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An Anthology Of Noise & Electronic Music Vol. 1 - 7 (Web)
 Жанр: Experimental, Noise, Ambient, Industrial, IDM, Illbient, Minimal, Musique Concrète, Abstract, Leftfield Страна-производитель диска: Belgium Год издания диска: 2002-2013 Тип издания: WEB, Compilation Издатель (лейбл): Sub Rosa Аудиокодек: FLAC (*.flac) Тип рипа: tracks Продолжительность: 18:53:05 Источник (релизер): Tidal Наличие сканов в содержимом раздачи: cover A series of 7 volumes (released between 2002 and 2013 on the Belgian Sub Rosa label) giving an overview of nearly 90 years of noise and electronic music, from the early 1920's up to the early 2010's.  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 2:20:52 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Luigi Russolo & Antonio Russolo - Corale (2:07) 02. Walter Ruttmann - Weekend (11:23) 03. Pierre Schaeffer - Cinq Etudes De Bruits: Etude Violette (3:25) 04. Henri Pousseur - Scambi (6:34) 05. Gordon Mumma - The Dresden Interleaf 13 February 1945 (12:12) 06. Angus MacLise, Tony Conrad & John Cale - Trance #2 (5:13) 07. Philip Jeck, Otomo Yoshihide & Martin Tétreault - Untitled #1 (6:11) 08. Survival Research Laboratories - October 24, 1992: Graz, Austria (6:15) 09. Einstürzende Neubauten - Ragout: Küchen Rezpt Von Einsturzende Neubauten (4:15) 10. Konrad Boehmer - Aspekt (15:15) 11. Nam June Paik - Hommage À John Cage (4:13) 12. John Cage - Rozart Mix (7:19) 13. Sonic Youth - Audience (6:00) 14. Edgard Varèse - Poème Électronique (8:08) 15. Iannis Xenakis - Concret PH (2:44) 16. Paul D. Miller aka DJ Spooky That Subliminal Kid - FTP > Bundle / Conduit 23 (8:16) 17. Pauline Oliveros - A Little Noise In The System (Moog System) (30:22) 18. Ryoji Ikeda - One Minute (1:01) The first volume of seven published from 2001 to 2011, curated, noted and edited by Guy Marc Hinant. An unpublished History This is the great beginning of a vast anthology of "noise and electronic music" that we plan for the following years in 7 double volumes. This volume begins in the 1920s, with the Russolo brothers, and looks at each decade in turn - Varèse, Cage, Schaeffer, Xenakis, the great pioneers - the first traces of a music that was necessarily revolutionary: electronic music, created from nothing (and hence to be entirely invented). Some pieces on these CDs are certainly classics, but there are others, which, though old, were distributed informally or never even released. Our more contemporary pieces are, wherever possible, previously unreleased. Our more contemporary pieces are, wherever possible, previously unreleased. in fact, more than the half of what we listen here is unreleased and unpublished. The gathering of eclectic noise makers Whereas composers like Stockhausen, Berio or Pousseur had come from serialism and began making electronic music as a continuation of their work with traditional instruments, others such as Boehmer or Oliveros composed right away on electronic bases; there were those who invented new methods, like Schaeffer and concrete music, others were outsiders, revolutionaries or visionaries like Xenakis or Cage, without forgetting the branch of sound derived from dada, the complex forms of free jazz, John Coltrane, the acoustic and electronic improvisation scene, rock of the alternative, psychedelic and industrial varieties, the German wave of the 1970s, the last generation of electronic musicians from the beginning or middle of the 1990s, DJ, reinventors of drones, painters or sculptors using sound, and process or software creators. The noise goes on... released May 31, 2017 
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 2:17:45 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Vladimir Ussachevsky + Otto Luening - Incantation For Tape (2:36) 02. Luc Ferrari - Visage V (10:37) 03. Tod Dockstader - Aerial > Song (12:56) 04. Johanna M. Beyer - Music Of The Spheres (6:00) 05. Morton Subotnick - Mandolin (7:02) 06. Daphne Oram - Four Aspects (8:15) 07. Robin Rimbaud / Scanner - Emily (4:53) 08. Hugh Davies - Quintet (12:12) 09. Alan R. Splet - Space Travel With Changing Choral Textures (4:05) 10. Kim Cascone - Zephirum Scan (4:49) 11. Autechre - Bronchus One. I (6:05) 12. Yoshihiro Hanno / Multiphonic Ensemble - On/Off Edit (9:11) 13. Meira Asher + Guy Harries - Torture / Bodyparts (3:43) 14. Lasse Steen / Choose - Purzuit Ov Noize (5:37) 15. Woody McBride - Pulp (6:12) 16. David Lee Myers / Arcane Device - Lathe (5:57) 17. Laibach - Industrial Ambients (9:59) 18. SPK - Slogun (6:15) 19. Percy Grainger - Free Music No. 1 (For Four Theremins) (1:28) 20. Sun Ra And The Arkestra - Imagination (2:00) 21. Captain Beefheart & His Magic Band - She's Too Much For My Mirror / My Human Gets Me Blues (7:54) The second volume of seven published from 2001 to 2011, curated, noted and edited by Guy Marc Hinant. Slow explorations of the past and the present... Given the present system of production there are reasons, some of them identifiable, why only a few names emerge in each period. There may also be a preference for concentrating information rather than letting it pile up in disordered fashion. Over the past 40 years the same ten electronic music composers get mentioned again and again (including in music dictionaries and histories). Yet behind them are many other names. Who are they? Second-raters? Not necessarily. For we then need to define the concept of top-rate (rated by who, and on what criteria?) and second-rate or minor artist. Great pleasure can be derived from the works of minor artists. The case of Tod Dockstader is instructive: when "for lack of academic qualifications" he was denied access to the electronic music facilities he needed, was there not great beauty in the pieces he nevertheless created and in his determination to make music without those facilities? His name was never seen on the labels of top record companies. But he influenced quite a few people - Richard James quoted him, and others then referred to his work. Some of his records were reissued, and what one could call the rehabilitation process continues. The same applies to many other composers. All such stories spell a passion for music, and weave myth. These historical axes At the turn of the century there were efforts to find new sources of sound - a number of machines were exhibited, including Thaddeus Cahiel's Telharmonium in 1887 and the Dynamophone presented to the New York public in 1906; they generally played well-known romantic or post-romantic pieces. After a few flamboyant skirmishes described in the previous volume, the postwar period saw the arrival in 1951, of Vladimir Ussachevsky and Otto Luening in New York's Columbia-Princeton Electronic Music Center. When audiences of the 50's and 60's first heard Varèse, Pousseur, Stockhausen, Berio, Ussachevsky, Yuasa, Dockstader and Mumma, what did they feel? Perhaps a sort of break, an epistemological break, like it must have been for the first audience of Monteverdi's Orfeo (in Mantua, Italy on 24 February 1607). They left the auditorium completely stunned, because they had never heard anything like it. released May 30, 2017
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 2:28:24 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Bernard Parmegiani - De Natura Sonorum: Matières Induites (3:52) 02. Hugh Le Caine - Short Presentation Of The 1948 Sackbut: The Sackbut Blues, Followed By A Noisome Pestilence (3:31) 03. Keith Fullerton Whitman / Hrvatski - Stereo Music For Serge Modular Prototype (5:46) 04. Ilhan Mimaroglu - The Last Largo (9:36) 05. Michael J Schumacher - Room Pieces [Excerpt] (4:48) 06. Justin Bennett - Ovipool (3:33) 07. Scott Gibbons / Lilith - Reciprocal (3:40) 08. Fred Szymanski / Modular - Flume (6:38) 09. Francisco Lopez - Untitled #148 (10:10) 10. Zbigniew Karkowski - Execution Of Intelligence (8:15) 11. Masami Akita / Merzbow - Birds And Warhorse (11:40) 12. Michel Chion - Requiem: Dies Irae (6:00) 13. Erkki Kurenniemi - Sähkösoittimen Ääniä #4 & #1 (5:34) 14. Carsten Nicolai / Alva Noto - Time...Dot (3) (4:31) 15. Peter Rehberg / Pita - Early Work 6 (3:57) 16. Herbert Eimert & Robert Beyer - Klangstudies II (4:35) 17. Günther Rabl - Eve (6:18) 18. Asmus Tietchens - Teilmenge 35 C (4:24) 19. Michael Rother - Feuerland (7:10) 20. Faust - The Faust Tapes: Untitled #16 & #17 (2:59) 21. To Rococo Rot - Contacte (4:31) 22. Rune Lindblad - Till Zakynthos (Op. 205) (13:50) 23. Carl Michael Von Hausswolff & Erik Pauser / Phauss - Eternal Love #3 (13:04) This 3th volume continue to show all the aspects of electronic music from the early beginning until now - including 2 pieces of historical concrete music (of the 70's), several piece of American tape music (Columbia University) with a special focus on all the electronic music from Germany - WDR early works - krautrock - electronic from 90's... Also featuring some recent work of the greatest noise artists + several unsung electronic pioneers ... The third volume of seven published from 2001 to 2011, curated, noted and edited by Guy Marc Hinant. If these shadows remain unchanged, putting a creative spin on your unsolicited auditory environment will prove more and more essential, as survival mechanisms go. Sub Rosa's anthologies of electronic dissonance and unanchored clatter don't pretend to serve as comprehensive overviews. They host a good few of the composers who, from the mid-1900s on, have divorced "music" from traditional notions of rhythm and melody, thus coaxing it closer to the random bangs, cries and chimes of the great outdoors, but, of course, a lot gets left out. They're best digested as tutorials on how to divine compelling art from seemingly random patterns of sonic cues. Make these tracks welcome in your own head - make your own sense of them - and you may prepare yourself to boogie to the no-cover "noise" show that awaits at every downtown crosswalk. Disc 1 plays with the sort of blips, stings and whirrs that grace corporate bullpens after hours, when most everyone's gone but screensavers still bounce around unseen. It's the backdrop that keeps clicking and fluttering during the day, partially drowned out by human input but still audible if the people drive you so nuts you'd rather listen to the machines. It's what we now talk about when we talk about roomtone. Ilhan Mimaroglu's "The Last Largo" is one of the disc's most minimal and most musical selections - it bottles the loneliness a sound effect might feel when realizing it's not part of a bigger composition. Hundreds of little clicks and beeps take turns begging for attention, and seem to ache like gnats trapped in light fixtures. Justin Bennet's "Ovipool" approaches and skirts overload inside three-and-a-half minutes. Hang on, hold your breath and figure out how to be thrilled, and noise can't hurt you anymore. So crank that shit. The downtown concerto has had to adapt, with greater and greater tenacity, to beaten station wagons idling outside currency exchanges, blaring repetitive beats and hooks. Pop music has crashed environmental noise's party, and environmental noise has wrapped around it like kudzu. Disc 2 takes that shift into account, with selections from Michael Rother, Faust, To Rococo Rot and other new electronic pioneers who neither deny or deconstruct digital beat science. They give it its place in the background, and improvise over it, without letting it dominate their work. >By Emerson Dameron released May 29, 2017
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 2:35:54 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Halim El-Dabh - Wire Recorder Piece (1:59) 02. Gyorgy Ligeti - Pièce Électronique No. 3 (2:14) 03. Jean-Claude Risset - Mutations (10:32) 04. Beatriz Ferreyra - Demeures Aquatiques (7:20) 05. Maja S.K. Ratkje - Vox (13:23) 06. Laurie Spiegel - Sediment (9:16) 07. Steve Reich - Pendulum Music (7:27) 08. Stephen Vitiello - Marfa Mix (4:15) 09. eRikm - Ressac (4:40) 10. Wang Changcun - Sea Food (4:49) 11. Chlorgeschlecht - Unyoga (2:40) 12. Gottfried Michael Koenig - Funktion Grau (10:14) 13. Milan Knizak - Broken Music Composition (3:32) 14. Les Rallizes Denudes - Fucked Up And Naked (8:37) 15. Vibracathedral Orchestra - Weaving The Magic (4:52) 16. Andy Hawkins - River Blindness (10:11) 17. Alvin Lucier - Still And Moving Lines Of Silence In Families Of Hyperbolas: Voice (11:43) 18. The Loop Orchestra - Circa 1901 (8:06) 19. John Watermann - Still Warm (3:00) 20. François Bayle, Robert Wyatt & Kevin Ayers - It (3:41) 21. William S. Burroughs - Present Time Excercises (2:25) 22. James Whitehead - Air Attack Over Kabul Airfield (4:18) 23. Jean-Marc Vivenza - Simultanéité Aérienne (8:57) 24. Olivier Messiaen - Oraison (7:43) The fourth volume of seven published from 2001 to 2011, curated, noted and edited by Guy Marc Hinant. We keep going on our adventure with this fourth volume of our anthology. This installment is the pivoting axis of a seven-piece set. We developpe here some other tendancies includings new creations from China, Brazil, Norway, Hungary and of course some classics and (un)published material from main composers (Ligeti, Lucier...). Some very rare documents too such as Robert Wyatt + François Bayle. More than 3/4 of the tracks are unpublished. In the previous three anthologies, we mentioned the historical axes at the heart of the advent of concrete and electronic music: Pierre Schaeffer's workshop studio (in Vol. 1), the WDR Studio in Cologne (Vol. 3) and the Princeton Electronic Music Center in Columbia, New York (Vol. 2). Quickly though, the development and creation of electronic studios became a priority, with new facilities popping up around the world: throughout Europe and America, but also in Brazil, Mexico and Japan, countries where there was a will to create music that was radically new. As important as it was, the technological wave was not big enough, as Tod Dockstader's case testifies: because of his technician's background in sound editing, he was prevented from pursuing his art in the studios, which remained the musicians' turf. released May 28, 2017
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 2:36:04 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Rogelio Sosa - Vinylika (7:02) 02. Christian Galaretta - Marañon (Part VI) (10:27) 03. Li Chin Sung aka Dickson Dee - Shame (Tetsuo Furudate Sound Materials Remix) (4:58) 04. François-Bernard Mâche - Prélude (5:29) 05. Richard Maxfield - Pastoral Symphony (4:01) 06. Wolf Vostell - Elektronicher Dé-Collage. Happening Raum (3:00) 07. Charlemagne Palestine - Seven Organism Study (7:53) 08. André Boucourechliev - Texte 2 (4:37) 09. Helmut Lachenmann - Scenario (12:30) 10. Alireza Mashayekhi - Shur, Op. 15 (6:29) 11. Claude Ballif - Points, Mouvements (10:15) 12. Mauricio Kagel - Antithèse (9:22) 13. Vladimir Mayakovsky - And Would You? (0:33) 14. Raoul Hausmann - Fmsbw (0:46) 15. Gil Joseph Wolman - Mégapneumies, 24 Mars 1963 (4:55) 16. Léo Kupper - Electro-Poème (5:55) 17. Josef Anton Riedl - Leonce Und Lena (2:17) 18. Sten Hanson + Henri Chopin - Tête À Tête (5:08) 19. Dajuin Yao - Satisfaction Of Oscillation (9:27) 20. Pere Ubu - Sentimental Journey (7:01) 21. Ground Zero - Live 1992 (1:02) 22. Masonna / Yamazaki "Maso" Takushi - Spectrum Ripper (Part I-II-III) (3:33) 23. Sutcliffe Jügend - Blind Ignorance (5:40) 24. Club Moral - L'enfer Est Intime (6:33) 25. Dub Taylor - Lumière Part 1 (17:12) The fifth volume of seven published from 2001 to 2011, curated, noted and edited by Guy Marc Hinant. Here I am, for the fifth time, facing this impossible task no one has asked me to do. How can one bring together the history of electronic and concrete music to the history of noise music? For this volume, I want to highlight pieces illustrating a technique (Claude Ballif's Points,Mouvements), a country (Shur, Op. 15 by Alireza Mashayekhi), a studio (Helmut Lachenmann at the IPEM), there are also historic (François Bernard Mâche's Prélude), and radical (Spectrum Ripper by Masonna) works that have ripped apart ancient definitions. All this organized with INTERNATIONALISM in mind and, for once, a focus on the voice - not as sung words, their traditional facet in music (from pop songs to lieder and operas), but as the word itself, recited, distorted, rendered abstract or disaggregated and screamed (the incantation so often a part of rock and noise music). Sub Rosa presents the fifth volume of the highly-acclaimed and successful Anthology of Noise & Electronic Music series. This installment highlights pieces illustrating a technique (Claude Ballif's "Points, Mouvements"), a country ("Shur, Op. 15" by Alireza Mashayekhi), a studio (Helmut Lachenmann at the IPEM), and historic (François Bernard Mâche's "Prélude"), and radical ("Spectrum Ripper" by Masonna/Yamazaki "Maso" Takushi) works that have ripped apart ancient definitions. All this organized with internationalism in mind and, for once, a focus on the voice -- not as sung words, their traditional facet in music (from pop songs to lieder and operas), but as the word itself, recited, distorted, rendered abstract or disaggregated and screamed (the incantation so often a part of rock and noise music). Like the previous four volumes, this fifth installment is an absolute must for anyone interested in the roots and history of electronic music, with many previously unpublished, rare tracks comprising more than 2 ½ hours of music. The 2CD comes in a deluxe digipack sleeve with an extensive 54-page booklet. The Jazz Loft released May 27, 2017
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 2:37:42 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Israël Martinez - Mi Vida (7:02) 02. Ata Ebtekar / Sote - Turqoise Gas In Ice (3:38) 03. Joseph Nechvatal - Ego Masher (7:07) 04. Oliver Stummer + Liesl Ujvary - Trautorium Jetztzeit #4 (3:46) 05. Henry Cowell - The Banshee (2:25) 06. Dick Raaymakers - Piano Forte (4:57) 07. Manuel Rocha Iturbide - Estudio Antimatierico N° 1 (5:04) 08. Tetsuo Furudate - You Are The Man Who Crucified Him (6:28) 09. Kohei Gomi / Pain Jerk - Aufheben (6:31) 10. Hijokaidan - Untitled (11:57) 11. Incapacitants - Shall We Die? (6:27) 12. Torturing Nurse - Yes Or No (4:53) 13. Sachico M - 2808200 (5:34) 14. Ultraphonist - How To Practice Scales (3:07) 15. Z'ev - 12 November 1980 In Melkweg, Amsterdam (7:34) 16. Daniel Menche - Fulmination (12:02) 17. John Wiese - New Wave Dust (2:29) 18. Rico Schwantes / The Pain Barrier - Virus (5:33) 19. Julie Rousse - Flesh Barbie Techno Fuck (4:47) 20. Bird Palace / Cristian Vogel + Pablo Palacio - Phing (4:26) 21. Robert Piotrowicz - Lincoln Sea Ice Walic (8:12) 22. Tzvi Avni - Vocalise (5:21) 23. Else Marie Pade - Syv Cirkler (7:07) 24. John Duncan - The Nazca Transmissions #2 (8:14) 25. Stephen O'Malley - Dolmens & Lighthouses (6:56) 26. Ilios / Dimitris Kariofilis - The Continuum Of Emanation From The One (6:06) The sixth volume of seven published from 2001 to 2011, curated, noted and edited by Guy Marc Hinant. So here is the 6th and penultimate installment in our series. As usual, it culls old historical pieces, little-known gems, and even a few previously unreleased tracks from the greatest Japanoise bands, a few representatives of the younger generations (from all around the world), some rare tracks from the '80s, and it all ends with a lull that lets transpire what may be felt as a kind of undefinable mystery. The Avant-Garde - the possibility of a new music (think about it). Then it scattered into small communities whose best-known protagonists are totally unknown to people outside that particular circle. We are facing this fragmentation, and one form of avant-garde (you could say) ends up scattered into several (not exclusively musical) forms. It is not in Avant-Garde's nature to create one elementary form for each individual. Other phrases used include "forays," "breakthroughs," "pushing the envelope," and then of course "going too far"... The Sub Rosa compilations are dotted with a who's who of the electro-acoustic avant-garde from the past century, tossed in with a smorgasborg of previously unknown (and often very interesting) artists as well as contemporary musicians who are well on their way to establishing themselves within the canons of the institutional avant-garde. Sub Rosa has gone out of its way to compile a collection to scramble one's notions of the taxonomic rhetoric that may influence the perception of any of the artists present... (Aquarius) released May 26, 2017
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 3:56:23 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Henry Jacobs - Sonata For Loudspeakers (9:22) 02. Dziga Vertov - Radio Pravda (2:59) 03. Bebe & Louis Barron - Bells Of Atlantis (9:02) 04. Luciano Berio - Thema (Omaggio A Joyce) (6:14) 05. Bülent Arel - Electronic Music (8:40) 06. Don Preston - Analog Heaven #6 (3:06) 07. Slawek Kwi + Siobhan McDonald - Lava Samples (2:04) 08. Benjamin Thigpen - Thread0 (5:27) 09. Helmut Schäfer - Infuse (7:39) 10. Thanasis Kaproulias / Novi_Sad - The Insolence Of A Poppy (13:25) 11. Saule - Paperfilm (11:23) 12. Édouard-Léon Scott De Martinville - Au Clair De La Lune (0:17) 13. John Oswald - Vertical Time (10:00) 14. Israël Quellet - Pour Percussion Et Saturation (2:24) 15. Dennis Wong / Sin:Net - Decomposition (5:05) 16. Alan Courtis - Mind Broncoespasmo (2:37) 17. Fausto Romitelli - Trash TV Trance (10:12) 18. Justin K. Broadrick - Guitar Three (10:23) 19. Storm Bugs - Cash Wash / Eat Good Beans (3:42) 20. E.A.R. - Beyond The Pale (14:51) 21. Henry Cow - From Trondheim (13:08) 22. Osso Exótico - Rota De Inverno (4:45) 23. Eugeniusz Rudnik - Collage (5:01) 24. Eduardo Polonio - Transparencias (7:10) 25. Cabaret Voltaire - Chance Versus Causuality (5:49) 26. Mika Vainio - Transformer In 7 (5:59) 27. Alma Laprida + Juan Jose Calarco - Contorso (2:39) 28. Klangkrieg - Korpus 1 (3:37) 29. Gintas Kraptavicius - 4m (7:21) 30. Warong Rachapreecha - Shambles (0:56) 31. The New Blockaders - Blockade Is Resistance (8:14) 32. GX Jupitter-Larsen / The Haters - Fuechen (5:22) 33. The Rita - Skate (5:01) 34. To Die - Terhempas Luka / Jurang Nestapa (1:05) 35. Agro / Richie Anderson + Brandon Spivey - Only Those Who Attempt The Impossible Will Achieve The Absurd (4:10) 36. Jamka - Wild Rosa Tree (5:50) 37. Erin Sexton - Suspend / 2 Electromagnetic Amplifiers (4:54) 38. Gustavo Serpa - Astro Metal (6:06) 39. Anonymous - Untitled (0:23) An anthology of noise and electronic music / seventh and last a-chronology 1930-2012. This triple CD of concrete, electric, destructured and electronic music contains rare or unpublished works; it also includes a 84-page booklet of critical and biographic notes. When It Came Down To Number Seven.. These seven volumes represent a strong listening base, as incomplete as it may be, the basis for a near-infinite exploration through one's self, in the present tense. All in all, if I add up all these tracks, there are 176 of them, created between 1921 and 2012, for a total of almost 18 hours of music. The sphere of geographical propagation was kind of programmed at the start (between 1952 and 1970 there have been over one hundred national studios, mostly tied to radio, on all five continents), but it accelerated exponentially with the appearance of the first home studios, and later with the advent of the laptop computer. Following the spread with each surge of emerging creators, 42 nations are represented. In Europe: United Kingdom, Ireland, France, Belgium, The Netherlands, Germany, Austria, Switzerland, Greece, Italy, Spain, Sweden, Norway, Finland, Denmark, Poland, Hungary, Czech Republic, Slovakia, Slovenia, Bulgaria, Lithuania, Russia. In the Americas: United States, Canada, Mexico, Argentina, Peru, Chili, Brazil. In the Middle-East: Israel, Iran, Turkey. In Far-East: Asia: Japan, China, Hong Kong, South Korea, Thailand, Indonesia. In Africa: Egypt. In Oceania: Australia, New Zealand. Our coverage is obviously incomplete, as there will be new emergences, through means unknown to us, from places we are unaware of. released May 25, 2017
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