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(Cool Jazz, Bop) The Modern Jazz Quartet - European Concert Volume One - 1960 (2013 Atlantic 8122-79660-8), FLAC (tracks+.cue), lossless

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Musicgate
-The Modern Jazz Quartet - European Concert Volume One - 1960 (2013 Atlantic 8122-79660-8)-imgЖанр: Cool Jazz, Bop
Носитель: CD (Live, Remaster, Reissue)
Страна-производитель диска (релиза): Europe
Год издания оригинала: 1960
Год переиздания: 2013
Издатель (лейбл): Atlantic
Серия: Jazz Best Collection 1000 #6
Номер по каталогу: 8122-79660-8
Страна исполнителя (группы): USA
Дата / место записи: in Scandinavia, April 1960.
Аудио кодек: FLAC (*.flac)
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Наличие сканов в содержимом раздачи: full scans
Продолжительность: 40:13
Источник (релизер): диск из коллекции Ordo (с благодарностью), мой рип
Трэклист:
Göteborg, Sweden, April 12, 1960
1. Django (J. Lewis) - 5:25
2. Bluesology (M. Jackson) - 4:27
3. I Should Care (A. Stordahl, P. Weston, S. Cahn) - 5:15
4. La Ronde (J. Lewis) - 2:57
Stockholm, Sweden, April 11, 1960.
5. I Remember Clifford (B. Golson) - 5:02
6. Festival Sketch (J. Lewis) - 4:19
Stockholm, Sweden, April 13, 1960.
7. Vendome (J. Lewis) - 2:25
Göteborg, Sweden, April 12, 1960
8. Odds Against Tomorrow (J. Lewis) - 6:46imgimg 
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 21. August 2024, 10:38
The Modern Jazz Quartet / European Concert Volume One
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Overread into Lead-In and Lead-Out          : No
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Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
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TOC of the extracted CD
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        6  | 25:11.43 |  5:03.27 |    113368    |   136119
        7  | 30:14.70 |  2:45.22 |    136120    |   148516
        8  | 33:00.17 |  7:12.38 |    148517    |   180954
Track  1
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
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All tracks accurately ripped
No errors occurred
End of status report
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Submit result: already submitted
Track | CTDB Status
  1   | (60/60) Accurately ripped
  2   | (60/60) Accurately ripped
  3   | (60/60) Accurately ripped
  4   | (60/60) Accurately ripped
  5   | (60/60) Accurately ripped
  6   | (58/60) Accurately ripped
  7   | (60/60) Accurately ripped
  8   | (59/60) Accurately ripped
==== Log checksum 7CF7FE56EB47C37583C2CF4310D3D5EBE7384DF28A7AC8DDCB270BDA3A8B0E67 ====

REM GENRE "Bop, Cool Jazz"
REM DATE 2013
REM DISCID 69096C08
REM COMMENT "ExactAudioCopy v1.6"
CATALOG 4943674067763
PERFORMER "The Modern Jazz Quartet"
TITLE "European Concert Volume One"
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FILE "02. Bluesology.wav" WAVE
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FILE "03. I Should Care.wav" WAVE
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FILE "04. La Ronde.wav" WAVE
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  TRACK 05 AUDIO
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FILE "06. Festival Sketch.wav" WAVE
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foobar2000 2.0 / Dynamic Range Meter 1.1.1
log date: 2024-09-21 19:28:52
--------------------------------------------------------------------------------
Analyzed: The Modern Jazz Quartet / European Concert Volume One
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR11       0.00 dB   -13.59 dB      5:33 01-Django
DR10       0.00 dB   -12.73 dB      4:53 02-Bluesology
DR11       0.00 dB   -13.96 dB      5:56 03-I Should Care
DR10       0.00 dB   -12.85 dB      3:19 04-La Ronde
DR11       0.00 dB   -13.96 dB      5:31 05-I Remembered Clifford
DR11       0.00 dB   -13.01 dB      5:03 06-Festival Sketch
DR11       0.00 dB   -12.64 dB      2:45 07-Vendome
DR10       0.00 dB   -12.30 dB      7:13 08-Odds Against Tomorrow
--------------------------------------------------------------------------------
Number of tracks:  8
Official DR value: DR10
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   16
Bitrate:           935 kbps
Codec:             FLAC
================================================================================
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Long considered one of, if not the classic album from the Modern Jazz Quartet, European Concert defines them simultaneously as a recording entity as well as a working band. MJQ presented jazz in the context of a formally structured environment, much like a chamber group in the classical context. Within the band, the groove of Milt "Bags" Jackson's vibes met the solid swing of Connie Kay's drums, the funky strut of Percy Heath's bass, and the elegant classicism of John Lewis's piano. The MJQ were able, in a context that pushed at jazz's boundaries from the outside, to create a music that swung without edges or fragmented harmonic structures. Instead -- as this album perhaps more than any of their studio recordings exemplifies -- they used concepts of time, space, meter, rhythm, and changes to weave together a seamless whole, where melody grounded the improvisation but never really restricted it. The kind of graceful counterpoint that exists between Lewis and Jackson here is instinctual at this time in 1960. The show included the finest moments of their early recording career in a live setting. One listen to "Django" will make your head swim, with its sparse rhythmic texture that is still driving and Lewis' rag melody line when it encounters the pure stretch of the polytonal rhythms Jackson is laying down. If it weren't for Heath the entire thing would become unglued, because he was the hinge on this set. Elsewhere on "I Should Care," Lewis brings his solo down to a rudimentary three-finger patter-without chords that takes the line apart harmonically while never straying from anything in the architecture of the tune. Much later, on the encore "Round Midnight," MJQ take Monk's masterwork and turns it into a near rondo as time changes are constant in the first 16 bars. The front line melody blurs between Jackson and Lewis, as do harmonic counterpoint changes. While it's true this was a tune nobody should have had to change, almost everyone who covered it did. Lewis, whose playing style couldn't have been more antithetical to Monk's, quotes Monk's own solo in his and turns it into a piece of the melody near the end where Jackson is vibing chord changes and intervallic spaces. It leaves both audience and listeners breathless at the end of its all too brief three minutes and forty seconds.
Bass – Percy Heath
Drums – Connie Kay
Piano – John Lewis
Supervised By – Nesuhi Ertegun
Vibraharp – Milt Jackson
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