Tyers) 7. Darktown Strutter's Ball 2:55 (S. Brooks) 8. Them There Eyes (Take 2) 3:15 (Pinkard - Tracy - Tauber) 9. See See Rider 3:30 (Rainey - Arant) 10. Everybody Loves My Baby 3:55 (Spencer Williams - Jack Palmer) 11. By And Bye (Take 2) 2:59 (Trad.) 12. Rip 'Em Up, Joe 3:18 (Trad.) 13. Little Blues For Fun 2:12 (Trad.) Состав: Paul Barbarin And His Band Percy Humphrey's Jam Session 1.-7. Ernie Cagnolatti (tp), Albert Burbank (cl), Eddie Pierson (tb), Lester Santiago (p), Johnny St. Cyr (bjo, vo), Richard McLean (b), Paul Barbarin (dm) Recorded in New Orleans 1951 8.-13. Percy Humphrey (tp), Ray Burke (cl), Joe Avery (tb), Sweet Emma Barret (p), Billy Huntington (bjo), Richard Alexis (b), Cie Frazier (dm) Recorded in New Orleans May 16, 1954 Unless otherwise indicated, first takes were used and they were the only takes preserved on these titles. First takes of "Them There Eyes" and "Bye And Bye" are rejected. First take of "Panama" and third take of "Bye And Bye" will be issued at a later date. BARBARIN, Paul Adolphe Drums/leader/composer. Born: New Orleans, Louisiana, 5th May 1899. Died: New Orleans, Louisiana, 10th February 1969. An authentic New Orleans drummer. Played with King Oliver, Louis Armstrong, A. J. Piron, Walther Pichon. For 20 years led own band. Composer of "Come Back Sweet Papa". "Bourbon Street Parade", "The Second Line", etc. Widely recorded. Об исполнителе: The Red Hot Jazz Archive Drummer World   
In New Orleans, more than in any other American city, music is a way to life and jazz is a beat to which its citizens express their joys and sorrows. With music playing such a dominant role in the life style, it is not surprising to find that its practice is often a family tradition. The two leaders who are represented by this album come from such families, the Barbarins and the Humphreys.
Drummer Paul Barbarin's father, Isadore, was a cornetist and mellophone player with the famous Onward Brass Band, Louis Arthidore, an uncle on his mother's side, was an accomplished clarinetist, guitarist Danny Barker was his nephew, and three of his brothers were musicians. Having started his musical career by drumming on the dinner table with a pair of forks, Paul Barbarin bought his first set of drums around 1915, with money earned as a freight elevator operator, and it was not long before he began to work as a drummer with some regularity. In 1917, the year the U.S. Navy closed down Storyville, New Orleans's famous red light district, Barbarin was one of the many musicians who sought greener pastures in Chicago. There he worked in the stockyards by day and at the Rinsberg Cafe - with singer Edith Wilson - by night. For the next few years, Barbarin moved about: he toured Canada with an obscure group known as the Tennessee Ten, played Chicago's Paradise Club with Jimmie Noone - who became his brother-in-law when both men married sisters - and returned to New Orleans where he worked at Tom Anderson's Cafe and marched in his father's footsteps with the Onward Brass Band. More than any other activity, it was Barbarin's stint with King Oliver's Creole Jazz Band - at Chicago's Plantation Cafe, from 1925 to 1927 - that carved for him a permanent niche in jazz history, but there were subsequent accomplishments, as well. In the Thirties and Forties, Barbarin occasionally became an orchestra leader, but he also propelled bands led by Louis Armstrong, Luis Russell, and Sid- ney Bechet. At the age of 52, Barbarin once again made New Orleans his home, but he continued to make musical treks to other parts of the country. The band heard here was recorded in 1951, two years before Barbarin returned to the Crescent City for good, but - with the exception of banjoist Johnny St. Cyr, of Armstrong Hot Five fame - this is basically the band he fronted for several years. Percy Humphrey's Jam Session Trumpeter Percy Humphrey's long family line of musicians starts with his grandfather, a teacher whose pupils included such legendary New Orleans players as Chris Kelly and the Morgan brothers. Percy's brother, Earl played trombone on Louis Dumaine's celebrated 1927 Victor recordings, and another brother, Willie, playes the clarinet, as did their father. Although he has kept a hand in the insurance business since the late Thirties, Percy Humphrey never strayed very far from his music. In the late Forties, he was a member of the Eureka Brass Band, and many fans first became aware of his keen-edged trumpet style in the early Fifties, when he played with George Lewis, the fibrous reed man who personified the postwar New Orleans jazz boom. Humphrey is heard here in an informal 1954 session with some of the legendary figures of the New Orleans jazz revival, including Sweet Emma Barrett, "the Bell Gal," so called because she wore -and tinkled rhythmically - small bells on her hat and around the ankles; Raymond Burke, a fine clarinetist and proprietor of a Bourbon Street "rabais" shop, who rarely played outside of New Orleans; and Josiah "Cie" Fra-zier, one of the city's most highly respected drummers. In recent years, Percy Humphrey has led the Preservation Hall Jazz Band on tours throughout the world and at the band's headquarters, a shameless tourist lure that has been described as a modern-day plantation. Chris Albertson Contributing Editor to Stereo Review REM GENRE Jazz Exact Audio Copy V1.0 beta 3 from 29. August 2011  Для того, чтобы скачать .torrent Вам необходимо зарегистрироваться |
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