(Ethnic, Indian classical) L. Subramaniam - En Concert (Festival de Lille) - 1985, FLAC (image+.cue), lossless

RAGAM, TANAM, PALLAVI
Raga : Kalyani Tala :
Eka (four-beat cycle) Composer : L. Subramaniam
Raga Kalyani (number 65 of the 72 parent scales or " melakartas")
Ascending :CDEF#GABC, Descending : С В A G F#EDC
Ragas in Raga-malika
l.SATYAPRIYA
Ascending: С E F G Bb С, Descending: С Bb G Bb Ab GFEGDbC
2. DESH
Ascending: С D F G В С, Descending: С Bb A G F E D ВС
3. RAMAPRIYA (number 52 of the 72 parent scales)
Ascending : С Db D F# G A Bb С, Descending : С Bb A G F# E Db С
RAGAM, TANAM, PALLAVI
RAGAM : Melodic improvisation in free rhythm revealing the different aspcts and beauty of the raga. In this, the soloist presents the raga in stages. The mridangam is silent in this type of improvisation.
TANAM : Another style of melodic improvisation. Even though it is in free rhythm, it introduces an element of rhythmic pulse. At the end of each phrase section, a stereotyped rhythmic cadence pattern is used to indicate the end of that phrase or section.
PALLAVI : This is a short precomposed melodic theme with words and is usually set to one cycle of tala. This theme is played in its simple form, two or three times, in order for the accompanist to familiarize himself with it. The drummer enters at the beginning of this section. The pallavi has the following main features:
a) Neraval: The word literally means "filling up" or "spreading"; in other words, filling up portions of the pallavi line with new, fresh, and creative music. The soloist improvises new melodies built around the words of the pallavi, which are fixed in relation to the tala.
b) Tri-kalam : In this section, the pallavi line is played in three tempi, keeping the tala constant : twice as slow as the original tempo, the original tempo, and twice as fast as the original tempo.
c) Swara-kalpana : This improvised section is performed along with the drummer using solfa syllables (swaras) in medium and fast speeds. Each swara-kalpana phrase returns to the beginning of the pallavi line.
d) Raga-malika : The pallavi ends with raga-malika, which literally means "garland of ragas". The soloist improvises freely in different ragas and at the end of each raga, comes back to the rhythmic theme of the original pallavi.

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PERFORMER "L. Subramaniam"
TITLE "En Concert"
FILE "L. Subramaniam - En Concert.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Ragam, Tanam, Pallavi (Raga Kalyani, Tala Ektal)"
    PERFORMER "L. Subramaniam"
    FLAGS PRE
    INDEX 00 00:00:00
    INDEX 01 00:00:33

Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 19. November 2012, 8:33
L. Subramaniam / En Concert
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TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.33 | 53:21.25 |        33    |   240132
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     Filename C:\music\Musicgate's rips\L. Subramaniam - En Concert (1985) [FLAC]\L. Subramaniam - En Concert.wav
     Peak level 100.0 %
     Extraction speed 3.5 X
     Range quality 99.9 %
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     Copy CRC 17D3AEB8
     Copy OK
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Track  1  not present in database
None of the tracks are present in the AccurateRip database
End of status report
==== Log checksum 23BA37840E6EA9CCD34CD93BD9AA029902C0CAC81A75848EDBEA329D243AABF9 ====

3472793377 564715244 01 - Ragam, Tanam, Pallavi (Raga Kalyani, Tala Ektal).wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
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Processing file: [01 - Ragam, Tanam, Pallavi (Raga Kalyani, Tala Ektal).wav]
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This track looks like CDDA with probability 99%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%