Релиз подготовлен Proper SelfMade Lossless Group "Lossless Group - Always Proper, Ever SelfMade"Bob Florence - Serendipity 18 - 1998 Жанр: Post-Bop Страна исполнителя: USA Страна - производитель диска: USA Дата записи: Aug 27, 1998, Aug 28, 1998 Год выпуска диска: Feb 9, 1999 Издатель (лейбл): MAMA Foundation Номер по каталогу: MMF1025 Аудио кодек: FLAC (*.flac) Тип рипа: (tracks + .cue) Битрейт аудио: lossless Наличие сканов в содержимом раздачи: full scans, png, 300 dpi Продолжительность: 73:11 Источник (релизер): коллекция Л Рендера, мой рип Трэклист:
1. Serendipity 18 (9.24)
2. Sugar (7:52)
3. Tres Palabras (10:31)
4. Now Playing (9:38)
5. Bimbosity (8:47)
6. Evelyn (7:55)
3 E-Motions
7. PART 1 (6:27)
8. PART 2 (8:07)
9. PART 3 (4:26)
Total Time (73:11) All selections composed and arranged by Bob Florence;
except "Sugar," composed by Stanley Turrentine,
and "Tres Palabras," composed by Osvaldo Farres & Ray Gilbert,
both arranged by Bob Florence. Produced by Bob Florence Состав:
Conductor/Piano - Bob Florence Trumpets
Steve Huffsteter, Wayne Bergeron, Rick Baptist, George Graham, Ron Stout, Carl Saunders Trombones
Alex lles, Charlie Loper, Bob McChesney, Don Waldrop - bass trombone Reeds
Bob Carr - baritone, e-flat contra alto clarinet
Terry Harrington - tenor, clarinet, flute
Don Shelton - soprano, alto, clarinet, flute
Kim Richmond ~ alto, clarinet, flute
Jeff Driskill - tenor, clarinet, flute
Bob Efford - baritone, bass clarinet Bass - Trey Henry
Drums - Dick Weller Soloists:
1. FIRST CHORUS
Jeff Driskill - tenor Alex lles - trombone Don Shelton - soprano Steve Huffsteter - trumpet
MAIN SECTION
Bob Florence - piano Kim Richmond — alto Bob McChesney — trombone Dick Weller - drums 2. Bob Florence - piano, Terry Harrington - tenor, Bob Efford — baritone
3. Bob Florence - piano, Steve Huffsteter - flugelhorn, Terry Harrington - tenor
4. Carl Saunders - flugelhorn & trumpet
5. Don Shelton & Terry Harrington - clarinets, Trey Henry - bass, 1 st clarinet solo - Don Shelton, 2nd clarinet solo - Terry Harrington 6. Don Shelton & Kim Richmond - altos
opening melody - Don Shelton
BRIDGE - Kim Richmond
1st long solo - Don Shelton
2nd long solo - Kim Richmond
4-bar exchanges - Don Shelton & Kim Richmond 7. Bob Florence - piano, Steve Huffsteter - trumpet, Jeff Driskill - tenor
8. Bob Carr - baritone, Ron Stout - trumpet
9. Bob Florence - piano, Carl Saunders - trumpet, Dick Weller - drums
MAMA Records is the marketing division of MAMA Foundation, a nonprofit corporation established to achieve three principal objectives:
1. Preservation of the music of culturally significant vocal and instrumental artists whose work does not have large commercial appeal.
2. Distribution of these works to schools, universities, libraries, and the general public.
3. Provision of financial support and technical assistance to vocal and instrumental artists in their experimental works.
Albums produced by MAMA Foundation are donated to a select group of schools, museums and archives, as well as being offered through the normal distribution channels to the general public. Funds generated from these sales are used to help support the preservation and sharing of music that otherwise might be lost forever.
In 1964, Dizzy Gillespie told Nat Hentoff that "improvisation is the meat of jazz.... The jazz composer's ideas have always come from the instrumentalist." At that time, Gillespie had lived some 30 years of jazz history and participated in more than one of its innovations. Bob Florence has, as much as any contemporary jazz composer, put dictum into action. It's evident not only in the generous allotment of solo space in Florence's charts, but in the way that he crafts settings for his various players.
Informed of Gillespie's observation, Florence laughs and says, "That sounds like a good idea to me. I've always been influenced by players. I always think of soloists when I write and I know exactly who's going to play a solo."
At 66, Florence is at a stage in his life when most artists have pared away all vestiges of extravagance in their work: think of Matisse's cutouts, Basie's morse code pianistics, Picasso's to-the-bone drawing. Florence is having none of that. "I haven't simplified anything," he declares. "I'm getting inspiration all the time from different sources. I'm giving equal consideration to rhythm, color, melody and harmony. There's room for everything you can think of."
This is not to say that Florence is a "kitchen sink" composer. On the contrary, his pieces unfold, using one motif at a time, in the way an expert card player throws down what's in his hand. Consider Florence's treatment of Stanley Turrentine's "Sugar" (which Florence originally arranged for the Phil Norman Tentet and later adapted for his own band): a minor chord piano vamp sets up a rhythm that the reed and brass sections repeatedly convene and disperse around while the rhythm section carries through. The contrary motion of reed figures against brass figures is endemic to Florence's writing. "I don't even think about it any more," he offers. "It's something that's been in my bloodstream and my subconscious for a long time."
Always open to the moment, Florence responded to a personnel change for this album. "This CD," he enthuses, "offers more freedom than ever before for the rhythm section. It's a new direction which began with bassist Trey Henry a couple of years ago and continues today with new drummer Dick Weller. Trey says there were times when playing was so effortless that he forgot he was recording."
That quality of serendipity pervades this album and, in part, provides its title. "We were at a restaurant in New York," Florence
remembers, "named Serendipity 3. The waiter told me that the three owners were a dancer, a window dresser and a writer. I loved that idea and immediately thought of 'Serendipity 18' for the 18 guys in the band. I became so inspired by this title, I just couldn't wait to get home and start writing a piece that would reflect what those words signified." The piece shows off Florence's mastery of orchestration -few arrangers pay attention to dynamics the way that he does. Notice how the bat-out-of-hell opening gives way to his sparse piano, upon which the intensity is again built.
"I find myself going where the music leads me," Florence states. "I've been taking this journey for quite awhile and I know that, within a given composition, I'll wind up in a completely different place from what I first envisioned. You can say I'm being led around by the nose by the music. The tunes kind of write themselves and then I go back and tweak."
Sounds like as good a working definition of the word serendipity as you're likely to encounter.
REM GENRE Jazz
REM DATE 1998
REM DISCID 82112509
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Bob Florence"
TITLE "Serendipity 18"
FILE "01 - Serendipity 18.wav" WAVE
TRACK 01 AUDIO
TITLE "Serendipity 18"
PERFORMER "Bob Florence"
INDEX 01 00:00:00
FILE "02 - Sugar.wav" WAVE
TRACK 02 AUDIO
TITLE "Sugar"
PERFORMER "Bob Florence"
INDEX 01 00:00:00
FILE "03 - Tres Palabras.wav" WAVE
TRACK 03 AUDIO
TITLE "Tres Palabras"
PERFORMER "Bob Florence"
INDEX 01 00:00:00
FILE "04 - Now Playing.wav" WAVE
TRACK 04 AUDIO
TITLE "Now Playing"
PERFORMER "Bob Florence"
INDEX 01 00:00:00
FILE "05 - Bimbosity.wav" WAVE
TRACK 05 AUDIO
TITLE "Bimbosity"
PERFORMER "Bob Florence"
INDEX 01 00:00:00
FILE "06 - Evelyn.wav" WAVE
TRACK 06 AUDIO
TITLE "Evelyn"
PERFORMER "Bob Florence"
INDEX 01 00:00:00
FILE "07 - E-Motions, Pt. 1.wav" WAVE
TRACK 07 AUDIO
TITLE "E-Motions, Pt. 1"
PERFORMER "Bob Florence"
INDEX 01 00:00:00
FILE "08 - E-Motions, Pt. 2.wav" WAVE
TRACK 08 AUDIO
TITLE "E-Motions, Pt. 2"
PERFORMER "Bob Florence"
INDEX 01 00:00:00
FILE "09 - E-Motions, Pt. 3.wav" WAVE
TRACK 09 AUDIO
TITLE "E-Motions, Pt. 3"
PERFORMER "Bob Florence"
INDEX 01 00:00:00
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 7. November 2009, 18:12 Bob Florence / Serendipity 18 Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 102 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 320 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 9:24.07 | 0 | 42306 2 | 9:24.07 | 7:52.24 | 42307 | 77730 3 | 17:16.31 | 10:31.34 | 77731 | 125089 4 | 27:47.65 | 9:38.28 | 125090 | 168467 5 | 37:26.18 | 8:47.31 | 168468 | 208023 6 | 46:13.49 | 7:55.19 | 208024 | 243667 7 | 54:08.68 | 6:27.00 | 243668 | 272692 8 | 60:35.68 | 8:06.64 | 272693 | 309206 9 | 68:42.57 | 4:26.42 | 309207 | 329198 Track 1 Filename D:\music\Musicgate's rips\Bob Florence - Serendipity 18 (1998)\01 - Serendipity 18.wav Pre-gap length 0:00:02.00 Peak level 94.4 % Track quality 100.0 % Test CRC C48AC5F0 Copy CRC C48AC5F0 Accurately ripped (confidence 1) [3298D553] Copy OK Track 2 Filename D:\music\Musicgate's rips\Bob Florence - Serendipity 18 (1998)\02 - Sugar.wav Peak level 94.4 % Track quality 100.0 % Test CRC 7CA4E7CE Copy CRC 7CA4E7CE Accurately ripped (confidence 1) [7A94E5C0] Copy OK Track 3 Filename D:\music\Musicgate's rips\Bob Florence - Serendipity 18 (1998)\03 - Tres Palabras.wav Peak level 94.4 % Track quality 100.0 % Test CRC C6E72FDC Copy CRC C6E72FDC Accurately ripped (confidence 1) [0D48E9ED] Copy OK Track 4 Filename D:\music\Musicgate's rips\Bob Florence - Serendipity 18 (1998)\04 - Now Playing.wav Peak level 94.4 % Track quality 100.0 % Test CRC 856FD3EA Copy CRC 856FD3EA Accurately ripped (confidence 1) [AAC55F80] Copy OK Track 5 Filename D:\music\Musicgate's rips\Bob Florence - Serendipity 18 (1998)\05 - Bimbosity.wav Peak level 94.4 % Track quality 100.0 % Test CRC F1E8DB40 Copy CRC F1E8DB40 Accurately ripped (confidence 1) [3BEAE0D2] Copy OK Track 6 Filename D:\music\Musicgate's rips\Bob Florence - Serendipity 18 (1998)\06 - Evelyn.wav Peak level 94.4 % Track quality 100.0 % Test CRC 155CB6B8 Copy CRC 155CB6B8 Accurately ripped (confidence 1) [AC304180] Copy OK Track 7 Filename D:\music\Musicgate's rips\Bob Florence - Serendipity 18 (1998)\07 - E-Motions, Pt. 1.wav Peak level 94.4 % Track quality 100.0 % Test CRC 6330BD81 Copy CRC 6330BD81 Accurately ripped (confidence 1) [A0C5EAE5] Copy OK Track 8 Filename D:\music\Musicgate's rips\Bob Florence - Serendipity 18 (1998)\08 - E-Motions, Pt. 2.wav Peak level 94.4 % Track quality 100.0 % Test CRC 7DF85C27 Copy CRC 7DF85C27 Accurately ripped (confidence 1) [A053808C] Copy OK Track 9 Filename D:\music\Musicgate's rips\Bob Florence - Serendipity 18 (1998)\09 - E-Motions, Pt. 3.wav Peak level 94.4 % Track quality 100.0 % Test CRC 8960A51E Copy CRC 8960A51E Accurately ripped (confidence 1) [0E07B59D] Copy OK All tracks accurately ripped No errors occurred End of status report
если нет сидов или раздача находится в архиве, пришлите письмо, и я вернусь
