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radio massacre international
 • d i s c o g r a p h y •-Жанр: Berlin School, Dark Ambient, Experimental, Krautrock, Space Rock, Prog Rock | Страна: United Kingdom | Год издания: 1995-2024 | Аудиокодек: FLAC | Тип рипа: image+.cue, tracks+.cue, tracksПродолжительность: 199:20:40| Наличие сканов в содержимом раздачи: частично, cover | Лейбл: Centaur Discs, Synth Music Direct, Cuneiform Records, DiN, Stonker Productions, Northern Echo RecordingsИсточник (релизер): Bandcamp, Redacted, RuTracker, Soulseek, обмен-Radio Massacre International is a trio of English musicians (Duncan Goddard, Steve Dinsdale, Gary Houghton) known for their extended concerts of epic aural excursions. Their performances are largely improvised and often veer off into areas dictated by mood, circumstance or whim. RMI's recorded output reflects the diversity and complexity of this work, which is often compared to that of the Berlin School of cosmic music that emerged in Germany during the 1970s. But RMI is not simply re-creating the music of this era, but rather further exploring and contemplating the expressional mode and the instruments that made it possible - in hopes of realizing new ideas.RMI's musical relaizations are lengthy, atmospheric, dense compositions owing much to the inspiration of the moment during improvisation. On the medium of the live performance space, Steve Dinsdale offers some insight, "...there is an immediacy that is captured when music is happening live in the here and now. Musicians behave differently when they are on the spot and improvising rather than playing through a rehearsed piece. This is exaggerated when there is an audience there too". "Berlin School" references are common, but Dinsdale feels that RMI offers something else, "...our influences are more universal than that... we simply see it as working with an established form the way you would if Jazz or Folk was your thing. As long as you come across with a strong personality of your own there's no more to be said. I think RMI are readily identifiable and distinguishable from everyone else". The group is known for their part in preserving Europe's Electronic Music scene with legendary performances as part of the KLEM Dag, E-Live, Alfa Centauri and EMMA festivals and concerts for the Jodrell Bank, National Space Centre, Hampshire Jam and Awakenings series. At home in the concerthall, RMI performances are described as made up of, "...complex, gradually developing sequencer patterns, otherworldly atmospherics, analog synthesizers and soaring guitar work".-          Особая благодарность: Klorus X, pierom, startide, jianniz-
 Жанр: ElectronicСтиль: Berlin School Год издания: December 1995 Тип издания: 2хCD, Album Издатель (лейбл): Centaur Discs Каталожный номер: CENCD 012 Тип рипа: tracks+.cue Продолжительность: 01:04:52+01:08:49 Треклист: 1-01. Wrecks ...... 20:44 1-02. What's The Point Of Going To Crete? ...... 08:25 1-03. Small Frozen North ...... 07:39 1-04. Rosemary's Baby ...... 07:24 1-05. Drown ...... 20:40 2-01. Frozen North I ...... 28:33 2-02. Frozen North IV ...... 40:16 Exact Audio Copy V1.3 from 2. September 2016 Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 FROZEN NORTH is the debut official release by RADIO MASSACRE INTERNATIONAL; Duncan Goddard and Steve Dinsdale on electronic devices ancient and modern, and Gary Houghton on vibro-plank. The two CD set features pieces ranging from 7 to 40 minutes in length. The first disc showcases the range of R.M.I., videos for three of the tracks have been broadcast extensively on MTV's 'Chill Out Zone' and 'Party Zone' shows. The second 70 minute CD concentrates on the Frozen North theme in two expansive soundscapes. Until now, the group had existed in a self imposed bubble away from any commercial considerations or influences, sculpting the kind of Meta-Music found on this 140 minute release. R.M.I. music eschews normal studio practices. Everything is recorded of the moment, there is no multi-tracking or overdubbing, nothing is programmed. This is the sound of music growing before you. Drum machines are left at the door, the hypnotic rhythms are provided by analogue sequencers manipulated in real time to create a constantly shifting base, in what can be seen as a conscious move away from dance orientated Ambient Music. Spacious, Organic, Rhythmic/Arythmic, Harmonic/Dissonant, R.M.I. music will flood your listening space with vivid, evolving soundworlds. Perfect for chilling out. Look With Your Ears.
 Жанр: ElectronicСтиль: Berlin School Год издания: October 1996 Тип издания: CD, Album Издатель (лейбл): Centaur Discs Каталожный номер: CENCD 018 Тип рипа: tracks+.cue Продолжительность: 01:14:02 Треклист: 01. Send-Off ...... 21:17 02. Raw Cane Approach ...... 26:46 03. Republic ...... 25:59 Exact Audio Copy V1.3 from 2. September 2016 REM DATE 1996 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 REPUBLIC is a single 74 minute CD featuring three of the group's best improvisations to date, it is a cohesive timeless collection of vital soundscapes with a huge dynamic range, it uses only those sounds dear to their hearts and includes liberal sprinklings of the god-like Mellotron (real of course, not sampled), and a collection of analogue synthesisers alongside their modern counterparts neither futuristic or retro, radio massacre international's music is timeless; and attempts to bring some soul and danger to ambient music by being as scary as it is soothing. Try 'Send Off' at high volume with the lights out, or the ebullient title piece for an illustration of how hypnotic real time sequencers can be, and if you thought electronic music couldn't rock, try the searing electric guitar sections of 'Raw Cane Approach' (Refined ? Not this band). Come into the forest and taste the trees.
 Жанр: ElectronicСтиль: Berlin School Год издания: February 1997 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 001 Тип рипа: tracks+.cue Продолжительность: 01:12:37 Треклист: 01. Armistice ...... 20:18 02. Burned & Frozen ...... 52:19 Exact Audio Copy V1.1 from 23. June 2015 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School Год издания: June 1997 Тип издания: CD, Album Издатель (лейбл): Centaur Discs Каталожный номер: CENCD 021 Тип рипа: image+.cue Продолжительность: 01:01:59 Треклист: 01. Under The Dish ...... 05.50 02. Frozen North Part 2 ...... 07.03 03. Ha'Penny Bridge ...... 10.52 04. Skeletope ...... 23.50 05. Action Painting ...... 14.24 Recorded live to DAT at Jodrell Bank 18th May 1996. Exact Audio Copy V1.0 beta 3 from 29. August 2011 REM GENRE Electronic In May 1996 Radio Massacre International were the first group to play an electronic concert at Jodrell Bank space research centre in Cheshire, in the shadow of the biggest satellite dish in the world. It was a location buzzing with inspiration and ideal for creating improvised music. KNUTSFORD IN MAY is a complete direct to DAT recording of the music played that evening. The pristine digital sound quality is matched by some inspirational musical twists and turns. From the first notes of 'Under the Dish' the atmosphere is one of unashamed glorification of the surroundings and its relationship with space and time. R.M.I. are always a group to thrive in a special environment. The album's centrepiece is a long dynamic improvisation named 'Skeletope' which includes samples of Jodrell Bank scientists bouncing the first signals off the surface of the moon. A triumph of live sequencing, mellotron and guitar, it is one of R.M.I.'s very best pieces to date. 'Action Painting's sequences develop hypnotically as they bounce around the planetarium and round off a performance that the group was so happy with they just had to release it.
 Жанр: ElectronicСтиль: Berlin School Год издания: August 1997 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 002 Тип рипа: tracks+.cue Продолжительность: 01:12:38 Треклист: 01. Diabolica ...... 40:44 02. Blaze Dispersion ...... 24:43 03. Upstairs Downstairs ...... 07:11 a northern echo recording P & C radio massacre international 1994 Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School Год издания: 1997 Тип издания: CDr, Album Издатель (лейбл): Synth Music Direct Каталожный номер: none Тип рипа: tracks (no log, .cue) Продолжительность: 01:11:56 Треклист: 01. Organ Harvest ...... 14:48 02. Improvisation 1...... 11:16 03. (Come To) Sunny Teesside (Mrs. Emerson) ...... 09:57 04. Improvisation 2 ...... 16:37 05. Geiger ...... 07:58 06. Improvisation 3 ...... 11:20 Limited Edition run of 30 to those who attended the show on February 9, 1997. [CUETools log; Date: 11.06.2025 02:23:28; Version: 2.2.6] ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School Год издания: October 1997 Тип издания: CD, Album Издатель (лейбл): Centaur Discs Каталожный номер: CENCD 022 Тип рипа: tracks+.cue Продолжительность: 01:02:11 Треклист: 01. Organ Harvest Part One ...... 12:08 02. Geiger ...... 10:36 03. Edison ...... 12:20 04. Rainy Day Song ...... 13:58 05. Organ Harvest Part Two ...... 07:02 06. A Minute Of Silence ...... 06:07 Exact Audio Copy V1.0 beta 3 from 29. August 2011 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 ORGAN HARVEST was launched at the band's most prestigious performance to date, the Klemdag festival in Holland, confir.m,i.ng R.M.I.'s rise to prominence in the field of modern electronic music. The album is a 62 minute epic consisting of six segued pieces all chosen to create a satisfying whole. For the first time there are thematic structures, on both the title track and the Floydian finale 'A Minute of Silence'. Elsewhere the spirit of improvisation still dominates; 'Geiger' and 'Rainy Day Song' are sequencer led explorations that demonstrate growing confidence in the principle "less is more". The surrounding textural sections show that R.M.I. are unique in their ability to create blissful soundworlds of depth and beauty which melt into your environment.
 Жанр: ElectronicСтиль: Berlin School, Experimental Год издания: February 1998 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 003 Тип рипа: tracks+.cue Продолжительность: 01:09:04 Треклист: 01. Scud ...... 18:47 02. Gulf ...... 23:02 03. Desert Storm ...... 27:15 Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Another principle of our private releases is to allow the experimental side of the group's music to be heard. This themed album is not full of pop songs. It is work that the group is particularly proud of, and which spontaneously conjoured up images of the Gulf conflict; we rarely set out with a creative agenda and this is a good example of how our music takes on a meaning of it's own.
 Жанр: ElectronicСтиль: Berlin School Год издания: August 1998 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 004 Тип рипа: tracks+.cue Продолжительность: 00:59:46 Треклист: 01. Improvisation 1 ...... 12:24 02. Come To Sunny Teesside, Mrs. Merson ...... 11:06 03. Improvisation 2 ...... 14:39 04. Plastered In Paris ...... 13:40 05. Announcement ...... 01:49 06. A Minute Of Silence ...... 06:08 Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Being a recording of our appearance at the Klemdag Concert of October 1997 in Nijmegen, Holland, the recording, for a change, is from the band's own perspective rather than the straight-to-dat job that you usually've got. It's rough but captures the spirit of the event, sort of "fever pitch" rather than "high fidelity." Careful listening reveals the exchange of comments & c that our audience often see but seldom hear. Musically, there are three made-up-on-the-day pieces and a live preview of "Plastered In Paris," a piece which was first heard at Jodrell Bank on 30th August and which appears again on the "Organ Harvest" set, having finally been nailed down to our satisfaction.
 Жанр: ElectronicСтиль: Berlin School Год издания: December 1998 Тип издания: 2xCD, Album Издатель (лейбл): Centaur Discs Каталожный номер: CENCD 025 Тип рипа: tracks+.cue Продолжительность: 01:09:02+01:06:18 Треклист: 1-01. Plastered In Paris ...... 17:07 1-02. Rite Of Spring ...... 17:13 1-03. Borrowed Atoms ...... 16:05 1-04. Horizon ...... 18:37 2-01. Build ...... 30:27 2-02. Blakey Ridge ...... 19:30 2-03. 30 Years ...... 16:21 Exact Audio Copy V1.3 from 2. September 2016 Exact Audio Copy V1.3 from 2. September 2016 REM DATE 1999 REM DATE 1999 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 BORROWED ATOMS the fifth official release by Radio Massacre International has already been dubbed "The last word on this style of improvised electronic music" by a man who has heard all there is to hear. His frightening inference is that with such a perfect achievement where can it go from here? We'll think of something and meanwhile invite you to digest this nutritious feast of dark soundscapes and dancing sequencers. 'Borrowed Atoms' marks a return to extended exploration for R.M.I.. Opening with the only composed piece on the album, disc one of this mammoth work continues with what would have been a further three crackly album sides in the bad old days of vinyl. Three 16-18 minute pieces explore familiar territory with an eye on the definitive. The first tune on the second part of the set suggests that the quest for the perfect building sequencer performance may finally be over. The dark and bleak landscape of 'Blakey Ridge' gives way to '30 years' and the collection closes with a distinct air of nostalgia.
 Жанр: ElectronicСтиль: Berlin School Год издания: April 1999 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 005 Тип рипа: image+.cue Продолжительность: 01:13:52 Треклист: 01. Weightless ...... 16:55 02. Snap ...... 11:56 03. All The Water In The Universe Is Melted Comets ...... 23:22 04. Cathedral Floor ...... 21:39 Exact Audio Copy V1.0 beta 3 from 29. August 2011 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Another principle of our private releases is to let you hear what would otherwise have stayed on the cutting floor, as it were. so to speak. we debated long into the mancunian night, stoned as mongooses, about the content and sequencing of the last 'un, which you've all got by now, obviously. so here's the rest of the finished stuff that would have took us into triple album territory if we hadn't pruned. these four were recorded during the "borrowed atoms" sessions and went through the same rigorous post-production as the commercial cd; that's to say you aren't being fobbed of with leftover shite- this is all top-notch stuff, just like all our albums, and should be seen (or heard) as a companion set.
 Жанр: ElectronicСтиль: Berlin School Год издания: April 2000 Тип издания: CD, Album Издатель (лейбл): Centaur Discs Каталожный номер: CENCD 026 Тип рипа: tracks+.cue Продолжительность: 01:11:33 Треклист: 01. Part One ...... 42:09 02. Part Two ...... 14:32 03. Part Three ...... 14:51 All material recorded at live appearances in 1997 and 1998 and tidied up a bit by Steve with Sadie's help. Part One, sections 1 & 2 from October Gallery, May 17th 1998. Part One, section 3 from October Gallery, February 9th 1997. Part Two from Rheingold Club, July 4th 1998. Part Three, section 1 from Jodrell Bank, August 30th 1997. Part Three, section 2 from De Vereeniging, October 11th 1997 Exact Audio Copy V1.3 from 2. September 2016 REM DATE 2000 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 We had accumulated a fair collection of concert/gig recordings from a variety of venues/circumstances and rather than choose one show, thought it might be interesting to set out with the intention of representing each gig over the course of two CDs. Being conscious of the continuing demand for the scarce CD 'R.M.I. At The October Gallery', we felt it fair to make available more of the music from that concert without reneging on the intentions of the initial limited release. There were return concerts at Jodrell Bank And The October Gallery to consider along with our adventures into the beer-soaked London toilet circuit, not forgetting our baptism of fire at the EMMA festival and the giddy heights of Klemdag. UPSTAIRS DOWNSTAIRS (together with the companion CDR 'Been There Done That'), represents literally a tour of R.M.I.'s various public appearances from plush concert hall to shoe-box sized hell hole.
 Жанр: ElectronicСтиль: Berlin School Год издания: April 2000 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 006 Тип рипа: tracks+.cue Продолжительность: 01:08:35 Треклист: 01. Part One ...... 58:29 02. Part Two ...... 10:06 Part One: Emma Festival, Sheffield 1995 Monarch, London 1995 Madame Gigi's, London 1997 October Gallery, London 1994 Bull & Gate, London 1996 October Gallery, London 1997 Part Two: October Gallery, London 1997 Some of it might be familiar; maybe you were there, at the concert... All of these pieces were made up on the night, before we started to prepare pieces for our live performances. It's a bit less polished because of this, but we like it. This disc forms a companion to "Upstairs Downstairs." Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Space Rock Год издания: December 2000 Тип издания: CD, Album Издатель (лейбл): Centaur Discs Каталожный номер: CENCD 027 Тип рипа: tracks+.cue Продолжительность: 01:10:56 Треклист: 01. Ha'Penny Bridge ...... 07:26 02. Dante's View ...... 52:33 03. Zabriskie Point ...... 10:57 Tracks 1 & 2 recorded at Northern Echo, London, May 1996. Track 3 recorded at The Crescent, Teesside, July 1980. Exact Audio Copy V1.0 beta 3 from 29. August 2011 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 The brief was to recreate a piece in the style of a track we had recorded in 1980: Zabriskie Point, for our 1996 appearance on MTV's Party Zone. Obviously a TV show built around dance music was ideal for a contribution from r.m,i. involving not one discernable beat! During the week leading up to the recording of the show we explored the textures and themes we would use when it came to our second ten minute improvised slot.(we had arranged `Frozen North 2' for our first) This piece is the result of that week's work and is an evolving sequencer-free soundscape dedicated to the mystery, beauty and heat of Death Valley, California wherein Zabriskie Point is to be found. The album concludes with the very piece that started it all, from 1980.
 Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Space Rock Год издания: July 27, 2020 Дата оригинального издания: December 2000 Тип издания: WEB, Album, Reissue Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:11:26 Треклист: 01. ha'penny bridge ...... 07:26 02. dante's view ...... 53:02 03. zabriskie point ...... 10:57 this is the album in the form it was released by CDS in 2000, & differs from the "road to.." session collection; here, the title track is as we recorded it in 1980, before the tools were available to properly remaster it, while the other pieces are edited album versions from the 1996 session. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School Год издания: December 2000 Тип издания: CD, Album Издатель (лейбл): Centaur Discs Каталожный номер: CENCD 028 Тип рипа: tracks+.cue Продолжительность: 00:59:39 Треклист: 01. The God of Electricity, Part 1 ...... 05:59 02. The God of Electricity, Part 2 ...... 10:11 03. The God of Electricity, Part 3 ...... 13:13 04. The God of Electricity, Part 4 ...... 13:05 05. The God of Electricity, Part 5 ...... 04:35 06. The God of Electricity, Part 6 ...... 04:26 07. The God of Electricity, Part 7 ...... 08:10 Recorded in London and Manchester, summer 1994. Exact Audio Copy V1.3 from 2. September 2016 REM GENRE "Berlin School" foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 This and Zabriskie Point were completed at a time in the band's life when we couldn't release albums as quickly as we were recording them. They are therefore presented ipso facto as archive releases. 'God' was significant in that it was built from separately recorded sections to form an hour-long exploration of the band's darker/denser side. Sonic exploration is the order of the day although parts two and four incorporate R.M.I.'s traditional sequencer patterns, and part six provides a little light relief in the form of a guitar led piece a la 'A Minute's Silence'. Oh and yes, that is our very own thunderstorm at the end, recorded during the making of the album.
 Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: October 2001 Тип издания: CD, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 007 Тип рипа: tracks+.cue Продолжительность: 01:14:05 Треклист: 01. Planets In The Wires ...... 29:33 02. Echoes ...... 44:30 Recorded in London 19 April 2001, and Manchester 20 May 2001. Exact Audio Copy V1.3 from 2. September 2016 REM DATE 2001 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 This first non CDR release on our own label, features material recorded in April 2001, at a single session by Duncan and Steve and overdubbed under similar time constraints by Gary in Manchester. We have always embraced the "on the day" approach to recording believing that a certain magic of occasion is captured in the process. We left the pieces long this time, the wonder of compact disc is that it allows for both quality and quantity. Each piece has a rhythmic section driven by sequencers and drum machine, as well as long meditative excursions into the heart of darkness. The title is a phrase grabbed from an undisclosed TV show, which is both a direct reference to the physics involved in the music we make and an apt description of the end result. 'Echoes' was named due to the accidental but obvious Pink Floyd reference in this track, and also because everybody has a piece called 'Echoes' somewhere in their catalogue. This is ours.
 Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: October 2001 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 008 Тип рипа: tracks+.cue Продолжительность: 01:08:59 Треклист: 01. Monstrous Tides ...... 09:30 02. Startide ...... 59:29 Exact Audio Copy V1.3 from 2. September 2016 REM GENRE "Berlin School" foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 'Startide' was amongst the very earliest pieces we recorded in this latest incarnation of our trio. steve had just "quit being a drummer forever" and the studio was moved to it's current location in north london, late 1993. the pieces here, though recorded some time apart, were both live-to-2-track, ¼" tape, and the digital editing was in it's infancy...but we persevered. steve's colleagues at the bbc, upon hearing the title piece, remarked that it was "a real toe-tapper", to which steve replied "gentlemen, we have captured the sound of space", meaning the very depths of the whole universe, not an empty cupboard or something.
Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: August 23, 2022 Тип издания: WEB, Album, Reissue, Remastered Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:09:38 Треклист: 01. monstrous tides ...... 09:29 02. startide ...... 01:00:07 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 On the occasion of NASA (once again) treating us to the interpreted 'sound' of a black hole (august 23rd 2022, 'the guardian'), we present here our own version of things- two pieces that ponder the unimaginable vastness of space & the invisible forces that lurk in the darkness. the title track is named in tribute to the short story 'neutron star' by larry niven, in which the protagonist is persuaded to investigate the locality of a collapsing star & encounters savage gravitational effects.
so. enjoy. an hour & seven seconds that you will never get back unless time starts running in reverse or something.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: November 2002 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 009 Тип рипа: tracks+.cue Продолжительность: 00:56:01 Треклист: 01. Maelstrom, Part 1 ...... 28:01 02. Maelstrom, Part 2 ...... 28:01 'Maelstrom' was recorded & edited in circumstances of flux and is the missing link between "borrowed atoms" and "planets in the wires". Back in the studio after the sessions that yielded the former, trying out new ideas, hence the hiatus. The result is a suite that is to traveling what "the god of electricity" is to bad weather; a geet big trip but one worth taking, we reckon. Exact Audio Copy V1.3 from 2. September 2016 REM DATE 1999 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: Electronic, RockСтиль: Berlin School, Experimental, Space Rock, Prog Rock Год издания: April 2003 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 010 Тип рипа: tracks+.cue Продолжительность: 01:06:24 Треклист: 01. Osmosis ...... 01:47 02. Shed Of Light, Part 1 ...... 11:34 03. Cold Soup ...... 06:18 04. Plasmolysis ...... 05:48 05. God Of Electricity (Slight Return) ...... 02:52 06. Shed Of Light, Part 2 ...... 04:46 07. Not Too Long ...... 06:39 08. Crossing In The Distance ...... 08:48 09. 3PM At The Edge Of The Village In Claremont Waiting For A Train That Never Came ...... 17:52 A compilation of recordings made in The Greenhouse Studios, Stockport. Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 REM GENRE "Electronic" foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 We've used a stockport rehearsal studio, the greenhouse, for gig preparation since 2000. these sections were to ready us for our first us appearances in late 2002 and began a series of releases from this freer sonic environment. be assured that the addition of a traditional rock toolset of guitar, bass & drums to the electronics hasn't affected our customary disregard for convention. on this occasion, although spared our cover of "silver machine", you'll hear great long sections with no electronics beyond the mandatory space-rock minimum, but also some out & out pulsing sequencer workouts. aye.
 Жанр: Electronic, RockСтиль: Berlin School, Space Rock, Prog Rock Год издания: October 2003 Тип издания: 2xCD, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 012 Тип рипа: tracks+.cue Продолжительность: 01:17:21 + 01:18:50 Треклист: West 1-01. Wrecks ...... 18:43 1-02. Ants In Me Room ...... 08:17 1-03. Black Cloud Over Claremont ...... 08:38 1-04. The Loneliness Of The Long Distance Drummer ...... 14:06 1-05. 'Ave It!/Erm.... ...... 26:53 East 2-01. I Knew We Were In Trouble When They Taught The Machines To Talk ...... 16:30 2-02. Delaware Horseshoe Crab ...... 17:58 2-03. International Mass ...... 11:18 2-04. (Nov)embers ...... 33:01 recordings edited from live performances: progwest 2002, seely-mudd auditorium, claremont ca, 9 nov 2002 alienair, kxlu-fm, loyola marymount university, los angeles ca, 10 nov 2002 the gatherings, st mary's church, university city, philadelphia pa, 16 nov 2002 star's end, wxpn-fm, philadelphia pa, 17 nov 2002 Exact Audio Copy V1.3 from 2. September 2016 Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: Electronic, RockСтиль: Berlin School, Experimental, Space Rock, Prog Rock Год издания: May 2004 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 013 Тип рипа: tracks+.cue (no log) Продолжительность: 01:19:04 Треклист: 01. Falling Off The Captain's Log ...... 12:46 02. In A Not Silent Way ...... 16:19 03. Bring Me The Picture Of Yuri Gagarin ...... 25:26 04. 23 Craters Full Of Some Sort Of Moondust ...... 07:38 05. The God Of Electricity Oh No Not Again ...... 03:57 06. Star's End ...... 12:58 Recorded at the National Space Centre, Leicester, 28th April 2003 and mixed/edited almost a year later on account of we were really busy all of us like. while there's probably drums on less than 20% of the material contained within, this recording marks our expansion into the realms of space rock, in our continuing quest to ignore the boundaries others have bestowed upon us. so get stuck in. won't hurt. [CUETools log; Date: 21.06.2025 9:51:08; Version: 2.2.6] REM GENRE Electronic ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1   Жанр: ElectronicСтиль: Berlin School Год издания: May 2004 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 014 Тип рипа: tracks+.cue Продолжительность: 01:14:48 Треклист: 01. Signature Of Selective Sweep ...... 16:59 02. Neurological Proteins Aren't Enriched For Repetitive Sequences, No ...... 12:29 03. A Sequence-Based Genetic Map Of Medicago Truncatula ...... 06:02 04. Geiger ...... 09:56 05. Damo ...... 08:43 06. Nucleotide Diversities ...... 11:18 07. Decomposing Multi-Locus Linkage Disequilibrium ...... 05:04 08. The God Of Electricity Part 6 ...... 04:17 Recorded at the TU auditorium, Eindhoven, The Netherlands, 27th September 2003. Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 REM GENRE "Electronic" foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 What the hell is that lion doing driving the van? you may well ask. roary was guarding guitars at gary's, & in return he asked to come with us on our trip to eindhoven. the alternative for him was the council tip, so how could we "refuse"? when it was time for the concert, roary's ego (& paranoia-inducing drug intake) had grown to the point where he insisted on joining us onstage to guard the band against possible stage invasion. as i write, he may well be finally m3eeting his fate in a Cheshire council crusher. this concert was his last hurrah and we humbly dedicate it to him.
 Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: May 2004 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 015 Тип рипа: tracks+.cue Продолжительность: 01:10:51 Треклист: 01. I ...... 26:18 02. II...... 13:10 03. III...... 05:23 04. IV...... 11:14 05. Jacquesfolded...... 14:46 Tracks I, II, III and IV were recorded live on January 31, 2004 at the Virtaa Arts Festival in Tapiola, Finland. Jacquesfolded was recorded live on January 28, 2004 at Greenhouse Rehearsal Studios, Stockport. Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 These recordings are taken from our set at the virtaa arts festival, which we were invited to play in january 2004 in tapiola, finland. the presence of another two acts meant a shorter set than usual, though this means we can present it here uncut. we traveled light, although not quite light enough for the airline company's baggage limits...luckily the mellotron was already there, courtesy of a kind loan; the icing on the frozen cake. "jacquesfolded", y'r bonus track, was recorded the day before we flew to finland, in the lofty space of "the big room" at the rehearsal studio we favour. it was already snowing in stockport & colder than it turned out to be where we were going. all the music was improvised, and the title comes not from our messianic self-image but from the strange sights of seeing helsinki's citizens taking shortcuts that would be impractical during the warmer months.
 Жанр: Electronic, RockСтиль: Berlin School, Space Rock, Prog Rock Год издания: April 2005 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 016 Тип рипа: tracks+.cue Продолжительность: 01:18:26 Треклист: Leicester: 01. The Music Box ...... 18:32 02. Below Zero ...... 19:17 03. They Go Boom ...... 09:11 04. Dirty Work ...... 08:43 Manchester: 05. Night Owls ...... 22:43 Recorded at the National Space Centre, Leicester, 13th March 2004, & at Jay Taylor's Night & Day in Manchester, 14th March 2004, just before we did a set with that Damo Suzuki. We'll get around to that in due course. Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Krautrock Год издания: May 10, 2005 Тип издания: 2xCD, Album Издатель (лейбл): Cuneiform Records Каталожный номер: Rune 211/212 Тип рипа: tracks+.cue Продолжительность: 01:00:00+01:16:26 Треклист: The Emissaries Suite: 1-01. Seeds Crossing The Interstellar Void ...... 16:23 1-02. A Priest Crossing Frozen Water ...... 13:24 1-03. Mad Bob's Self-Inflicted Torment ...... 09:59 1-04. The Emissaries Reveal Themselves ...... 09:09 1-0. The Ice Garden ...... 07:37 1-06. A Promise Of Salvation ...... 03:28 Ancillary Blooms: 2-01. An Interstellar Vacuum Is Far From Empty ...... 12:15 2-02. Mobile Star Systems ...... 13:02 2-03. A Piano Wanders The Incandescent Vapours ...... 11:12 2-04. Sympathy For The Bedeviled ...... 09:36 2-05. The Arrival Of The Seeds ...... 16:17 2-06. Deliverance From Nuclear Winter ...... 14:13 Disc One, the studio disc, 'The Emissaries Suite' recorded Autumn 2004 at Northern Echo (South) and The Greenhouse It contains the 'Emissaries' comic strip as a pdf file which requires Acrobat Reader 5 or higher to access on your computer. Disc Two, the live disc, 'Ancillary Blooms' recorded live at Radio WWPN, Philadelphia, May 9th 2004 for Star's End. Special thanks to Chuck Van Zyl and Jeff Towne. Exact Audio Copy V1.0 beta 3 from 29. August 2011 Exact Audio Copy V1.0 beta 3 from 29. August 2011 REM GENRE "Progressive Rock" REM GENRE "Progressive Rock" foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, IDM Год издания: May 2006 Тип издания: CD, Album Издатель (лейбл): DiN Каталожный номер: DiN23 Тип рипа: image+.cue Продолжительность: 56:14 Треклист: 01. The First Cry... ...... 11:05 02. Seven Sceptres for Sephulcrave ...... 11:43 03. Trident ...... 11:19 04. Searching Septentrional Skies ...... 09:19 05. ...The Last Laugh ...... 12:47 Also Including Ian Boddy: Additional Synthetic Percussion Recorded at Northern Echo December 2004 and The Greenhouse March 2006 by Radio Massacre International. Exact Audio Copy V0.99 prebeta 3 from 28. July 2007 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 A collaborative release on the DiN label and sees a new approach co-ordinated by DiN label boss Ian Boddy. We recorded a series of long improvisations which were handed over to Ian in multitrack form. These were then sifted, extensively edited - often in a non-linear fashion, re-mixed with the addition of synthetic percussion layers on three of the five tracks and finally reassembled by Ian into five new pieces. The result is still definitely an R.M.I. sounding album and captures the feel and spirit of our music but filtered through the sonic excellence listeners have come to expect from this innovative label.
 Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: December 6, 2006 Тип издания: 6xCDr, Box Set, Limited Edition Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 011 Тип рипа: image+.cue Продолжительность: 01:15:45+01:15:55+01:17:57+01:18:02+01:14:44+01:13:59 Треклист: Lost In Space 1 (1987-1992) 1-01. Roxette ...... 04:28 1-02. Turkey Hunt ...... 05:48 1-03. Wading Through Shit ...... 05:32 1-04. Zabs Is Ten ...... 04:53 1-05. Uno What Time It Is ...... 05:34 1-06. 80-bobness ...... 08:47 1-07. Been There ...... 09:54 1-08. Fever #23 ...... 05:54 1-09. 200 Mushrooms ...... 24:52 Lost In Space 2 (1993) 2-01. Float ...... 11:44 2-02. Wherever You Go There's Always Food ...... 02:04 2-03. Greekscene ...... 11:53 2-04. Atlantis ...... 21:22 2-05. Fini ...... 28:50 Lost In Space 3 (1994) 3-01. ...& Hout ...... 0:32 3-02. Anemone ...... 10:46 3-03. Frozen North II ...... 24:23 3-04. Retina Flood ...... 42:15 Lost In Space 4 (1994-1995) 4-01. Meta ...... 30:00 4-02. Never ...... 02:31 4-03. Quarry ...... 24:15 4-04. Abbey ...... 21:14 Lost In Space 5 (1995-1999) 5-01. Lifecycle Of A Frog ...... 02:56 5-02. Radio Music Intermission ...... 01:32 5-03. Dragged Down By The Stone ...... 20:03 5-04. Titanic ...... 22:24 5-05. Tarn ...... 04:40 5-06. Measure Acre ...... 10:06 5-07. Jordan ...... 12:59 Lost In Space 6 (2002-2003) 6-01. Wintergreen ...... 27:32 6-02. Reactor At The Edge Of The World ...... 04:48 6-03. Electronic Wasteland ...... 22:21 6-04. Tattoo ...... 08:22 6-05. Interlude ...... 02:36 6-06. Damo ...... 08:18 This set of six discs is a collection, arranged more-or-less chronicologically, of things that we've never released in any form before. EAC extraction logfile from 24. January 2007, 0:19 for CD EAC extraction logfile from 24. January 2007, 0:29 for CD EAC extraction logfile from 24. January 2007, 20:26 for CD EAC extraction logfile from 24. January 2007, 19:51 for CD EAC extraction logfile from 24. January 2007, 20:13 for CD EAC extraction logfile from 24. January 2007, 20:06 for CD REM GENRE Electronic, Berlin School, Experimental REM GENRE Electronic, Berlin School, Experimental REM GENRE Electronic, Berlin School, Experimental REM GENRE Electronic, Berlin School, Dark Ambient REM GENRE Electronic, Berlin School REM GENRE Electronic, Berlin School foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: Electronic, RockСтиль: Space Rock, Prog Rock, Experimental Год издания: September 18, 2007 Тип издания: CD, Album Издатель (лейбл): Cuneiform Records Каталожный номер: Rune 256 Тип рипа: tracks+.cue Продолжительность: 00:59:58 Треклист: 01. Rain Falls In Grey... ...... 17:11 02. Bettr'r Day-s ...... 11:45 03. Shut Up ...... 04:56 04. Syd ...... 02:46 05. Emissary ...... 08:44 06. Legacy ...... 03:34 07. ... Far Away ...... 10:58 Also Including: Martin Archer: Sopranino, Alto & Baritone Saxes, Bass Clarinet, Bass Recorder Cyndee Lee Rule : Electric Violin Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic, Rock foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 This album is our way of saying goodbye & thanks to a genuine one-off. His passing had an unexpectedly profound effect, despite the fact that he hadn't been near a guitar in more than 30 years, it forced us to consider what an enormous influence he was, despite his space-age ascendancy & equally rapid burnout. He picked up a zippo lighter, invented glissando guitar & incorporated non-musical sounds in the context of the new psychedelic movement that had barely had time to leave the confor.m,i.ty of R&B behind. His creation was a particularly English take on what we now call "rock", but which at the time was likely to leave one stranded between slightly surreal pop & full-on jazz extemporisation. For those of us engaged in experimental or space rock, the debt is enormous.
 Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental, Space Rock Год издания: September 2007 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 017 Тип рипа: tracks+.cue (no log) Продолжительность: 00:58:02 Треклист: 01. Dubly ...... 09:16 02. This Is Scenery? ...... 28:08 03. No Bones ...... 03:52 04. Enormodome ...... 16:46 Recorded at the Greenhouse in Stockport, where cups of tea cost 20p, but check if there's some milk before paying. [CUETools log; Date: 21.06.2025 10:40:33; Version: 2.2.6] REM GENRE Electronic ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School Год издания: December 2007 Тип издания: WEB, Album, Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:47:18 Треклист: 01. Only Just Begun / Frozen North 2 ...... 14:58 02. Organ Harvest ...... 14:52 03. Improvisation I ...... 11:24 04. (Come To) Sunny Teesside (Mrs Emerson) ...... 10:04 05. Improvisation II ...... 16:47 06. Geiger ...... 08:05 07. Fire & The Monster ...... 06:48 08. Ha'Penny Bridge ...... 07:50 09. Improvisation III ...... 11:20 10. A Minute's Silence ...... 05:10 Recorded at the October Gallery, Bloomsbury, London on 9th February 1997. A Northern Echo effort & Synth Music Direct concert. Distributed By - MusicZeit ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 The original version of this release was conceived as a sort of souvenir for the audience, & was available only to actual attendees, who funded its manufacture with their entrance fee. many were disappointed at this exclusive arrangement, & have petitioned us for this full release; in order to keep everyone happy, we've extended the content to the full set & made this a download-only deal. now shut up & listen.
 Жанр: ElectronicСтиль: Berlin School, Krautrock Год издания: March 2008 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 018 Тип рипа: tracks (no log, .cue) Продолжительность: 01:05:19 Треклист: 01. Percussive Maintenance ...... 17:36 02. Loose Metal Compound ...... 15:30 03. Coppers In The Jar For Soundproofing ...... 15:07 04. For Longer Than It Takes ...... 17:06 Recorded live 10th June 2005 [CUETools log; Date: 21.06.2025 10:13:38; Version: 2.2.6] ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Antisocial was recorded live at The Brudenell Social Club in Leeds in June 2005, and is released here for the first time. The title refers to the fact that we played at some volume, and for an uninterrupted hour and a half. The piece moved through several different sections which have been indexed and titled even though the piece is continuous. Other notable features of this performance were that one of Gary's speaker cabs had to be physically assaulted to calm it down, and Duncan managed to lose a filling mid-performance. The percussion set up included a baking tray full of pennies, all of which were subsequently donated to the Social Club's collection for much needed soundproofing
 Жанр: Electronic, RockСтиль: Berlin School, Dark Ambient, Experimental, Krautrock, Space Rock, Prog Rock Год издания: December 18, 2016 Дата оригинального издания: June 2008 Тип издания: WEB, Compilation, Sampler Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 019 Продолжительность: 01:18:28 Треклист: 01. Tranche 1: Been There Done That/Borrowed Atoms/Planets In The Wires/Antisocial/Bothered Atmos ...... 12:56 02. Tranche 2: Diabolica/Emissaries/Burned & Frozen/Frozen North/The God Of Electricity/E-Live 2003 ...... 14:50 03. Tranche 3: Walking On The Sea/A Bridge Too Far/Rain Falls In Grey/Zabriskie Point ...... 10:05 04. Tranche 4:Organ Harvest/Lost In Space/Septentrional/October Gallery Redux/Greenhousing/Startide/Blacker ...... 18:49 05. Tranche 5: Upstairs Downstairs/Knutsford In May/Republic/Maelstrom/Gulf/People Would Really Like Space Rock If They Would Only Give It A Try/Hog Wild/Solid States ...... 21:45 Mix of extracts from previous releases. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Our prodigious output, around thirty titles in fifteen years, leads inevitably to the "where do we start?" so often fed back to us. Well, now there's an answer. Here are extracts from each of the titles released to date. The selection process was quick & intuition-driven, & often doesn't strictly represent the parent album...but the newcomer can still get a reasonable idea of what to expect, & the seasoned listener can play 'spot the track.' The pieces are segued into new mixes & transitions & are not in release order; we had to take this liberty to ensure a listenable whole.
 Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: June 2008 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 020 Тип рипа: tracks (no log, .cue) Продолжительность: 00:58:39 Треклист: 01. Philadelphia Air-Shot ...... 58:39 The set uses Bettr'r Day-s from Rain Falls In Grey as a starting point and develops into almost an hour long improvisation. This is the second set from the studio session of 2007 for WXPN's Star's End show. [CUETools log; Date: 22.06.2025 18:41:05; Version: 2.2.6] ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: Electronic, RockСтиль: Berlin School, Experimental, Space Rock Год издания: June 2008 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 021 Тип рипа: tracks+.cue Продолжительность: 01:17:25 Треклист: 01. Rain Falls In A Different Way ...... 09:31 02. Pluto ...... 01:30 03. Silicon Psychosis ...... 12:15 04. The Emissary ...... 05:40 05. M.F. In The Sky ...... 11:19 06. Chainless & Beauty Black ...... 08:17 07. Yeager ...... 15:35 08. Everywhere's Somewhere ...... 13:18 Recorded live at the Greenhouse in Stockport and at Various locations in the UK and the US Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 If you're at all familiar with our output, you'll have noticed that we sometimes release "companion" sets shortly after a title is published. Well, here's another one. Sessions began in late 2005 for what became Rain Falls In Grey & these asre some of the pieces that didn't seem to belong there. So here they are on their own disc, though there is a small overlap near the middle if you listen hard.
 Жанр: ElectronicСтиль: Berlin School Год издания: June 2009 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 022 Тип рипа: tracks (no log, .cue) Продолжительность: 01:14:51 Треклист: 01. Veritable Petite-Beurre ...... 31:55 02. Jct 31 Is Vandaag Gesloten ...... 22:07 03. U Bevindt Zich Hier ...... 20:48 Also Including Martin Archer: Saxophone, Keyboards Recorded 11th October 2008 at the auditorium of the technical university of Eindhoven. [CUETools log; Date: 22.06.2025 16:03:48; Version: 2.2.6] ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School Год издания: November 2009 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Тип рипа: tracks+.cue (no log) Продолжительность: 01:09:58 Треклист: 01. Lepoke (Adagio C-minor) ...... 26:38 02. Lippuck (Andanta A-minor) ...... 24:18 03. Lippocke (Moderato D-minor) ...... 19:02 Recorded live at Hampshire Jam 2009, Millennium Hall, Liphook. Steve Dinsdale - Duncan Goddard - Gary Houghton and featuring Martin Archer. [CUETools log; Date: 27.06.2025 10:52:55; Version: 2.2.6] REM GENRE Electronic ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Жанр: ElectronicСтиль: Berlin School Год издания: April 20, 2023 Дата оригинального издания: November 2009 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:09:58 Треклист: 01. Lepoke (Adagio C-minor) ...... 26:39 02. Lippuck (Andanta A-minor) ...... 24:16 03. Lippocke (Moderato D-minor) ...... 19:01 Also Including Martin Archer: Saxophones, Keyboard & so we find ourselves once again in the shadow of the enormous invisible lottery-funded liphook radio telescope, next to the police station that no one uses. This time we have with us the distinguished & versatile Martin Archer. This is a multitrack recording of the band's totally improvised set at Hampshire Jam 8 on Halloween ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 This one fell between the cracks a little in the discography before it was brought to our attention by an eagle-eyed follower. It was previously issued on a now defunct download site, so we're re-upping it here if you'd like to add it to your collection at no obligation.
 Жанр: ElectronicСтиль: Berlin School Год издания: December 2009 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:13:53 Треклист: 01. Fresh Bananas ...... 17:17 02. Rainy Day Snog ...... 10:59 03. What's the Point of Going to Crete / Crisps Water Batteries ...... 15:31 04. Geiger ...... 09:26 05. Upstairs ...... 12:43 06. Downstairs ...... 07:57 An Assembly Of The Live Recordings Made At Jodrell Bank 11/3/2000 & At 3-in-1 Theatre, Huizen NL, 25/3/2000 Where We Played More-Or-Less The Same Set. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  The audience at the jodrell bank concerts of 2000 will remember that there was a boxed set available late that year, gathering together the best of the concert series. our contribution differed from the others in that we decided to add material from a concert we played two weeks later in the netherlands. in trying to decide which parts of the two concerts to include, i had them playing simultaneously in my audio-edit software. this was possible because we'd done more-or-less the same set on both occasions. the idea then came to us to leave the performances layered in various ways where it worked, & to pick the better of the two recordings where it didn't. this, then, was the result, & we now make it available again with the original "internal use" artwork.
 Жанр: Electronic, RockСтиль: Berlin School, Prog Rock Год издания: January 26, 2010 Тип издания: 2xCD, Album Издатель (лейбл): Cuneiform Records Каталожный номер: Rune 298/299 Тип рипа: image+.cue Продолжительность: 01:18:33+01:18:33 Треклист: 1-01. Kairos ...... 17:10 1-02. The Clockwork Time Dragon ...... 13:29 1-03. Aeon ...... 10:37 1-04. Chronos ...... 12:21 1-05. Equatorial Pitch ...... 09:09 1-06. Fission Ships Pt. 1 ...... 15:42 2-01. Maybe A Last Look At Joe's House ...... 14:42 2-02. Fission Ships Pt. 2 ...... 24:17 2-03. Nine:Four:One ...... 21:17 2-04. 30 Years (Slight Return) ...... 18:17 Recorded February-June 2009 Also Including Martin Archer: Wind Instruments & Electronics This album features over 2 ½ hours of great music! The album is structured as the equivalent of four lps, to cater to listeners who appreciate the older playing times of a 35'-40' album or to any listener who might find 80' of music at a time a bit overwhelming. So, this album is programmed to have four different 'entry points', each being a self-standing tranche of music that lasts aproximately 40'. Exact Audio Copy V0.99 prebeta 5 from 4. May 2009 Exact Audio Copy V0.99 prebeta 5 from 4. May 2009 REM GENRE "Berlin School, Prog Rock" REM GENRE "Berlin School, Prog Rock" foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 "...RMI's Steve Dinsdale, Duncan Goddard, and Gary Houghton know how to coax all sorts of nuances from their machines, and they function as a live, interactive trio, with each member responding to the others' riffs and musical motifs. It doesn't hurt any, either, that Houghton has very impressive guitar chops, so when he eases into the mix with some blistering Stratocaster bursts, he rather convincingly updates (and improves upon) Edgar Froese's generic and rather predictable guitar flights on the seminal Tangerine Dream recordings. In a word, Radio Massacre International nail the vintage electronic music sound, but the band is simply more "nimble" than the first generation models, which greatly enhances the listening pleasure of the suitably attuned listener...if you're a musical novice unacquainted with RMI's sources, this music will serve as a stellar introduction to the form."
– All Music Guide  Жанр: ElectronicСтиль: Berlin School Год издания: April 2010 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 024 Тип рипа: tracks+.cue Продолжительность: 01:18:52 Треклист: 01. An Ending Is Just A Beginning I ...... 30:32 02. An Ending Is Just A Beginning II ...... 17:12 03. An Ending Is Just A Beginning III ...... 21:50 04. An Ending Is Just A Beginning IV ...... 09:18 Also Including Peter Gowen: St Mary's Church Organ Recorded on Saturday 8th May 2004 on Radio Massacre International's 2nd visit to St Mary's Church in Philadelphia. Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 The concert has a couple of distiguishing features which set it apart from other RMI performances. Gary had been out shopping in town in the afternoon and returned with a lap steel guitar, which was of course incorporated immediately into the set that night. Thanks to the extreme generosity of musical friends in the area, we also found ourselves with two Mellotrons at our disposal, not to mention an AKS synthesizer.
Never a band to do things by halves, it was decided that the first set would be a `non sequencer' oriented improvisation. The piece in question `An Ending Is Just A Beginning' was further distinguished by the contribution of St Marys church organist Peter, who we asked to open the piece for us. The rest of the concert consists of more of what may be regarded as more traditional RMI music, with the sequencers set to `stun'. This was also the concert which got us signed to Cuneiform Records.  Жанр: ElectronicСтиль: Berlin School Год издания: April 2010 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 025 Тип рипа: tracks+.cue Продолжительность: 01:06:09 Треклист: 01. I ...... 28:33 02. II ...... 13:00 03. III ...... 24:37 Recorded Saturday 2nd April 2005 at the National Space Centre, Leicester. Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 There is a lot to be said in favour of a familiar environment, and being the sole performers at a concert, it makes for a much more relaxed evening in terms of set up and technical issues. Here we see RMI hit their stride with a classic space introduction full of textural variation and in sympathy with the spectacular setting of the Space Centre. The sequencers are forceful and assured, there is some crazy Moog soloing here, and the towering guitar sound of Gary Houghton is in full force.
This is a prime example of one of RMI's 100% improvised concerts, inspired and driven by unique surroundings. For sequencer fans this performance is highly recommended. We dedicated the gig to Tommy Vance who had passed away a month or so earlier. The night itself was also the 30th anniversary of the legendary Tangerine Dream gig at the Albert Hall that TV himself had dug out of the archives back in '81 for a certain member of RMI, and without whom etc etc etc....  Жанр: ElectronicСтиль: Berlin School Год издания: April 2010 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 026 Тип рипа: tracks+.cue Продолжительность: 01:10:11 Треклист: 01. Improvisation ...... 28:19 02. The Sea ...... 04:11 03. Organ Harvest ...... 10:27 04. New Orleans ...... 27:14 Also Including Ian Boddy: Keyboards, Synthesizer Recorded at the National Space Centre, Leicester, UK, 25th March 2006 Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 RMI had been putting the finishing touches to their DiN release `Septentrional' with Ian Boddy, when it was suggested that he should appear as a guest artist at this concert. He can be heard on the extended opening improvisation on Mini Moog and EMS Synthi-A.
Gary decided that Ian guesting with the band was such a momentous occasion that he would like to watch from the audience, which is why he is not heard until the set piece `The Sea' which follows. The closing `New Orleans' was an early live extemporisation on what would become `Bettr'r Days' on the `Rain Falls In Grey' album released the year after this concert, complete with Drums, although the coda heard here in Leicester is an extended improvisation which belongs uniquely to the concert, bringing another epic night to a close.  Жанр: ElectronicСтиль: Krautrock Год издания: April 2010 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 027 Тип рипа: tracks+.cue Продолжительность: 01:18:00 Треклист: 01. The Lottery System ...... 14:11 02. Damo ...... 14:52 03. Wind And Snow ...... 17:31 04. J-Radio Demo ...... 12:13 05. Magic Roundabout ...... 08:23 06. Damo Diddley ...... 10:50 Also Including: Damo Suzuki Jay Taylor: Guitars (tracks 1-4) Jonny Williams: Guitars (tracks 5-6) Martin Archer: Reeds (tracks 5-6) tracks 1-4 recorded at the night & day, manchester, uk 14th march 2004 tracks 5-6 recorded at boardwalk, sheffield uk 17th november 2006 Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 "RMI had been thinking about the possibility of a concert with Damo Suzuki for some time, when the opportunity presented itself in Manchester courtesy of Jay Taylor's Night and Day Club. It was, of course, a night to remember. Damo's principle of `instant composition'/`no plan' fitted RMI's ethos well. (Don't tell anybody, but we had already pre-written Track 2 whilst imagining what we might play with Damo when the idea first came up). The rest was literally and categorically made up on the spot. Don't ask us how.
Two and half years later, and at the eleventh hour, the opportunity presented itself once again. This time Gary couldn't make it, Duncan had to make a dash from London to Sheffield, and we found ourselves with a new reeds maestro Martin Archer (the start of a continuing friendship), and new guitarist (Steve's brother Jonny), who makes his living as a country artiste and who was not inconsiderably horrified at the prospect of playing improvised music in front of an audience having never done so before. Of all the musicians he has played with, Damo has never forgotten Jonny, and the night he played with a country singer in his band".  Жанр: Electronic, RockСтиль: Space Rock, Prog Rock, Experimental Год издания: April 2010 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 028 Тип рипа: tracks+.cue Продолжительность: 01:17:15 Треклист: 01. So It Goes ...... 01:39 02. The Silk Purse Of Orion ...... 10:35 03. Jas Madness ...... 02:21 04. His Bobness ...... 07:25 05. So It Goes ...... 04:20 06. Rain Falls In Grey... ...... 12:41 07. Bett'r Day-s ...... 12:37 08. Shut Up ...... 05:12 09. Syd ...... 02:43 10. Emissary ...... 05:41 11. Legacy ...... 02:59 12. Far Away ...... 04:45 13. B.K.O. ...... 04:16 Also Including: Martin Archer: Reeds, Wid Synth (Leicester) Cyndee Lee Rule: Electric Violin (Baltimore) Premik Russell Rubbs: Reeds, Wid Synth (Baltimore) Recorded at the Y-Theatre, Leicester 01/09/07 and Orion Sound Studios, Baltimore, MD 18/11/07 Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Possibly the most accomplished live album in the RMI discography, here is where the `Rain Falls In Grey' album came alive onstage on two continents in late 2007. As well as an opening suite of new compositions and improvisations, there is a complete rendition of the album, the first half taken from Orion in Baltimore with Premik Russell Tubbs and Cyndee Lee Rule, and the second half from the Y-Theatre in Leicester with Martin Archer.
Some might say it even knocks the studio album into a cocked hat.  Жанр: ElectronicСтиль: Berlin School Год издания: April 2010 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 029 Тип рипа: tracks+.cue Продолжительность: 00:49.32 Треклист: 01. First Set ...... 49.32 Recorded at The Gatherings, St. Mary's Church, Philadelphia PA, 17th November 2007 Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Once again they are heard here improvising 100% of the music resounding around the church, with no map, and some unfamiliar equipment. One of the lesser known performances in the RMI discography it rewards a fresh listen revealing hitherto uncharted territory and a deep sense of exploration, along with a few rough edges. Unlike many of their live performances, this has not been edited, as the whole performance seemed to be crying out to be heard. Yes there is a struggle to keep things in tune at times ("tuning a Mellotron doesn't" R.Fripp) but this is ultimately all part of the authenticity of an RMI live performance presented here in full.
 Жанр: ElectronicСтиль: Berlin School Год издания: April 2010 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 029 Тип рипа: tracks+.cue Продолжительность: 00:59:54 Треклист: 01. Second Set ...... 44.35 02. Encore ...... 15.18 Also Including Cyndee Lee Rule: Electric Violin Recorded at The Gatherings, St. Mary's Church, Philadelphia PA, 17th November 2007 Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Ambient Год издания: May 2011 Тип издания: CD, Album, Soundtrack Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 032 Тип рипа: tracks+.cue Продолжительность: 01:04:19 Треклист: 01. Intro/Hawes ...... 11:40 02. City Plans ...... 01:40 03. Interlude 1 ...... 01:04 04. Earthrise ...... 03:37 05. Lighthouse ...... 03:03 06. Green Futures ...... 01:37 07. Open City ...... 03:50 08. Damanhur ...... 12:56 09. Iceland ...... 06:08 10. Interlude 2 ...... 01:23 11. Findhorn ...... 08:14 12. End Titles ...... 09:05 X Lossless Decoder version 20121027 (142.1) TITLE "City 21" foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Artistic director Chris Zelov was in the audience at our Gatherings concert of 2007 in Philadelphia, & as a result of what he heard, commissioned the band to provide soundtrack music.
Preparatory writing was undertaken, & these ideas were worked up alongside several improvisations at the recording sessions. We wrote to a series of specific scene lengths & briefs, with the idea that the music's presence would underscore the narrative. These pieces were then re-edited as the documentary entered its final cut. This album is a selection of music from the finished film, placed in this order for a coherent listening experience.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient Год издания: April 2013 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 035 Тип рипа: tracks (no log, .cue) Продолжительность: 00:55:31 Треклист: 01. Absolutely Area 51 ...... 18:00 02. The Skylab Pictures ...... 17:26 03. This Is As Close As You Go ...... 20:05 Recorded at the Greenhouse, Stockport. [CUETools log; Date: 25.06.2025 6:44:49; Version: 2.2.6] ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Space Rock Год издания: April 2013 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 036 Тип рипа: tracks (no log, .cue) Продолжительность: 00:56:06 Треклист: 01. We Might Be Stuck Here Because Of The Ash ...... 29:26 02. No, Really, We Might Really Be Stuck Here Because Of The Ash ...... 26:40 Recorded Cherubini Center, Burlington, NJ. 16/04/10 [CUETools log; Date: 25.06.2025 10:10:25; Version: 2.2.6] ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Radio Massacre International find themselves in a stage arts academy/piano hospital/rehearsal facility, as good a setting as any to record a session for the Gagliarchives radio show hosted by the inimitable Tom Gagliardi.
Some super space music to be had here and some very aggressive and heavy guitar, sequencer and drums too. All improvised of course. Outside in the wider world there is a whole airline crisis kicking off around an unusually dense and dangerous cloud of volcano ash which is threatening the safety of flights back to the UK. Some of us were more anxious to get home than others, but in the event, the first plane back to Manchester was the one we'd booked on before all the fuss. It didn't look like that at the time though !  Жанр: ElectronicСтиль: Berlin School Год издания: April 2013 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 037 Тип рипа: tracks+.cue Продолжительность: 01:18:27 Треклист: 01. Set One ...... 39:13 02. Set Two ...... 39:14 Recorded at St Mary's Church, Philadelphia 17/04/10 For the fourth time, RMI appear at their favourite sacred space, and once again pull off a completely improvised concert of two halves, sustaining an atmosphere of exploration and excursion into the unknown. Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School Год издания: April 2013 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 038 Тип рипа: tracks+.cue Продолжительность: 01:11:25 Треклист: 01. Set One ...... 38:01 02. Set Two ...... 33:24 Recorded at Orion Sound Studios, Baltimore, MD 18/04/10 RMI return to Orion Sound for a rare matinee performance of improvised electronics, guitar and drums. There is an intensity of performance born of playing less than 24 hours after the previous performance after having stayed up half of the night to listen to the band on the radio ! Tour madness is creeping in, why there's even two of Steve all of a sudden. Exact Audio Copy V1.3 from 2. September 2016 REM GENRE Electronic foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Dark Ambient Год издания: April 2013 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 039 Тип рипа: tracks (no log, .cue) Продолжительность: 01:09:07 Треклист: 01. Becomes The Room ...... 22:19 02. All Of The Sky ...... 14:20 03. Returning Green ...... 32:28 Recorded at the Greenhouse, Stockport. [CUETools log; Date: 25.06.2025 12:35:12; Version: 2.2.6] ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1   Жанр: ElectronicСтиль: Berlin School, Dark Ambient Год издания: April 2013 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 040 Тип рипа: tracks (no log, .cue) Продолжительность: 01:07:52 Треклист: 01. The Second Sun ...... 29:46 02. Dusty Rhodes / Return To Zabriskie Point ...... 19:37 03. Project 4.1 ...... 18:29 Recorded mostly at the Greenhouse, Stockport. [CUETools log; Date: 25.06.2025 12:35:22; Version: 2.2.6] ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School Год издания: July 31, 2013 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 00:58:27 Треклист: 01. Last Rainy Day Under Right Song ...... 58:27 Compiled in May 1997, this was an attempt to make a long form piece from three recent (at the time) recordings, beginning with `Rainy Day Song' and ending with `Last Under Right' (with `Mothership' in the middle). `Rainy Day Song' is a longer edit than that which appeared on `Organ Harvest', and the following two sections are previously unreleased. Almost an hour's music in total. (& yes, the original DAT master wasn't in the best of shapes!) ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: August 12, 2013 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 02:16:34 Треклист: 01. Prototypes and Patents I ...... 29:44 02. Prototypes and Patents II ...... 45:08 03. Prototypes and Patents III ...... 42:48 04. Prototypes and Patents (Original Edit) ...... 18:54 Recorded 10th August 1996 at Northern Echo, this session has only ever seen the light of day via a swiftly compiled 20 minute composite edit for a long gone compilation album. What we have here are 3 extended pieces presented exactly as they were recorded on the day, totalling 2 hours of music. Most of it is unreleased, and while slightly imperfect in places, it presents an accurate picture of a typical early RMI session. Here, like several early recordings, we are a duo....although you will hear guitar throughout ! The original edit is included here as a bonus. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School Год издания: August 15, 2013 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 042 Продолжительность: 01:17:04 Треклист: 01. the clouds of titan ...... 39:08 02. the ghost of brigantine beach ...... 37:55 Recorded 16th May 2013 at the home of Cyndee Lee Rule & Jeff Nutkowitz, Trevose, PA with thanks: Tom Gaglairdi Mike Hunter Chuck Van Zyl Mike Ostrich ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Experimental Год издания: October 2, 2013 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:07:47 Треклист: 01. float ...... 21:30 02. greekscene ...... 46:17 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 time flies when you're having fun. exactly twenty years ago in london, radio massacre international (as we know it today) began in earnest. we had previously recorded under the guise of DAS, but this session marked the first time we had the facility, inclination and time to start working on the band with a view to being heard in the outside world eventually...
steve had spent the last five years having a whale of a time drumming in indie bands, but had had enough of the slog of getting nowhere slowly. at the same time, duncan had been honing his skills and building a collection of keyboards, and his flatmate had moved out, which meant he now had the space to create a studio large enough for more than just him and a cup of tea. so it was that on saturday october 2nd 1993, northern echo was fired up in earnest for the first time. "Forgot any plans to go to Covent Garden [to see Pram at the Rough Trade Shop], and instead started grooving. Mellotron, Sequencers...ah yes ! ......got to get to grips with this stuff, the potential is enormous" says steve's diary. these pieces have previously appeared in significantly edited form on the `Lost In Space' boxed set. here for the first time in 20 years are the full versions. this one's on us ! raise a glass to 20 years of RMI.  Жанр: ElectronicСтиль: Berlin School, Experimental Год издания: October 3, 2013 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:00:55 Треклист: 01. Hells Bells (Parts 1 & 2) ...... 33:56 02. Gone West Again ...... 10:26 03. Smoke 'Em If You Got 'Em ...... 16:33 Recorded at Northern Echo 12th November 1995. Steve Dinsdale - Keyboards, Sequencers Duncan Goddard - Keyboards, Sequencers Max Noble - Guitar ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 somewhat of a dark secret in the radio massacre international pantheon, 'conspirators' came about when an ex-bandmate of steve's, max noble popped round one sunday afternoon in 1995. in those days our hq was in London, which meant that manchester-based gary was not always on hand to play.
on this occasion, gary's jam-man had been left set up from the previous day's session, so max brought his telecaster & started to learn the lexicon. several cups of tea and ciggies later, we had this. super-sub max was a founder member of late '80s indie legends "eat", played guitar in "tv eye" alongside steve on drums, & has spent much of his time since then with bristol perennials "the blue aeroplanes".  Жанр: ElectronicСтиль: Berlin School, Experimental Год издания: October 3, 2013 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:02:41 Треклист: 01. it's all about the talking guitar now ...... 48:46 02. get yer yoy-yoys out ...... 13:55 our concert in april 2013, a return visit to the wonderful church in chorlton, was made available as a 'virtual ticket' recording for those who, by way of geographical location or disinclination, could not be there on the night. a revisit of the multitrack recording, this is a remixed and tidied up version of our part of the concert, designed to bring out the essence of the performance whilst correcting various technical issues which inevitably arise in a live situation. we hope you enjoy this version of how it would've ideally sounded on the night. on the night. on the night. on the night night night. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: May 2, 2014 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 02:36:22 Треклист: 01. Part 1 ...... 17:28 02. Part 2 ...... 31:07 03. Part 3 ...... 48:33 04. Part 4 ...... 59:14 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 `Maelstrom' the original album was selected from the raw material now presented here exclusively on Bandcamp in two volumes. On re-visiting the session tapes we found that we'd perhaps been unfairly harsh in pruning down the material to just one album. By presenting the material in this way, the evolution of the material can be heard as it happened in real time, as we present the uncut improvisations from which the final album was compiled.
Volume One documents the complete sessions from July 1999, presenting 3 CD's worth of material in the order in which it was recorded. After abstract beginnings, the material slowly gains shape as sequencer patterns begin to build and take hold. It culminates in an extended hour long version of the closing section of the original album.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: May 2, 2014 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:58:49 Треклист: 01. Part 1 ...... 51:48 02. Part 2 ...... 35:43 03. Part 3 ...... 31:18 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 `Maelstrom' the original album was selected from the raw material now presented here exclusively on Bandcamp in two volumes. On re-visiting the session tapes we found that we'd perhaps been unfairly harsh in pruning down the material to just one album. By presenting the material in this way, the evolution of the material can be heard as it happened in real time, as we present the uncut improvisations from which the final album was compiled.
Volume Two from the second sessions in October 1999 hits the ground running with a double length version of the section of music which opened the original album. The following two half hour plus pieces are completely unreleased until now, and the reason why remains somewhat of a mystery; they are both strong sequencer based pieces which develop and maintain interest throughout, making heavy use of the Notron sequencer alongside the familiar Doepfer. With liberal use of the Mellotron, these two pieces are both forgotten treasures from a classic RMI era.  Жанр: ElectronicСтиль: Berlin School Год издания: December 6, 2014 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:59:32 Треклист: 01. The God Of Electricity Expanded:Part One ...... 51:36 02. The God Of Electricity Expanded:Part Two ...... 35:29 03. The God Of Electricity Expanded:Part Three ...... 32:27 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Back in October 1994, RMI completed work on `The God Of Electricity' which had started life in June of that year. From early on, the idea had been to incorporate shorter musical passages to make a coherent whole.
20 years later, we have revisited the original recordings of the component parts and looked beyond the strict limits imposed originally.The result is an expanded version of the album which, at two hours, doubles the length of the original. There are slight structural changes too, the album is now book-ended with two separate takes of the guitar theme, and although no new overdubs have been added, there is evidence of material unused in the original mix, and indeed overdub material missing from what became the final mix.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental, Space Rock Год издания: July 13, 2015 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 02:58:50 Треклист: 01. Ha'penny Bridge (Take #1) ...... 30:04 02. Ha'penny Bridge (Take #2) ...... 42:24 03. Ha'penny Bridge (Take #3) ...... 08:00 04. Freeze #1 ...... 02:20 05. Frozen North (For Parsley) ...... 07:26 06. Ha'penny Bridge (For Parsley) ...... 07:45 07. Freeze #2 ...... 02:02 08. MTV Frozen North ...... 07:09 09. MTV Ha'penny Bridge (Take #1) ...... 08:04 10. MTV Ha'penny Bridge (Take #2) ...... 09:10 11. MTV Dialogue 1 ...... 00:30 12. MTV Dialogue 2 ...... 00:14 13. Zabriskie Point (1980 original remastered) ...... 12:00 14. Zabriskie Point (1980 Original Session) ...... 41:42 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 In May 1996 we got our big TV `break', due to popular demand for our promo videos, which had enjoyed some rotation on MTV's more eclectic programmes. We spent a few days preparing a couple of short pieces, `Frozen North 2' became a quite rigid 10 minute arrangement. The second piece was based on `Zabriskie Point', a piece we had recorded a mere 16 years earlier. Re-titled `Ha'penny Bridge' after a long gone Saltburn landmark, in preparation for the TV show, we extrapolated upon the basic ideas and found ourselves with more than an album's worth of material. These recordings were used as the basis of the long unavailable `Zabriskie Point' album issued in 2000. Here, the full unedited takes from the sessions are released for the first time.
As the TV session approached, our friendly android Parsley visited the Northern Echo studio with our costumes for the big day, and to hear a preview of the pieces he would be moving to. Tracks 5 & 6 are what we performed for him. On the day itself in the TV studio, we were limited to a couple of short takes each, enough to find 20 minutes of suitable music for the session. The takes are heard here in their entirety for the first time, along with a couple of choice snippets of behind the scenes dialogue. To complete this set, a recently unearthed piece of archive from 1980, and the original recording sessions for `Zabriskie Point', including the pre-overdubbed version of the piece, which was originally conceived as a 3-part composition, although in reality, part one took so long that we never got around to the rest ! We were callow youths of 17 when we recorded the original, and if you'd told us then that we would be on European Television performing the piece by the time we were 33...well, we might have believed you.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: December 2015 Тип издания: CD, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 044 Тип рипа: tracks (no log, .cue) Продолжительность: 01:00:01 Треклист: 01. Start ID ...... 03:05 02. Startide Revisited ...... 04:31 03. When The Tide And The Stars Are Out (Part 1) ...... 06:52 04. I Used To Be In PIL Get Me Out Of Here ...... 04:51 05. A Bit Of A Legacy ...... 01:51 06. When The Tide And The Stars Are Out (Part 2) ...... 05:19 07. Temple ...... 02:30 08. Yellow Box Test ...... 03:36 09. When The Tide And The Stars Are Out (Part 3) ...... 07:01 10. Antidote ...... 02:15 11. No Tron ...... 05:48 12. Night And Day ...... 12:15 [CUETools log; Date: 19.06.2025 10:08:42; Version: 2.2.6] ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1   This hour long collage of Radio Massacre International material consists of previously unreleased material from various sessions between 2003-15, and might be seen as their version of `The Faust Tapes' in its construction. Endlessly fascinating, playing as a continuous suite, it is an unpredictable journey through many of the places RMI have found themselves in whilst working and improvising together.
Previously featured on Nick Hutchings' 'Velvet Sheep' website, this is the first physical release of this album. The first pressing of this album has the incorrect Northern Echo Recordings Catalog number on it (i.e. NE-042 instead of NE-044). This will be corrected on future pressings.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: August 3, 2020 Дата оригинального издания: December 2015 Тип издания: WEB, Album, Reissue Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 044 Продолжительность: 01:00:04 Треклист: 01. start id ...... 03:06 02. startide revisited ...... 04:28 03. when the tide & the stars are out pt1 ...... 06:53 04. I used to be in pil get me out of here ...... 04:50 05. a bit of a legacy ...... 01:53 06. when the tide & the stars are out pt2 ...... 05:19 07. temple ...... 02:30 08. yellow box test ...... 03:35 09. when the tide & the stars are out pt3 ...... 07:01 10. antidote ...... 02:16 11. no tron ...... 05:48 12. night & day ...... 12:17 challenged by a former colleague from his Mtv days to produce an exclusive mix-track for the fanzine 'velvet sheep', duncan assembled these pieces into a custom collage of oddities, alternative versions, studio experiments & whatnot. this was originally available directly from the 'zine via mixcloud... ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1    Жанр: ElectronicСтиль: Berlin School, Experimental Год издания: July 11, 2016 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 00:55:42 Треклист: 01. On Broadway Introduction ...... 02:32 24bit 02. On Broadway ...... 53:10 Recorded live for Bill Fox on `Galactic Travels', Radio WDIY, 301 Broadway, Bethlehem, PA. on 19th June 2008 while the band was in town for Nearfest. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Ambient, Space Rock Год издания: December 18, 2016 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 04:16:12 Треклист: 01. Main Theme ...... 04:54 02. Building The Pyramids ...... 02:32 03. Repeater Acoustic ...... 02:12 04. Wood Steel Glass Concrete 1 ...... 14:03 05. Arpeggio Chimes ...... 01:51 06. Drone 2 ...... 07:17 07. Folk Tune ...... 02:27 08. Deep Cello ...... 05:52 09. Saturday 3 ...... 02:28 10. Wood Steel Glass Concrete 2 ...... 13:17 11. LMLP ...... 05:10 12. Wood Steel Glass Concrete Sequencer ...... 11:19 13. Chubby Chasing DVD Broke The Flat Screen TV ...... 21:35 14. Saturday 1 ...... 03:16 15. Wood Steel Glass Concrete Short 1 ...... 01:55 16. Home Insurance In The Desert ...... 05:09 17. Wood Steel Glass Concrete Drums ...... 03:54 18. Drone 1 ...... 14:40 19. Wood Steel Glass Concrete Keys ...... 07:11 20. Repeater Acoustic ...... 01:25 21. Wood Steel Glass Concrete Short 2 ...... 02:52 22. Repeater Sequencer ...... 02:38 23. Saturday 2 ...... 02:42 24. Friday Prelude ...... 31:31 25. Main Titles (Extended Version) ...... 23:35 26. CTS ...... 07:28 27. Wood Steel Glass Concrete (Extended Version) ...... 40:08 28. End Titles ...... 12:37 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1    Recorded over an intensive four day period 15-18/02/08, this music represents a consciously different approach to music making for RMI. We had recently been commissioned to write a film score for Chris Zelov and the Knossus Project's `City 21' and approached all of the music over that weekend with this project in mind.
It is representative of somewhat of a creative arc for RMI, fresh from the release of Rain Falls In Grey, a successful November 2007 trip to the USA under our belts, with a return visit on the horizon to play NEARfest in the coming May. Most of the music was later cut to fit specific scenes in the film, and was represented as a single disc selection of highlights on the CD release of 2011. These four discs represent a more thorough exploration of the music made, with extended versions of certain themes as recorded at the time.  Жанр: ElectronicСтиль: Berlin School Год издания: October 11, 2022 Дата оригинального издания: October 2017 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 02:06:27 Треклист: 01. Organ Harvest ...... 16:38 02. Improvisation 1 14:27 03. Come To Sunny Teesside, Mrs Merson ...... 10:17 04. Improvisation 2 ...... 13:50 05. Plastered In Paris ...... 12:31 06. A Bridge Too Far (Original) ...... 58:41 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 2017:
this is the quickest 'from idea to published' album you will probably ever see from r.m.i. having noticed that 11th october 2017 marks the 20th anniversary of the big 1997 concert in nijmegen about 2 hours ago, and finding that i had no desk recording, i contacted duncan who uploaded his copy and made artwork into the bargain ! so here we are 20 years ago, hitting the concert hall stage in holland at klemdag. quite a heady experience. you may already know this concert from the bridge too far release of the time....we used an ambient recording instead of the desk recording (probably because wanted the hall ambience and applause !) . here is a much cleaner and hi-fi version which has been lurking in the vaults, and which also boasts the (unheard since the day) intro performance of 'organ harvest' which was missing from the published album altogether and which is rather nice.. so, not so much 'remastered' as 'taken from a completely different source'...ie the mixer. (steve d 00:26 11/10/2017) 2022: 11th October 2022 marks the 25th anniversary of a major 1997 concert in Nijmegen. Here we are hitting the concert hall stage at Klemdag. Quite a heady experience for us. You may already know this concert from the `Bridge Too Far' release of the time....we used an ambient recording instead of this desk recording and it is now appended here as a bonus track. The main feature here is a much cleaner and 100% hi-fi version, and which boasts the intro performance of `Organ Harvest' which was missing from the original published album altogether. The bonus track of the original `A Bridge Too far' has been made individually downloadable to mark the anniversary.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: December 24, 2017 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 03:43:09 Треклист: 01. mill IV ...... 31:53 02. mill II ...... 26:16 03. mill I ...... 17:01 04. mill V ...... 26:34 05. mill III ...... 10:00 06. unmill II ...... 33:17 07. unmill I ...... 21:12 08. unmill IV ...... 56:52 these recordings were made at the end of 2015 in a new-to-us rehearsal space not far from the old greenhouse, which is sadly no more. presented here are versions of the pieces that have been through extensive editing & remixing ("milled") & also versions that are pretty much what we heard when first playing back the session recordings ("unmilled"). ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School Год издания: April 18, 2018 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:07:25 Треклист: 01. retinal flood ...... 01:07:25 recorded in 1994 and previously published in edited form on Lost In Space, where it was reduced to a paltry 42 minutes, this is the uncut version, straight off the quarter-inch master, no eq, no editing. you can even hear the tape run out at the end. enjoy! ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Dark Ambient Год издания: May 17, 2018 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 00:59:30 Треклист: 01. awakenings 20th october 2012 ...... 59:30 The second of our three visits to The Paget, this concert came at the end of a few days recording and prep, the results of which found their way on to the `Threads' and `Still' albums. It is their spirit which pervades much of the improvised set. Surprisingly spacious and relaxed, here is the sound of us taking our time in front of a receptive audience. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Ambient Год издания: September 7, 2018 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 03:30:28 Треклист: 01. veritable petit-beurre ...... 31:55 02. jct 31 is vandaag gesloten ...... 22:07 03. u bevindt zich hier ...... 20:47 04. we zijn er nog niet ...... 30:31 05. dit zijn leuke koekjes ...... 39:59 06. zijn we er bijna? ...... 27:21 07. sla rechtsaf na het benzinestation ...... 37:44 at massive public demand, here's a sort of virtual 10th anniversary re-pressing of our 11th October 2008 show in sunny Eindhoven, with guest Martin Archer on the boat over with us & throwing some hot-wind into the usual chaos. along with it, two further discs' worth of unreleased preparatory material which probably no-one's listened to since those days in the greenhouse in September 2008. (don't look for it, it's not there anymore). get stuck in. Tracks 1-3 recorded 11th october 2008 08 at The Auditorium of the Technical University of Eindhoven. Tracks 4-7 recorded during preperation for the performances; improvised within an agreeed framework of keys & tempi, so that martin would be able to keep up. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Dark Ambient Год издания: October 31, 2018 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:07:50 Треклист: 01. abbey (uncut analogue tape version) ...... 01:07:50 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 In the early days, RMI's centre of operations was in Duncan's studio in London. Steve lived just 15 minutes down the road. This meant that at short notice an evening or weekend could be spent recording with a set up which was always ready to go. Gary would make the 500 mile round trip from Manchester when he could, but there were inevitably many more duo sessions in these early days. The recording rig back then was direct to 2-track, and mixed on the fly. Done and dusted, there and then. We used reels of 1/4" tape at 7.5 IPS which gave 67 minutes recording time.
At the time we were aiming towards making CD albums, so most of the material was subsequently edited down by Steve using a mixture of methods (digital editing in its infancy, and manual tape cross-fades courtesy of facilities offered by the BBC at his day job....yes your licence fee helped pay for the post-production of this music !). `Abbey' was edited down to 21 minutes by the time it appeared on `lost In Space'. Here is the session reel from August 1995 in all it's uncut glory...you'll hear the odd howler...we were still taming the Maq sequencer back then...but this warts and all representation should give a good insight into the real time working methods of RMI at this time.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient Год издания: October 31, 2018 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:59:20 Треклист: 01. Set 1 ...... 58:49 02. Set 2 ...... 01:00:30 Thanks to: Chuck Van Zyl , Jeff Towne, Art Cohen, Jeff Coulter ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 RMI have always recorded everything. It seems daft for an improvising band not to. Sometimes for one reason or another, things get forgotten about and filed away, particularly during periods of intense activity like this visit to the USA in 2010. During research for the expanded version of the 2007 session `Philadelphia Air-shot', (also just released here on Bandcamp) we checked out the 2010 session, none of which had ever been issued before. To our surprise, it turned out to be quite an enthralling and lively performance. Two hour long improvisations in the WXPN studio, again pre-recorded for the `Star's End' show due to commitments elsewhere on the night of broadcast, but done under `live' conditions nonetheless. There is some very `edge of the seat' sequencing here, and some contrasting quiet to lull the drowsy listener into a false sense of security before the sequencers come marching back. Two hours of prime `tour-ready' RMI for your enjoyment.
 Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: October 31, 2018 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 03:56:32 Треклист: 01. WXPN Studio 14/11/07 Set One ...... 59:22 02. WXPN Studio 14/11/07 Set Two ...... 59:09 03. Air Check 1 WXPN 17/11/07 ...... 59:15 04. Air Check 2 WXPN 17/11/07 ...... 58:45 Thanks to: Chuck Van Zyl , Jeff Towne, Art Cohen, Jeff Coulter ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1    This is an expanded version of our CD-R release `Philadelphia Air-shot' (NE 020) which consisted of the second set we recorded for WXPN Philadelphia's show `Star's End' in 2007. A listener recently suggested that we revisit the first set we recorded that night too, so here it is issued for the first time. We are somewhat puzzled why it didn't come out earlier, but what a pleasant surprise.
On the night of broadcast, show host Chuck Van Zyl played out the second set first, and vice-versa. We've included as a bonus here for the sake of authenticity, the off-air recordings from the `Star's End' show complete with Chuck's announcements, recorded back at the hotel when we should have been sleeping.  Жанр: ElectronicСтиль: Experimental Год издания: December 7, 2018 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:12:54 Треклист: 01. composition 2 ....... 06:11 02. composition 3 ....... 06:06 03. composition 4 ....... 06:02 04. composition 5 ....... 03:31 05. dry run ....... 20:24 06. creation 1 ....... 20:42 07. EC4 piece 2 ....... 05:23 08. EC4 piece 3 ....... 04:31 Recorded in early 1979 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 these pieces were the first attempts by duncan & steve to create electronic music, & were recorded during the first months of 1979, shortly before we discovered like-minds & collaborators. the equipment was basic- an oscillator, a home-made mechanical sequencer & a couple of quarter-inch tape recorders. we make no apology for the experimental nature of these pieces.
the publishing of this material now has been hastened & prompted by the untimely demise of pete shelley, founder & singer of the buzzcocks. his own musical career started in much the same way as ours- home-made electronics & a tape-recorder, & we would urge you to seek out his 1974 work "sky yen" on this basis.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient Год издания: July 24, 2019 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 04:44:16 Треклист: 01. Plastered In Paris 1 ...... 21:46 02. Mrs E ...... 16:46 03. Plastered In Paris 2 and Improv ...... 35:57 04. Beacon ...... 35:46 05. Horizon ...... 37:12 06. Untitled 1 ...... 41:50 07. Spare 2 Minutes ...... 02:21 08. Borrowed Atoms ...... 23:37 09. Rothko ...... 43:58 10. 30 Years ...... 24:56 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 This two volume/eight disc collection represents another high water mark for RMI. It was during this period the we played at Klemdag 1997, and indeed the first disc represents part of the preparation for that major concert in Nijmegen.
In early 1998, using `Plastered In Paris' as a starting point, RMI resolved to make the best double CD we could and play to our strengths. There is a continuity to these pieces which were all recorded in a short and intensive time frame, sometimes literally one after the other. There is much here which was unreleased, and those pieces which were released are presented in unedited form for the first time.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient Год издания: July 24, 2019 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 03:56:02 Треклист: 01. Melted Comets ...... 34:43 02. Measure Acre ...... 16:58 03. Weightless ...... 38:25 04. Abandoned ...... 20:26 05. Snap ...... 13:01 06. Unreleased ...... 28:26 07. Rite Of Spring ...... 21:49 08. Build ...... 31:19 09. Blakey Ridge ...... 30:51 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School Год издания: October 2019 Тип издания: 2xCDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 046 Тип рипа: tracks (no log, .cue) Продолжительность: 00:56:46+01:08:28 Треклист: 1-01. Sci-Fi ...... 13:06 1-02. Vertical Limit ...... 15:16 1-03. Sequencer Galore ...... 14:50 1-04. Ocean ...... 05:23 1-05. Jazz ...... 08:04 2-01. Uptempo ...... 10:48 2-02. Improv Into Slow Sci-Fi ...... 16:19 2-03. Sage ...... 41:21 [CUETools log; Date: 26.06.2025 19:13:33; Version: 2.2.6] [CUETools log; Date: 26.06.2025 19:13:54; Version: 2.2.6] ----------------------- ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1    recorded during the preparations for our 2011 concert in chorlton, the material on these two discs formed the basis of the two long sets that night, but as usual there were many ideas that fell by the wayside, because they were spontaneous & forgotten about luckily we record everything, & so when we'd finished editing the concert audio & video (available elsewhere), we decided to put this material into some sort of order. the rhodes of the title was a recent acquisition & features prominently. as if in anticipation, our esteemed hosts at the greenhouse had finally installed a goods-lift
 Жанр: ElectronicСтиль: Berlin School Год издания: October 2019 Дата оригинального издания: 2011 Тип издания: 2xCDr, Album, Reissue Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 047 Тип рипа: tracks (no log, .cue) Продолжительность: 00:55:57+01:15:20 Треклист: 1-01. First Set ...... 44:23 1-02. Encore ...... 11:33 2-01. Second Set ...... 1:15:20 Recorded at St.Clemens church, Chorlton, Manchester. Originally available as M21 - 07.05.11 (Live At St Clements Church 7th May 2011), a download to those who bought “virtual tickets” to the concert. [CUETools log; Date: 16.06.2025 01:26:27; Version: 2.2.6] [CUETools log; Date: 16.06.2025 01:38:11; Version: 2.2.6] ----------------------- ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Dark Ambient Год издания: December 17, 2019 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 048 Продолжительность: 04:01:13 Треклист: 01. Crete With Dancing Girls ...... 07:36 02. Awakenings 2010 Encore ...... 15:24 03. Listening In (Part 1) ...... 23:22 04. Listening In (Part 2) ...... 29:43 05. Awakenings 2010 main set ...... 01:10:56 06. awakenings 2010 complete set ...... 01:34:09 With thanks to Dave Buxton and the pupils of Paget High School Class of 2010 dance group. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1   Before this performance, we were relaxing in a nearby pub when we bumped into a few of our regular concert goers. They asked what we had planned for the evening's entertainment. "Well, first we bring on the dancing girls..." was our sardonic reply.
Except that it was in fact true. Dave B had asked the dance group at the High School venue if they would like to work out a routine to an RMI piece, and we chose `What's The Point Of Going To Crete?', a composition which the band could replicate on the day. It was quite a novelty upon arrival that afternoon, to hear the CD of our tune blasting out in the sports hall and a rehearsal underway as we peeked through the window. The girls did us proud. You'll have to imagine them. As well as the main set and encore, also included in this release are two previously unavailable contemporaneous pieces from the preparation sessions `Listening In' (Parts 1&2) which produced the `Eavesdropping' album.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: September 9, 2020 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 03:49:44 Треклист: 01. planets in the wires ...... 29:35 02. echoes ...... 44:30 03. the ghost of baz ('planets..' uncut, no guitar) ...... 42:39 04. echoes (uncut, no guitar) ...... 01:00:58 05. friday the 13th ...... 52:01 recorded in london 19th april 2001 and manchester 20th may 2001 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 disc1 of this set, if you're rolling your own*, is the originally published album in its final form, with the guitar parts added separately in manchester, not the first time we'd worked this way, but the first time it had been planned. thus, when you hear the unedited versions of the two tracks (discs 2 & 3) without the guitar, you may sense that we were leaving room for the guitar parts that came later. that said, there's a peculiar noise, unidentified to date, on the piece that became 'planets...', which at the time we called 'the ghost of baz' because it sounded like the sort of interjection gary would've made, had he been there. there's also a noise that sounds like a digital glitch; it's not, it's the sound of a can being opened next to the mic we had open in the room.
'friday the 13th' (disc 4) was something of a dry-run for these sessions, basically trying out the korg multitrack with the keyboards & sequencers spread out across eight tracks instead of straight to stereo. in the end it made little difference to the result, though it was good practice for a later collaboration with ian boddy.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient Год издания: September 23, 2020 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 02:11:36 Треклист: 01. pyramid ...... 01:06:14 02. quarry ...... 01:05:21 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 two more pieces recently restored, from the same sessions that produced 'republic'. indeed, 'pyramid' was originally posited as a track on that album, our second licensed release, until we realised that the resulting set would be a bit short of guitar.
both pieces here have been available previously, but abbreviated: 'quarry' in an edited form as part of the 'lost in space' set, & 'pyramid' similarly shortened for a short-run compilation ('is there anybody out there?') released by ashok prema a long time ago. these pieces were originally recorded straight onto 1/4" tape, & the reels lasted for around 66 minutes, so we had to keep an eye on the deck whilst playing, & be ready to "do the ending" as the tape ran out, good practice too, for not out-staying our welcome on stage. the tape ran out before we were ready, sometimes...  Жанр: ElectronicСтиль: Berlin School Год издания: October 17, 2020 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 02:49:08 Треклист: 01. send off (uncut) ...... 59:16 02. raw cane approach (uncut) ...... 44:25 03. republic (uncut) ...... 01:05:26 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Republic was originally released as radio massacre international's second album and has proved to be a firm favourite. Then, when CDs were at their height of popularity, it seemed luxurious to have 74 minutes of playing time available on a single disc, but our recordings were still heavily edited in order to present more than a single piece on an album. Lots of 'invisible' edits to distill the essence of each piece down to twenty minutes without losing anything.
Here, then, the uncut versions, & you can hear the tape running out at the end of the title track; back then a reel of tape lasted about 66 minutes, & we'd keep an eye on it whilst playing, much as one would draw a live piece to a close based on the restlessness of an audience, or call it quits on a painting as the last few squared centimetres of canvas gets its fourth daubing. Three pieces, recorded on three occasions back there in London in the distant summer of 1995.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient Год издания: November 11, 2020 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 00:59:37 Треклист: 01. armistice (uncut) ...... 59:37 this piece first appeared in truncated form on our first self-published CD, 'burned & frozen', which was produced as an outlet for the piece we had left over from 'frozen north' when the distributor of that fine debut wouldn't let us kick off our career with an insanely long triple album. back then, private CD manufacture was a costly undertaking, but we wanted to release as much material as possible, & so for a few years we made CDr copies at great expense (blanks costing £15 each); these originals are now scarce, although professionally-made versions are still available, & you can get most of them here too.
but this is 'armistice' on its own, uncut and triple the length released on its 25th anniversary.  Жанр: ElectronicСтиль: Berlin School Год издания: January 16, 2021 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:11:06 Треклист: 01. Under The Dish.... Frozen North 2.... Ha'Penny Bridge ...... 24:27 02. Skeletope ...... 32:36 03. Action Painting ...... 14:02 Here's the first online release of Knutsford In May 25 years on from the original concert in May 1996. It replaces the CD version which is now out of print. This time its the full unedited set, including a longer `Skeletope' and the silly tune (Pushing Ruby Up The Hill) heard at the end. Taken from the original DAT recording. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 believe it or not, the artwork for the original CD release of this live set consumed more of our time & energy than any other aspect of the show or the recording. we had liked the photographs taken during our Mtv performance so much that we wanted to use all of them in the packaging, & so we sought the services of a professional who'd done the layout for CD releases where the bookletty thing unfolded into a sort of small poster. that was the idea. "what if they want the poster & they want to keep the CD booklet in the case?" says Gary. "then they'll have to buy two copies!"
anyway. the Mtv images are all here now- these were taken by Piers Cox. do with them as you see fit, but keep it legal! the audio is a bit longer than on the original CD because CDs were smaller back in them days and we had to keep it under 63 minutes. `Skeletope' has a restored section in the middle we had originally chopped out (in what was our first ever digital crossfade longer than 0.99999 seconds, using the state of the art Sadie system trivia fans) you can still roll y'r own of this, & there is a sleeve version of the artwork to that end, as well as jewel box bits. there are stories about the recce (the triplets, 'skeletope', Sir Bernard Lovell's grand piano in the planetarium), & the gig itself (Air Sculpture's mellotron dying, confirming the two-M400s-won't-both-work-in-one-room hypothesis, the realisation that we can't see or hear what we're doing by the light of the orrery & with the PA facing away from us), but it was a pretty good show nonetheless. even if the coca cola was 50p a tin.  Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Space Rock Год издания: May 22, 2022 Тип издания: WEB, Compilation Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:16:54 Треклист: 01. E-Live 2008 ...... 11:38 02. Still ...... 05:13 03. Threads ...... 09:40 04. Eavesdropping ...... 03:55 05. Clouds Of Titan ...... 10:52 06. City 21 ...... 05:50 07. Do Electric Sheep Dream Of Space Rock? ...... 02:58 08. The Rhodes Less Travelled ...... 07:32 09. Time and Motion ...... 08:54 10. M21 ...... 10:18 Steve Dinsdale - Keyboards, Sequencers, Percussion Duncan Goddard - Keyboards, Sequencers, Bass Guitar Gary Houghton - Guitar, Keyboards with Martin Archer - Reed Instruments (Tracks 1,9) ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1   This, the second primer for our back catalogue takes a more conventional approach than the forerunner `Fast Forward', and attempts to construct a listenable single disc compilation using stand-alone extracts from each of the albums since 2008 to present a collection that as well as serving as the perfect introduction, those with everything we've done might also enjoy listening to it too. Kind of like a `Greatest Hits' but not.
We've attempted to capture the essence of our output and allowed the sequencers to run for a decent length of time rather than fading them all after 5 minutes, and contrasted these sections with what we have come to call `Still' pieces (or indeed `Lethargic' explorations such as that of the `City 21' extract here). Taken as a whole it should not only provide an initiation into the music of radio massacre international but could also be something of a `go to' collection for those with many other artists vying for their attention. (Please note each track title refers to the album it can be found on).  Жанр: ElectronicСтиль: Berlin School Год издания: July 6, 2022 Тип издания: WEB, Album Издатель (лейбл): Stonker Productions Каталожный номер: none Продолжительность: 01:00:52 Треклист: 01. Improvisation 1 ...... 14:09 02. Rainy Day Song ...... 10:44 03. Crete ...... 07:16 04. Black Cloud over Jodrell Bank ...... 05:52 05. Geiger ...... 11:22 06. Upstairs-Downstairs ...... 11:26 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1      Back in March 2000, Radio Massacre International played a concert at Jodrell Bank. Luckily for fans, Tony Sawford was there and he recorded the concert. Up until this point, this recording has remained unissued. As the band note, what was issued on the SMD release was a combination of this Jodrell Bank concert (11th March 2000) and the Alpha Centauri concert (25th March 2000).
Radio Massacre International were happy to give this recording for the charity compilation in honour of Tony (“Tone – A Tribute to Tony Sawford”), but it seemed appropriate to issue it separately – it only exists because of Tony’s dedication to attending such concerts and his willingness to spend time making such excellent recordings for the benefit of the bands. Here’s what Radio Massacre International thought of Tony: "Tony was typical of the kind of person a band like ours values highly. It's all very well making music in a vacuum, but with people to support it and help us get it out there into the world it lives and breathes. Concerts are social events as well as musical performances, and from the earliest days of RMI Tony was there to say hello and offer his valued opinion, knowledge and encouragement. A true music fan. "I remember him setting up the equipment at this concert; the famous `Dummy Head' microphone arrangement designed to replicate the human listening experience. This gesture of support now becomes a fitting tribute to his dedication to the music he loved and it's our pleasure to present it here for a good cause and in his memory."  Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: March 8, 2023 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 02:01:34 Треклист: 01. disc 1 ...... 01:03:09 02. disc 2 ...... 58:24 In 2019 after somewhat of a hiatus for the band while various practicalities were sorted out, we finally reconvened thanks to the overwhelming generosity of our friends Wayne and Karen Stephens who invited us to use a room in their home in Castleton North Yorkshire, not too far from where we'd all grown up. TS11 is the postcode for Teesside. Disc One here consists of music recorded in February 2019 over the course of about a week, while Disc 2 was recorded in October that year in preparation for an Awakenings concert, and is a single performance recorded `as live' before hitting the road to Rugeley. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Space Rock Год издания: October 26, 2023 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:41:29 Треклист: 01. Part 1 ...... 38:50 02. Part 2 ...... 41:17 03. Part 3 ...... 21:20 Recorded at the October Gallery, Holborn. London 18th May 1998 Not to be confused with the more well known event which took place the year before, this was RMI's return visit to The October Gallery in May 1998. Only a small extract of this concert has been issued before (on `Upstairs Downstairs' back in 2000), so this is the first time it has been heard in its 100 minute entirety. Chronologically it came shortly after the sessions for `Borrowed Atoms' and we were still in full improvising mode. It was a very hot day in the heart of London town and there was fainting in the gallery ! ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School Год издания: October 26, 2023 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:17:11 Треклист: 01. The Gatherings 2013 First Set ...... 35:36 02. The Gatherings 2013 Second Set ...... 31:23 03. The Gatherings 2013 Encore: Organ Harvest ...... 10:10 Recorded at the Gatherings, St, Mary's Church, Philadelphia PA 18th May 2013 Our fifth and to date last visit to the sanctuary of St Marys Church in Philadelphia and a concert we felt might just be the best of them all. One of those nights where there was euphoria in the air, spurred on by the loyal and attentive audience that the venue is famous for. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1     Жанр: ElectronicСтиль: Berlin School, Experimental Год издания: November 16, 2023 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:10:12 Треклист: 01. Outside Part One ...... 14:13 02. Outside Part Two ...... 36:12 03. Outside Part Three ...... 19:45 These recordings were made during the 2021 sessions for the Cuneiform album `Galactic Furnace'. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Experimental Год издания: December 1, 2023 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 04:38:41 Треклист: 01. Organ Harvest Pt I/Geiger/Edison/Rainy Day Song/Organ Harvest Pt II ...... 56:03 02. A Minute Of Silence ...... 06:06 03. Organ Harvest (Original 1994 Version) ...... 57:45 04. A Minute Of Silence (Extended Take) ...... 09:22 05. Destroy Cathedral City (Demo) ...... 07:02 06. St Valentines Day Massacre ...... 21:26 07. Monstrous Tides (Uncut Pre-Sachs Version) ...... 15:09 08. Ladybirds ...... 14:50 09. Uncovered ...... 19:29 10. Specific Coast Highway ...... 31:09 11. Edison (Uncut) ...... 40:13 Disc 1: Organ Harvest album released 10-1997. Disc 2: Organ Harvest (Original Version) SD/DG/GH 29-11-1994 A Minute Of Silence SD/DG/GH 08-05-1994 Destroy Cathedral City (Demo) SD/GH 03-06-1995 Disc 3: St Valentine's Day Massacre SD/DG 13-02-1996 Monstrous Tides/Ladybirds/Uncovered SD/DG 21-03-1996 Disc 4: Specific Coast Highway SD/DG 19-06-1996 Edison SD/DG 28-07-1996 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Following the completion of 'Republic', RMI continued to record regularly. At this time Duncan and Steve lived less than 5 miles from each other, so sessions could be arranged at the drop of a hat. Gary regularly made the trip south to complete the trio. This collection of material covers the period leading up to the compilation and release of the third studio album 'Organ Harvest' in late 1997.
Sessions were always recorded, but not always given the scrutiny they required, or were taken over by events, superseded by more 'important' work. Also at the time of course, a 70 minute CD was still regarded as a relative extravagance, and so a band as prolific as RMI were always going to enjoy a surfeit of material. Looking back 25 years on and with the luxury of expanded platforms such as this, it is possible to re-investigate the early years of RMI in more detail and with it the classic studio sound from the Northern Echo in London. From 2000 a more flexible approach was needed as Steve rejoined the ranks of the Northern population and the axis shifted to Stockport and the famous Greenhouse. Following the re-introduction of the original album as released in 1997 on Disc 1, Disc 2 begins with the initial version of a piece RMI would re-visit regularly over the years. 'Organ Harvest' was initially recorded alongside 'Retina Flood' in late 1994, and left on a shelf until it was revisited in early 1997 for the concert at the October Gallery. The original near hour long piece has never seen the light of day until now. `Destroy Cathedral City' was, unusually, recorded away from the Northern Echo largely by Gary, with a visiting Steve making a contribution on chronic keyboard. This 4-Track demo captured the spirit better than subsequent attempts to re-record it so we chose it. The 1996 Duncan and Steve duo sessions captured on Discs 3 and 4 yielded some interesting results and most of them are heard here for the first time. `Monstrous Tides' made it to the catalogue (on the `Startide' album), but this is the uncut version without the accidental interjection from Andrew Sachs. `Edison' featured on the final `Organ Harvest' in much shorter form than the 40 minutes heard here.  Жанр: ElectronicСтиль: Berlin School, Experimental Год издания: December 1, 2023 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 04:17:55 Треклист: 01. The Face In The Ether ...... 21:59 02. Bells Of Baumann ...... 46:52 03. Piano and Bell Theme ...... 10:09 04. Geiger (Uncut) ...... 25:06 05. Titanic (Desk Version) ...... 23:05 06. Fire and the Monster (Master Take) ...... 07:19 07. Back In Business ...... 18:52 08. (Come To) Sunny Teesside (Mrs Emerson) ...... 17:29 09. Hout's Not Even In The Room ...... 25:19 10. Searching For The Spark ...... 19:59 11. Silver Machine ...... 23:52 12. Heads Or Tails (Rainy Day Song) ...... 17:47 Disc 5: The Face In The Ether/Bells Of Baumann/Piano and Bell Theme SD/DG 29-08-1996 Disc 6: Geiger/Titanic/Fire and the Monster SD/DG/GH 31-08-1996 Disc 7: Back In Business SD/DG 12-01-1997 Come To Sunny Teesside/Not Even In The Room SD/DG/GH 25-01-1997 Disc 8: Searching For The Spark/Silver Machine/Heads Or Tails SD/DG/GH 26-01/1997 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Tracks 1-3 are further duo sessions from 1996, `Bells Of Baumann' is our self-explanatory celebration upon the arrival of the actual Mellotron tape rack which belonged to Peter himself. Julian Cope had first shout on this but wasn't clued up enough to realize what he could've had.
Tracks 4-6: `Geiger' and `Titanic' were trio pieces recorded in the same evening and once again are represented in their extended forms. 'Geiger' would take on a life of its own as a live staple, but this is how it happened for the first time, out of nothing. `Titanic' is also exclusively the desk recording for the first time. We had mixed a room mic into it first time around. `Fire and the Monster' was recorded earlier the same day. Tracks 7-12 capture RMI at the end of January 1997, this was the first trio session for a few months, in anticipation of the first October Gallery gig performed on 9th February. Six roughly 20 minute pieces, five of them previously unreleased. `Rainy Day Song' would go on to appear on the final version of `Organ Harvest' later in the year, but the pieces leading up to it had been all but forgotten. Some amusing/interesting titles to grapple with: `Sunny Teesside's full title was `Come To Sunny Teesside Mrs Emerson', not a reference to the keyboard giant Keith, but in fact a Brazilian footballer who had signed for Middlesbrough FC and whose wife was somewhat reluctant to leave Rio De Janiero behind for the bracing splendour of Redcar. `Not Even In The Room' is a literal reference to Gary's non-physical presence at the recording of this piece....having left a loop running and found something else to do, which probably involved watching the Grand Prix on TV. `Silver Machine' is obvious (although by no means a cover version), and `Searching For The Spark's significance is lost in the mists of time, other than sharing a title with a Steve Hillage classic loved by all of us.  Жанр: ElectronicСтиль: Berlin School, Experimental Год издания: December 1, 2023 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 04:10:51 Треклист: 01. Cathedral Floor (Uncut) 39:32 02. Notron 20:13 03. Piledriver 12:48 04. It's Not Unusable (Part 1) 57:47 05. It's Not Unusable (Part 2) 57:42 06. Instant Album 38:19 07. Organ Harvest (1997 Studio Run Through) 24:25 Disc 9: Cathedral Floor/Notron/Piledriver SD/DG/GH 20-06-1997 Disc 10: It's Not Unusable (Part 1) SD/DG 02-08-1997 Disc 11: It's Not Unusable (Part 2) SD/DG 02-08-1997 Disc 12: Instant Album (assembled from) SD/DG 02-08-1997 Organ Harvest Studio Run Through SD/DG/GH 21-06-1997 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Tracks 1-3 date from a Summer of 1997 trio session, only one of which has seen the light before in edited form. We'd just acquired a Notron sequencer and were putting it through its paces on Tracks 2 and 3.
Tracks 4-5 represent a major discovery in that these recordings were thought ruined by some dodgy tape stock we'd used at the time. Not so. This is an epic two hour duo workout in preparation for our second concert at Jodrell Bank. Track 6 is the album we could have made from these tapes had we known, and the whole extravaganza is concluded with an unreleased 1997 studio rehearsal of Organ Harvest to bring everything full circle.  Жанр: ElectronicСтиль: Berlin School Год издания: February 19, 2024 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 03:24:14 Треклист: 01. Diabolica ...... 41:24 02. Blaze Dispersion ...... 26:44 03. Upstairs Downstairs ...... 07:03 04. Drown (Frozen North CD Edit) ...... 21:42 05. Haze II ...... 23:49 06. Upstairs Downstairs (Uncut) ...... 17:37 07. Drown (uncut) ...... 01:05:53 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 We present on the 30th anniversary of the session, an expanded version of the `Diabolica' album as originally heard as the second release in our Northern Echo CDR series.
So, the largest room in Duncan's HQ having become vacant due to our friend Jim Love moving on to tour the world with Tricky and settling in Australia through a bizarre set of circumstances, and where he still is 30 years on...we now had the space to record as a trio. A few sessions from October 93 onwards began the whole process of getting together and recording again as a duo, and when we hit Teesside at Xmas and sat round a pub table with Gary again, beer fuelled promises were made to get the trio of old up and working again. It's somewhat impressive in retrospect that plans made over many pints came to fruition as soon as Feb 19th 1994. Gary travelled down from Manchester to London and we got to work recording the two hours of material you now hear in full. `Drown' is heard as a complete take for the first time. In those days we had too much of an eye on using 20 minutes of this and 25 minutes of that to try and fit CD releases, so a drastically reduced 20 minute edit ended up on our first album `Frozen North'. Revisiting this 30 years on, it's a delight to hear the music developing in real time on the first piece we recorded `Drown', and how Gary so easily integrates into the set up. Of course he would. We were just waiting for him to take his seat (an old stool reclaimed from the Ship Inn in Marske, our old local) Thus RMI as we know it was born. We had a cup of tea, and went for another piece. The `Diabolica' note came up in a conversation about scales between Duncan and Gary (they understand these things) it was the one note in the scale which made it the devil's music in the eyes of Christianity. "We'll have some of that" we thought. Keen listeners wondering why there is no uncut version of the piece included in this expanded reissue can be reassured that the performance was originally published in its complete form. `Upstairs Downstairs' was retrospectively titled as a direct reference to carrying the mellotron up and down stairs in the absence of lifts/elevators once we started gigging. `Blaze Dispersion' coincided with sessions Duncan and Steve were working on at the same time with Steve's old Honey Smugglers band mate and singer Chris Spence. We'd added mellotron and drums to a tune called `Flamethrower', and this was our electronic counterpart. In a parallel universe `Flamethrower was a massive hit, and this was the B-side. A 26 minute B-side. But why not. Mercury Rev were doing that shit by now. Sadly, despite a weekend's overdubbing and mixing at none other than Hans Zimmer's Lillie Yard studio in London, a major record deal could not be found, and it failed to trouble the hit parade. `Haze II' is a previously unreleased duo piece recorded on a Saturday night before we went out to party in Finsbury Park, and features the immense sequencing power of the Pro-One which is never to be underestimated... The Uncut versions of `Drown' and `Upstairs Downstairs' are also exclusive to this set.  Жанр: ElectronicСтиль: Berlin School Год издания: May 3, 2024 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 04:37:38 Треклист: 01. Diabolica (Hampshire Jam 27/10/01) ...... 16:41 02. Crete - Tea And Biscuits - Pipe (Hampshire Jam 27/10/01) ...... 23:59 03. Guitar Interlude - Let Me Hear You Say Yeah (Hampshire Jam 27/10/01) ...... 16:05 04. Roxette Lost In Liphook (Hampshire Jam 27/10/01) ...... 08:03 05. Diabolica (Greenhouse 23/10/01) ...... 22:13 06. Roxette (Greenhouse 23/10/01) ...... 14:27 07. Tea And Biscuits (Greenhouse 23/10/01) ...... 15:22 08. Pipe (Greenhouse 23/10/01) ...... 122:03 09. Where's Your Atom Bomb (Greenhouse 24/10/01) ...... 28:58 10. Crete - Tea And Sandwiches - Pipe (Greenhouse 24/10/01) ...... 22:18 11. An Ear For An Ending (Greenhouse 24/10/01) ...... 17:27 12. Tea And Cake - A Saucerful Of Biscuits - Pipe (Greenhouse 25/10/01) ...... 29:51 13. An Eye For An Ending (Greenhouse 25/10/01) ...... 16:10 14. Diabolica (For Wayne And Evil Dave) (Greenhouse 25/10/01) ...... 23:53 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 A landmark concert for RMI, from late 2001. Some of it was on the various artists album `Hampshire Jam Preserved' released at the time, but presented here is the full set together with extended bonus material amounting to an extra 3 x 70 minute discs worth from the preparation sessions.
This gig, we have agreed, is definitely the one we took the most gear to ! It marks the final appearance of the Mellotron in person, a rare chance to hear the Memory Moog...Steve's sequencers are being voiced by a pair of Moog Prodigys, there's Drums for the very first time live, and Gary is debuting his brand new limited edition Rory Gallagher Stratocaster. The rehearsal recordings presented many surprises and a variety of interesting performances, and the best ones of each day are presented on 3 extra discs, all of it previously unheard. After this, we scaled it all down with one eye on America, so enjoy this, RMI in peak `arms race' mode.  Жанр: ElectronicСтиль: Berlin School, Experimental Год издания: October 25, 2024 Тип издания: WEB, Album Издатель (лейбл): Cuneiform Records Каталожный номер: Rune 537/538 Продолжительность: 02:09:44 Треклист: 01. Galactic Furnace part 1 ...... 23:59 02. Galactic Furnace part 2 ...... 36:02 03. Galactic Furnace part 3 ...... 01:00:19 04. Galactic Furnace part 2 [radio edit] ...... 09:22 Recorded in Castleton, North Yorkshire June-July 2021. Thanks to Wayne and Karen Stephens for providing a wonderful environment in which to record, & for their generous hospitality. ----------------------- foobar2000 v2.1.6 / DR Meter v0.7 “Galactic Furnace was made over the course of a week, in the middle of summer, in beautiful North Yorkshire. We inhabited a cottage space which was very kindly loaned to us by a good friend and unlike many recording environments, it was extremely pleasant with plenty of natural light and air. As is our wont, we always keep a live microphone somewhere in the mix and this one was outside on the decking pointing towards woodland and good old Yorkshire countryside. This album is unique, you could say, because it was recorded in this certain space which we know will not be available to us again (it now belongs to someone else, we didn't trash it or anything).
When assimilating the music we have made, certain images and pictures arrive unconsciously, there is a loose visual impression created. Whilst we never set out to paint literal sound pictures, or describe specific images, the music suggests these things to us afterwards. Certain sections of this music seemed to convey a vast turbulent cosmic fire, while others a peaceful sunlit place. You could maybe say this is our `Anthem To The Sun’.”  Жанр: ElectronicСтиль: Berlin School, Dark Ambient, Experimental Год издания: December 6, 2024 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 06:07:06 Треклист: 01. Been There Done That (Original Album) (Part 1) ...... 58:22 02. Been There Done That (Original Album) (Part 2) ...... 09:57 03. October Gallery, Holborn 18/11/94 (Set Two Part One) ...... 54:55 04. October Gallery, Holborn 18/11/94 (Set Two Part Two) ...... 17:00 05. October Gallery, Holborn 18/11/94 (Set One) ...... 42:41 06. The Monarch, Camden Town 16/03/95 ...... 27:45 07. Octagon Centre, Sheffield 02/09/95 ...... 39:43 08. The Garage, Highbury Corner 18/12/95 ...... 38:22 09. Bull And Gate, Kentish Town 02/03/96 ...... 21:16 10. Cafe Gigi, Willesden Green 30/05/97 ...... 27:37 11. The Rheingold, Oxford St 04/07/97 (Part One) ...... 11:42 12. The Rheingold, Oxford St 04/07/97 (Part Two) ...... 17:40 This 5CD collection gathers together the complete recordings from 7 quite different concerts performed by RMI between 1994-97, excerpts of which could be found on the contemporaneous compilation `Been There, Done That'. Two major concerts from within this timeline (Jodrell Bank 1996, October Gallery 1997) are issued in their entirety elsewhere, but here is the other side of the RMI concert history. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Duncan and Steve lived a mere few miles up the road from each other in London at this time, and through connections in their working and musical environments, would sometimes get asked to perform sets for social events or share a bill with one or two of their friends bands on the thriving indie scene, and sometimes Gary could be persuaded to come down from Manchester to take part as well.
The October Gallery in Holborn was the venue for two fondly remembered RMI concerts in 1997 and 1998, but in fact they had made their debut there on a much less formal basis in 1994 after being invited to take part in a social gathering at the famous space. Duncan and Steve had only days earlier recorded the epic Frozen North Part IV, and took the tape for playback along with a couple of simple keyboards to make additions in live performance. After their 40 minutes was up, there was some socialising before they were asked to carry on playing more music and basically for as long as they liked. This hadn't been anticipated, and with only a keyboard each at their disposal, a fair bit of invention was required, but they soon settled into a slowly shifting soundscape which enabled the music to function as a background for what was a lively and successful party. Unheard here on the tape is Jim from Star Sounds Orchestra who jammed along on sax for much of the second set. The odd one out here is the Sheffield performance, both geographically (all of the others were in London) and contextually (it was an Electronic festival with a sit down audience), but it fits with the timeline and marked a very important starting point for the band's live performing career, as well as providing a couple of lessons to take forward into future festival situations. Camden's Monarch pub was an indie music mainstay from the 90's onwards, and RMI opened for Adrenal and Livingstone here in March 1995 before a possibly bemused audience, a feat they would repeat a couple of times over the next year at The Garage in Highbury with the addition of Tiger (a Christmas party no less !), and the Bull and Gate in Kentish Town. It was a lively scene, people gathered in a pre-mobile phone/internet era, and socialised, with bands as a focal point. We didn't really mind that our sets being instrumental and elongated, provided a backdrop for a buzz of conversation and general racket. All of the recordings here are line mixes, so they are strangely divorced from their noisy surroundings...but somehow they have a quality about them which differs from studio recorded material...hard to define, but you can tell it's a gig. The last two shows featured here originally went under the title `Never Again'. Madame Gigi's was a bar in Willesden populated by a clientele who could not have cared less about the two electronic musicians unwittingly beamed into their midst...this time it was difficult for us to even hear the music above the Friday night racket, yet the recording belies a laidback, measured and at times quite beautiful set, even if we were playing it blindfold ! The clincher for us was the famous Rheingold show which has gone down in band history as the moment we realised that we were never playing in such circumstances again. A truly horrible, endless night of hassles with some of the worst vibes in living memory. The music was decent enough, the mood was lightened by our chum Paul Kaye then riding high as Dennis Pennis, who always insisted on calling us MFI... but generally the audience were awful, the venue completely unsuitable and the encounter with the rozzers at three o'clock in the morning was pretty much the last straw. Never again !!  Жанр: Electronic, RockСтиль: Experimental, Krautrock, Space Rock, Prog Rock Год издания: July 20, 2019 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 00:57:41 Треклист: 01. Riff 1 ...... 13:38 02. Riff 2 ...... 18:03 03. Riff 3 ...... 08:50 04. Riff 4 ...... 06:25 05. Riff 1 ...... Revisited 06:15 06. (bonus track 1) duncan's audition ...... 03:20 07. (bonus track 2) the deafening generator solo from 'riff 3' ...... 01:08 mark spybey, mark sanderson, duncan 'joe' mcleod, stephen dinsdale, duncan goddard & jon davis recorded in the summer of 1979 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1    June 1979 was the month when `O' levels were completed, school was out forever, and a long summer stretched out ahead of us. We didn't look back or give a thought to those who we would probably never see again. Many of us who'd done `O' levels were on course to bag a couple of `A' levels and eventually fly off from our Teesside enclave to a university somewhere to start our own adventures in halls of residence and 'Young Ones' styled student houses across the land.
Of far more significance to me than leaving school, the summer of 1979 also marked the beginning of a magical and fun process which continues to this day; getting together in a room and making a purposeful noise with other people. Back in July 1979 when Duncan and I took our seats at the History table during our prospective sixth form's `meet the students' open day, it was actually our own personal histories we were unwittingly setting in motion. One of the students who'd volunteered to tell all about `A' level History was Mark Spybey. As was `de rigeur' in those days among 16 year old boys, I had my haversack on display lovingly painted with the names of my musical heroes, and discussion soon turned away from History and to their relative merits..."don't like them, don't like THEM, they're OK..." Duncan piped up that he'd been messing about with audio generators and tape machines at home. "Wow ! like Dik Mik from Hawkwind ?" said Mark. We all agreed Hawkwind was good. Mark then uttered the immortal words which would change our lives forever: "the college has a synthesizer you know". So somehow before we had even properly enrolled at the place, we managed to blag their most precious educational tool, the Roland SH1000, on long term loan. We could scarcely believe it as it sat in Duncan's front room making random noises at us. Spybey brought his old friend Mark Sanderson round to marvel at Duncan's tape echo skills and give us his best robot impression to test them out. We formed a band right there and then. For me it was the moment we ceased to be schoolkids and moved up into a new world. They were only a year older than us, but it felt like a lot more. A rehearsal was arranged for July 23rd, at Duncan 'Joe' McLeod's at 81 Hummershill Lane, Marske-by-the-Sea. If you drive past it today you'll not notice a blue `English Heritage' plaque commemorating the event. Joe was going to be the vocalist but hadn't really got a clue, hadn't written anything, and spent his time farting about, eventually rendered speechless by the racket which ensued from those gathered in his unknowing parents' house. The rest of us meant business in a 16-17 year old kind of way. On guitar was Jon Davis, who'd brought his tape machine along too, placing it right next to his amp, so all he could hear on the recording was himself. Spybey was a tidy and assured drummer, and Sandy played Bass. Spib and Sandy had worked on a collection of riffs which we used as a starting point.... Then there was Duncan and me. Duncan had an Audio Generator and real tape echo for making swooping noises (that Ferrograph machine weighed a ton), and because I could almost pick out a tune, I got to play the synthesizer. Duncan and me had comically transported everything to Joe's house about half a mile away balanced precariously on Duncan's red Go-cart, after our primary mode of transport, made from speed-frame, had collapsed under the combined weight of the synthesizer, the aforementioned Ferrograph tape machine, and a flight case after (according to Duncan) "about 4 foot". Mark Spybey had come up with a typed manifesto: "Harmony is Harmony. Noise is Noise: This is the noise" and a band name: AGE OF BERLIN (How thrilling to be IN A BAND, particularly one with pluralistic undertones- it would be another ten years before the wall came down) "Space-Rock, Psychedelic Renewalism" it continued. I'm not quite certain what the latter was exactly, but we have certainly become well acquainted with the former in the ensuing years. As we made our way precariously to that first rehearsal, we felt like we had arrived into a new world. Boy, did we have fun ! Duncan and I went through the same 18" speaker, which didn't stop Duncan being twice as loud as anyone else, and terrorizing us with everything from echo sounders ("Don't ! it kills yer !" I can be heard begging for mercy on the tape) to pneumatic drills ("Aaaaaagh ! Woooo!") as I wazzed around on a synthesizer for the first time; literally a kid with a new toy. Before the afternoon was out that speaker would already be well on the way to premature burn out. It was also the first time I'd been within touching distance of an actual drum kit, and when Spybey handed me the sticks during the lunchtime pastie break, it was the moment I'd been waiting for all my life. I already knew I was going to be a drummer, and this just confirmed it. He was also kind enough to let me have the kit on loan about a year later when he went off to college, and I taught myself to play, to the joy and delight of all at 8 Wanstead Close and surrounding properties. You could therefore say that July 23rd 1979 was one of the most significant days of my life. It was the first time we heard ourselves as part of a band and at full volume, the glory of a huge vibrating racket, and I immediately knew that nothing else could compare, we had a purpose in life ! Over that summer we spent evenings round at Spybey's in Redcar, full of exciting ideas for the band while he played us all sorts of stuff from an impressive contemporary record collection: Gang Of Four, Joy Division, The Specials' debut single Gangsters, John Cooper-Clarke, Alternative TV, `Pop Musik' by M and Tubeway Army. Things were moving fast musically in the UK, the old guard had been jettisoned (by him not us, I was still listening to Genesis) but we found common ground in the likes of Hammill, Hawkwind, Here and Now and Hillage. Before the summer was out Public Image Ltd unleashed the mighty `Metal Box' which changed things for everybody including me. Sandy actually handed over £7.49 for this artefact. He had a paid job. It was an outrageous sum for us to contemplate as penniless students, fantastic though it was. One Sunday night at Spybey's, his friend Russ Walker brought Gary Houghton round to meet us. He was learning the guitar, and happened to be in the process of moving to Marske from Redcar. Jon Davis slid off the radar sometime around Zeppelin's last stand at Knebworth, and Gary became our new guitarist. Age Of Berlin eventually split after nearly a year's apprenticeship, during which we regularly rehearsed, never gigged, but learnt a lot in the meantime. Spybey went off to study Music Therapy, and eventually moved to Vancouver, returning back into our lives many years later with a highly impressive musical CV. Our reunion with Mark when he was a member of Michael Karoli's band in 1999 at the Can Barbican gigs was quite an occasion ("Yes I remember playing Redcar, where is there more booze ?" Michael Karoli) Duncan, Gary and me had already started recording with the synthesiser at Duncan's Studio by the end of 1979, and 40 years later here we still are as Radio Massacre International. Жанр: Electronic, RockСтиль: Experimental, Krautrock, Space Rock, Prog Rock Год издания: August 30, 2019 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 00:48:24 Треклист: 01. Boule/Riff 1 ...... 12:59 02. dub versions ...... 35:24 recorded in the summer of 1979 Newly installed at the Zetland Church Hall, AoB stretch out with a new intro to Riff One dedicated to Christian Boule and not Patti Boulaye. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  a few days after this rehearsal, fearing that the growing rift between founding drummer mark spybey & rockist guitarist jon davis spelt the end of the adventure, we decided to polish some of the rehearsal recordings into a souvenir for ourselves. mark had an ability to play at a tempo that matched the tape-echo perfectly, which was handy as we didn't have varispeed back then. so here are some more bits from that night, forty years ago as we write this, processed back at the original (marske-by-the-sea) northern echo &, in amongst, a couple of electronic experiments that were on the same carefully preserved lump of 1/4" tape. enjoy.
 Жанр: ElectronicСтиль: Berlin School Год издания: January 29, 2014 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 00:57:39 Треклист: 01. Riocot ...... 06:40 02. Ozone ...... 05:21 03. Fire & Ashes ...... 07:16 04. JNT ...... 03:52 05. B.T.T.H. ...... 04:52 06. Good Friday ...... 17:03 07. F.T.S. ...... 07:49 08. Leadmill ...... 04:46 Recorded April 1984 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 the easter project for 1984 begins to hint strongly of the music that the band would make under its later name.
with borrowed pro-1, moog rogue & casio-202 in tow, & once again upstairs in the attic studio, we created a collection of sequencer based pieces including the centrepiece "good friday". on a technical note, these pieces were recorded in a ten-day period & consist of a stereo backing-track & a single stereo overdub, using multiple 1/4" decks also for tape-echo. the spring-reverb was in a small roland keyboard amp, & we also had steve's prodigy, & possibly a chorus pedal. the backing tracks were usually done in the morning, & the overdubs after lunch, which (most days) included some 80-bob down at the ship-inn. aye.  Жанр: ElectronicСтиль: Berlin School, Experimental Год издания: August 21, 2014 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:01:37 Треклист: 01. A Long Way To Go ...... 07:00 02. Macbeth ...... 12:05 03. Merlin's Funeral ...... 03:43 04. Apostrophe (Azimuth Banishment) ...... 04:18 05. Adjective ...... 05:30 06. Better Things (No Wonder) ...... 07:52 07. Grass ...... 17:00 08. TE ...... 04:09 Recorded between December 1983 & December 1984. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Following the intense activity (a track per day) of the DAS album ‘X’ (there was even a session on the final Saturday morning of our Easter break, when we thought the album was already finished), ‘XI’ follows on from where ‘X’ left off; ‘Macbeth’/‘Merlin's Funeral’ is a cauldron of sound inspired by the three witches & the Third Ear Band, & was recorded during the same sessions, using the same instruments as ‘X’. (Moogs Prodigy & Rogue, Pro-1 & Casiotone 202)
Over the course of the rest of 1984 we recorded sporadically, probably too busy socialising & drinking XB at the Middle House. ‘Grass’ was recorded downstairs in the music rooms, where Duncan’s mother taught piano, & where we could put two pianos & various percussion instruments through their paces a little. The opening & closing pieces ‘A long way to go’ & ’T.E.’ were recorded with live radio signals as part of the mix, to create a one-off sonic picture. For some of these pieces, only the Moog Prodigy was available, & we were back to doing sequencing by hand. The Pro-1 & Casio heard on ‘X’ had been borrowed from James Barclay, who had since disappeared somewhere else into the depths of Sheffield Poly along with his gear. But Duncan had also acquired a decent bass at last, a smaller Casio (which was immediately subjected to some circuit-bending), & the Moog Rogue from the ‘X’ sessions had made a permanent return. These latter keyboards worked together to produce the filtered arpeggios of ‘Apostrophe’ & 'Better Things', while the bass & the Casio also feature on ‘Adjective’.  Жанр: ElectronicСтиль: Experimental, Krautrock Год издания: December 6, 2014 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 00:42:29 Треклист: 01. Last Wednesday ...... 21:30 02. Angular Gyrus ...... 03:11 03. Unless To Everything ...... 11:43 04. XB ...... 03:58 05. 5 ...... 02:07 Recorded between April & August 1983 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Recorded Easter 1983 in Marske. The innovation this time was the use of the downstairs music room complete with two pianos. The title piece of this album uses a `ground tape' of a two piano/percussion performance by Steve and Duncan, which we initially called `Jazz In Britain'. (It was at this time that BBC radio had a weekly programme featuring all kinds of weird and wonderful sounds from the likes of Derek Bailey and Company, whose free stylings were a definite influence here).
Keyboard overdubs were made upstairs in Duncan's studio by the trio, with the added novelty of a microphone out of the window picking up birdsong and sounds from the local school. Most of those kids will be nearing 40 by now. The two longer pieces in the second half were again recorded using piano, bass guitar and Steve's newly acquired Moog Prodigy, which Duncan had already modified to make screams like a pterodactyl. `XB' is a tribute to the Theakstons brew of the same name, served in the pub literally out the back of Duncan's, and where we would retire for last orders. Happy days Add to that a couple of solo pieces (`Angular Gyrus' is Steve's, `5' is Duncan's) and you have a snapshot of what we were up to in early 1983.  Жанр: ElectronicСтиль: Experimental, Krautrock Год издания: July 13, 2015 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 00:45:33 Треклист: 01. On The Pad ...... 21:45 02. Reheating ...... 12:37 03. Columbia ...... 11:10 Recorded in April 1981 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 The music here was recorded as the NASA space shuttle Columbia made its initial journey between April 12-14th 1981, it was our tribute to it, and was initially called `Ra-Ra Shuttle!' by way of encouragement. Joining Duncan and Steve in the studio is Jon Davis on Guitar, Mark Spybey contributes vocals and Jan Mitchell tootles away on Recorder.
Those were the days when instant communication was a thing of the future, so it's quite likely that some of these guests turned up unannounced to find themselves involved in the recording. Most of the material was recorded on the first day, and on the second day Duncan and Steve made overdubs on the final piece `Columbia'. The instrumentation is unique for a DAS album, featuring Copicat echo on the very rudimentary borrowed drum kit and on the guitar (you can hear the bump of the tape loop if you listen carefully), and Duncan's custom `one repeat' long delay system, both of which help give the recording a unique atmosphere. All important also is the Roland SH1000, once again borrowed from the Sixth Form College and dragged home with great difficulty....it weighed a ton....  Жанр: ElectronicСтиль: Berlin School, Experimental Год издания: May 16, 2020 Дата оригинального издания: April 1980, Cassette (YHR Tapes - YHR 010) Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:17:04 Треклист: 01. earthdeath ...... 21:17 02. into the eighties ...... 12:52 03. viewed through a prism ...... 06:46 04. departure backing track ...... 06:11 05. into the 80s synth solo alternate take ...... 04:50 06. into the 80s complete second section master take ...... 07:04 07. viewed through a prism backing track ...... 06:54 08. documentary- finishing green hill, the letter, trotsky ...... 11:01 Recorded 23 December 1979 - 3 January 1980 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 And so we return to the start…the 40th anniversary of the original release of an album we recorded over Xmas 1979.
Our first faltering excursion …. It all came very easily, fuelled by enthusiasm, youth and a desire to emulate those who we didn’t feel were trying quite hard enough. An apprenticeship of sorts had been served in our first band Age Of Berlin, but getting the electronics away from the noise of the church hall and into the quiet of the studio was a revelation. Playing in sync with tape echo was instinctive, we’d already been programmed to think that way…men machines indeed. The first side was assembled from disparate pieces into a story concept…an exciting process, (as was cutting things out of long forgotten books and getting to work with a mapping pen to fashion some kind of artwork and a story), while the second side literally catalogued the 70s turning into the 80s… What surprised us was the reaction we got…very positive from all we ventured to send it to. We had zero experience of selling or marketing at the time, and no means to fund anything as elaborate as a vinyl pressing (sorry Andy G). After several initial months of sending out hand duplicated copies ourselves, David Elliott of `Neumusik’ eventually issued it on YHR recordings cassette label with our gratitude. We carried on recording DAS albums ...12 in all, and all personal landmarks in one way or another…. before eventually becoming the `grown up' version: Radio Massacre International….but this is where it all began…in the ‘70s…(just). SD 16/05/20  Жанр: ElectronicСтиль: Berlin School, Experimental, Krautrock Год издания: February 2, 2024 Тип издания: WEB, Compilation Издатель (лейбл): Northern Echo Recordings Каталожный номер: none Продолжительность: 01:30:24 Треклист: 01. Das Two: Antares ...... 02:13 02. Das Two: The Whale ...... 03:10 03. Das Two: Radio Dark ...... 07:05 04. Das Two: Riverbank ...... 02:38 05. Das Two: Green Hill ...... 05:21 06. Das Two: The Skies Beyond - Haze - Zabriskie Point ...... 21:52 07. Das Three: Hydrogene - Cavelight - 24 - Sorcerer ...... 05:34 08. Das Three: The Witch's Song ...... 07:46 09. Das Three: Ra-Ra Shuttle ...... 08:27 10. Das Three: Age Of Berlin - Battlefield ...... 25:31 11. Das Three: 24 (Reprise) ...... 00:41 Recorded between February 1980 and April 1981 ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 This collection covers the immediate period of recording following DAS's debut album DAS1 (Earthdeath). Two albums we made between February 1980 and April 1981. We always thought in terms of albums with 20 minute sides even if they would never see a pressing plant. It was a way of organising the material we were recording on a regular basis (usually centred around term breaks from Sixth Form College).
Duncan's top floor bedroom studio at 1 The Crescent, Marske (Teesside) became the hub of our activity. Tracks were expertly bounced between a UHER tape machine and a bulky vintage Ferrograph, with the results mastered to cassette or 1/4 inch depending on whatever tape stock he could beg or borrow at the time. Guitarist Jon Davis paid several visits to record his own very strong ideas and compositions and can be heard on much of the material recorded throughout 1980 and into 1981.He brought a series of self-written pieces to the mix which resulted in a more eclectic variety of finished tracks, establishing the idea of DAS an an umbrella for a wider range of musical exploration than the cosmic electronics of the first album. As well as the solo sketches by Duncan and Steve heard here, the DAS 1 trio with Gary Houghton also recorded several pieces, and Gary Robertson also made valuable contributions, particularly the rampant fuzz bass riff heard on `24' recorded at a sponsored all day/night concert given at the Sixth Form College we were all attending. We were 16-17 years old, using very primitive equipment, but the ideas are there. Duncan as the Joe Meek of our Post Punk DIY generation did an admirable job of capturing our attempts to emulate heroes with 16 tracks at their disposal. These two albums cover a year or so of recording from Feb 1980, with one notable exception, the first band rehearsal of Age Of Berlin from July 1979 (on DAS 3) with Mark Spybey on Drums, Mark Sanderson on Bass and Jon Davis on Electric Guitar. It was the first time Steve had touched a synthesizer and Duncan brought the Audio Generator based electronics set up he had been experimenting with in the loft to a band situation. This where it all started thanks to a chance meeting with Mark Spybey at a Sixth Form College open day where mutual interests were quickly established. "The college has a Synthesizer, we can borrow it !" were the words that changed everything. A new world back then, and one which we have all continued to explore in our own diverse ways ever since.  Жанр: ElectronicСтиль: Berlin School Год издания: June 1, 2009 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 023 Продолжительность: 00:47:02 Треклист: 01. Introduction ...... 01:35 02. New Church 1 ...... 05:46 03. Wright On ...... 05:34 04. New Church 2 ...... 09:04 05. March For Peace ...... 04:00 06. Moorland Dark ...... 06:26 07. WDR 74 ...... 06:02 08. Gone Mission ...... 04:05 09. New Church 3 ...... 04:27 All titles written, recorded and produced by Steve Dinsdale August to September 2008 at Yorkshire Post. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Abstract, Experimental, Ambient Год издания: December 1, 2010 Тип издания: CD, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 031 Тип рипа: tracks (no log, .cue) Продолжительность: 00: 47:45 Треклист: 01. Egyptian Reggae ...... 02:52 02. Can Do ...... 04:25 03. Pandora ...... 03:34 04. Consequences ...... 04:59 05. On The Other Side I ...... 10:09 06. On The Other Side II ...... 04:38 07. On The Other Side III ...... 07:53 08. On The Other Side IV ...... 09:10 Written, Recorded and produced by Steve Dinsdale at Yorkshire Post late 2009. [CUETools log; Date: 01.07.2025 10:15:56; Version: 2.2.6] ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Experimental, Ambient Год издания: April 28, 2012 Тип издания: CDr, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 033 Тип рипа: tracks (no log, .cue) Продолжительность: 00:38:55 Треклист: 01. The Vast Key 1 ...... 01:38 02. The Vast Key 2 ...... 05:07 03. The Vast Key 3 ...... 06:18 04. The Vast Key 4 ...... 02:16 05. The Vast Key 5 ...... 02:50 06. A Galaxy Of Dust ...... 20:43 Written, Played & Produced by Steve Dinsdale at New Yorkshire Post 2010-11 Voice samples on "The Vast Key Part 4" by Katherine Dinsdale [CUETools log; Date: 01.07.2025 10:16:05; Version: 2.2.6] ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1  Жанр: ElectronicСтиль: Berlin School, Experimental Год издания: August 24, 2012 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 034 Продолжительность: 01:14:58 Треклист: 01. The Vast Key 1 > The Vast Key 2 ...... 09:46 02. Pandora > Wright On > Fanfare ...... 20:17 03. A Galaxy Of Dust ...... 15:35 04. Gone Mission > On The Other Side 1 > Theremin > On The Other Side 3 ...... 24:56 05. The Vast Key 5 ...... 04:21 Recorded 28 April 2012, The Enck Theatre, Oirschot, The Netherlands; the concert showcased Steve Dinsdale's solo work to date, reworked, resequenced and remixed for live performance. Steve plays Keyboards and V-Drums to bring a new perspective and freshness to pieces appearing on his three solo albums. The 75 minute concert appears here in it's entirety, (including Steve's stage announcements, and the odd `blue note') to recreate as closely as possible this, his official solo concert debut. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1     Жанр: ElectronicСтиль: Berlin School, Experimental, Krautrock Год издания: January 7, 2018 Тип издания: WEB, Album Издатель (лейбл): Northern Echo Recordings Каталожный номер: NE 045 Продолжительность: 00:37:42 Треклист: 01. Dark Time ...... 05:31 02. Hit of Summer ...... 06:50 03. A Light Sprinkling of Moonweed ...... 06:17 04. First Light ...... 05:59 05. Dark Chambers ...... 08:24 06. Ibiza ...... 04:38 Special thanks to Gary Houghton on unwitting guitar (Tracks 1 & 6) ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 `Light & Dark’ is Radio Massacre International member Steve Dinsdale’s fifth solo studio album, and represents a continuation of the somewhat lighter (dare we say `commercial’?) style of his solo music. The running order and length was designed for possible vinyl release, but when this proved impractical, the concise nature of the album still suggested itself as an advantage, and although more material was available Steve was keen to maintain a collection of pieces that could comfortably be listened to in one sitting. “I like an album that can be assimilated in one go; not so long as to have forgotten what the first track sounded like by the time the last one comes along” says Steve.
The mood of the album is generally upbeat and positive, with bright textures and melodies suggesting a colourful and generally sunny outlook created by Steve’s use of sequencers, drums and the classic keyboard sounds (Rhodes and Mellotron in particular) with which he has become associated. The almost funky `Hit of Summer’ is perhaps the least typical excursion, yet in many ways the most appealing; “to me it sounds like the sun’s reflections dancing on the sea on a glorious day. Like all the pieces here it didn’t start out as any grand plan it just ended up that way once I started overdubbing” Steve smiles, “and the lower end of the Rhodes keyboard does a surprisingly convincing impression of a Bass Guitar”. `Moonweed' is of course an affectionate nod to Tim Blake, whilst `First Light' uses the authentic sound of the dawn chorus recorded in Skipton where the album was made...not just any old dawn chorus...these things are important. A spontaneous approach also brought out the doomy, dungeon-like textures of `Dark Chambers’, a piece which started off as a layered percussion meditation upon hearing some bad news about the possible future incarceration of an artist held in high esteem. Luckily this didn’t transpire, but the piece remains as a stark and necessary contrast to the rest of the album, and indeed as the justification for its title. Book-ending the collection are two pieces recorded with lifelong friend and band-mate Gary Houghton on guitar: “He didn’t know he was recording for my album when he visited, I didn't either, we were just trying out ideas. He brought the Gary Houghton effects arsenal for which he is justly famous, but rather less impressively left the power supply unit at home some fifty miles away. Instead I had to put him through my somewhat more basic effects pedal, but I like how this makes him sound less like Gary but at the same time unmistakably him”.  Жанр: ElectronicСтиль: Berlin School Год издания: April 19, 2013 Тип издания: WEB, Album Издатель (лейбл): Linear Obsessional Recordings Каталожный номер: LOR040 Продолжительность: 01:00:00 Треклист: 01. Is it real, or is it memorex? ...... 02:03 02. Mellotrons in the 80s ...... 04:26 03. Ketchup Bogie ...... 17:15 04. Elcaset ...... 12:35 05. They're Not Loops ...... 11:56 06. Time-Lag Accumulator ...... 11:42 Solo album by member of Radio Massacre International with music based exclusively on the sounds of the Mellotron. ----------------------- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 Outside of folk music, very few instruments carry as much cultural baggage as the Mellotron. In the same way pipes and drums instantly evoke Scotland, an accordion Paris, pan-pipes South America, so the strange tones of the Mellotron instantly bring you to the 1970s and particularly progressive rock and German experimental rock. This connection may be unfair, as the Mellotron first appeared in the early Sixties (and its predecessor, the wonderfully creaky Chamberlin first appeared in 1956), but I got to know the sounds of the Mellotron from records by Tangerine Dream, Hawkwind, Popol Vuh, King Crimson etc – and those early associations stick.
By the time I actually started to make music myself, the instrument had become deeply unfashionable, but throughout the punk and post-punk period I remained mesmerised by its unique and slightly creepy sounds. Whilst I was attempting to make angry, angular music with an electric guitar, I became aware of two younger local lads, Duncan and Steve (or DAS) who were making music that harked back to the synthesizer stuff I liked before trousers got skinny. A few years later I got to play with Duncan and Steve – the resulting music unsurprisingly sounded like a mix between angular post-punk and space-rock, and although Duncan didn’t have a Mellotron then – I somehow knew that one day he would. We were wrong to be contemptuous of the Mellotron of course – it was, after all, a precursor to the now ubiquitous sampler - even down to having a limited length of sample (as Duncan patiently explained to me “they’re not loops” – each key plays a strip of pre-recorded tape, and when it gets to the end, a spring mechanism pops it back to the start again). They were, of course, supposed to sound like orchestras and choirs – but they never quite do (despite the Musicians’ Union’s worries, they never got to replace symphony orchestras – And they’re hardly electronic at all – they’re mechanical, almost Heath Robinson-esque, steam-punk contraptions. So many years later Duncan plays in the extraordinary Radio Massacre International and has “a few” Mellotrons in his possession, and I ask him if he’d like to record something for Linear Obsessional, and to my utter delight he decides to make a Mellotron album. I like to think that “Electrical Tape” does for Mellotrons what Daniel Lapotin’s Oneohtrix Point Never does for the Polysynth, but that’s just fanciful thinking on my part, and it’s certainly not Duncan’s intention. But, what he has come up with is as mysterious and mesmeric as the instrument itself…and a delight. Richard Sanderson (April 2013) The only aspect of music that cannot be taught is intuition,
and the dark spaces that Radio Massacre International explore are created in this pristine spirit ________________________________________________ Chuck Van Zyl, Star's EndRadio Massacre International comprises Steve Dinsdale (Keyboards, Electronics, Drums) Duncan Goddard (Keyboards, Electronics, Bass) and Gary Houghton (Guitar, Keyboards). Since 1993 they have been building a catalogue of epic electronic improvisations, distilled into permanent records by the wonders of digital editing. After accumulating a library of 30 such pieces they finally released the double CD Frozen North in late 1995, and appeared live for the first time at the Emma festival in Sheffield. The band was also featured on the BBC's World Service, thus finding a truly international radio audience for the first time. R.M.I. had a website long before it was obligatory, and this has enabled the forging of relationships with listeners, promoters and radio stations across the world. 1996 saw them catapulted to European TV fame when they co-hosted the dance orientated 'Party Zone' on MTV, where they distinguished themselves by playing a live piece that did not contain a single discernible beat. The same month, they were the first electronic artists to play at England's famous Jodrell Bank observatory, in the shadow of the mighty radio dish. A second album of extended improvisations Republic and the live Knutsford In May were followed by the more concise Organ Harvest which was launched at the 1997 Klemdag festival in Nijmegen, Holland in front of the band's largest live audience to date. This year also saw the initiation of a series of CDR private releases in order to keep pace with their prolific output. Flushed by their European success the band recorded the sequencer and atmospherics album to end them all in the massive 1998 double CD Borrowed Atoms (supplemented by a further CD-R Bothered Atmos from the same sessions, these 200 minutes still stand as an early career peak). The millennium year brought appearances at the Alfa Centauri festival in Holland, and another visit to Jodrell Bank. The band's music was also featured in a BBC-TV programme 'Don't Look Down' about the 300 foot radio telescope. A further live album (Upstairs Downstairs) and a couple of long overdue archive releases (The God Of Electricity and Zabriskie Point) rounded off the year. In 2001 the band was instrumental in the founding of the Hampshire Jam concerts in southern England, highlights of which appeared on the various artists CD 'Hampshire Jam Preserved'. The studio album Planets In The Wires was the first on their own Northern Echo label and gathered many plaudits for its fresh approach to darker improvisational electronics, and almost neo-classical sonorities. In November 2002, R.M.I. played their first dates in the United States. In California they headlined the first night of the Progwest Festival, and appeared live on Radio KXLU in LA. Over on the East coast they addressed The Gathering at St Mary's Church in Philadelphia before improvising a marathon two and a half hour piece live on Star's End on Radio WXPN the same night. Highlights from this, their first US sojurn, are to be found on the double CD Solid States. Intensive preparation sessions for the above live appearances integrated acoustic drums and electric Bass into the R.M.I. palette, and 2003 saw them return to the concert stage in the UK and Europe with a debut performance at the National Space Centre in Leicester, and successful slots at the E-Live Festival in Eindhoven, Holland and the Virtaa Arts Festival near Helsinki, Finland in early 2004 alongside starkly different but complimentary acts. The Finnish gig was later immortalized on Walking On The Sea released in May 2004. Incorporating elements of Prog/Krautrock into their more established electronics they continued to broaden their horizons, (and test their fans' loyalties) by playing on any festival bill regardless of genre. Taking this approach to a logical conclusion they largely abandoned the electronics for a one off 100% improvised Guitar/Bass/Drums set with legendary Can guru Damo Suzuki on vocals in Manchester, UK in March 2004. Suzuki's influence had reverberated around the city for many years through Buzzcocks, The Fall, & Happy Mondays, and a packed venue saw a night to remember for all concerned. The USA beckoned once more in May 2004 where the band made a return visit to The Gatherings concerts in Philadelphia, and recorded a new session for Chuck Van Zyl's 'Star's End' radio show. After meeting Cuneiform Records supremo Steve Fiegenbaum in Philly, R.M.I. recorded an album Emissaries for the label, released May 2005. In collaboration with artist Matt Howarth, it features his original story and artwork available on enhanced CD. Between 2003-6, they gave annual performances at the UK National Space Centre, perfor.m,i.ng with guest artist Ian Boddy on the last of these occasions in March 2006. R.M.I. released the Septentrional CD on Boddy's DiN label, with Boddy treating and remixing the material. This album was promoted with a syndicated 'living room concert' for long running US radio show 'Echoes'. In December 2006, they finally released the long awaited 6 CD compilation Lost in Space, a career retrospective but containing entirely unreleased studio material from 1987 to 2003. September 2007 saw the release of a second Cuneiform album Rain Falls in Grey, their way of saying goodbye and thanks to Syd Barrett. The cover art for this release was drawn by the legendary Daevid Allen and the album featured contributions from UK reeds man Martin Archer and American Electric Violinist Cyndee Lee Rule. The album was launched with a concert at the Y Theatre in the UK featuring Archer, followed by a November visit to the U.S. where the band performed a run of radio sessions and concerts. A completely improvised Gatherings concert in Philadelphia was among the band's best all time performances, and a full blown band set at Orion Sound Studios in Baltimore saw them deliver the new album augmented by Cyndee Lee Rule and NYC reeds maestro Premik Russell Tubbs to fantastic response. In 2008 they were invited to create the soundtrack for 'City 21', a film about urban futures, and their growing status on the Progressive scene in the USA was confirmed with an appearance at the prestigious NEARfest, where they played a well-received set in front of a thousand strong audience, many of whom were hearing R.M.I. for the first time. Later the same year, they travelled to The Netherlands to headline the E-Live festival in Eindhoven, where they returned to purely improvised electronics once again. A third album for Cuneiform Time and Motion was recorded in the spring of 2009, once again in the plush surroundings of the Greenhouse, and featured guest Martin Archer on a variety of reed instruments. Archer also appeared with R.M.I. at their third Hampshire Jam concert in October. Released at the start of 2010, Time and Motion was a large scale double album which largely saw a refinement of R.M.I.'s extended, improvised electronic template. In March the band played a UK date at the Awakenings concerts, accompanied for the opening piece by a troupe of 22 female dancers. In April the band once again made a welcome return to the USA playing concerts at The Gatherings and Orion Sound Studios as well as three extended radio sessions. 2011 finally saw the release of the City 21 soundtrack on CD, and the group played their first church concert in the UK, in Chorlton, Manchester. This concert was received by long term followers of the band as their best to date. In spring 2012, by invitation, Steve Dinsdale took to the stage at Awakenings and E-Day concerts as a solo artist for the first time, playing exctracts from his first three albums. R.M.I. activity resumed in late 2012 with another show at The Awakenings concerts and some intensive recording which would eventually result in the Eavesdropping/Still/Threads trilogy. In May 2013 after returning to Chorlton to perform a follow up church concert, they once again jetted off to the USA to perform a triumphant show at The Gatherings, and make several radio appearances. The band were temporarily put on hold due to illness, but re-emerged in late 2015 to play the Awakenings concerts, and make a debut appearance at the B-Wave festival in Belgium, augmented this time by Jez Creek and John Christian. A lot of behind the scenes work organising archive material and consolidating their position on Bandcamp kept RMI out of the spotlight for much of the late 2010's but they returned to play a couple of well received concerts at Rugeley Pavilion in 2019 and 2023. They continue to revisit aspects of their 30 plus year career, taking the opportunity to re-issue classic recordings, greatly expanded with unreleased material, in high quality downloads via the Bandcamp platform. Recording-wise they have moved from their long term base in sunny Stockport and made several excursions to Castleton in North Yorkshire to record the already available TS11 and Outside, and the forthcoming major release on Cuneiform Galactic Furnace which is due in November 2024. До полной дискографии не хватает следующих релизов:
Radio Massacre International: 2013 - The Clouds Of Titan (CD-rip) 2014 - The God Of Electricity Expanded обновлённый вариант с 4 треком "The God Of Electricity Expanded: Complete 2 Hour Version" 2018 - hampshire jam 2005 2020 - petrol made out of potatoes 2022 - Completely Solid States 2023 - The Gatherings 2013 (CD-rip) 2024 - Galactic Furnace (CD-rip) 2025 - Threads Still Expanded 2025 - Eavesdropping Expanded Steve Dinsdale: 2014 - Tomorrow 2023 - Forgotten Not Gone 2023 - A Cosmos Of Sand 2024 - Scarabus Duncan Goddard: 2013 - "copshow" (сингл) Если у кого-то есть недостающие сканы обложек (или более высокого качества), "документы" для некоторых рипов (или более качественные рипы), буду весьма признателен, если поделитесь. К сожалению музыканты к выпуску некоторых альбомов с архивными сессиями отнеслись небрежно, что мы можем наблюдать на приложенных скриншотах. И исправлять это желания у них нет. В раздачу не включён 2018 - The Music Machine, т.к. это радиошоу и качество там соответствующее, любой желающий может его скачать с Bandcamp.  При размещении релиза на других ресурсах, просим указать NEW-TEAM как источник!Для того, чтобы скачать .torrent Вам необходимо зарегистрироваться |
protoz |
Долго же я собирался сделать эту раздачу. Если бы не активная помощь и консультации Klorus X, так бы и не решился.
Надеюсь, что совместными усилиями, недостающие релизы (в шапке всё указано) будут найдены.  |
DrStandBy |
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Klorus X |
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DrStandBy |
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DrStandBy |
Klorus X, спасибо за активное участие
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protoz |
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DrStandBy |
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protoz |
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Klorus X |
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protoz |
| Быстрый ответ |
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Вы должны войти в систему, прежде чем совершить данное действие. |