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-Alain Markusfeld - 1977 - Le Désert noir (2018 Amphonotones)-
 Жанр: Progressive Rock, Psychedelic, Space RockНоситель: CD Reissue Страна-производитель диска (релиза): Italy Год издания оригинала: 1977, Egg 900.528 Год переиздания: 2018 Издатель (лейбл): Amphonotones Номер по каталогу: 238 Страна исполнителя (группы): France Аудио кодек: FLAC (*.flac) Тип рипа: (tracks + .cue) Битрейт аудио: lossless Наличие сканов в содержимом раздачи: full scans, jpeg png, 300 dpi Продолжительность: 33:07 Источник (релизер): REDacted Трэклист: 1. Le désert noir 2. Marrakech blues 3. Venus theme 4. Pattita song 5. Atlantis rock 6. Bulgaro feld 7. Hot Love (musique pour l'espace et le temps perdu) 8. Jupiter forever part I 9. Jupiter forever part II    
Exact Audio Copy V1.3 from 2. September 2016 REM DATE 2018 ----------------------- [CUETools log; Date: 09.08.2020 20:44:09; Version: 2.1.5] Track | Start | Length | Start sector | End sector foobar2000 1.5.5 / Dynamic Range Meter 1.1.1    French guitarist/multi-instrumentalist, very unique. His albums blend multi- layered acoustic guitars with fiery leads, piano, ethereal female voices, throbbing bass and percussion. His guitar style could be described as early Larry Coryell (acoustic) meets Randy California (electric) with a strong middle-eastern influence. Le Desert Noir is a heavier guitar album which features drums on almost every track, overall very hendrix influenced. With Platock, there is more maturity in his sound, combining delicate acoustic guitars and more piano to his trademark sound, with less reliance on drums. Contemporus attempts to continue in the same vein, but fails to reach the same energy level, except possibly on the sidelong "Contemporus" suite.
On Le Monde En Etages (recorded in 1969 but apparently not released until 1970), Alain Markusfeld clearly hadn't yet decided whether to be a poet in the style of Gerard Manset or a creamy late sixties guitar hero (favouring understatement rather than guitar onslaught). The result is highly rewarding, combining poetic rock (reflective French lyrics) with a powerful, late psychedelic edge. Surely this deserves more attention from heavy progressive collectors who fancy, say, Omega Plus combined with the approach of Pete Brown. Le Son Tombé Du Ciel marked a significant change of direction, focusing more on Markusfeld's instrumental abilities as a guitar player. It was produced by Laurent Thibault at Strawberry and Chateau D'Herouville. The 9-minute title track was a slow jazz-rocker with ethnic / psychedelic overtones and strange electric guitar parts. Other parts of the album ranged from the rural, acoustic Theleme" to the frantic "Jubal" with distorted vocals (almost predating the sound of Nyl). The album is very short (at just 27 minutes in total) but still quite rewarding. Both these albums, released on Barclay, are very difficult to find nowadays. His later albums on Egg contain an interesting fusion of guitar-based jazz-rock and ethnic music (both Arabic and from the Far East). This might be compared to Steve Tibbets and Mike Oldfield (minus his symphonic leanings). The tracks are strong on melodies and have lots of virtuoso acoustic guitar and rapid, hand-beaten percussion. When Alain picks up his electric guitar, the result is more conventional jazz-rock. He is a talented musician, always playfully manoeuvring between different musical genres.
- Alain Markusfeld / electric guitars, acoustic 12 string guitars, electric bass, bass wah-wah, acoustic piano, piano, phazing vocals
- Jean-François Leroi / drums and percussions - Patricia Markusfeld / vocals (1) - Didier Alexandre / electric bass (6) - Coco Ameziane / percussion (6) Для того, чтобы скачать .torrent Вам необходимо зарегистрироваться |
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