LoneLady / Hinterland Жанр: Indie, Post-Punk, Electronic, Art Rock Страна-производитель диска: Japan Год издания диска: 2015 Дата выхода оригинального издания: 2015 Тип издания: CD, Album Издатель (лейбл): Beat Records Каталожный номер: BRC-457 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 1:02:12 Источник (релизер): thezabs (what.cd) Наличие сканов в содержимом раздачи: Да Треклист: 1. Into The Cave (5:23) 2. Bunkerpop (5:56) 3. Hinterland (5:07) 4. Groove It Out (6:17) 5. (I Can See) Landscapes (3:08) 6. Silvering (6:19) 7. Flee! (5:35) 8. Red Scrap (4:51) 9. Mortar Remembers You (4:38) Japan Bonus Tracks 10. Groove It Out (LoneLady Michigan Dub) (8:25) 11. Bunkerpop (LoneLady Michigan Pitch Down Mix) (6:34) Total length: 01:02:12 More information:
Exact Audio Copy V1.0 beta 6 from 9. April 2015 EAC extraction logfile from 24. April 2015, 23:07 LoneLady / Hinterland Used drive : PLEXTOR DVDR PX-891SAW Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:22.52 | 0 | 24201 2 | 5:22.52 | 5:56.29 | 24202 | 50930 3 | 11:19.06 | 5:07.12 | 50931 | 73967 4 | 16:26.18 | 6:16.42 | 73968 | 102209 5 | 22:42.60 | 3:07.43 | 102210 | 116277 6 | 25:50.28 | 6:19.16 | 116278 | 144718 7 | 32:09.44 | 5:35.14 | 144719 | 169857 8 | 37:44.58 | 4:50.63 | 169858 | 191670 9 | 42:35.46 | 4:37.62 | 191671 | 212507 10 | 47:13.33 | 8:24.54 | 212508 | 250361 11 | 55:38.12 | 6:34.02 | 250362 | 279913 Track 1 Filename C:\Rips\01 - Into The Cave.wav Pre-gap length 0:00:02.00 Peak level 98.4 % Extraction speed 3.5 X Track quality 99.9 % Test CRC 564890F5 Copy CRC 564890F5 Track not present in AccurateRip database Copy OK Track 2 Filename C:\Rips\02 - Bunkerpop.wav Pre-gap length 0:00:03.85 Peak level 98.8 % Extraction speed 5.5 X Track quality 100.0 % Test CRC 432F8649 Copy CRC 432F8649 Track not present in AccurateRip database Copy OK Track 3 Filename C:\Rips\03 - (I Can See) Landscapes.wav Pre-gap length 0:00:03.85 Peak level 98.8 % Extraction speed 5.9 X Track quality 100.0 % Test CRC D217C871 Copy CRC D217C871 Track not present in AccurateRip database Copy OK Track 4 Filename C:\Rips\04 - Silvering.wav Pre-gap length 0:00:03.78 Peak level 98.5 % Extraction speed 6.6 X Track quality 100.0 % Test CRC 0FC5C2C9 Copy CRC 0FC5C2C9 Track not present in AccurateRip database Copy OK Track 5 Filename C:\Rips\05 - Hinterland.wav Pre-gap length 0:00:04.68 Peak level 98.8 % Extraction speed 4.1 X Track quality 99.9 % Test CRC 83096DC8 Copy CRC 83096DC8 Track not present in AccurateRip database Copy OK Track 6 Filename C:\Rips\06 - Groove It Out.wav Peak level 98.4 % Extraction speed 7.4 X Track quality 100.0 % Test CRC 2520D669 Copy CRC 2520D669 Track not present in AccurateRip database Copy OK Track 7 Filename C:\Rips\07 - Flee!.wav Pre-gap length 0:00:07.28 Peak level 98.4 % Extraction speed 7.8 X Track quality 100.0 % Test CRC 518720D3 Copy CRC 518720D3 Track not present in AccurateRip database Copy OK Track 8 Filename C:\Rips\08 - Red Scrap.wav Pre-gap length 0:00:07.00 Peak level 98.8 % Extraction speed 5.8 X Track quality 99.9 % Test CRC 6AEA1ADC Copy CRC 6AEA1ADC Track not present in AccurateRip database Copy OK Track 9 Filename C:\Rips\09 - Mortar Remembers You.wav Pre-gap length 0:00:05.20 Peak level 98.5 % Extraction speed 8.3 X Track quality 100.0 % Test CRC 372D087A Copy CRC 372D087A Track not present in AccurateRip database Copy OK Track 10 Filename C:\Rips\10 - Groove It Out (LoneLady Michigan Dub).wav Pre-gap length 0:00:10.00 Peak level 96.2 % Extraction speed 9.2 X Track quality 100.0 % Test CRC 74EC7E7F Copy CRC 74EC7E7F Track not present in AccurateRip database Copy OK Track 11 Filename C:\Rips\11 - Bunkerpop (LoneLady Michigan Pitch Down Mix).wav Peak level 98.5 % Extraction speed 9.4 X Track quality 100.0 % Test CRC 7245C0C0 Copy CRC 7245C0C0 Track not present in AccurateRip database Copy OK None of the tracks are present in the AccurateRip database No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: mitRkMJ7kuXEJOEnOvQ284fJC2c-] found Submit result: mitRkMJ7kuXEJOEnOvQ284fJC2c- has been confirmed Track | CTDB Status 1 | (2/2) Accurately ripped 2 | (2/2) Accurately ripped 3 | (2/2) Accurately ripped 4 | (2/2) Accurately ripped 5 | (2/2) Accurately ripped 6 | (2/2) Accurately ripped 7 | (2/2) Accurately ripped 8 | (2/2) Accurately ripped 9 | (2/2) Accurately ripped 10 | (2/2) Accurately ripped 11 | (2/2) Accurately ripped ==== Log checksum FDE8090EB8276009557DF374B9E5D7E478686246D51329B43DDF43F98B46EB66 ====
REM GENRE Rock REM DATE 2015 REM DISCID 9B0E940B REM COMMENT "ExactAudioCopy v1.0b6" PERFORMER "LoneLady" TITLE "Hinterland" FILE "01 - Into The Cave.wav" WAVE TRACK 01 AUDIO TITLE "Into The Cave" PERFORMER "LoneLady" ISRC GBBPW1400103 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Bunkerpop" PERFORMER "LoneLady" ISRC GBBPW1400104 INDEX 00 05:18:63 FILE "02 - Bunkerpop.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "(I Can See) Landscapes" PERFORMER "LoneLady" ISRC GBBPW1400105 INDEX 00 05:52:40 FILE "03 - (I Can See) Landscapes.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Silvering" PERFORMER "LoneLady" ISRC GBBPW1400106 INDEX 00 05:03:28 FILE "04 - Silvering.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Hinterland" PERFORMER "LoneLady" ISRC GBBPW1400107 INDEX 00 06:11:66 FILE "05 - Hinterland.wav" WAVE INDEX 01 00:00:00 FILE "06 - Groove It Out.wav" WAVE TRACK 06 AUDIO TITLE "Groove It Out" PERFORMER "LoneLady" ISRC GBBPW1400108 INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Flee!" PERFORMER "LoneLady" ISRC GBBPW1400109 INDEX 00 06:11:70 FILE "07 - Flee!.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Red Scrap" PERFORMER "LoneLady" ISRC GBBPW1400110 INDEX 00 05:28:14 FILE "08 - Red Scrap.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Mortar Remembers You" PERFORMER "LoneLady" ISRC GBBPW1400111 INDEX 00 04:45:48 FILE "09 - Mortar Remembers You.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Groove It Out (LoneLady Michigan Dub)" PERFORMER "LoneLady" INDEX 00 04:27:62 FILE "10 - Groove It Out (LoneLady Michigan Dub).wav" WAVE INDEX 01 00:00:00 FILE "11 - Bunkerpop (LoneLady Michigan Pitch Down Mix).wav" WAVE TRACK 11 AUDIO TITLE "Bunkerpop (LoneLady Michigan Pitch Down Mix)" PERFORMER "LoneLady" INDEX 01 00:00:00
Produced by LoneLady
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There is a danger in consigning a geographical girdle to an artist's output, the relentless tendency toward defining a city's 'sound' proving no more useful than, say, the music journalist's penchant for intellectualising an artist's tics. No more so than when it comes to Manchester, whose speculative sound is mythical in status – a status not simply content to evoke riffs, tones and working-class politics, but one that by its very nature is finite. Nostalgia for the golden age of Manchester bands – The Smiths, New Order, Magazine, Joy Division, The Fall – demands that new artists perform a wistful homage (vintage, classic) or risk operating beyond the popular canon of hometown heroes. In Hinterland, the follow-up to 2010's Nerve Up, LoneLady's Julie Campbell has created a thoroughly modern record that doesn't simply nod to its forebears in its zeal for an analogue approach to recording, or the self-evident groove of A Certain Ratio's basslines. No. Here Campbell is riffing on the myth of Manchester itself, revelling in revealing – rather than breaking down – the fourth wall. Influences are worn playfully – a lick here, a beat there – and processes are revealed. "Put a record on/make a connection," she sings in 'Bunkerpop', a self-reflexive treatise on the genesis of the album, the very act of creativity as Campbell's subject. Walking through the city, treading the familiar ground of post-punk desolation, she seeks out the scars her idols have scorched on the city, exploring how these post-industrial histories – indeed, very few herstories – form a perceived Northern psyche. "I feel you here right in the hollows", she sings. "You can't stop this Bunkerpop". Yet, as with Nerve Up, it is Campbell's ability to manipulate her influences that elevate her work beyond garden-variety synth-pop. LoneLady's Manchester is not solely one of Ian Curtis and The Buzzcocks. Rather, it is one of familiarity, exploration and footsteps – one where miles of forgotten towpaths and grey rubble have passed beneath her feet: the echoing cymbals and distorted guitars on '(I Can See) Landscapes' recalling the pulse and grind of factory life; the whirs and clangs on 'Into The Cave' channelling the metallic chug of railway lines. You get the sense that Campbell carries a dictaphone with her everywhere, recording ambient sounds and industrial samples which she will later weave into slick pop songs (in one interview, she admits that the rats sharing her studio make an appearance on the record). Compounding this ambulatory mood is the over-arching tempo of the album – varying speeds of a walking pace, syncopated with a heartbeat – as though we too have stepped over the fourth wall, and are moving through the city with Campbell. No doubt, this is what lends her work its distinctively cinematic, transformative quality. Hinterland is indeed a body of work with a sense of propulsive forward-motion, not least due to Campbell's marked evolution since her debut album. Where Nerve Up was taut and clipped, Hinterland is expansive and rich – a masterclass in textures and layering. The more experimental moments – 'Flee!' is perhaps her biggest departure from form, the discordant cello and soft, breathy vocals calling to mind Kate Bush and even Biophilia-era Bjork – hint at Campbell's huge potential, while the more familiar-sounding tracks – 80s-inspired 'Groove It Out' is essentially 'Intuition' mark 2 – remind us of just how skilled a pop performer Campbell is. Album closer 'Mortar Remembers You' has touches of the Eurythmics about it, with its irreverent "ooh-ooh-ooh"s, where 'Hinterland' employs a distinctly funk-driven groove. Hinterland is playful – a vibrant and urgent combination of genealogy and vision – and it is this that truly makes it a masterpiece. Not only does Campbell have the creative chops to create such richly evocative music, but she does it with a wink and a smile. This is a far more produced record – slicker and more experimental – than Nerve Up, but rather than merely being a successor, Hinterland feels like a thesis on Manchester and its musical lore. By simply adding the rhythm of her shoes hitting the pavement, she's transformed a nostalgic archive into tightly executed, profoundly new, dance music.
