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(Swing, Afro-Cuban Jazz, Big Band) Duke Ellington And His Orchestra - Afro-Bossa - 1963 (2012 Reprise Records 8122-79712-3
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-Duke Ellington And His Orchestra - Afro-Bossa - 1963 (2012 Reprise Records 8122-79712-3)-Жанр: Swing, Afro-Cuban Jazz, Big Band
Носитель: CD (Studio, Remaster, Reissue) Страна-производитель диска (релиза): Japan Год издания оригинала: 1963 Год переиздания: 2012 Издатель (лейбл): Reprise Records Серия: Jazz Best Collection 1000 #3 Номер по каталогу: 8122-79712-3) Страна исполнителя (группы): Дата / место записи: November 29, 1962 - January 5, 1963 Аудио кодек: FLAC (*.flac) Тип рипа: (tracks + .cue) Битрейт аудио: lossless Наличие сканов в содержимом раздачи: full scans Продолжительность: 34:38 Источник (релизер): диск из коллекции Ordo (с благодарностью), мой рип Трэклист: 1. Afro-Bossa (Ellington) 2. Purple Gazelle (Ellington) 3. Absinthe (Strayhorn) 4. Moonbow (Ellington) 5. Sempre Amore (Ellington) 6. Silk Lace (Ellington) 7. Tigress (Strayhorn) 8. Angu (Ellington) 9. Volupté (Ellington) 10. Bonga (Ellington) 11. Pyramid (Ellis, Ellington) 12. Eighth Veil (Strayhorn) Exact Audio Copy V1.6 from 23. October 2020 REM GENRE "Afro-Cuban Jazz" foobar2000 2.0 / Dynamic Range Meter 1.1.1 Duke Ellington and Billy Strayhorn combined old and new compositions to create the album Afro-Bossa, a suite consisting of a dozen pieces that was never performed in its entirety in concert, though several of the works remained in the band's repertoire. The title cut is a new work, though the "Bossa" does not refer to Brazilian music; instead, it is a mix of African and Latin influences that slowly builds with insistent percussion to a blazing finale of brass and reeds. "Purple Gazelle" (which was also recorded as "Angelica" in Ellington's small group session with John Coltrane, was described by the pianist as a "ragtime cha-cha." Cootie Williams (on muted trumpet), Ray Nance, Paul Gonsalves, and the composer are all featured soloists. Ellington returns to the jungle sound with the exotic "Moonbow," showcasing a trio of dissonant clarinets and Nance's effective plunger mute work on trumpet, along with the matchless altoist Johnny Hodges. Strayhorn's "Tigress" puts the spotlight on Gonsalves, Williams, and clarinetist Jimmy Hamilton in an infectious Latin setting. "Pyramid" dates from 1938, written by Ellington with Juan Tizol, but it is trombonist Lawrence Brown who takes over Tizol's role, along with contributions by baritonist Harry Carney and Williams. This is easily one of Duke Ellington's essential studio recordings of the 1960s, though it isn't as widely recognized as it ought to be.
Alto Saxophone – Johnny Hodges, Russell Procope
Baritone Saxophone – Harry Carney Bass – Ernie Shepherd Bass Clarinet – Harry Carney Bass Trombone – Chuck Connors Clarinet – Harry Carney, Jimmy Hamilton, Russell Procope Cornet, Violin – Ray Nance Drums – Sam Woodyard Percussion – Billy Strayhorn, Cat Anderson, Cootie Williams, Roy Burrowes Piano – Billy Strayhorn, Duke Ellington Tenor Saxophone – Jimmy Hamilton, Paul Gonsalves Trombone – Buster Cooper, Lawrence Brown Trumpet – Cat Anderson, Cootie Williams, Roy Burrowes Для того, чтобы скачать .torrent Вам необходимо зарегистрироваться |
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