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-Quintessence - Spirits from Another Time 1969-1971 - 2016-
 Жанр: Progressive rock, Indian Music, Psychedelic Rock, FusionНоситель: CD (compilation, archival) Страна-производитель диска (релиза): Год издания: 2016 Издатель (лейбл): Hux Records Номер по каталогу: HUX 150 Страна исполнителя (группы) : UK Аудио кодек: FLAC (*.flac) Тип рипа: (tracks + .cue) Битрейт аудио: lossless Наличие сканов в содержимом раздачи: full scans Продолжительность: 01:46:04 Источник (релизер): Kapla (REDacted) Трэклист: Disc 1 (48:40) 1. Notting Hill Gate (05:41) 2. Brahman (05:37) 3. Sea of Immortality (version 1) (05:40) 4. Epitaph for Tomorrow (11:40) 5. Only Love (take 3) (07:11) 6. Spirits from Another Time (01:22) 7. Untitled Guitar (02:32) 8. Hari Om (03:16) 9. Body (05:41) Disc 2 (57:24) 1. Sea of Immorality (version 2) (05:30) 2. Tree of Life (06:35) 3. You Never Stay the Same (06:32) 4. Only Love (take 2) (07:59) 5. Marwa (03:10) 6. Wonders of the Universe (03:38) 7. Maha Mantra (06:01) 8. Untitled Harpsichord (02:00) 9. Sunlit Kitchens (03:33) 10. Twilight Zones (06:01) 11. Move into the Light (06:25) 
Exact Audio Copy V1.1 from 23. June 2015 REM GENRE Pop/Rock ----------------------- foobar2000 1.3.10 / Замер динамического диапазона (DR) 1.1.1 Exact Audio Copy V1.1 from 23. June 2015 REM GENRE Pop/Rock ----------------------- foobar2000 1.3.10 / Замер динамического диапазона (DR) 1.1.1  Note: EVERYTHING bar disc 2 track 1 is a totally new 2016 mix. Quintessence were a six piece but some of the tracks feature four- or five-piece incarnations.
Disc 1: Notting Hill Gate (5.39) – unabridged version of previously released take Brahman (5.35) – take 4, Led Zep-esque four-piece Quintessence with incendiary ‘Stairway’-like guitar solo from Allan Mostert. Coincidentally, Zeppelin were recording parts of LZ IV upstairs at Island’s Basing Street studios at the time Quin were downstairs recording parts of third LP ‘Dive Deep’. Sea of Immortality (5.39) – unabridged version of previously released take Epitaph For Tomorrow (11.38) – extraordinary epic early take with a sublime Grateful Dead-esque instrumental jam with both guitars (Allan and Dave) and Phil’s often overlooked Hammond organ playing melding telepathically Only Love (7.09) – take 3, flute-less live-in-studio take with stunning interaction between all five musicians involved and some of Phil’s most breath-taking, perfectly-pitched baritone-to-falsetto vocals Spirits From Another Time (1.20) – totally unreleased song Untitled Guitar (2.30) – moody Allan Mostert composition from the same reel as ‘Spirits…’ Hari Om (3.14) – previously only known from a 40 second excerpt faded in and out on the post-Island RCA LP ‘Self’, this is a very unusual Quin track: multiple backwards percussion parts, multiple interlocking funk guitar parts, mesmeric ‘Hari Om’ chanting from Phil Body (5.41) – one of the missing tracks from the March 1970 St Pancras concert, and the only one found thus far on multi-track. This is Phil’s favourite from the album – HUGE energy, crowd interaction, and blistering guitar from Allan DISC 2: Sea of Immortality (1970 alt) (5.28) – the only track sourced from a period mix-down, this is the 1970 alternate take that must have been in the running for release at the time: a wildly different but equally fabulous guitar solo from Allan Tree of Life (6.31) – the sole take of a totally unknown song, recorded by a four piece Quin (bass, drums, guitar, vocal), mid-tempo, similar in feel to ‘Pearl & Bird’, boosted by a wholly in keeping new 2016 lead guitar part from Dave You Never Stay The Same (6.30) – new mix of the version released on the 1972 RCA LP ‘Self’, with rare lead vocal from Dave, featuring a wealth of wonderful hitherto unheard parts, including fabulous late-period Beatle-esque backing vocal arrangements from unidentified girl singers plus Phil Only Love (Take 2) (7.52) – possibly the source of the first minute and a half of the released version of ‘Only Love’ (which was created in 1970 by John Barham using tape splicing, and excising any guitar soloing), this features the full six-piece and runs almost out of control at the end, dissolving in laughter. The five-piece ‘Take 3’ on Disc 1 should arguably have been released at the time, but this version has wonderful warmth and richness through the additional presence of Raja Ram’s flute. Both versions deserve to be on this outtakes set. Marwa (3.06) – an extraordinary John Barham composition, based on a six-note Indian raga. Never released at the time, it’s a fully completed, full 16-track slice of bliss with Phil on spectacular form and multiple harps, tablas, piano, flute, etc. Barham revisited the raga for a piano solo on his 1973 Elektra duo album with fellow George Harrison collaborator Ashish Khan. Wonders of the Universe (3.35) – new mix of the version released on 1972 RAC LP ‘Self’, featuring future Chumbawamba musician Simon Lanzon on exquisite piano Maha Mantra (6.00) – a session glimpsed in the BBC TV documentary ‘New Horizons’, only a minute and a half was used on the band’s second LP, but the full, richly atmospheric chantathon led by Phil and featuring band guru Swami-Ji plus the band’s spiritual camp followers is featured here. It begins spontaneously out of nowhere, preceded by wonderful (retained) chaotic studio chatter between producer John Barham, Phil, Raja Ram and Swami-Ji wondering if the tapes are on and what sections are going to be included in the chant Untitled Harpsichord (1.58) – possibly Simon Lanzon again, a mystery neo-baroque harpsichord piece recorded at the ‘Spirits From Another time’ session, a marginal inclusion but like the lost theme music to a vintage Hammer horror, with harpsichord lid creepily slammed shut at the end Sunlit Kitchens (3.24) – a unique recording of charismatic band manager/poet Stanley Barr intoning his stoned poetry over ‘Hari Om’, for possible inclusion on a band LP. Definitely of its time, but hugely evocative of it. Phil asked for both this and the unadorned (and differently mixed) ‘Hari Om’ to be included. Twilight Zones (5.58) – a brilliant Hendrix Experience-like three-piece early instrumental take of Quintessence second-album classic ‘Twilight Zones’ (presumably recorded with a Phil Jones guide vocal that has not survived). Phil Jones has recorded a brilliant new 2016 double vocal (unison and harmonies) for it. His falsetto, amazingly, is unchanged in tone and power from 1970. Move Into The Light (3.55) – take 13 of many takes (over two reels, of which we had only the first) of this never-played-onstage Quintessence 1969 B-side, featuring Simon Lanzon guesting on piano. As with ‘Twilight Zones’, there must have been a Phil Jones guide vocal that has not survived, but this take was regarded as the best thus far by producer John Barham, heard chatting from the control room afterwards. Again, Phil added a wonderful new 2016 double vocal. This time, age dictated that we digitally lower the track by one semi-tone to allow it, but it’s a beautiful performance of an underappreciated song, and the lyrics really stand here as never before. : Квинтэссенция английской психоделики. Ныне забытые лондонцы Quintessence играли марихуанистую смесь джаза и прога, пропитанную индийской духовностью. Они вынырнули из пропитанных пачули коммун Ноттинг Хилл Гейт в конце 60-х и к 1974 году записали уже четвертый альбом. Они отлично совмещали гармонии западного побережья и длинные пассажи в духе Gong, пропуская это через сито эксцентричности а-ля Caravan. Нынче эта музыка не кажется нам чем-то не от мира сего, по правде говоря, она и в 1972-м так не звучала. Но все же эта наивная и полная надежд и мечтаний находка отлично иллюстрирует те времена.
Bass – Sambhu (Sambhu Babaji)
Drums – Jake (Jake Milton) Flute, Percussion – Raja Ram Guitar – Maha Dev (Dave Codling) Lead Guitar – Alan (Alan Mostert) Vocals, Keyboards, Drum [Hand Drum] – Shiva (Shiva Shankar Jones) Для того, чтобы скачать .torrent Вам необходимо зарегистрироваться |
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