-Ahmad Jamal - Intervals (1980)-Мультитреккерная раздача-Жанр: Soul, Modal, Post Bop Носитель: LP Страна-производитель диска (релиза): USA Год издания: 1980 Издатель (лейбл): 20th Century Fox Records Номер по каталогу: T-622 Страна исполнителя (группы): USA Дата / место записи: Sierra Pacific Studios, Los Angeles Аудио кодек: FLAC (*.flac) Тип рипа: (tracks) Битрейт аудио: lossless Формат: VINYL Rip 16bit 44.1khz Источник оцифровки: unknown Наличие сканов в содержимом раздачи: full scans Продолжительность: 34:55 Источник (релизер): REDacted Трэклист:
A1 You're Welcome, Stop On By (Womack- Thomas) - 5:48
A2 Jordie (Jamal) - 3:49
A3 So In Love (Cole Porter) - 3:39
A4 Reggae (Jamal) - 3:47
B1 Boatride (Jamal) - 5:09
B2 Exerpt From "My One And Only Love" (Mellin-Wood) - 2:09
B3 The Tube (Jamal) - 4:14
B4 Bones - (Jamal) - 6:20-
foobar2000 1.3.3 / Dynamic Range Meter 1.1.1 log date: 2020-05-01 10:50:44 -------------------------------------------------------------------------------- Analyzed: Ahmad Jamal / Intervals -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR16 -0.25 dB -18.37 dB 5:48 A1-You're Welcome, Stop on By DR15 -0.35 dB -20.14 dB 3:49 A2-Jordie DR14 -6.36 dB -27.15 dB 3:39 A3-So in Love DR15 -0.66 dB -18.06 dB 3:47 A4-Reggae DR15 0.00 dB -16.57 dB 5:09 B1-Boatride DR13 -4.41 dB -22.36 dB 2:09 B2-My One and Only Love (Excerpt) DR15 -0.04 dB -18.31 dB 4:14 B3-The Tube DR17 -1.36 dB -22.65 dB 6:20 B4-Bones -------------------------------------------------------------------------------- Number of tracks: 8 Official DR value: DR15 Samplerate: 44100 Hz Channels: 2 Bits per sample: 16 Bitrate: 732 kbps Codec: FLAC ================================================================================
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This was another album that I wanted to track down after the Electric Jamal post that accompanied the album "Steppin Out With a Dream" a few months back, so here's a nice clean vinyl rip for blogland. By the time of this, his final album for 20th Century Records, Ahmad Jamal seemed to want to pull away from the dense orchestrations and electric stylings of earlier albums for the label like "Ahmad Jamal '73" and "Jamalca" - he's on his way back to the acoustic piano and smaller group work. You can see that transition taking place on this sometimes uneven album, his last to include the rhodes as an instrument. 'Boatride'
The best rhodes work is on the stepper "Boatride", where he's developed a flowing yet precise electric piano style that's markedly different from the pounding acoustic piano style that he pursues on "The Tube", a frenetic conga-laden piece that I also like. 'The Tube'
On "You're Welcome, Stop On By" he returns to his "Outertimeinnerspace" and "Freeflight" - era voicing method, where he establishes flowing chord textures on the rhodes before turning to acoustic piano for the more dynamic solos and melodic statement. 'You're Welcome, Stop On By'
Elsewhere he's working with smaller groups, on tracks like "Jordie" and a great version of "So In Love", on which he's just accompanied by acoustic bass. The album is called a "compilation" on the cover, which it's actually not (I've checked, you know what I'm like) - but it's certainly a compilation of quite different ideas and sessions. Half the album's produced by Paul Gayten, and the other half by Fifth-Dimension svengali Bones Howe, who's also the subject of one of the lesser tracks, "Bones". Strangely, there's a faded-in "excerpt" of "My One and Only Love", which in its short duration recalls the fuller version on the Gayten-produced "Steppin Out With a Dream". The sheer clumsiness of the editing suggests, perhaps, some dissatisfaction with the record company and/or the sessions. The only real stinker is the inappropriately-named "Reggae", a confused slight calypso which seems to pass the baton to each musician in turn in search of some sort of inspiration or swing. In the end it's a 50-50 effort, with a couple of great funky tracks and Jamal relishing his return to the piano, on which he's always superb. Hope you enjoy this one!
Ahmad Jamal – Piano
John Heard – Bass
Harvey Mason – Drums
Calvin Keys – Guitar
Selden Newton – Percussion
Producer – Bones Howe (tracks: A1, A2, B3, B4), Paul Gayten (tracks: A4, B1, B2)
