| Вход · Регистрация · Восстановление пароля | |
Загрузка (Loading)...
|
(Ambient, Chillout, Experimental
|
| Главная » Traditional Electronic, Ambient, Modern Classical, Electroacoustic, Experimental » Traditional Electronic, Ambient (lossless) | Добавить в закладки |
Автор |
Сообщение |
|---|---|
Dmitraum |
Various Artists – Active Agent of Sound
 -The compositions presented on these CDs are based on the octave principle, that formal in wich structures of nature (from astronomy to nuclear physics) find their response. They represent different takes on the diversity and joy of nature and on scientific discovery of the laws of the universe.-Жанр: Ambient, Chillout, Experimental, Cosmic Octave, Binaural BeatsСтрана-производитель диска (релиза): Germany (Berlin) Дата издания: October 22, 2007 Тип издания: 2xCD, Compilation Издатель (лейбл): Klangwirkstoff Records Каталожный номер: KW002 Аудиокодек: FLAC (*.flac) Тип рипа: image+.cue Продолжительность: 2:35:00 Источник (релизер): net Наличие сканов в содержимом раздачи: нет   Треклист: CD I (1:15:54) 01. Toshra – Venera (8:15) 02. Mirror System – Flex-E-Fun (7:26) 03. Motom – Aum (9:20) 04. Brain Entertainment Laboratory – Solardrifting (13:01) 05. EPiOS – Center of the Sun (5:18) 06. Orbital Dolphins – Resonanzzwinger (3:36) 07. B. Ashra – Plutosphere (10:10) 08. Devas – Satyrn (8:44) 09. Susan Alexjander – Tal (2:06) 10. Toshra meets Rainer von Vielen – Voices of Venus (7:59) CD II (1:19:06) 01. Lutz Berger feat. Claus Boysen – Noiszense (5:58) 02. True Frequencies – Paradize Lounge (8:19) 03. Sci-Rom – Spektralschleuse (7:53) 04. Morphon – Chronos (12:30) 05. Star Sounds Orchestra – Venuspassage (6:24) 06. Coil – Presents Time Machines - 7-Methoxy-ß-Carboline (13:17) 07. Akasha Project – Balmer Series (6:09) 08. Michael Reimann – Vitamin C Schamanic (2:41) 09. Ruben – Earth Flow (6:58) 10. Brain Entertainment Laboratory – LSD (3:09) 11. Rainer von Vielen – Ajna Neomi (5:49) Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 REM GENRE "Ambient; Chillout; Experimental; Cosmic Octave; Binaural Beats" REM GENRE "Ambient; Chillout; Experimental; Cosmic Octave; Binaural Beats" ----------------------- foobar2000 1.3.10 / Dynamic Range Meter 1.1.1 foobar2000 1.3.10 / Dynamic Range Meter 1.1.1 The compositions presented on these CDs are based on the octave principle, that formal in wich structures of nature (from astronomy to nuclear physics) find their response. They represent different takes on the diversity and joy of nature and on scientific discovery of the laws of the universe.
This music could expand your consciousness. Please be aware of it. 'Whoever educates the people without uniting them in a loving way of mind is like someone who weeds without wanting to harvest. Whoever unites the people throug a loving way of mind without calming them with music is like someone who harvests without wanting to eat. Whoever calms the people with music but does not perfect them in harmony with the law of nature is like someone who eats but who does not thrive.' Da Dai Li Gi, The Book of Customs There is hardly a culture on earth which has not in some way dealt with the subject of cosmic sound or celestial harmony. Yet large reference books like the Brockhaus Encyclopedia usually offer only a few lines under the heading 'harmony of the spheres' or 'music of the spheres'. Even in music specialty books, the concept of astral music or a sonorous universe is only mentioned marginally as something of a curiosity. Nonetheless it is one of the fundamental ideas of our cultural heritage. Through the use of the octave principle as the universal standard, it is possible to make these harmonies of the spheres, as well as those of molecules and atoms, audible. This is realised through octave transposition, the halving or doubling of frequencies. The octave is the interval with the least energetic resistance (with the exception of the unison) and of all the intervals is most prominent in the tonic keynote itself. Thus the octave holds a unique position in the realm of intervals. This is relevant not only to music but in a general way, because the principles of music can be applied to other areas of nature. It appears that these principles pertain not only to the frequency range of the human ear, but indeed have a more universal character. The planet tones on this CDs are acoustical exponents from our natural cosmic surroundings and our focus on them brings us into harmony with the way of things. Music tuned to molecules, like planetary music, is composed in accordance with strict harmonical rules and is based on existing harmonic structures and the natural laws which govern the 'cosmic octave'. The compositional elements of music tuned to molecules (tempo, rhythm, pitch, intervals) derive from the physically measurable resonance of molecules in both the ultraviolet and infrared range. The resulting measurements are then transposed into rhythms and frequencies in the audible range and thus form the basis of the entire musical composition. The sound of the psychotropic molecule (psychoactive substance) is particularly significant, because the vibrational structure of the molecule can be experienced by way of music without having to obtain, possess, or consume the substance. According to initial observations, music attuned to the vibrational structure of psychotropic substances can lead to a reduction in consumption of the substance by the listener. Furthermore it appears this type of music is suitable as a substitute for such substances, eliciting a similar sensory experience. Of particular scientific interest are the harmonical structures inherent in the frequencies and sonic makeup of hydrogen (element no. 1). Since each frequency is determined by specific quantum leaps of electrons and their corresponding energy levels, the sonic structure of hydrogen can reveal to the listener essential elements of quantum physics - purely through acoustics and sound. Far more than half the atoms in the universe are hydrogen atoms. Therefore the frequencies of the hydrogen spectra belong to the most significant harmonical structures in the universe. In 1946 Hermann Hesse received the Nobel prize in literature for his book: The Glass Bead Game. The principles of the Glass Bead Game are: "... a new language, a sign and formula of which mathematics and music equally partake, enabling one to combine astronomical and musical formulas, acommon denominator for mathematics and music. The law of the octave is this principle where mathematics and music equally partake. This law makes it possible to combine astronomical and musical formulas." Text: Hans Cousto Translated by Larry Porter Credits released October 22, 2007 special thanx to: Hans Cousto, Robin Pleil, Larry Porter, Ilona Kowalschek, Hans Kayser, J. Kepler, R. Haase, J.E. Behrendt, A.F. von Thimus, Pythagoras mastered by B. Olke (GL Audio) und T. Wölke (Diamond Tune) Berlin artwork by Ilona Kowalschek Для того, чтобы скачать .torrent Вам необходимо зарегистрироваться |
Klorus X |
|
Abrams_65 |
| Быстрый ответ |
|---|
Вы должны войти в систему, прежде чем совершить данное действие. |