Релиз подготовлен Proper SelfMade Lossless Group "Lossless Group - Always Proper, Ever SelfMade"Don Ellis - At Fillmore (1970) Жанр: Post-Bop, Progressive Jazz Страна исполнителя: Страна - производитель диска: Дата записи: June, 1970; at Bill Graham's Fillmore West in San Francisco, CA Год издания: 1970 (Columbia Records 30245) Год переиздания: August 23, 2005 Издатель (лейбл): Wounded Bird Номер по каталогу: WOU 3024 Тип: Live Аудио кодек: FLAC (*.flac) Тип рипа: (tracks + .cue) Битрейт аудио: lossless Наличие сканов в содержимом раздачи: full scans, png, 300 dpi Продолжительность: CD1 - 44:29; CD2 - 41:59 Источник (релизер): коллекция Л Рендера, мой рип Трэклист:
Disc: 1
1. Final Analysis (Ellis) - 14:00
2. Excursion II (Klemmer) - 5:44 **
3. The Magic Bus Ate My Doughnut (Selden) - 2:29 ***
4. The Blues (Ellis) - 7:25
5. Salvatore Sam (Ellis) - 5:06
6. Rock Odyssey (Levy) - 9:48 * Disc: 2
7. Hey Jude (Lennon/McCartney) - 10:38
8. Antea (Levy) - 5:59 *
9. Old Man's Tear (Klemmer) - 4:53 ****
10. Great Divide (Ellis) - 8:42
11. Pussy Wiggle Stomp (Ellis) - 11:54 Arranged by Don Ellis
* Arranged by Hank Levy
** Arranged by Les Hooper
*** Arranged by Fred Selden
**** Arranged by John Klemmer Состав:
Personnel:
* Don Ellis - Trumpet, Drums
* John Klemmer - Saxophone, Winds
* Tom Garvin - Piano
* John Clark - Saxophone, Winds
* Doug Bixby - Bass, Tuba
* Stuart Blumberg - Trumpet
* Ernie Carlson - Trombone
* Jack Coan - Trumpet
* Ronnie Dunn - Percussion, Drums
* Sam Faizone - Saxophone, Winds
* Glen Ferris - Trombone
* Jay Graydon - Guitar
* Ralph Humphrey - Drums
* Dennis Parker - Bass
* Lee Pastora - Conga
* John Rosenberg - Trumpet
* Fred Seldon - Saxophone, Wind
* Lonnie Shetter - Saxophone, Wind
* Glenn Stuart - Trumpet
* Don Switzer - Bass Trombone
* Don Quigley – Tuba
Don Ellis at Fillmore Live -- FINALLY on CD!, September 29, 2005
By Peter Xander (Lake Arrowhead, CA USA) As a budding classical and jazz musician in the late 60s and early 70s, I played in jazz festivals with my junior high and high school jazz ensembles. As part of those festivals, I was able to meet, sight-read with, and hear some of the greatest jazz legends. The most memorable, though, was Don Ellis. I had several of his albums, most notably the live recording at Fillmore, "Autumn," and "Electric Bath." All were lost, however, when my home and possessions were destroyed in the tragic fire that swept through the San Bernardino Mountains in late October, 2003. I eventually found copies on-line at a record store in Vancouver, B.C., but now the Don Ellis at Fillmore recordings have been released on CD! I was fascinated with the Don Ellis Orchestra's wildly offbeat (literally!) meters, hot arrangements, and incredibly talented musicians. When Don passed away in the late 70s from a congenital heart condition at the age of 42, the music world lost one of its greatest geniuses, regardless of genre. The Fillmore CD represent perhaps the pinnacle of success of the orchestra and is not to be missed by even a casual lover of jazz or music. The Don Ellis version of "Hey Jude" took me years to appreciate. It's much like the pine-pitch-flavored Greek wine Retsina -- people either love it or hate it. The psychedelic trumpet cadenza at the beginning, powered by a ring modulator and echo effects, almost strains one's patience until the tune finally gets into the swing of things . . . only to be shattered by a fingernails-on-a-chalkboard pseudo-German Oom Pah Pah band segment, replete with wheezing out-of-tune clarinets -- truly a crack-up -- then blasting away in a big-band funk styling. Another Ellis solo, replete with duets and trios performed with the echo effect gives way to a powerful, straight-ahead finish. "The Blues" is, shockingly enough, written in 4/4 time -- one of the few arrangements they ever did in a "normal" meter (it was once joked that the Don Ellis Orchestra would play the Dave Brubeck Quartet classic "Take Five" in 4/4, just to be different!). "The Blues" is a classic, wonderfully performed blues number. "Old Man's Tear" is a delightful ballad composed and arranged by band saxophonist John Klemmer, who later went on to a meteoric solo career. The tune pushes Ellis's considerable talents to their limit. "Great Divide" is an example of their use of eccentric meters and is written in 13/4, divided 3-3-2, 3-2. In the Fillmore performance, band members wandered into the audience near the end of the tune, adlibbing on the central theme of the piece. As they did so, though, the audience STOOD AND APPLAUDED, blocking their view of Don for the cues! Ellis ran up onstage, got everyone's attention, and finished the piece with the audience none the wiser. "Pussy Wiggle Stomp" is a rollicking gospel-bluesy number played in 7/4 time at a breakneck pace. It has more false endings than the Emmy Awards actresses and is a great deal of fun. The audience joined in with rhythmic clapping in 7/4 time -- a tribute to the appreciative and knowledgable crowd. "Final Analysis" was the band's opening number and, according to Don, "is basically in 4/4 plus 5/4 with an occasional 5/4 and/or 1-1/2 plus 1-1/2 (or 3)." 'Nuf sed! "Antea" is a chart written by Hank Levy and has the intelligent, urbane style and themes that are typical of this fabulous composer/arranger. A truly beautiful tune. "The Magic Bus Ate My Doughnut," if not directly inspired by or written under the influence of mind-altering psychedelics, certainly is an homage to the off-beat, experimental jazz stylings of the late 50s and 60s. As a snapshot in jazz history, it is distinctive and has value for that alone . . . but don't expect a hummable tune. "Salvatore Sam" was a musical portrait Ellis wrote of his hot sax man Sam Falzone, who flat-out burns up the track in this number. "Excursion II" is another John Klemmer arrangement and it features the arranger in a showpiece for his considerable abilities. In "Rock Odyssey" I believe I saved the best for last. Another Hank Levy arrangement, "Rock Odyssey" begins as a soft 7/4, cooks in a fast-paced 12/8 middle section divided up 2-2-3, 2-3 that flows smoothly and blows the roof off the joint with powerful solos by Ellis, trombonist Glenn Ferris, and amazing cross-rhythms by the great drummer Ralph Humphrey in the odd meter, finishing back in 7/4 and repeating the opening theme. While jazz aficianados have been deprived of the musical genius and sheer energy of Don Ellis for nearly thirty years now, this CD release of perhaps the greatest of the Ellis Orchestra's recordings will enable lovers of terrific music to appreciate Don Ellis for many decades to come.
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Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 8. October 2009, 22:10 Don Ellis / At Fillmore (Disc 1) Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 102 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 320 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 13:58.54 | 0 | 62903 2 | 13:58.54 | 5:43.03 | 62904 | 88631 3 | 19:41.57 | 2:30.21 | 88632 | 99902 4 | 22:12.03 | 7:26.18 | 99903 | 133370 5 | 29:38.21 | 5:07.31 | 133371 | 156426 6 | 34:45.52 | 9:44.39 | 156427 | 200265 Track 1 Filename D:\music\Musicgate's rips\Don Ellis - At Fillmore (1970) {2005, Wounded Bird WOU 3024}\CD1\01 - Final Analysis.wav Pre-gap length 0:00:02.00 Peak level 95.9 % Track quality 100.0 % Test CRC 35E8231F Copy CRC 35E8231F Accurately ripped (confidence 2) [42037A07] Copy OK Track 2 Filename D:\music\Musicgate's rips\Don Ellis - At Fillmore (1970) {2005, Wounded Bird WOU 3024}\CD1\02 - Excursion II.wav Peak level 96.0 % Track quality 100.0 % Test CRC 8D2B243A Copy CRC 8D2B243A Accurately ripped (confidence 2) [D5A2E866] Copy OK Track 3 Filename D:\music\Musicgate's rips\Don Ellis - At Fillmore (1970) {2005, Wounded Bird WOU 3024}\CD1\03 - The Magic Bus Ate My Doughnut.wav Peak level 93.9 % Track quality 100.0 % Test CRC 44CD12A9 Copy CRC 44CD12A9 Accurately ripped (confidence 2) [E96D35B8] Copy OK Track 4 Filename D:\music\Musicgate's rips\Don Ellis - At Fillmore (1970) {2005, Wounded Bird WOU 3024}\CD1\04 - The Blues.wav Peak level 63.9 % Track quality 100.0 % Test CRC 217F3DEC Copy CRC 217F3DEC Accurately ripped (confidence 2) [03183229] Copy OK Track 5 Filename D:\music\Musicgate's rips\Don Ellis - At Fillmore (1970) {2005, Wounded Bird WOU 3024}\CD1\05 - Salvatore Sam.wav Peak level 96.9 % Track quality 100.0 % Test CRC 85A0FE7C Copy CRC 85A0FE7C Accurately ripped (confidence 2) [321D0880] Copy OK Track 6 Filename D:\music\Musicgate's rips\Don Ellis - At Fillmore (1970) {2005, Wounded Bird WOU 3024}\CD1\06 - Rock Odyssey.wav Peak level 95.7 % Track quality 100.0 % Test CRC 598A4DEE Copy CRC 598A4DEE Accurately ripped (confidence 2) [B4A6B83A] Copy OK All tracks accurately ripped No errors occurred End of status report
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 8. October 2009, 23:00 Don Ellis / At Fillmore (Disc 2) Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 102 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 320 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 10:38.21 | 0 | 47870 2 | 10:38.21 | 5:59.05 | 47871 | 74800 3 | 16:37.26 | 4:50.30 | 74801 | 96580 4 | 21:27.56 | 8:37.37 | 96581 | 135392 5 | 30:05.18 | 11:54.67 | 135393 | 189009 Track 1 Filename D:\music\Musicgate's rips\Don Ellis - At Fillmore (1970) {2005, Wounded Bird WOU 3024}\CD2\01 - Hey Jude.wav Pre-gap length 0:00:02.00 Peak level 96.2 % Track quality 100.0 % Test CRC A743889A Copy CRC A743889A Accurately ripped (confidence 2) [CE9A55C8] Copy OK Track 2 Filename D:\music\Musicgate's rips\Don Ellis - At Fillmore (1970) {2005, Wounded Bird WOU 3024}\CD2\02 - Antea.wav Peak level 97.2 % Track quality 100.0 % Test CRC 184FC1FC Copy CRC 184FC1FC Accurately ripped (confidence 2) [4D0DCF3A] Copy OK Track 3 Filename D:\music\Musicgate's rips\Don Ellis - At Fillmore (1970) {2005, Wounded Bird WOU 3024}\CD2\03 - Old Man's Tear.wav Peak level 95.9 % Track quality 100.0 % Test CRC F2422A70 Copy CRC F2422A70 Accurately ripped (confidence 2) [CB8E3322] Copy OK Track 4 Filename D:\music\Musicgate's rips\Don Ellis - At Fillmore (1970) {2005, Wounded Bird WOU 3024}\CD2\04 - Great Divide.wav Peak level 95.7 % Track quality 100.0 % Test CRC FE763539 Copy CRC FE763539 Accurately ripped (confidence 2) [B0CA7F0C] Copy OK Track 5 Filename D:\music\Musicgate's rips\Don Ellis - At Fillmore (1970) {2005, Wounded Bird WOU 3024}\CD2\05 - Pussy Wiggle Stomp.wav Peak level 95.8 % Track quality 100.0 % Test CRC 3FBAEB67 Copy CRC 3FBAEB67 Accurately ripped (confidence 2) [C346F915] Copy OK All tracks accurately ripped No errors occurred End of status report
