-High Mountain - Canyon - 1970 (2016-Жанр: Southern Rock, Swamp Rock, Brass Rock Носитель: CD (remaster, Mini LP replica, papersleeve) Страна-производитель диска (релиза): Korea Год издания оригинала: Vinyl, LP - 1970 Columbia CS 1010 US (as High Mountain - Canyon) & CBS S 64232 Europe (as The Jerry Williams Group – Down Home Boy) Год переиздания: 2016 Издатель (лейбл): Big Pink Номер по каталогу: 457 Страна исполнителя (группы) : US Аудио кодек: FLAC (*.flac) Тип рипа: (image + .cue) Битрейт аудио: lossless Корректность рипа:ripped by EZ CD Audio Converter Наличие сканов в содержимом раздачи: full scans Продолжительность: 30:28 Источник (релизер): Rip and Scans by Marios Трэклист:
1. Down Home Boy - 3:11
2. Illusion - 2:53
3. May The Circle Be Unbroken - 3:26
4. More To You - 3:20
5. Sailboat - 4:08
6. Don't Ever Leave Me Again - 3:16
7. I've Got A Lot Of Time (Jerry McDonald, Mike Rabon) - 2:33
8. I'll Get Back To You - 2:56
9. Cid - 3:16
10.Rachmaninoff Piano - 1:29
All songs by Jerry Lynn Williams except track #7
PERFORMER "High Mountain" TITLE "Canyon" REM DATE "1970" REM GENRE "Rock" REM COMMENT "EZ CD Audio Converter 7.0.6 [32-bit]" REM REPLAYGAIN_ALBUM_GAIN -7.51 dB REM REPLAYGAIN_ALBUM_PEAK 0.988953 FILE "High Mountain - Canyon.flac" WAVE TRACK 01 AUDIO REM REPLAYGAIN_TRACK_GAIN -9.14 dB REM REPLAYGAIN_TRACK_PEAK 0.988953 TITLE "Down Home Boy" SONGWRITER "Jerry Lynn Williams" INDEX 01 00:00:00 TRACK 02 AUDIO REM REPLAYGAIN_TRACK_GAIN -8.47 dB REM REPLAYGAIN_TRACK_PEAK 0.988953 TITLE "Illusion" SONGWRITER "Jerry Lynn Williams" INDEX 01 03:10:64 TRACK 03 AUDIO REM REPLAYGAIN_TRACK_GAIN -6.03 dB REM REPLAYGAIN_TRACK_PEAK 0.988953 TITLE "May The Circle Be Unbroken" SONGWRITER "Jerry Lynn Williams" INDEX 01 06:03:50 TRACK 04 AUDIO REM REPLAYGAIN_TRACK_GAIN -9.62 dB REM REPLAYGAIN_TRACK_PEAK 0.988953 TITLE "More To You" SONGWRITER "Jerry Lynn Williams" INDEX 01 09:29:67 TRACK 05 AUDIO REM REPLAYGAIN_TRACK_GAIN -6.16 dB REM REPLAYGAIN_TRACK_PEAK 0.988953 TITLE "Sailboat" SONGWRITER "Jerry Lynn Williams" INDEX 01 12:50:16 TRACK 06 AUDIO REM REPLAYGAIN_TRACK_GAIN -5.25 dB REM REPLAYGAIN_TRACK_PEAK 0.988525 TITLE "Don't Ever Leave Me Again" SONGWRITER "Jerry Lynn Williams" INDEX 01 16:58:14 TRACK 07 AUDIO REM REPLAYGAIN_TRACK_GAIN -5.99 dB REM REPLAYGAIN_TRACK_PEAK 0.988525 TITLE "I've Got A Lot Of Time" SONGWRITER "Jerry McDonald, Mike Rabon" INDEX 01 20:14:29 TRACK 08 AUDIO REM REPLAYGAIN_TRACK_GAIN -8.68 dB REM REPLAYGAIN_TRACK_PEAK 0.988953 TITLE "I'll Get Back To You" SONGWRITER "Jerry Lynn Williams" INDEX 01 22:47:14 TRACK 09 AUDIO REM REPLAYGAIN_TRACK_GAIN -6.23 dB REM REPLAYGAIN_TRACK_PEAK 0.988861 TITLE "Cid" SONGWRITER "Jerry Lynn Williams" INDEX 01 25:43:15 TRACK 10 AUDIO REM REPLAYGAIN_TRACK_GAIN -1.66 dB REM REPLAYGAIN_TRACK_PEAK 0.988525 TITLE "Rachmaninoff Piano" SONGWRITER "Jerry Lynn Williams" INDEX 01 28:59:43
foobar2000 1.3.10 / Замер динамического диапазона (DR) 1.1.1 Дата отчёта: 2017-12-28 08:04:33 -------------------------------------------------------------------------------- Анализ: High Mountain / Canyon -------------------------------------------------------------------------------- DR Пики RMS Продолжительность трека -------------------------------------------------------------------------------- DR8 -0.10 дБ -9.71 дБ 3:11 01-Down Home Boy DR9 -0.10 дБ -9.88 дБ 2:53 02-Illusion DR9 -0.10 дБ -12.30 дБ 3:26 03-May The Circle Be Unbroken DR8 -0.10 дБ -9.32 дБ 3:20 04-More To You DR10 -0.10 дБ -12.37 дБ 4:08 05-Sailboat DR10 -0.10 дБ -11.91 дБ 3:16 06-Don't Ever Leave Me Again DR10 -0.10 дБ -11.58 дБ 2:33 07-I've Got A Lot Of Time DR9 -0.10 дБ -9.76 дБ 2:56 08-I'll Get Back To You DR10 -0.10 дБ -11.92 дБ 3:16 09-Cid DR12 -0.10 дБ -16.78 дБ 1:29 10-Rachmaninoff Piano -------------------------------------------------------------------------------- Количество треков: 10 Реальные значения DR: DR9 Частота: 44100 Гц Каналов: 2 Разрядность: 16 Битрейт: 860 кбит/с Кодек: FLAC ================================================================================
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Maybe you've never heard of Jerry Lynn Williams, but if you've been near a radio in the past twenty years, you've almost definitely heard his music. Eric Clapton's "Running on Faith"? Williams wrote it. He also penned Delbert McClinton's signature song, "Givin1 It Up for Your Love," and B. B. King's "Standing on the Edge of Love." Bonnie Raitt's "Real Man" was his too, as was "Wanna Make Love to You," by Johnny Hallyday, the French Elvis. And Williams co-wrote Stevie Ray and Jimmy Vaughan's "Tick lock," the song played at Stevie Ray's funeral. After more than two decades of writing tunes for and with some of the best-known musicians around, the 48-yearold has earned the nickname the Song Doctor, the man to call when you're working on an album and all that's missing is a catchy song. The evidence of Williams' success lines the walls of his in-home studio near Tulsa: There are the gold arid platinum records that his work has appeared on, including Clapton's Unplugged, Behind the Sun, and Crossroads; Raitt's Nick of Time; the Vaughan brothers' Family Style; the soundtrack to the movie Wayne's World; Houstonian Clint Black's The Hard Way; and Robert Plant's Now and Zen. There are also snapshots of Jerry hanging out with some of the musical pals he has made over the years, including luminaries like Keith Richards and Ron Wood from the Rolling Stones, ex-Beatles Ringo Starr and George Harrison, B. B. King, and fellow Texan Roy Orbison (who, he says, "used to come to my place in Malibu to smoke cigarettes and write songs"). And this summer he flew to Toronto to help guitarist Jeff Healey finish an album. In 1964 Williams and his band, the Epics, got local airplay with their first single, a Beatlesnfluenced original called "Tell Me What You See," on Fort Worth's Brownfield label. Soon after, the fifteen-year-old stumbled into a lifetime's worth of musical education when his band got to open for R&B stylist Ray Sharpe - famous for his song "Linda Lu" - at one of the great Texas roadhouses of all time, the Skyliner Ballroom on the Jacksboro Highway. Weeks after landing that gig, he got another break when the owner, Jimmy Levens, asked him to help book bands at the club, and he started tracking down artists like Jimmy Reed, Ike and Tina Turner, and Bobby "Blue" Bland. He also got to hang out with the entertainers he brought in; Reed, for instance, taught him rhythm-guitar chords. And a few months later, Williams got his biggest break yet: He booked R&B great Little Richard, who, after hearing Williams sing and play, hired him as the rhythm guitarist in his touring band. On the road Williams learned to play lead guitar from Little Richard's other axman, a young musician who went by the name Jimmy James and
later achieved fame as Jimi Hendrix. His tenure with Little Richard lasted nine months, and shortly after, he returned to Fort Worth, where he made it through a semester at Arlington Heights High School before snagging regular gigs at the Bayou Club and the Silver Helmet Club in Dallas, which was owned by several Dallas Cowboys players. "I was doing Otis Redding stuff three nights a week," he remembered, "and within two weeks I had so many people in there that the fire marshal started showing up." Then, in the late sixties, Williams discovered orange sunshine, tie-dye shirts, and the hippie lifestyle, so he formed a threepiece psychedelic blues outfit called High Mountain and went to L.A. to score a record deal with the ATCO label. It became another learning experience. High Mountain landed a record deal with Columbia Records, releasing their debut album, Canyon, in 1970. Legal problems with the name High Mountain led to the album being reissued with the artist designation as the Jerry Williams Group and the LP retitled Down Home Boy. The album failed to do business under either name, and after High Mountain broke up, Williams landed a deal with the CBS-distributed Spindizzy Records.
CD Liner notes
