Вход · Регистрация · Восстановление пароля | |
(Hip Hop, Glitch, Harsh Noise, Abstract, Experimental
|
Главная » Chillout, Lounge, Downtempo, Trip-Hop » Trip Hop, Abstract Hip-Hop (lossless) | Добавить в закладки |
Автор | Сообщение |
---|---|
DMMANIAC |
clipping. / Discography
Жанр: Hip Hop, Glitch, Harsh Noise, Abstract, Experimental Страна-производитель диска: Los Angeles, California Год издания диска: 2012-2020 Тип издания: CD, Web Издатель (лейбл): Sub Pop Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue, tracks Продолжительность: 37:05:33 Источник (релизер): bandcamp, what.cd, REDacted Наличие сканов в содержимом раздачи: front, digital clipping. is a Los Angeles, United States rap trio formed in 2010 by William Hutson (Rale), film soundtrack composer Jonathan Snipes (ex-Captain Ahab) and vocalist Daveed Diggs. Lyrically, clipping.’s music attempts to reshuffle and repeat accepted rap scenarios, while eliminating a traditional single-point perspective. Diggs’s writing is heavily citational, like a rough-edged collage, gluing together half-glimpsed images and misremembered references, many of which might feel familiar, and some of which assuredly do not. But even while he consumes and regurgitates established styles, his self-erasure is incomplete; Diggs’s dense, often motormouthed flow remains wholly his own. Individually, the members are known outside of the group for their extra-curricular artistic projects. Diggs is a stage actor, while Snipes composes music for film, and Hutson is an established noise music artist. Snipes and Hutson have collaborated on many projects, including the score to the documentary Room 237, which was released by IFC in 2013. In February 2013, clipping. released their debut album, Midcity, on their website. The project was created entirely in-house, with the trio writing, producing, engineering, mixing and mastering all of the material themselves. There was no budget, no outside promotion, no hype-machine, no blog or label interest. In fact, clipping. had no expectation that anyone would bother listening to the album, let alone enjoy it. Nevertheless, reactions were largely positive— despite the uncompromising nature of the production, and its obfuscatory lyrical content— and within five month’s of Midcity’s release, clipping. signed a deal with Sub Pop Records. CLPPNG, the band’s label debut, was written and recorded between February and October of 2013. Highly well-received, CLPPNG is an album that demonstrates the variety of sounds available when the ‘rules’ of a genre are willfully questioned. Tracklist:
01. clipping. - face (1:59) 02. clipping. - studio freestyle 01 (2:36) 03. clipping. - block (4:34) Originally released as a cassette on Deathbomb Arc; catalog # dba118. released July 17, 2012 ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. Foot Village - this song is a drug deal (clipping. remix) (2:57) foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - intro (2:17) 02. clipping. - loud (3:48) 03. clipping. - bout.that (ft. baseck) (3:55) 04. clipping. - get.it (ft. kill rogers & TiVO) (3:01) 05. clipping. - five (2:45) 06. clipping. - bullshit (ft. jalene goodwin) (3:50) 07. clipping. - overpass (skit) (1:06) 08. clipping. - guns.up (4:21) 09. clipping. - mobb2it (4:43) 10. clipping. - killer (ft. kill rogers) (3:23) 11. clipping. - collect (skit) (0:58) 12. clipping. - story (3:17) 13. clipping. - real (ft. ezra buchla) (3:11) 14. clipping. - outro (10:46) released February 5, 2013 clipping. is daveed diggs, william hutson & jonathan snipes guests: derrick "baseck" estrada, TiVO, kill rogers, jalene goodwin, ezra buchla foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Label/Cat#: Sub Pop – SP1071
Country: US Year: 2014 Genre: Electronic, Hip Hop Style: Musique Concrète, Noise, Horrorcore, Gangsta, Rhythmic Noise, Glitch, Conscious, Industrial, Illbient, Sound Collage Format: CD, Album Tracklist: 01. clipping. - intro (1:05) 02. clipping. - body & blood (4:29) 03. clipping. - work work (feat. cocc pistol cree) (3:42) 04. clipping. - summertime (feat. king t) (4:03) 05. clipping. - taking off (4:50) 06. clipping. - tonight (feat. gangsta boo) (4:36) 07. clipping. - dream (5:30) 08. clipping. - get up (feat. mariel jacoda) (2:56) 09. clipping. - or die (feat. guce) (4:06) 10. clipping. - inside out (3:37) 11. clipping. - story 2 (2:12) 12. clipping. - dominoes (5:58) 13. clipping. - ends (5:26) 14. clipping. - williams mix (feat. tom erbe) (4:22) Exact Audio Copy V1.0 beta 3 from 29. August 2011 REM DATE 2014 ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Label/Cat#: Sub Pop – PROCD214
Year: 2014 Genre: Hip Hop Format: CDr, Album, Promo, Clean Tracklist: 01. Clipping. - Intro (1:07) 02. Clipping. - Body & Blood (4:29) 03. Clipping. - Work Work (Featuring Cocc Pistol Cree) (3:45) 04. Clipping. - Summertime (Featuring King T) (4:04) 05. Clipping. - Taking Off (4:49) 06. Clipping. - Tonight (Featuring Gangsta Boo) (4:36) 07. Clipping. - Dream (5:27) 08. Clipping. - Get Up (Featuring Mariel Jacoda) (2:56) 09. Clipping. - Or Die (Featuring Guce) (4:06) 10. Clipping. - Inside Out (3:36) 11. Clipping. - Story 2 (2:20) 12. Clipping. - Dominoes (6:04) 13. Clipping. - Ends (4:22) 14. Clipping. - Williams Mix (Featuring Tom Erbe) (4:20) X Lossless Decoder version 20140504 (147.0) TITLE "Clppng" ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - Intro (1:06) 02. clipping. - Body & Blood (4:28) 03. clipping. - Work Work (Feat. Cocc Pistol Cree) (3:44) 04. clipping. - Summertime (Feat. King T) (4:02) 05. clipping. - Taking Off (4:48) 06. clipping. - Tonight (Feat. Gangsta Boo) (4:34) 07. clipping. - Dream (5:27) 08. clipping. - Get Up (Feat. Mariel Jacoda) (2:56) 09. clipping. - Or Die (Feat. Guce) (4:06) 10. clipping. - Inside Out (3:36) 11. clipping. - Story 2 (2:12) 12. clipping. - Dominoes (5:58) 13. clipping. - Ends (4:21) 14. clipping. - Williams Mix (Feat. Tom Erbe) (4:19) Japan Bonus Tracks 15. clipping. - Brian (featuring Brian Chippendale) (3:56) 16. clipping. - God Given Tongue (featuring Bryan Lewis Saunders) (8:30) ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - Intro (1:06) 02. clipping. - Body & Blood (4:28) 03. clipping. - Work Work (feat. Cocc Pistol Cree) (3:44) 04. clipping. - Summertime (feat. King T) (4:02) 05. clipping. - Taking Off (4:48) 06. clipping. - Tonight (feat. Gangsta Boo) (4:34) 07. clipping. - Dream (5:27) 08. clipping. - Get Up (feat. Mariel Jacoda) (2:56) 09. clipping. - Or Die (feat. Guce) (4:06) 10. clipping. - Inside Out (3:36) 11. clipping. - Story 2 (2:12) 12. clipping. - Dominoes (5:58) 13. clipping. - Ends (4:21) 14. clipping. - Williams Mix (feat. Tom Erbe) (4:19) CLPPNG is the debut album from LA based rap trio, clipping. for Sub Pop Records. Blending precise, quick fire vocals with caustic burst of noise, clipping. are classic west coast rap music from the tradition where sounding different wasn't cause for fear. released June 10, 2014 foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - something they don't know (ft. sb the moor, nocando, open mike eagle, and cuts by baseck) (6:16) 02. clipping. - mouth (ft. black mushroom, chinaka hodge) (4:52) 03. clipping. - something they don't know - instrumental (6:16) 04. clipping. - something they don't know - acapella (6:08) 05. clipping. - mouth - instrumental (4:52) 06. clipping. - mouth - acapella (4:44) “Something They Don’t Know” and “Mouth” are posse cuts we made with a bunch of close friends. Please check out all the other artists on these tracks if you’re not already familiar with their work. “Something They Don’t Know” contains twenty four samples. We will send a free, one-of-kind, edition-of-one, Clipping t-shirt to the first fan who can name them all. (Note, this count does not include the samples from CLPPNG which appear in the scratch solo.) released October 2, 2014 All music and lyrics by Clipping (Daveed Diggs, William Hutson and Jonathan Snipes). Additional lyrics and vocals on “Something They Don’t Know” by Christian A. McLaurin, James McCall and Michael Eagle II. Scratches by Derrick Estrada. Additional lyrics and vocals on “Mouth” by Nico Cary, Chinaka Hodge and Rafael Casal. foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - ends (5:10) 02. clipping. - brian (feat. Brian Chippendale) (3:53) Downloaded from Sub Pop via DL code included with 7" Vinyl (which was included with CLPPNG LP.) ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - Killer (Back To The Future The Ride remix) (3:19) released October 21, 2015 ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - intro (acapella) (2:29) 02. clipping. - loud (acapella) (4:00) 03. clipping. - bout.that (acapella) (3:57) 04. clipping. - get.it (acapella) (3:14) 05. clipping. - five (acapella) (2:52) 06. clipping. - bullshit-vocal1 (acapella) (3:57) 07. clipping. - bullshit-vocal2 (acapella) (4:02) 08. clipping. - guns.up (acapella) (4:23) 09. clipping. - mobb2it (acapella) (4:54) 10. clipping. - killer (acapella) (3:40) 11. clipping. - story (acapella) (3:31) 12. clipping. - real-vocal1 (acapella) (3:18) 13. clipping. - real-vocal2 (acapella) (3:18) foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - intro (acapella) (1:00) 02. clipping. - body & blood (acapella) (4:12) 03. clipping. - work work (acapella) (3:00) 04. clipping. - summertime (acapella) (3:19) 05. clipping. - taking off (acapella) (4:35) 06. clipping. - tonight (acapella) (4:30) 07. clipping. - dream (acapella) (4:25) 08. clipping. - get up (acapella) (2:49) 09. clipping. - or die (acapella) (3:58) 10. clipping. - inside out (acapella) (3:15) 11. clipping. - inside out (frank) (0:06) 12. clipping. - story 2 (acapella) (2:01) 13. clipping. - dominoes (acapella) (5:31) 14. clipping. - dominoes (kids) (1:04) 15. clipping. - ends (acapella) (3:53) released May 29, 2016 cover art by Jack Roscoe foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - body & blood (fabrik nos remx) (5:45) 02. clipping. - summertime (copy remx) (3:50) 03. clipping. - tonight (schwarz club remx) (3:31) 04. clipping. - work work (pelts remx) (2:55) 05. clipping. - body & blood (lauren bousfield's men, women, and chainsaws remx) (4:22) 06. clipping. - get up (terminal 11 remx) (2:56) 07. clipping. - ends (xanopticon remx) (5:17) 08. clipping. - body & blood (rind remx) (3:34) 09. clipping. - taking off (ripit remx) (5:01) 10. clipping. - tonight (rp boo remx) (4:25) 11. clipping. - body & blood (sleeparchive remx) (6:37) 12. clipping. - ends (lauren bousfield's hollow, w(hol(l)y) add to cart edit) (4:40) 13. clipping. - body & blood (kanga remx) (3:59) 14. clipping. - inside out (thom alt-j remx) (2:40) 15. clipping. - work work (toecutter remx) (3:26) 16. clipping. - body & blood (INJUN dubstep remx) (3:52) 17. clipping. - ends (cooling prongs remx) (6:38) released May 29, 2016 foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - hour 1 (1:00:00) 02. clipping. - hour 2 (1:00:00) 03. clipping. - hour 3 (1:00:00) 04. clipping. - hour 4 (1:00:00) 05. clipping. - hour 5 (1:00:00) 06. clipping. - hour 6 (1:00:00) 07. clipping. - hour 7 (1:00:00) 08. clipping. - hour 8 (1:00:00) 09. clipping. - hour 9 (1:00:00) 10. clipping. - hour 10 (1:00:00) 11. clipping. - hour 11 (1:00:00) 12. clipping. - hour 12 (1:00:00) 13. clipping. - hour 13 (1:00:00) 14. clipping. - hour 14 (1:00:00) 15. clipping. - hour 15 (1:00:00) 16. clipping. - hour 16 (1:00:00) 17. clipping. - hour 17 (1:00:00) 18. clipping. - hour 18 (1:00:00) 19. clipping. - hour 19 (1:00:00) 20. clipping. - hour 20 (1:00:00) 21. clipping. - hour 21 (1:00:00) 22. clipping. - hour 22 (1:00:00) 23. clipping. - hour 23 (1:00:00) 24. clipping. - hour 24 (1:00:00) released May 29, 2016 ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - Intro (0:51) 02. clipping. - Shooter (3:28) 03. clipping. - Back Up (feat. ANTWON & Signor Benedick the Moor) (3:52) 04. clipping. - Wriggle (4:04) 05. clipping. - Hot Fuck No Love (feat. Cakes da Killa & Maxi Wild) (3:30) 06. clipping. - Our Time (feat. Nailah Middleton) (4:16) released June 14, 2016 ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. Clipping - Intro (0:51) 02. Clipping - Shooter (3:28) 03. Clipping - Back Up (feat. ANTWON & Signor Benedick the Moor) (3:52) 04. Clipping - Wriggle (4:04) 05. Clipping - Hot Fuck No Love (feat. Cakes da Killa & Maxi Wild) (3:30) 06. Clipping - Our Time (feat. Nailah Middleton) (4:16) foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - Intro (0:52) 02. clipping. - Shooter (3:27) 03. clipping. - Back Up (feat. Antwon & SB the Moor) (3:52) 04. clipping. - Wriggle (4:04) 05. clipping. - Hot F**k No Love (feat. Cakes da Killa & Maxi Wild) (3:29) 06. clipping. - Our Time (feat. Nailah Middleton) (4:17) Exact Audio Copy V1.1 from 23. June 2015 REM DATE 2016 ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. Clipping - Long Way Away (intro) (1:06) 02. Clipping - The Breach (0:56) 03. Clipping - All Black (6:15) 04. Clipping - Interlude 01 (freestyle) (1:35) 05. Clipping - Wake Up (2:05) 06. Clipping - Long Way Away (1:31) 07. Clipping - Interlude 02 (numbers) (1:04) 08. Clipping - True Believer (3:45) 09. Clipping - Long Way Away (instrumental) (0:52) 10. Clipping - Air 'Em Out (3:50) 11. Clipping - Interlude 03 (freestyle) (1:09) 12. Clipping - Break the Glass (2:22) 13. Clipping - Story (3:04) 14. Clipping - Baby Don't Sleep (3:07) 15. Clipping - A Better Place (4:26) *Cassette format is available from Sub Pop's Mega Mart store.* Clipping formed in Los Angeles in 2009. Initially conceived as a remix project, Jonathan Snipes and William Hutson began pairing noise and power-electronics inspired tracks with (stolen) vocals by commercial rap artists. Jonathan and William did this mostly to amuse each other and the duo earned very few fans. However, the band began in earnest in early 2010, when rapper and friend Daveed Diggs joined the group. Clipping was their first project as a trio, building on both their long friendship and their many shared obsessions: rap, experimental music, and genre fiction, among others. Clipping released Midcity on their Bandcamp page in 2013 and signed with Sub Pop three months later. The band described their debut as “party music for the club you wish you hadn’t gone to, the car you don’t remember getting in, and the streets you don’t feel safe on.” In 2014, they released their Sub Pop debut, CLPPNG, omitting “I” in the title and lyrics to vacate rap of its traditional center, revealing instead a collage of recurrent rap themes. 2016’s Wriggle EP, released after Daveed’s Tony award for his role as Marquis de Lafayette and Thomas Jefferson in the acclaimed Broadway musical Hamilton, included “Shooter,” which used gunshot sounds as the beat for an imagistic narrative of three different violent encounters. Since the release of CLPPNG, things have changed for the band—William finished his Ph.D. in Theater and Performance Studies with a dissertation on experimental music, Jonathan composed scores for the films Starry Eyes, The Nightmare, Excess Flesh, and Contracted: Phase II, and Daveed hit Broadway. Their activities outside Clipping have always influenced their work in the band, but never as much as in the creation of Splendor & Misery. Splendor & Misery is an Afrofuturist, dystopian concept album that follows the sole survivor of a slave uprising on an interstellar cargo ship, and the onboard computer that falls in love with him. Thinking he is alone and lost in space, the character discovers music in the ship’s shuddering hull and chirping instrument panels. William and Jonathan’s tracks draw an imaginary sonic map of the ship’s decks, hallways, and quarters, while Daveed’s lyrics ride the rhythms produced by its engines and machinery. In a reversal of H.P. Lovecraft’s concept of cosmic insignificance, the character finds relief in learning that humanity is of no consequence to the vast, uncaring universe. It turns out, pulling the rug out from under anthropocentrism is only horrifying to those who thought they were the center of everything to begin with. Ultimately, the character decides to pilot his ship into the unknown—and possibly into oblivion—instead of continuing on to worlds whose systems of governance and economy have violently oppressed him. released September 9, 2016 Released on Sub Pop Records & Deathbomb Arc. Exact Audio Copy V1.0 beta 3 from 29. August 2011 REM GENRE Experimental ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. Clipping - Long Way Away (Intro) (1:06) 02. Clipping - The Breach (0:56) 03. Clipping - All Black (6:15) 04. Clipping - Interlude 01 (Freestyle) (1:35) 05. Clipping - Wake Up (2:05) 06. Clipping - Long Way Away (1:31) 07. Clipping - Interlude 02 (Numbers) (1:04) 08. Clipping - True Believer (3:45) 09. Clipping - Long Way Away (Instrumental) (0:52) 10. Clipping - Air 'Em Out (3:50) 11. Clipping - Interlude 03 (Freestyle) (1:09) 12. Clipping - Break the Glass (2:22) 13. Clipping - Story 5 (3:04) 14. Clipping - Baby Don't Sleep (3:07) 15. Clipping - A Better Place (4:26) Clipping formed in Los Angeles in 2009. Initially conceived as a remix project, Jonathan Snipes and William Hutson began pairing noise and power-electronics inspired tracks with (stolen) vocals by commercial rap artists. Jonathan and William did this mostly to amuse each other and the duo earned very few fans. However, the band began in earnest in early 2010, when rapper and friend Daveed Diggs joined the group. Clipping was their first project as a trio, building on both their long friendship and their many shared obsessions: rap, experimental music, and genre fiction, among others. Clipping released Midcity on their Bandcamp page in 2013 and signed with Sub Pop three months later. The band described their debut as “party music for the club you wish you hadn’t gone to, the car you don’t remember getting in, and the streets you don’t feel safe on.” In 2014, they released their Sub Pop debut, CLPPNG, omitting “I” in the title and lyrics to vacate rap of its traditional center, revealing instead a collage of recurrent rap themes. 2016’s Wriggle EP, released after Daveed’s Tony award for his role as Marquis de Lafayette and Thomas Jefferson in the acclaimed Broadway musical Hamilton, included “Shooter,” which used gunshot sounds as the beat for an imagistic narrative of three different violent encounters. Since the release of CLPPNG, things have changed for the band—William finished his Ph.D. in Theater and Performance Studies with a dissertation on experimental music, Jonathan composed scores for the films Starry Eyes, The Nightmare, Excess Flesh, and Contracted: Phase II, and Daveed hit Broadway. Their activities outside Clipping have always influenced their work in the band, but never as much as in the creation of Splendor & Misery. Splendor & Misery is an Afrofuturist, dystopian concept album that follows the sole survivor of a slave uprising on an interstellar cargo ship, and the onboard computer that falls in love with him. Thinking he is alone and lost in space, the character discovers music in the ship’s shuddering hull and chirping instrument panels. William and Jonathan’s tracks draw an imaginary sonic map of the ship’s decks, hallways, and quarters, while Daveed’s lyrics ride the rhythms produced by its engines and machinery. In a reversal of H.P. Lovecraft’s concept of cosmic insignificance, the character finds relief in learning that humanity is of no consequence to the vast, uncaring universe. It turns out, pulling the rug out from under anthropocentrism is only horrifying to those who thought they were the center of everything to begin with. Ultimately, the character decides to pilot his ship into the unknown—and possibly into oblivion—instead of continuing on to worlds whose systems of governance and economy have violently oppressed him. released September 9, 2016 Released on Sub Pop Records & Deathbomb Arc. foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - The Deep (5:25) *Despite the artwork suggesting otherwise, there is only one (1) track available with this release.* released August 18, 2017 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1 Tracklist:
01. clipping. - Face (2:00) 02. clipping. - Studio Freestyle 01 (2:34) 03. clipping. - Block (4:33) 04. clipping. - Face (Youth Code Remix) (4:07) 05. Foot Village - This Song is a Drug Deal (clipping. Remix) (2:58) 06. clipping. - Face (Jpegmafia Remix) (1:39) 07. clipping. - Face (Signor Benedick the Moor Remix) (4:44) 08. clipping. - Face (Flanch Remix) (2:52) 09. clipping. - Face (Acapella) (1:54) Available for the first time ever on vinyl, and newly remastered with bonus tracks, Deathbomb Arc is excited to reissue clipping.'s first physical release. This ep includes the live favorite "Face", plus other rare gems both new and old. Tracks 1-3 originally released as a cassette on Deathbomb Arc (DBA118). in September, 2012. Track 5 originally released as a digital single in February, 2013. released May 25, 2018 Cover photography by Shayna Peveler. Mastered by Thomas Dimuzio at Gench Studios. Thanks to Ed Flis, Ryan George, and Sara Taylor for their remixes. Thanks to Citizens Lee, Miller, Rowan, and Taylor for their source material for track 5. All songs copyright Clipping, 2012, 2013, and 2018 ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1 Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue Продолжительность: 1:08:36 Наличие сканов в содержимом раздачи: discogs Tracklist: 01. clipping. - Intro (1:04) 02. clipping. - Nothing is Safe (4:57) 03. clipping. - He Dead (feat. Ed Balloon) (4:22) 04. clipping. - Haunting (interlude) (0:57) 05. clipping. - La Mala Ordina (with The Rita) (feat. Elcamino & Benny The Butcher) (5:46) 06. clipping. - Club Down (with Sarah Bernat) (4:31) 07. clipping. - Prophecy (interlude) (1:12) 08. clipping. - Run for Your Life (feat. La Chat) (4:52) 09. clipping. - The Show (3:05) 10. clipping. - Posession (interlude) (2:11) 11. clipping. - All in Your Head (feat. Counterfeit Madison & Robyn Hood) (4:30) 12. clipping. - Blood of the Fang (4:40) 13. clipping. - Story 7 (3:40) 14. clipping. - Attunement (with Pedestrian Deposit) (4:47) 15. clipping. - Piano Burning (18:01) The science-fiction visionary Octavia Butler once declared that “there is nothing new under the sun, but there are new suns.” The aphorism could apply to any art form where the basic contours are fixed, but the appetite for innovation remains infinite. Enter Clipping, flash fiction genre masters in a hip-hop world firmly rooted in memoir. If first person confessionals historically reign, the mid-city Los Angeles trio of rapper Daveed Diggs and producers William Hutson and Jonathan Snipes have spent the last half-decade terraforming their own patch of soil, replete with conceptual labyrinths and industrial chaos. They have conjured a mutant emanation of the future, built at odd angles atop the hallowed foundation of the past. Their third album for Sub Pop, There Existed an Addiction to Blood, finds them interpreting another rap splinter sect through their singular lens. This is clipping’s transmutation of horrorcore, a purposefully absurdist and creatively significant sub-genre that flourished in the mid-90s. If some of its most notable pioneers included Brotha Lynch Hung and Gravediggaz, it also encompasses seminal works from the Geto Boys, Bone Thugs-N-Harmony, and the near-entirety of classic Memphis cassette tape rap. The most subversive and experimental rap has often presented itself as an “alternative” to conventional sounds, but Clipping respectfully warp them into new constellations. There Existed an Addiction to Blood absorbs the hyper-violent horror tropes of the Murder Dog era, but re-imagines them in a new light: still darkly-tinted and somber, but in a weirder and more vivid hue. If traditional horrorcore was akin to Blacula, the hugely popular blaxploitation flick from the early 70s, Clipping’s latest is analogous to Ganja & Hess, the blood-sipping 1973 cult classic regarded as an unsung landmark of black independent cinema, whose score the band samples on “Blood of the Fang.” From the opening “Intro,” Clipping summon an unsettling eeriness. Diggs sounds like he’s rapping through a drive-thru speaker about the bottom falling out, bodies hitting the floor, and recurrent ghosts. You hear ambient noises, footsteps and shovels. The hairs on your arms stick up like bayonets. You can practically see the knife’s edge, sharp and luminous. Each song contains its own premise and conceptual bent. There is “Nothing is Safe,” a reversal of Assault on Precinct 13, where the band create their own version of a John Carpenter-inspired rap beat and the cops are the ones raiding a trap house. Diggs sketches the narrative from the perspective of the victims, full of lurid and visceral details and intricate wordplay. The windows are boarded and sealed, the product simmers on the stove, the bodies sleep fitfully in shifts. Then law enforcement arrives and the bullets start to fly. “He Dead” turns police officers into werewolves while Diggs flips Kendrick Lamar’s “Riggamortis” into something gravely literal.“All In Your Head” finds Clipping re-contextualizing the pimp talk of Suga Free and Too $hort into a metaphor for an Exorcist-style possession. The album contains interludes featuring hissing recordings of demonic invasions and guest appearances from Griselda Gang’s Benny the Butcher and Hypnotize Minds horror queen La Chat. Other tracks feature contributions from noise music legends The Rita and Pedestrian Deposit. It all ends with “Piano Burning,” a performance of a piece written by the avant-garde composer Annea Lockwood. Yes, it is the sound of a piano burning. In the hands of the less imaginative or less virtuosic, it could come off as overwrought or pretentious. Instead, Clipping annex new terrain for a sub-genre often left for dead. In its own way, one could compare what they’ve accomplished to Tarantino’s post-modern reworkings of critically overlooked but creatively fertile blaxploitation, horror and spaghetti western cinema. Everything fits neatly into the broader scope of the band’s career, which has seen them expand from insular experimentalists into globally recognized artists. Since the release of their first album in 2013, Diggs has won a Tony and a Grammy, as well as co-written and starred in 2018’s critically hailed Blindspotting, while Snipes and Hutson have scored numerous films and television shows. Clipping’s last album, the 2016 afro-futurist dystopian space opus Splendor & Misery was recently named one of Pitchfork’s Best Industrial Albums of All-Time. Commissioned for an episode of “This American Life,” their 2017 single “The Deep” became the inspiration for a novel of the same name, written by Rivers Solomon and published by Saga Press. But it’s their latest masterwork that embodies what the band had been building towards — a work that finds them without peer. This is experimental hip-hop built to bang in a post-apocalyptic club bursting with radiation. It’s horror-core that soaks up past blood and replants it into a different organism, undead but dangerously alive. It is a new sun, blindingly bright and built to burn your retinas. released October 18, 2019 2019 Sub Pop Records Exact Audio Copy V1.3 from 2. September 2016 REM GENRE "Hip Hop" ----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1 Аудиокодек: FLAC (*.flac)
Тип рипа: tracks Продолжительность: 27:16 Наличие сканов в содержимом раздачи: cover Tracklist: 01. clipping. - The Deep (5:26) 02. clipping. - Aquacode Databreaks (feat. Shabazz Palaces) (4:01) 03. clipping. - Drownt (4:11) 04. clipping. - The Deep (Instrumental) (5:26) 05. clipping. - Aquacode Databreaks (Instrumental) (4:01) 06. clipping. - Drownt (Instrumental) (4:10) Experimental hip-hop group Clipping’s “The Deep” is a dark sci-fi tale about the underwater-dwelling descendants of African women thrown off slave ships, based on the mythology of Detroit electronic group Drexciya. The song was originally commissioned for a This American Life about Afrofuturism in 2017. The track earned Clipping a nomination for a 2018 Hugo award, and the band constructed a sound installation based on “The Deep” at the Massachusetts Museum of Contemporary Art. This release comes on the heels of the November 5th release of The Deep, a novella by Rivers Solomon (with Clipping credited as co-authors) inspired by the title track and published by Saga Press. The vinyl and digital versions include two otherwise-unreleased extra tracks – including “Aquacode Databreaks,” which features Shabazz Palaces – and the vinyl edition includes instrumental versions of all three tracks. released November 29, 2019 foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1 Аудиокодек: FLAC (*.flac)
Тип рипа: tracks Продолжительность: 8:27 Наличие сканов в содержимом раздачи: cover Tracklist: 01. clipping. - Chapter 319 (3:52) 02. clipping. - Knees on the Ground (4:35) On June 19, 2020, Bandcamp will donate its portion of all album sales to the NAACP Legal Defense Fund. On that day, Clipping will split its portion of all Bandcamp sales between the GoFundMe for George Floyd’s daughter (the Official Gianna Floyd Fund), People’s Breakfast Oakland, The Okra Project, and Afrorack. On all days thereafter, sales of these two tracks will be periodically collected and donated to organizations dedicated to racial justice. released June 19, 2020 “Chapter 319” (D. Diggs, W. Hutson, J. Snipes) Contains a sample of “Freestyle” by DJ Screw and Big Floyd. Mixed and mastered by Steve Kaplan. “Knees on the Ground” (D. Diggs, W. Hutson, J. Snipes) Mixed by Clipping. Mastered by Steve Kaplan. All music and lyrics by Clipping. Clipping are Daveed Diggs, William Hutson, and Jonathan Snipes. “Chapter 319” was composed and recorded in June, 2020. “Knees on the Ground” was composed and recorded in August, 2014, and previously released on Soundcloud. Cover photograph by Gabe Tiano foobar2000 1.2.5 / Dynamic Range Meter 1.1.1 Для того, чтобы скачать .torrent Вам необходимо зарегистрироваться |
DMMANIAC |
веселые репперы
Внимание: в раздаче присутствует релиз 2016 DREAM REMX продолжительностью 24 часа.. если кто не хочет его качать, снимите с него галочку и сэкономите 9 с лишним гигабайт. |
DMMANIAC |
12.09.2016 Обновление! Добавлены:
2014 Ends 2015 Killer (Back To The Future The Ride remix) 2016 Wriggle [24Bit] 2016 Wriggle (Radio Version) 2016 Splendor & Misery Скачайте торрент-файл заново. |
DMMANIAC |
26.05.2018 Обновление! Добавлены:
2016 Splendor & Misery [24Bit] 2017 The Deep 2018 Face Скачайте торрент-файл заново. |
DMMANIAC |
21.10.2019 Обновление!
Добавлен 2019 There Existed an Addiction to Blood Скачайте торрент-файл заново. |
DMMANIAC |
04.12.2019 Обновление!
Добавлен 2019 The Deep [24Bit] Скачайте торрент-файл заново. |
DMMANIAC |
21.06.2020 Обновление!
Добавлен 2020 Chapter 319 [24Bit] Скачайте торрент-файл заново. |
Быстрый ответ |
---|
Вы должны войти в систему, прежде чем совершить данное действие. |