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(Soft Rock, New Wave, Pop Rock) Lloyd Cole And The Commotions - Rattlesnakes
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Lloyd Cole And The Commotions / Rattlesnakes (Deluxe Edition)
Жанр: Soft Rock, New Wave, Pop Rock Страна-производитель диска: UK Год издания диска: 2004 Дата выхода оригинального издания: 1984 Тип издания: 2 x CD, Album, Deluxe Edition, Remastered, Reissue Издатель (лейбл): Polydor Каталожный номер: 982 182-0 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 35:52+57:20 Источник (релизер): Собственный рип Наличие сканов в содержимом раздачи: Да Треклист: Disc 1 1. Perfect Skin (3:14) 2. Speedboat (4:40) 3. Rattlesnakes (3:26) 4. Down On Mission Street (3:46) 5. Forest Fire (4:36) 6. Charlotte Street (3:53) 7. 2cv (2:53) 8. Four Flights Up (2:35) 9. Patience (3:38) 10. Are You Ready To Be Heartbroken? (3:06) Disc 2 Demos 1. Are You Ready To Be Heartbroken? (2:09) 2. Perfect Skin (3:26) Live 3. Glory (2:29) 4. Beautiful City (3:43) 5. Charlotte Street (3:40) 6. Sweetness (2:42) 7. 2cv (2:57) Radio Sessions 8. Patience (3:21) 9. Forest Fire (4:13) 10. Speedboat (3:59) 11. Rattlesnakes (3:36) B-Sides / Outtake 12. The Sea And The Sand (3:03) 13. You'll Never Be No Good (2:39) 14. Andy's Babies (2:52) 15. Glory (2:39) 16. Sweetness (2:51) 17. Beautiful City (Rattlesnakes Recording) (3:38) 18. Jesus Said (3:14) Total length: 01:32:58 More information: Exact Audio Copy V1.0 beta 3 from 29. August 2011 REM GENRE Rock ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Exact Audio Copy V1.0 beta 3 from 29. August 2011 REM GENRE Rock ----------------------- foobar2000 1.3.5 / Замер динамического диапазона (DR) 1.1.1 Rattlesnakes is the debut album by British group Lloyd Cole and the Commotions, released on 12 October 1984. The album reached number 13 in the UK Album Charts and included the hit singles "Perfect Skin" (#26 in UK), "Forest Fire" (#41 in UK) and "Rattlesnakes" (#65 in UK, #31 in the Netherlands).
The bulk of the album was written by frontman Lloyd Cole, who formed the band while a student at the University of Glasgow. Cole cites Bob Dylan and Booker T. & the MGs as major influences, but also notes the impact of his studies in English and philosophy on both the album's title, a reference to the novel Play It As It Lays by Joan Didion, and its lyrics, which also reference Renata Adler, Simone de Beauvoir and Norman Mailer. The album's songs written at Glasgow Golf Club, where Cole's father worked as club master and where the family lived. Cole recalled, "'Perfect Skin'" and 'Forest Fire' were written one weekend in the basement, underneath the golf club where we used to live and my parents used to work. We'd got our publishing deal so we bought a Portastudio, a DX7 and a drum machine. I demo-ed both of them that weekend and we had a record deal within a month of that; it was that quick. Every single song on Rattlesnakes was written within a year of the record coming out." Cole described the songs on Rattlesnakes as "about the things people do when they are in love. People get in all sorts of weird scenarios and I quite like the idea of that. I write about that more than anything. Sometimes it is comic, sometimes tragic, sometimes funny and tragic at the same time. After years of trying to deny it, I'm also starting to realise that I basically write about myself." He later reflected, "It's like most of [the characters in the songs] live in that same basement flat. It's very romanticised." After the Commotions broke up, he would later admit to being embarrassed by some of his lyrics on Rattlesnakes: "'She looks like Eve Marie Saint/In On the Waterfront'. Yes, some of the earlier lyrics were very naive. But I was a young man! I really was. You can just imagine me trying to wear a French trenchcoat at the time, thinking I looked very cool when, in fact, I looked really stupid. But maybe that's why people liked it." The track "Speedboat" takes its name from a book by Renata Adler. In the book the narrator is startled when a rat runs across the table in the restaurant wher she and her partner are dining and her partner says, 'You were all right there until you lost your cool": Cole admitted that he stole the line and included it in the song because he loved the phrase. Cole stated that "Down on Mission Street" is "about a character who says he'll never look back and will step all over other people". The character in "Charlotte Street" is "based very closely on me. My idea of romance obviously is meeting a wonderful, beautiful girl in the library. I wrote that song and it took me a year to realise that I hadn't actually mentioned that it was set in a library. I forgot to put that in, which is a bit stupid really." Of the album's closing track "Are You Ready to be Heartbroken?", he said, "It's about being so in love there's only one way to go – if you get so happy then you're ready to be heartbroken". The album was recorded during the British summer of 1984 in The Garden studio in Shoreditch in east London (built and owned by former Ultravox frontman John Foxx), with Paul Hardiman producing. All the band members remembered the recording of Rattlesnakes as a very easy and relaxed process: bass player Lawrence Donegan later said, "Every day we'd arrive at the studio, lay down a few backing tracks, nip along to Brick Lane for a curry and some pints, then head back and record some more. The album was finished in a month. Happy days indeed." Guitarist Neil Clark added, "It was great... Paul Hardiman was great to work with and the weather was great. We just went in and did our stuff. It was like the best job ever at the time. We'd start at 10am and finish at 6pm, though I did the 'Forest Fire' solo late one night but that was an exception. We were well organized and we'd played the songs in." The album cover is a picture by renowned photographer Robert Farber which was chosen by design company Da Gama from a selection of stock photographs. The reception for the UK music magazines at the time of the album's release was generally very positive. Sounds stated, "Rattlesnakes is a wonderful LP, the most refreshing, uncontrived gorgeous lump of gold to be mined from Scotland in ages, pursuing the alternately vibrant and tender pop courses discovered by 'Perfect Skin' and the classic 'Forest Fire'. And it still finds time for excursions into Dylanesque string-embellished balladry, age-old blues licks or eloquent country melody, all led on by the infinitely capable guitar of Neil Clarke (sic)." Record Mirror felt that they could "forgive Lloyd Cole his pretentions towards poetry; his band and he have made one of the best debut albums for a long time". NME said, "Is there anyone who doesn't like Cole and his cronies, who have made the Velvets do a part C&W album and part deep-south blues-funk – gentle, self-mocking, inoffensive and superbly balanced. Every song is instantly memorable." Melody Maker was somewhat more critical, believing that "like Orange Juice's Texas Fever and ABC's The Lexicon of Love, Rattlesnakes is an album of cynicism masquerading as romance. It's about past pop's legacy to the present, rather than love or hate or any of the emotions it feigns. It's about how modes of expression haven't moved on one iota from early Bob Dylan, how a generation bereft of its own voice fallsback on playing with the language of its peers." However, the review went on to state that the album had much to commend it and admitted that it "had been too hard here on purpose because this record's good enough to stand it. Compared to most else around, it's a gem but Rattlesnakes cried out to shed some of that perfect skin. Then, maybe, we'd believe as well as admire." In the US the reviews were also favourable. Spin claimed that "Lloyd Cole and the Commotions are the most interesting new band since Jonathan Richman and the Modern Lovers, and Rattlesnakes is a brilliant first album... This is the first album I've heard of late that rejects the techno-pop banality we've been drowning in without being overly self-conscious in its minimalism or wearing a chip on its shoulder." Rolling Stone felt "too much of Rattlesnakes [...] sounds like Lou Reed, Tom Verlaine and Bob Dylan doing the best of Lloyd Cole... But if Rattlesnakes arrives critically short of the greatness claimed for it in the British rock press, its promise is not so easily dismissed... A few more songs like ["Perfect Skin"] and the man really could start a commotion." Reviewing the 2004 reissue, Mojo hailed Rattlesnakes as "a timeless pop album". Q was less enthusiastic, observing that "the results were, and remain, equal parts irritating and beguiling". Calling the record "one of the finest debuts of the '80s", Allmusic stated that "Rattlesnakes is a college rock masterpiece of smart, ironic lyrics and sympathetic folk-rock-based melodies". Lloyd Cole and the Commotions were a British pop band that formed in Glasgow, Scotland in 1982. Between 1984 and 1989, the band scored four Top 20 albums and five Top 40 singles in the UK. After breaking up in 1989, Cole embarked on a solo career but the band reformed briefly in 2004 to perform a 20th anniversary mini-tour of the UK and Ireland.
The band were formed whilst Cole (who was born in Derbyshire, England) was studying at the University of Glasgow. They signed to Polydor Records; their debut single "Perfect Skin" reaching number 26 in the UK charts in Spring 1984, while the second single "Forest Fire" reached 41. The first album, Rattlesnakes, was released in October 1984. Produced by Paul Hardiman and featuring string arrangements by Anne Dudley, the album peaked at No. 13 in the UK and was certified Gold for sales over 100,000 copies. NME included in its Top 100 Albums of All-Time list, and the title track was later covered by the American singer Tori Amos. The Welsh band Manic Street Preachers included the album amongst their top ten list. Due to the insistence of their label, the follow-up album, Easy Pieces, was produced by Clive Langer & Alan Winstanley (who had previously produced Madness, The Teardrop Explodes and Elvis Costello and the Attractions). Released in November 1985, the album was a much quicker commercial success than its predecessor (entering the UK album chart at No. 5 and certified gold within a month). The singles "Brand New Friend" and "Lost Weekend" were the band's first and only UK Top 20 hits (reaching No. 19 and No. 17 respectively). Two years later, the band released their third and final album, Mainstream. Produced by Ian Stanley (former writer and keyboard-player of Tears for Fears), the album peaked at No. 9 in the UK and was also certified gold, but contained only one UK Top 40 single, "Jennifer She Said" (No. 31). In 1989, the band decided to split up and released a "best of" compilation, 1984-1989, which was their fourth Top 20 album (UK No. 14) and fourth Gold certification. Following this, Cole embarked on a solo career with the release of his self-titled album in 1990. On the first two Commotions albums, Cole was the band's main songwriter (though he co-wrote several songs with various bandmembers). The third album is credited to the band as a whole, though Cole remained the sole lyricist. Particularly notable were Cole's knowingly pretentious lyrics (he was studying philosophy at the University of Glasgow when the band started) and namedropping the likes of Norman Mailer, Leonard Cohen, Arthur Lee, Grace Kelly, Truman Capote, Simone de Beauvoir, Nancy Sinatra, and Eva Marie Saint as well as referring to Sean Penn (somewhat sympathetically) as "Mr. Madonna". Neil Clark – guitar
Lloyd Cole – vocals, guitar Blair Cowan – keyboards Lawrence Donegan – bass guitar Stephen Irvine – drums, tambourine Для того, чтобы скачать .torrent Вам необходимо зарегистрироваться |
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