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Darkroom / Discography (Web)
 Жанр: Ambient, Drone, Experimental, Post Rock Страна-производитель диска: UK Год издания диска: 1999-2020 Тип издания: WEB Аудиокодек: FLAC (*.flac) Тип рипа: tracks Продолжительность: 20:54:33 Источник (релизер): bandcamp Наличие сканов в содержимом раздачи: cover Darkroom are Michael Bearpark: guitars, pedals, loops and feedback Andrew Ostler: synthesizers, laptop, processing, woodwind & reeds Darkroom are a UK-based duo, originally formed to provide a live film festival soundtrack on which their debut album ‘Daylight’ (released on the 3rd Stone label in 1998) was based. Guitar but not guitar; synthesizers but not keyboards – Darkroom’s music starts with improvisation and a distinctive approach to sound design, followed by disciplined editing and stop-motion studio craft. By turns beautiful and beautifully ugly, theirs is a very human music that always sounds ‘played’ not ‘programmed’, despite the technology that's essential for producing it. Darkroom's 2013 double album Gravity’s Dirty Work showcases their extended composition through performance and post-production approach. Beginning with the snarling lines and motorik percussion of Strung With Black Nylon, it builds through the heavenly radiance of Karhupuisto / Beautiful Retreat towards the lost-summer reveries and scandi-jazz melancholia of A Pair A Part. 2015's extended The Rest Is Noise is distilled from multiple performances captured at the Tuesdays Post nights ('Live Progressive Ambient') the duo co-host, alternating between serene ambience and noise furnace. Rather than showcasing their influences, Darkroom tease out the DNA of any music that inspires them, before exploring wherever it and their own ideas and experiences take them. Darkroom's previous live performances include Santa Cruz (Y2K15 festival headliners), Zürich, Antwerp, Köln, Glastonbury, Cambridge, and many nights in London. They've contributed to film and BBC television soundtracks, and been remixed by Silver Apples, Bass Communion and others. New collaborators include Hubbub, a multidisciplinary research team exploring the science of noise. Darkroom's music in progress is often made available to stream via SoundCloud, with finished released available through Burning Shed, Bandcamp, and elsewhere. Michael is also guitarist for No-Man, Tim Bowness, Henry Fool and Pedaltone, among others, appearing both live and on studio recordings. He's also a Professor of Computational Chemistry. Andrew runs music software and hardware company Expert Sleepers, specialising in the integration of computers and analogue, particularly modular, synths.  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 54:24 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - King Of The Cowboy Singers (3:59) 02. Darkroom - Bottleneck (10:34) 03. Darkroom - Bludgeon Riffola (5:16) 04. Darkroom - Galaxy Craze (4:37) 05. Darkroom - Charisma Carpenter (7:02) 06. Darkroom - Kaylenz (13:58) 07. Darkroom - Seethrough (4:40) 08. Darkroom - Baby Boomtown (4:18) Originally released in 1999, Seethrough is the most dynamic, twisted and song-orientated release in the band's career. Seven slices of electronica-driven aural assaults (occasionally recalling the more extreme experiments of Underworld or Wild Opera-era No-Man), find Messrs Bearpark, Bowness and Os maniacally playing with the possibilities of the turn of the century pop song. How S Club 8 should sound in 2003! released September 1, 2003 all tracks written and performed by darkroom peter chilvers plays bass on 3, 4 & 6 produced by os recorded in cambridge november 1998 - june 1999 remastered august 2003 
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:14:00 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - One (21:39) 02. Darkroom - Two (9:18) 03. Darkroom - Three (8:34) 04. Darkroom - Four (5:47) 05. Darkroom - Five (5:31) 06. Darkroom - Six (11:38) 07. Darkroom - Seven (11:33) The first in Darkroom's live Fallout trilogy, this collection mainly dates from performances in London and Cambridge in 1999/2000 and features the full trio of Tim Bowness, Michael Bearpark and Os. A seamless blend of treated vocal and guitar improvs, scattergun rhythms and inventive synth experiments which calls to mind an unholy alliance between Fripp/Eno, Photek and Satan himself. released January 1, 2001 music performed and written by: michael bearpark, tim bowness, andrew ostler produced and engineered by os contains live recordings taken from the following performances: 23.09.1999 cb2, cambridge 11.11.1999 cb2, cambridge 08.04.2000 the cambridge darkroom gallery, cambridge 04.06.2000 the scala, london 24.06.2000 the moon, cambridge photography by carl glover
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:14:00 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - One (21:12) 02. Darkroom - Two (11:46) 03. Darkroom - Three (15:47) 04. Darkroom - Four (25:15) Featuring Darkroom as duo (Michael Bearpark and Os), Fallout 2 is another collection of hair raising live performances from this impossible to pigeon-hole improv-electronica outfit. released January 1, 2002 music by michael bearpark, andrew ostler produced by os contains live recordings as follows: 29.04.2000 the portland arms, cambridge 30.06.2000 the cambridge drama centre, cambridge 19.10.2000 cc's, cambridge 01.03.2001 cc's, cambridge made in the eec. all rights reserved. photography by carl glover design by aleph
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:14:00 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - One (7:28) 02. Darkroom - Two (2:18) 03. Darkroom - Three (9:58) 04. Darkroom - Four (5:56) 05. Darkroom - Five (7:03) 06. Darkroom - Six (6:33) 07. Darkroom - Seven (9:14) 08. Darkroom - Eight (8:47) 09. Darkroom - Nine (5:10) 10. Darkroom - Ten (11:33) Fallout 3 is a celebration of the art of post-production, subjecting unreleased Darkroom live material to the possibilities of the studio while retaining the music's improvisational spirit. Amorphous, eerie and winningly ethereal, Fallout 3 is perhaps the most audacious and intriguing of the band's releases so far. Featuring the full trio of Michael Bearpark, Tim Bowness and Os. released February 1, 2002 music by michael bearpark, tim bowness, andrew ostler produced by os contains live recordings as follows: 23.09.1999 cb2, cambridge 11.11.1999 cb2, cambridge 08.04.2000 the cambridge darkroom gallery, cambridge 29.04.2000 the portland arms, cambridge 04.06.2000 the scala, london 24.06.2000 the moon, cambridge 30.06.2000 the cambridge drama centre, cambridge made in the eec. all rights reserved. photography by carl glover design by aleph
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:01:56 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Butterfly2 (7:50) 02. Darkroom - After Dark (9:26) 03. Darkroom - Dark Tomb (6:19) 04. Darkroom - Interlude (8:06) 05. Darkroom - Dreams Come Licking (7:08) 06. Darkroom - Ambitronic Remix (5:04) 07. Darkroom - 21st Century Schizoid Remix (7:32) 08. Darkroom - Shutterbug (2:55) 09. Darkroom - Remix 2 (7:36) A collection of unreleased Darkroom explorations recorded at the Digital/Analogue Cambridge Festival, 2001, and subsequently put through the mixing mangle by the talented likes of Bass Communion, Rhinoceros, Theo Travis and Centrozoon. Also contains Butterfly 2, featuring a vocal contribution from Tim Bowness. "The Digital/Analogue Cambridge Festival took place on June 30th 2001 at the Cambridge Museum of Technology. Various artists were installed around the buildings, creating a continuous sonic collage for the attendees to wander through. Mike and Os of Darkroom played for over 3 hours and recorded most of that. "For this project, the mixers were given about an hour selected from those recordings. The only constraint they were given was that their mix had to use at least some of this material. "Os, Cambridge, May 2004." released May 1, 2004 Additional credits: Tim Bowness sings on track 1, recorded by Peter Chilvers. Track 5 remixed by Os. Produced and mastered by Os, December 2003.
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 46:54 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - The Valley Of Ten Thousand Smokes (5:58) 02. Darkroom - Some Of These Numbers Mean Something (6:17) 03. Darkroom - My Sunsets Are All One-Sided (6:44) 04. Darkroom - Mercury Shuffle (4:13) 05. Darkroom - No Candy No Can Do (4:17) 06. Darkroom - Two Is Ambient (7:30) 07. Darkroom - Chalk Is Organised Dust (5:31) 08. Darkroom - Insecure Digital (2:20) 09. Darkroom - Turtles All The Way Down (4:04) Darkroom's latest album, Some Of These Numbers Mean Something - their 8th to date - marks the 10th anniversary of debut release, Daylight. The original brief for the new album was, 'guitar under microscope'. In places, it's the hardest hitting Darkroom album to date, but without doubt it's also the most accessible, combining 70's space rock, 80's Sheffield electronica, 60's guitar instrumentals and contemporary post rock. Mixing classic synthesizer & guitar tones with inventive post-production, the album combines improvisation with carefully crafted and layered arrangements to reward repeated listenings. From Santana & Tangerine Dream to Cocteau Twins & Tortoise, file under ambient stadium rock. The album was mastered by award-winning engineer Jon Astley (The Who, Led Zeppelin) and features a typically evocative Carl Glover sleeve. released October 3, 2008 Darkroom are Michael Bearpark - electric guitars, pedals, loops and feedback, acoustic guitar, bass Andrew Ostler - synthesizers, programming with Andrew Booker - drums Recorded and mixed by Os between August 2007 and July 2008 In Royston, Letchworth and London UK Produced by Darkroom Mastered by Jon Astley at Close To The Edge Practise safe sound, but turn it up Any crackling noises are correct Concorde photograph from Carl Glover archives Portrait photography by Andrew Ostler Design by Aleph
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:00:23 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Strung With Black Nylon (6:54) 02. Darkroom - Baby Armageddon (7:50) 03. Darkroom - There’s No Such Thing As Noise (8:13) 04. Darkroom - Karhupuisto / Beautiful Retreat (6:42) 05. Darkroom - Ahead Finitely (3:54) 06. Darkroom - Gravity’s Dirty Work (10:57) 07. Darkroom - Memorianova (7:01) 08. Darkroom - A Pair A Part (8:53) "Brimming with exquisite hooks, sub-sonic grooves and luscious immersive environments… Gravity’s Dirty Work from progressive electronica outfit Darkroom has all the drama, drive and dynamic punch you’d expect from a rock album. At times sepulchral and brooding, at others transcendent and uplifting, it ends in lost-summer reveries and echoey melancholia." - Sid Smith The Darkroom duo of Michael Bearpark (No-Man, Henry Fool) and Andrew Ostler (Expert Sleepers) return with their first double album. Begun as an exploration of early 90's electronica and its many sources, the album developed from extended improvisations through meticulous editing, layering and post-production into a coherent and timeless suite. The trademark blurring of guitars, synthesiser and found sounds moves from the heavenly Beck meets Talk Talk atmospherics of Karhupuisto / Beautiful Retreat through apocalyptic foot-on-monitor fuzz mayhem at the end of the title track before closing with the eloquent scandinavian jazz-electronica fusion of A Pair A Part. Also featuring Andrew Booker (No-Man, Henry Fool, Sanguine Hum) on percussion and Simon H. Fell (Keith Tippett, Derek Bailey, Lol Coxhill) on double bass, the album is mastered for all formats by Jon Astley (The Who, George Harrison, Tori Amos). Artwork by the inimitable Carl Glover. Free sampler EP available now on Bandcamp, featuring the album track Ahead Finitely. A sampler video with excerpts from the album is here: www.youtube.com/watch?v=o3fswBwNEIc released October 1, 2013 Darkroom are Michael Bearpark: electric guitars, pedals, loops and feedback, bass Andrew Ostler: synthesizers, keyboards, programming with Rekoob Werdna: cymbals (1) Simon Taylor: trumpet (8) Simon H. Fell: double bass (8) Andrew Booker: percussion (8) Recorded by Andrew Ostler Mixed and produced by Darkroom Finalised by Jon Astley at Close To The Edge Design by Carl Glover for Aleph Studio Thanks to: Richard Smith, Swanny, muffwiggler.com, Georgina Brett, Michael Peters, Sid Smith, Barry Cleveland & Guitar Player, Anil Prasad, Tobias Fischer, Dann Chinn, Ian Fairholm, Kavus Torabi & Phoenix FM, Pete & Tim @ The Shed, Andy, Simon F, Simon T, Jon, Carl, Clark & Fiona, Elif, Melissa, Anthony, Lisa, Ella, Joe, ... Mike: remembering Doreen & Leonard Os’s extra special thanks: to Edward and Fergusson, a pair and a very large part
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 3:43:55 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Sarkara / Maid Of Stone (24:45) 02. Darkroom - Don't Take The Beats For Granted (18:14) 03. Darkroom - Saudade / Maid Of Stone (22:01) 04. Darkroom - The Coolest Tool Of Control (15:05) 05. Darkroom - Vashenka (21:19) 06. Darkroom - Zama (10:31) 07. Darkroom - The Tree Of Lost Soles (20:33) 08. Darkroom - Forest Gate (16:50) 09. Darkroom - Eyes Can Only Take You So Far (8:25) 10. Darkroom - Pitch Drop Experiment (15:53) 11. Darkroom - Bicycle Day (15:10) 12. Darkroom - The Weather Inside (18:10) 13. Darkroom - Flogsta Scream (17:00) The Rest Is Noise is based on Tuesdays Post (www.tuesdayspost.com) performances from April to October 2014. Thom Yorke may just have upstaged us with an 18 day long song, but it's hard to imagine anyone being able to listen to that in one session. Whereas The Rest Is Noise - short by comparison at just under 4 hours - is a virtual boxed set, edited and mastered for your extended listening pleasure. It's the evolving live Darkroom sound captured and distilled, from serene ambience to noise furnace, together with photography for each piece by new collaborator Israel Denadai. * Sarkara / Maid Of Stone * Don't Take The Beats For Granted Recorded at Tuesdays Post at The Strongroom, London, 15th April 2014. * Saudade / Maid Of Stone * The Coolest Tool of Control Recorded at Tuesdays Post at The Strongroom, London, 20th May 2014. * Vashenka * Zama Recorded at Tuesdays Post at The Strongroom, London, 17th June 2014. With Georgina Brett: voices * The Tree of Lost Soles Recorded at Tuesdays Post at The Others, Stoke Newington, London, 15th July 2014. * Forest Gate * Eyes Can Only Take You So Far Recorded at Tuesdays Post at The Others, Stoke Newington, London, 7th September 2014. * Pitch Drop Experiment * Bicycle Day Recorded at Tuesdays Post at The Others, Stoke Newington, London, 5th October 2014. * The Weather Inside * Flogsta Scream Recorded at David’s Music, Letchworth Garden City, 15th March 2014. Thanks to - Georgina Brett, Ashlie Sky, Alice Néant, Simon @ The Others, Karen Shook, Wally van Middendorp, Richard Smith, Hazal Elif Yalvaç, Israel Denadai, Julian Kelsey, Mal Chapman, Daniel Steinhardt, iZotope, Graham de Vere White released June 3, 2015 Darkroom are Michael Bearpark: guitar, pedals Andrew Ostler: bass clarinet, alto saxophone (8, 10), synthesizer, laptop Recorded by Andrew Ostler Mixed, produced and mastered by Darkroom www.darkroomtheband.net Photography by Israel Denadai
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 49:57 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - We See The Same Stars Differently (24:40) 02. Darkroom - Redwood Variations I (25:17) We See The Same Stars Differently is based on recordings from Darkroom’s headline performance at the Y2K15 International Live Looping Festival in Santa Cruz, California. The evolving live Darkroom sound presented here combines spacious instrumental and found sound ambiences with searing guitar textures and post-industrial noise, all created and captured on location in 2015, with final post-production in 2016. The missing link between The Banshees and Zeit-era Tangerine Dream. Dancing on a knife’s edge: Anil Prasad’s Darkroom Innerview www.innerviews.org/inner/darkroom.html * We See The Same Stars Differently Recorded at the Tannery Arts Center, Santa Cruz, California, 25/10/2015. y2kloopfest.com Dedicated to the Recording Angel: for inspiration, always; this time, apart. * Redwood Variations I Recorded at London Road Studios, Baldock, UK, 17/10/2015. Thanks to: Rick Walker (Y2K loopfest supremo), Bill Walker, Chris Wedertz, Nancy Levan, Maha Jumaie Taitano for live sound, Anil Prasad, Barry Cleveland, Bradley Stone, Max Richter for Sleep (when we couldn’t), Hazal Elif Yalvaç, Colin Edwin, Aaron Dorey @ Sound Technology Ltd, EBS Sweden AB for Red Twister and OctaBass, Joe’s Pedals, Stompbox (Northwood), Ross Lamond, George Wiltshire, the international Looper’s Delight community - friends old and new in Santa Cruz 2015 and thinking of those who couldn’t be there, The Loop @ Henry Cowell Redwoods State Park, LB, Ian Fairholm and the Epileptic Gibbon podcast music show. released March 31, 2016 Darkroom are Michael Bearpark: guitar, pedals Andrew Ostler: flute, synthesizer, laptop Recorded by Andrew Ostler Mixed, produced and mastered by Darkroom www.darkroomtheband.net Field recordings and photography by Michael Bearpark
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 57:29 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - The Axe Forgets But The Tree Remembers (57:29) Recorded in Medicine Man at Wellcome Collection, London on 4th September 2015, as part of a collaboration with the Hubbub research project: wellcomecollection.org/events/friday-late-spectacular-hubbub released July 24, 2016 Mixed by Andrew Ostler & Michael Bearpark, September 2015 Mastered and finalised June 2016 Produced by Darkroom Music: Michael Bearpark - guitar, pedals, feedback Andrew Ostler - bass clarinet, modular synth, laptop Photography: Israel Denadai Special thanks: Charles Fernyhough (charlesfernyhough.com), James Wilkes, Kimberley Staines and the Hubbub team (hubbubresearch.org); Pigalle Tavakkoli, Jessica Simpson and the Guerrilla Science team (guerillascience.org) @ Secret Garden Party; Hazal Elif Yalvaç (hazalelif.bandcamp.com); Ian Fairholm (epilepticgibbon.co.uk) for EppyFest and much more; Israel Denadai (lighthouseinthefog.com.br); Lise Myhre and Nemi (nemi.no); Dan Coggins (dinosaural.com); LB; Henry Wellcome. Dedicated to the memory of Nick Mason (1989 - 2016): scientist and musician.
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 3:20:47 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Once Proud Eyes / Oumuamua (25:03) 02. Darkroom - Once Proud Eyes / Haumea (17:35) 03. Darkroom - Agnotology (26:47) 04. Darkroom - Science Is All About Staring (25:33) 05. Darkroom - Losing Our Precision (9:22) 06. Darkroom - Scorzonera / Maid Of Stone (22:47) 07. Darkroom - Serene / Never The Same Way Once (18:57) 08. Darkroom - Runway Excursion Incident (21:16) 09. Darkroom - Kintsukuroi (33:26) 24Bit Darkroom’s new album The Noise Is Unrest - over 3 hours and 20 minutes of fractured ambiences and expansive sonic abstractions - is released to coincide with their performance at the Extreme Chill festival in Iceland in September 2019. An album collects music that belongs together and which develops a narrative. The nine pieces included here do both: it’s just that they're mostly 20 minutes long or more; each having their own stories that develop inside. As with 2015’s predecessor album The Rest Is Noise, much of the music presented here was recorded as part of the Tuesdays Post concert series that Darkroom co-organised with singer / composer Georgina Brett between 2013 and 2016. The Noise Is Unrest is based on the later pieces, in the order they were originally recorded, following a post-production process of subtracting and shaping without adding anything more, for repeated later listening. Throughout The Noise Is Unrest, sounds evolve and reappear across the different pieces as characters with a life of their own. There’s cathedral-like echoey beauty, unsettling volcanic noise, slow transformations and dramatic contrasts; all fitting for the Iceland launch location chosen, though this couldn’t have been guessed when these recordings were originally made. The Noise Is Unrest is an album about not settling and moving ever onward. During the drive back from the last concert documented here, it became clear that this part of a musical journey was coming to an end. Much more was to follow: festival performances (including Y2K15 in Santa Cruz, released as We See The Same Stars Differently); collaboration with the Wellcome Trust (released as The Axe Forgets But The Tree Remembers); unexpectedly special connections, studio moves, illnesses, and more… stories that now frame this work, the first full Darkroom album release since 2016. Intended to be timeless, The Noise Is Unrest was nevertheless created in a very specific time and place. Who’s going to listen to an album that’s more than 3 hours long? This is the time it takes to fly from London to Istanbul. Create your own reasons… * Once Proud Eyes / Oumuamua Recorded at Tuesdays Post at Dot To Dot, Letchworth Garden City, 1st November 2014. * Once Proud Eyes / Haumea Recorded at Tuesdays Post at The Others, Stoke Newington, London, 2nd November 2014. * Agnotology Recorded at Tuesdays Post at The Others, Stoke Newington, London, 7th December 2014. * Science Is All About Staring * Losing Our Precision Recorded at Sonic Imperfections at The Montague Arms, London SE15, 9th December 2014. * Scorzonera / Maid Of Stone Recorded at Tuesdays Post at The Others, Stoke Newington, London, 1st March 2015. * Serene / Never The Same Way Once Recorded at Serene at The Gunners, London N5, 21st March 2015. * Runway Excursion Incident Recorded at Tuesdays Post at The Others, Stoke Newington, London, 7th June 2015. * Kintsukuroi Recorded at Listening Club at The Peckham Pelican, London SE15, 14th June 2015. released September 13, 2019 Recorded by Andrew Ostler Mixed, produced and mastered by Darkroom Music: Michael Bearpark - guitar, pedals Andrew Ostler - modular synthesiser, laptop, bass clarinet, contrabass clarinet Photography: Israel Denadai www.israeldenadai.com.br Special thanks: Georgina Brett, Alice Néant, Simon @ The Others, Karin Shook, Wally van Middendorp, Ian Faragher, Nigel Bryant, Jude Bassil, Oliver Sanders, Elif Yalvaç, MAM 1585, Israel Denadai, Jason Arber, iZotope Dedicated to the memory of Björn Gugu: scientist and musician
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 39:05 Наличие сканов в содержимом раздачи: digital booklet Tracklist: 01. Darkroom - Arrokoth (15:40) 02. Darkroom - The Uncut Stones Of Night (23:25) 24Bit Home Diaries was an invitation by the Whitelabrecs label to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions in 2020, due to the coronavirus outbreak. This, the penultimate Home Diaries edition, is the first and only collaboration released as part of the series. UK duo Darkroom - Andrew Ostler and Michael Bearpark - are renowned for their extended live performances: rarer following Andrew’s move to Scotland; now even more challenging with the pandemic and resulting lockdown. Seeking and finding positives throughout this time, Andrew has been performing as part of streaming event series. Mike was present on these occasions from a distance via guitar recordings transferred to cassette: one from a Darkroom performance in Edinburgh towards the end of 2019, and another, inspired by Scotland, that seeded the recording of their full Whitelabrecs album planned for November 2020. The two pieces presented here evolve through multiple shades of colour and dynamics, retaining an open live feel; 'Arrokoth' and 'The Uncut Stones of Night' are very much of their time, yet combine to make a timeless album experience, with a total running time of 40 minutes. * Arrokoth Original recording for Fuzz Bat Live Stream - 31st March 2020 www.youtube.com/watch?v=poqOMDOs668 Guitar: recorded at The Darkroom, 2nd February 2019 * The Uncut Stones Of Night Original recording for More Kicks Than Friends - 29th April 2020 www.youtube.com/watch?v=2Sqz1poa1uE Guitar: recorded at Henry’s Cellar Bar, Edinburgh, 13th November 2019 released June 26, 2020 Recorded by Andrew Ostler Edited, mixed, and produced by Darkroom Mastered by James Edward Armstrong Andrew Ostler - bass clarinet, modular synth, laptop Michael Bearpark - guitar, field recordings Originally released on Whitelabrecs: whitelabrecs.bandcamp.com/album/home-diaries-029 Special thanks: Harry Towell (Whitelabrecs), Stuart Fraser (Fuzz Bat), Ned Rush (More Kicks), Elif Yalvaç, New Horizons, Roy Fuller. Go well, LB
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 5:55 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Deconstructed (5:55) A piece originally composed for a Greek compilation album themed around the concept of the "deconstructed guitar". Mike Bearpark's trademark multi-pedal guitar techniques are put through the unique Os studio filter to produce this evocative Fripp and Eno-tinged soundscape. released August 1, 2004
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 19:24 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Remix 1 (6:29) 02. Darkroom - Remix 3 (5:49) 03. Darkroom - Remix 4 (7:06) Many view Nemeton's "Remix 2", the last track on The DAC Mixes, as amongst the highlights of the album. "Remix 2" was picked as being the best of the four remixes submitted by Nemeton, but it was a close call as the band considered all of them excellent. Rather than have these tracks languishing, unheard, on the Darkroom hard drive, the band decided to put these out as a free download and a subtle advertisement for the original 'The DAC Mixes' album itself (which featured mixes and contributions from Bass Communion, Tim Bowness, Theo Travis, Peter Chilvers and Centrozoon, amongst others). Enjoy! released January 28, 2006
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 6:44 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Borrowed Light (6:44) 24Bit Borrowed Light is an alternative mix of the track 'My Sunsets Are All One-Sided', taken from Darkroom's album 'Some Of These Numbers Mean Something'. released October 22, 2008
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 2:58 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Grey October Day (Darkroom Remix) (2:58) 24Bit Darkroom's remix of "Grey October Day" by Judy Dyble & Tim Bowness. released October 28, 2011
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 40:46 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Ahead Finitely (3:54) 02. Darkroom - Selsey Reflections (10:30) 03. Darkroom - Light Sleeper (7:49) 04. Darkroom - Alien Grace (18:33) A free introduction to the band, Selsey Reflections features the single Ahead Finitely taken from the new album Gravity's Dirty Work, together with exclusive and archive tracks: the odd time signature sequences of Selsey Reflections; the intense live performance of Light Sleeper; and the first track recorded by the project that became Darkroom, the 18-minute dub collage Alien Grace, restored and remastered for 2013. 'Gravity's Dirty Work' can be pre-ordered now here on Bandcamp. * ahead finitely Part of the 2013 album Gravity’s Dirty Work. darkroomtheband.bandcamp.com/album/gravitys-dirty-work Like Oxygene IV re-imagined by Bill Laswell, Ahead Finitely sees the trademark Darkroom mix of atmospheric loops and abrasive guitars placed alongside vintage analogue synthesiser pulses. Ahead Finitely, the accompanying short film by Richard Smith (director of No-Man's Mixtaped and Returning) and Andrew Swann, can be seen at www.vimeo.com/16620132 A 'making of' video, including interviews with the band, can be seen at www.vimeo.com/16760728 * selsey reflections Selsey Mirrors was Darkroom's contribution to the Loopers’ Delight 12.12.12 project, coordinated by Georgina Brett and Kavstik Kurva livelooping.bandcamp.com/album/loopers-delight-12-12-12-project Edited and remixed in 2013 to become Selsey Reflections. Based on sequencer patterns formed from divisors of 12 (6, 4, 3, 2) in order, generating a 15/8 feel that drifts in and out of phase at 144 bpm. Other goals for the piece originally were that it should be 12 minutes long, and incorporate a 12 string electric guitar played through 12 pedals. To bring it all back down to earth, we then shredded the modular synth through a vintage germanium fuzz. Selsey Mirrors: remembering the Astronomer. * light sleeper Recorded live in September 2012. From the rehearsals for Darkroom’s London 2012 mini-tour, with minimal editing. Solo guitar, modular synthesiser and laptop. The first and so far only time Mike’s guitar pedals were MIDI-synced. A disco danse macabre. * alien grace Recorded to tape and mixed live in 1996 for the Nevers Film Festival, as backing for a live soundtrack performance to accompany a screening of the Roswell Alien Autopsy. The first piece recorded by the project that became Darkroom. released September 5, 2013 Darkroom are Michael Bearpark: electric guitars, pedals, loops and feedback, bass Andrew Ostler: synthesizers, keyboards, programming Recorded by Andrew Ostler Mixed and produced by Darkroom Finalised by Jon Astley (1) and Darkroom (2, 3, 4) Image by Carl Glover for Aleph Studio Special thanks: Richard Smith and Swanny (1), Georgina Brett and Kavstik Kurva, TouellSkouarn, Merv Pepler (2), John Fossey (3), Philip Ilson and David Kosten (4).
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 15:06 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Trident Mountain Sky (15:06) 24Bit Trident Mountain Sky is a three guitar piece recorded during the early (Feb 2009) sessions for Darkroom’s Gravity’s Dirty Work album (2013). The three guitars (including an electric 12-string) were recorded in succession, processed live through the about-to-be-released Oomingmak plug-in (Expert Sleepers), which generates additional synthesizer and ring modulator tones from each guitar part. A modular synthesizer bass part was added late 2013, largely based on analogue delay feedback. www.flickr.com/photos/darkroomtheband/11971349326/ released January 15, 2014 Michael Bearpark: guitars Andrew Ostler: software development, modular synthesizer Recorded by Andrew Ostler Mixed, produced and mastered by Darkroom Photo credit: Dave Kleinschmidt
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 49:18 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Grey Skies Acting (5:45) 02. Darkroom - D_Ds_2007_02_01_0001 (5:21) 03. Darkroom - Two (From Fallout 3) (2:19) 04. Darkroom - D_Ds_2007_02_01_0005 (9:14) 05. Darkroom - Aneurhythm (13:16) 06. Darkroom - Two (From Fallout One) (9:19) 07. Darkroom - Grey Skies Reprise (4:04) 24Bit except track 3 Music by Darkroom chosen by filmmaker Chris Marsh for his sci-fi short Rhombus. Centred around recordings from the 2013 London Loopfest, it also features tracks produced in collaboration with Flamencamericana guitarist Daryl Shawn, alongside remastered cuts from the ‘Fallout’ live trilogy. The film is currently doing well on the festival circuit, winning ‘Best Experimental Film’ at the Bottle Cap Film Festival (UK) and receiving a nomination for Best Experimental at the Artemis International Film Festival (Turkey), to date. A career-spanning overview of the darker ambient side of Darkroom. released March 5, 2014 Michael Bearpark: guitar, pedals, bass guitar Andrew Ostler: bass clarinet, modular synthesizer, laptop, electronics with Daryl Shawn: guitar and tape effects (2 & 4) www.darylshawn.com Tim Bowness: voice (3 & 6) www.timbowness.co.uk Recorded by Andrew Ostler Mixed, produced and mastered by Darkroom Tracks 2 & 4 remastered from the Darkroom podcast feeds.feedburner.com/FreeMusicFromDarkroom Tracks 3 & 6 remastered from the albums Fallout 3 and Fallout One. darkroomtheband.bandcamp.com/album/fallout-3 darkroomtheband.bandcamp.com/album/fallout-one Track 5 recorded live at the Strongroom, London, 14th July 2013. www.tuesdayspost.com Rhombus directed by Chris Marsh, starring Roseanna Leathley rhombus2013.tumblr.com www.retronicavideo.com Special thanks: Chris, Daryl, Tim, Georgina Brett, the international live looping community, Roger Mayer for Octavia, Tom Dryer Beers
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 24:36 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Once Proud Eyes (11:38) 02. Darkroom - HUM (4:05) 03. Darkroom - Swings And Arrows (5:27) 04. Darkroom - Maid Of Stone (3:27) (24Bit) Four tracks based on concert and rehearsal recordings from 2014, focussing on the duet of guitar and bass clarinet, with varying degrees of processing. * Once Proud Eyes Recorded live in rehearsal at The Lightroom, 29th October 2014. * HUM Edited from material recorded live at The Others, Stoke Newington, London, 15th July 2014, as part of the Tuesdays Post concert series. www.tuesdayspost.com Soundtrack to the crowdfunder video for "Sensory Dimensional Gulf: Short Horror film HUM" by director Chris Marsh. www.indiegogo.com/projects/sensory-dimensional-gulf-short-horror-film-hum * Swings And Arrows Recorded live at The Others, Stoke Newington, London, 15th July 2014. * Maid Of Stone Recorded live in rehearsal at The Darkroom, 2nd March 2014. released January 12, 2015 Darkroom are Michael Bearpark: guitar Andrew Ostler: bass clarinet Recorded by Andrew Ostler Mixed, produced and mastered by Darkroom Image based on www.flickr.com/photos/balladist/2409358994 Special thanks: Chris Marsh, Georgina Brett, Philip Evans, Erin Leigh McConnell.
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 23:21 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Tiny Life Reflecting Blue (12:05) 02. Darkroom - Land Of Cake And Confusion (11:16) 24Bit Recorded at New River Studios, London on 7th June 2017. released June 28, 2017 Mixed by Andrew Ostler & Michael Bearpark, June 2017 Produced by Darkroom Music: Michael Bearpark - guitar, pedals, feedback Andrew Ostler - bass clarinet, modular synth, laptop Photography: Michael Bearpark Special thanks: Cos Chapman for his Open Jack Takeover and more, Terry Payman for live visuals, New River Studios, EarthQuaker Devices, Graham Harris, Hazal Elif Yalvaç, Emiliania Huxleyi (Ehux), The Halloween Society, EB
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 42:53 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Heavenly Meter (9:33) 02. Darkroom - Paradise Yard (11:31) 03. Darkroom - Heavenly Meter/Paradise Yard (Live Ambience) (21:49) 24Bit Recorded at IKLECTIC, London on 12th October 2017, as part of Champion Version presents Edition 1. released October 12, 2018 Mixed by Andrew Ostler & Michael Bearpark, 2018 Produced by Darkroom Music: Andrew Ostler - bass clarinet, modular synth, laptop Jordan Muscatello - bass guitar featuring Michael Bearpark - field recordings Elif Yalvaç - voice Cover photograph: Michael Bearpark, with Adam Barringer Track photographs: Shaun Cullen Special thanks: Adam Barringer / championversion.com, Eduard Solaz / iklectikartlab.com, Jordan, Elif, Shaun, Matt Harvey, Tim Closs, Blanca Regina, Raymond Douglas Davies; the NHS, Lister, Royal Marsden and King’s College London hospitals, and RMHC Camberwell; E+J, Zig and The Hill; so long, England.
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 3:21 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Serenade (3:21) 24Bit On September 13th 2019 we released 'The Noise Is Unrest': an album of echoey musical landscapes to lose yourself in, on a journey that’s over three hours and twenty minutes long. Here, for when that journey's inaccessible, an audio postcard, created to be exactly 1/60th as long. Based on 'Serene / Never The Same Way Once' from the album 'The Noise Is Unrest'. darkroomtheband.bandcamp.com/album/the-noise-is-unrest Recorded at Serene at The Gunners, London N5, 21st March 2015. released November 13, 2019 Recorded by Andrew Ostler Heavily edited, mixed, produced and mastered by Darkroom Music: Michael Bearpark - guitar, pedals Andrew Ostler - modular synthesiser, laptop, bass clarinet Special thanks: Jude Bassil
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 3:20 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Darkroom - Tolerance (3:20) 24Bit On September 13th 2019, Darkroom released The Noise Is Unrest: an album of echoey musical landscapes to lose yourself in that’s over three hours and twenty minutes long. Here, at a time when many landscapes are much less accessible than they once were, a second audio postcard, created to be exactly 1/60th as long. Tolerance: for all the times in 2020 we couldn’t imagine when The Noise Is Unrest was originally released. Based on 'Losing Our Precision' from the album 'The Noise Is Unrest'. darkroomtheband.bandcamp.com/album/the-noise-is-unrest Recorded at Sonic Imperfections at The Montague Arms, London SE15, 9th December 2014. released September 4, 2020 Recorded by Andrew Ostler Heavily edited, mixed, produced and mastered by Darkroom Music: Michael Bearpark - guitar, pedals Andrew Ostler - modular synthesiser, laptop Special thanks: Ian Faragher & Nigel Bryant (Sonic Imperfections), Ian Fairholm (The Epileptic Gibbon), Jason Arber (Curated Doom). Remembering The Montague Arms, places like this and being able to play there, and the way we were.
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