The theme of this record is BROTHERHOOD. As a small child I often wondered why various groups of people lived in various ghetto areas. Why couldn't everyone live side by side in peace and harmony with each other? Why did one group hate another group? Why couldn't we love one another and live together and help each other and learn from one another? Why couldn't we absorb each other's culture and profit by doing so? Why weren't all men united in brotherhood? It's taken me many years to find out that the link that unites us is the spirit and that all men are spiritually united if we but realize it, and that realization comes from within. It's TIME for that realization, and with it comes the Risin' Sun, or the Brotherhood of Man.
"You Gotta Take a Little Love" is a down to earth, rompin', finger-poppin' type blues. The lyric is meant to remind one that love is still the strongest power in the universe, and that it is always there for the taking, and the taking is mental and is meant to encompass the love of everyone and everything. You searchin' for it here, you search in' for it there, it's movin' all around you if you make yourself aware.
You gotta take a little love. You gotta take a little love. It's right here for the takin', won't you go ahead and take a little love.
There's pretty women here, there's pretty women there, there's pretty women all around that really want to care.
You gotta take a little love. You gotta take a little love.
It's right here for the takin', won't you go ahead and take a little love.
She may not realize, the love that's in your eyes, just put your arms around her and she's bound to sympathize.
You gotta take a little love. You gotta take a little love.
It's right here for the takin', won't you go ahead and take a little love.
And once you come to know, the magic of your glow, you'll never be without it 'cause it fills your heart up so.
You gotta take a little love. You gotta take a little love. It's right there for the takin', won't you go ahead and take a little love. "The Risin' Sun," refers to the coming of the Brotherhood of Man. We are slowly but surely coming to the realization that all men are spiritual brothers and if we wrong our brother we wrong ourselves, and in helping our brother we help ourselves. The lyrics below I feel explain this in a more clear and concise manner. When war is done, the world will see the risin' sun.
It's peace for you and me, together we will be, as happy as if we were one.
Stand face to face, in union with the human race.
Our spirit is our bond, to carry us beyond, the difficulties we might face.
Oh yes I know, the guidin' light will surely show, that love will rule the world, a new deal will unfurl, and hate will have no place to go.
When all are one, the battle that we fight is done, so cultivate your soul, for soon you will behold, the coming of the risin' sun.
So cultivate your soul, for soon you will behold, the coming of the risin' sun. "It's Time" means it's time for the realization of the spirit within, and its connection with the One and its all encompassing parts. The young people of today, I'm happy to say, are coming to that realization. Those who sincerely participate in love-ins and demonstrations for peace and human rights, and those who practice meditation and study the various sciences that help one to know one's self better, are among the many who are realizing. Those who ask themselves the question Why, and go within for the answer, have found it. The time has arrived that we all realize who we are. We'll find a new life flowing through us greater than before. Brother you and I, side by side, hand in hand, on and on we must go. That's how it is, shouldn 't we know, shouldn't we feel it's so? The dream that we dream will come true as our faith grows and grows. Doing our best to help each other inwardly we know, destiny will show us the way to perform what we must come what may. Leaving our minds open for thought, nothing can change our will. "Lovely's Daughter" is a very beautiful ballad written by Bennie Maupin and features Bennie on flute. This was written for Bennie's girl whose mother's last name is Lovely, hence the title "Lovely's Daughter." "Down and Out" has a blues feeling but structurally is not a blues. The lyric tells the story of a young man who chooses a wife much too hastily and unwisely, and whose marriage ends abruptly in divorce with unjustly large alimony payments and settlements. A sad story but a true one with our archaic divorce laws as they are today. What in the world am I goin' to do. I made a fool of myself over you. You took my house, you took my dough, I'm down and out, nowhere to go. What in the world am I goin' to do.
Where in the world am I goin' to go. You did me dirty I want you to know. I send my check, I never fail.
If I miss once, I go to jail. What in the world am I goin' to do. A lesson to learn, you're sure to get burned.
If you pick too fast, it hardly ever lasts. My clothes are raggedy, tattered and torn.
My shoes are terribly terribly worn. I work all day you run and play I sweat and slave my life away. What in the world am I goin' to do.
Now all of you fellows who need some advice.
Check out my story and brother you'll really think twice. "The Belly Dancer" is based on an old Jewish scale. The mood of the composition is sometimes Yiddish a nd sometimes Egyptian, which to me pinpoints the fact that music can and does help spiritually to unite us. The melody brings to my mind visions of the Far East and a harem of beautiful dancing girls, dancing all around you as you recline on a big soft pillow with all types of gourmet foods at your finger tips, water pipe at your side, etc.
"Brain Wave" is so titled because of the way the melody is written. When played it seems to go out into space as if one is throwing a boomerang into space, and at the very end of the melody it seems to turn around and come back to you as a boomerang would do, or as thoughts leave the mind and transcend into space only to return as things. Randy Brecker (Philadelphia), for a young man, has had quite a bit of valuable experience. He has worked and recorded with the big bands of Duke Pearson, Thad Jones-Mel Lewis, and Clark Terry. He has also worked and recorded with Blood, Sweat, and Tears, a well known rock group, and has had experience in studio and television work. Randy plays trumpet and flugel-horn, and is a very well-rounded musician. Bennie Maupin (Detroit) has worked with the Roy Haynes Quartet and recorded with such jazz notables as Lee Morgan, Freddie Hubbard, McCoy Tyner, Jimmy Owens, and Marion Brown. Bennie plays tenor sax and flute with a broad musical conception that encompasses whatever idiom that may be called for at the moment. An extremely capable young man. John Williams (New York) has worked with the Horace Parian Trio and the Walter Bishop Trio previously, and has a very happy and loose rhythmic con-ception. He plays upright bass an d electric ba ss, and plays them both equally well, and is adaptable to whatever bag you might put him in. Billy Cobham (Panama) was born in Panama but raised from a small child in New York City. He formally worked with the Billy Taylor Trio and the New York Jazz Sextet. He's a fine drum soloist as well as a swinger, and can perform at ease in all idioms; whatever idiom he's performing in you'll always find a happy beat there. These are the capable young musicians in the current Horace Silver Quintet. We have worked feverishly to prepare a musical cuisine season ed with the finest musical spices and herbs palatable to the musical gourmet. May your ears savor the sounds and your lips taste of the theme of this record — Brotherhood.
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Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 2. April 2017, 16:57 Horace Silver / You Gotta Take A Little Love Used drive : HL-DT-STDVDRAM GSA-T50N Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:24.63 | 0 | 24362 2 | 5:24.63 | 4:37.05 | 24363 | 45142 3 | 10:01.68 | 6:42.26 | 45143 | 75318 4 | 16:44.19 | 4:14.60 | 75319 | 94428 5 | 20:59.04 | 4:30.58 | 94429 | 114736 6 | 25:29.62 | 7:25.71 | 114737 | 148182 7 | 32:55.58 | 6:14.63 | 148183 | 176295 Track 1 Filename C:\New rips\Horace Silver - You Gotta Take A Little Love - 1969 (2007 Blue Note 0946 3 74222 2 9) [FLAC]\01 - You Gotta Take A Little Love.wav Pre-gap length 0:00:02.00 Peak level 97.9 % Extraction speed 2.6 X Track quality 100.0 % Test CRC 2B75FEC1 Copy CRC 2B75FEC1 Accurately ripped (confidence 15) [153E29FC] (AR v2) Copy OK Track 2 Filename C:\New rips\Horace Silver - You Gotta Take A Little Love - 1969 (2007 Blue Note 0946 3 74222 2 9) [FLAC]\02 - The Risin' Sun.wav Pre-gap length 0:00:03.15 Peak level 97.9 % Extraction speed 2.8 X Track quality 100.0 % Test CRC 8B4F1E2B Copy CRC 8B4F1E2B Accurately ripped (confidence 15) [64A04621] (AR v2) Copy OK Track 3 Filename C:\New rips\Horace Silver - You Gotta Take A Little Love - 1969 (2007 Blue Note 0946 3 74222 2 9) [FLAC]\03 - It's Time.wav Pre-gap length 0:00:03.01 Peak level 97.9 % Extraction speed 3.1 X Track quality 99.9 % Test CRC 2929BAF6 Copy CRC 2929BAF6 Accurately ripped (confidence 15) [ED6D4E9F] (AR v2) Copy OK Track 4 Filename C:\New rips\Horace Silver - You Gotta Take A Little Love - 1969 (2007 Blue Note 0946 3 74222 2 9) [FLAC]\04 - Lovely's Daughter.wav Pre-gap length 0:00:03.43 Peak level 95.5 % Extraction speed 3.5 X Track quality 100.0 % Test CRC 43788DBE Copy CRC 43788DBE Accurately ripped (confidence 15) [FECCDBFE] (AR v2) Copy OK Track 5 Filename C:\New rips\Horace Silver - You Gotta Take A Little Love - 1969 (2007 Blue Note 0946 3 74222 2 9) [FLAC]\05 - Down And Out.wav Pre-gap length 0:00:02.12 Peak level 97.9 % Extraction speed 3.7 X Track quality 100.0 % Test CRC 04C296FE Copy CRC 04C296FE Accurately ripped (confidence 15) [2309CC5C] (AR v2) Copy OK Track 6 Filename C:\New rips\Horace Silver - You Gotta Take A Little Love - 1969 (2007 Blue Note 0946 3 74222 2 9) [FLAC]\06 - The Belly Dancer.wav Pre-gap length 0:00:03.26 Peak level 97.9 % Extraction speed 4.2 X Track quality 100.0 % Test CRC E776B5DC Copy CRC E776B5DC Accurately ripped (confidence 15) [F7DE4ABA] (AR v2) Copy OK Track 7 Filename C:\New rips\Horace Silver - You Gotta Take A Little Love - 1969 (2007 Blue Note 0946 3 74222 2 9) [FLAC]\07 - Brain Wave.wav Pre-gap length 0:00:03.64 Peak level 97.9 % Extraction speed 4.1 X Track quality 99.9 % Test CRC CDA23C44 Copy CRC CDA23C44 Accurately ripped (confidence 15) [0D60030A] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum D959712489584458A45D929CF99005547A9EB74F57F00A3EBC33176CFE101BD1 ====
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