(Progressive Rock, Experimental, Alternative) Steven Wilson (Porcupine Tree) - Cover Version - 2014 (Kscope # KSCOPE294), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 1. July 2014, 23:16
Steven Wilson / Cover Version
Used drive  : ASUS    DRW-1814BLT   Adapter: 4  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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TOC of the extracted CD
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    ---------------------------------------------------------
        1  |  0:00.00 |  4:41.12 |         0    |    21086
        2  |  4:41.12 |  3:14.09 |     21087    |    35645
        3  |  7:55.21 |  5:08.32 |     35646    |    58777
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        6  | 22:45.33 |  3:35.53 |    102408    |   118585
        7  | 26:21.11 |  4:05.14 |    118586    |   136974
        8  | 30:26.25 |  6:59.45 |    136975    |   168444
        9  | 37:25.70 |  3:57.28 |    168445    |   186247
       10  | 41:23.23 |  3:37.59 |    186248    |   202581
       11  | 45:01.07 |  5:05.10 |    202582    |   225466
       12  | 50:06.17 |  5:12.01 |    225467    |   248867
Track  1
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Track  2
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Track  3
     Filename E:\Bobby29\Rips\Steven Wilson - Cover Version (2014) [FLAC]\03 - The Day Before You Came.wav
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Track  4
     Filename E:\Bobby29\Rips\Steven Wilson - Cover Version (2014) [FLAC]\04 - Please Come Home.wav
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Track  5
     Filename E:\Bobby29\Rips\Steven Wilson - Cover Version (2014) [FLAC]\05 - A Forest.wav
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Track  6
     Filename E:\Bobby29\Rips\Steven Wilson - Cover Version (2014) [FLAC]\06 - Four Trees Down.wav
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Track  7
     Filename E:\Bobby29\Rips\Steven Wilson - Cover Version (2014) [FLAC]\07 - The Guitar Lesson.wav
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Track  8
     Filename E:\Bobby29\Rips\Steven Wilson - Cover Version (2014) [FLAC]\08 - The Unquiet Grave.wav
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Track  9
     Filename E:\Bobby29\Rips\Steven Wilson - Cover Version (2014) [FLAC]\09 - Sign 'O' The Times.wav
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Track 10
     Filename E:\Bobby29\Rips\Steven Wilson - Cover Version (2014) [FLAC]\10 - Well You're Wrong.wav
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Track 11
     Filename E:\Bobby29\Rips\Steven Wilson - Cover Version (2014) [FLAC]\11 - Lord Of The Reedy River.wav
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Track 12
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All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum A8B2DA7731AB2994CDFD94FAE5CD7F341272977744D397796E76620F4D5CC567 ====

REM GENRE Pop
REM DATE 2014
REM DISCID A50CF60C
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Steven Wilson"
TITLE "Cover Version"
FILE "01 - Thank You.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Thank You"
    PERFORMER "Steven Wilson"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Moment I Lost"
    PERFORMER "Steven Wilson"
    INDEX 00 04:39:13
FILE "02 - Moment I Lost.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "The Day Before You Came"
    PERFORMER "Steven Wilson"
    INDEX 00 03:12:10
FILE "03 - The Day Before You Came.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Please Come Home"
    PERFORMER "Steven Wilson"
    INDEX 00 05:06:33
FILE "04 - Please Come Home.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "A Forest"
    PERFORMER "Steven Wilson"
    INDEX 00 03:33:56
FILE "05 - A Forest.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Four Trees Down"
    PERFORMER "Steven Wilson"
    INDEX 00 06:04:01
FILE "06 - Four Trees Down.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "The Guitar Lesson"
    PERFORMER "Steven Wilson"
    INDEX 00 03:33:54
FILE "07 - The Guitar Lesson.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "The Unquiet Grave"
    PERFORMER "Steven Wilson"
    INDEX 00 04:03:15
FILE "08 - The Unquiet Grave.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Sign 'O' The Times"
    PERFORMER "Steven Wilson"
    INDEX 00 06:57:46
FILE "09 - Sign 'O' The Times.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Well You're Wrong"
    PERFORMER "Steven Wilson"
    INDEX 00 03:55:29
FILE "10 - Well You're Wrong.wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "Lord Of The Reedy River"
    PERFORMER "Steven Wilson"
    INDEX 00 03:35:60
FILE "11 - Lord Of The Reedy River.wav" WAVE
    INDEX 01 00:00:00
  TRACK 12 AUDIO
    TITLE "An End To End"
    PERFORMER "Steven Wilson"
    INDEX 00 05:03:11
FILE "12 - An End To End.wav" WAVE
    INDEX 01 00:00:00

AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: ...\Steven Wilson 2014 Cover Version (Kscope, KSCOPE294)
001 -=- 01 - Thank You.flac -=- CDDA (94%)
002 -=- 02 - Moment I Lost.flac -=- CDDA (100%)
003 -=- 03 - The Day Before You Came.flac -=- MPEG (90%)
004 -=- 04 - Please Come Home.flac -=- CDDA (86%)
005 -=- 05 - A Forest.flac -=- CDDA (85%)
006 -=- 06 - Four Trees Down.flac -=- CDDA (100%)
007 -=- 07 - The Guitar Lesson.flac -=- CDDA (100%)
008 -=- 08 - The Unquiet Grave.flac -=- MPEG (100%)
009 -=- 09 - Sign 'O' The Times.flac -=- CDDA (100%)
010 -=- 10 - Well You're Wrong.flac -=- MPEG (93%)
011 -=- 11 - Lord Of The Reedy River.flac -=- MPEG (90%)
012 -=- 12 - An End To End.flac -=- MPEG (100%)
Summary 57,67% CDDA
51360980

Cover Version is a compilation album released in 2014 by British musician and record producer Steven Wilson. The album compiles the 12 songs originally released as six "2 song" singles. Every release was made up of one original song and one cover song that involved new interpretations of other artist's songs in ways much different from their original versions. The only exception to this format is in "The Unquiet Grave" which is actually an old English folk song, and not an original song written by Wilson.
http://en.wikipedia.org/wiki/Cover_Version
Review from AllMusic.com (3.5/5):
Between 2003 and 2010, Steven Wilson released six CD singles, each featuring a cover version backed with a new original song. Titled, appropriately enough, Cover I through Cover VI, the first of these singles was significant because it was the first release issued under his own name. All of these were almost ridiculously limited. The titles were all compiled before -- when Cover VI was
released, the other singles were included in a lavishly designed box -- but this marks the first time all 12 tracks have been widely available. The music presented here is performed completely solo save for chamber and orchestral elements on some tracks that were added on later, and showcases a different, more intimate side of Wilson. On some of these readings, such as Alanis
Morissette's "Thank You," he accompanies himself solely on acoustic guitar. His vocal performance is restrained, vulnerable, and revealing. His reading of the Cure's "A Forest" is not only moody but almost angry. It's startlingly industrial even with such a skeletal mix; its loops are downright creepy. Another highlight is the English folk song "The Unquiet Grave," which has been recorded by everyone from Joan Baez to Weezer. Wilson's reading is taken to nearly avant boundaries, but it loses none of its resonance. The funk in Prince's "Sign 'O' the Times" is brittle and somewhat jagged, and displays both admiration for the original and Wilson's sense of humor. Among his originals, highlights include "Please Come Home," which juxtaposes a catchy hook and jaunty melody with a desperate lyric. "Four Trees Down," with its prog architecture and canny percussion, would have been right at home on more recent offerings. "Moment I Lost," a ballad played on piano and acoustic guitar, contains orchestral accompaniment. The penultimate cut here is a ghostly, lovely take on Donovan's "Lord of the Reedy River" (from HMS Donovan). Using the sparse acoustic nature in the songwriter's version, Wilson's is just as slow, but his layered backing vocals and pointed, brief electric guitar break and twinkling keyboards and ambience add another dimension. With a more minimal approach in both instrumentation and production, Cover Version may be less formal than his later solo work, but it is no less creative, well-conceived, or executed; therefore it is just as enjoyable as his later work. Having these singles now available in one place is a prize for fans who missed them initially.

Стивен Уилсон (Steven Wilson, 3 ноября 1967 года, Кингстон-апон-Темс) — британский музыкант, автор нескольких музыкальных проектов и участник группы прогрессивного рока Porcupine Tree. Кроме игры на гитаре и клавишных, Уилсон, хоть он и самоучка, владеет множеством других инструментов, в том числе бас-гитарой, арфой, флейтой и цимбалами. В то же время он не рассматривает себя как гитариста, считая написание песен и работу в студии своим главным призванием.
Стивен Уилсон проводит большую часть своей жизни в Лондоне и в Тель-Авиве.
Стивен с раннего детства увлекался музыкой. Будучи ребёнком, он с наслаждением слушал альбомы Донны Саммер и Pink Floyd. Именно эти исполнители, по его словам, больше других повлияли на его вкус, музыкальное развитие и будущее творчество. Стивен неохотно занимался игрой на гитаре, но любил экспериментировать со звуками и музыкальными инструментами. Когда мальчику исполнилось двенадцать лет, его отец, по профессии инженер-электротехник, смастерил ему многоканальный магнитофон (англ. multi-track tape machine), которым Стивен серьёзно увлёкся.
В возрасте пятнадцати лет, Стивен Уилсон вместе с клавишником Саймоном Вокингсом (Simon Vockings) записывают свой первый альбом «Prayer for the Soul», назвав свою группу Altamont. На нём они исполняют песни на стихи Алана Даффи (Allan Duffy), чьи тексты позже станут песнями «This Long Silence» и «It Will Rain for a Million Years» группы Porcupine Tree.
В 1983 и 1985 годах Уилсон вместе со своей новой группой прогрессивного рока Karma записывает альбомы The Joke’s On You и The Last Man To Laugh, которые содержат песни «Small Fish», «Nine Cats» и «The Joke’s On You», переработанные впоследствии группой Porcupine Tree.
В 1986 году Стивен Уилсон основывает группу No Man Is An Island (Except The Isle Of Man), чьё название позже сокращается до лаконичного No-Man. В этом проекте Уилсон и присоединившийся к нему Тим Боунес (англ.) концентрируются на стиле синти-поп. В течение лет группа приглашала многих музыкантов для совместной работы, в их числе Роберт Фрипп, Тео Трэвис, Пэт Мастелотто
Годом позже, Уилсон, вместе со своим бывшим одноклассником Малколмом Стоксом (англ.) основывают коллектив в стиле психоделического и прогрессивного рока — Porcupine Tree. С тех пор обе группы существуют и развиваются параллельно, записывая и выпуская всё новые и новые записи.
В конце 1990-х годов Уилсон не прекратил искать новые и экспериментальные направления. Так появились проекты Bass Communion и Incredible Expanding Mindfuck (IEM). Кроме того, он стал выпускать некоторые песни под своим настоящим именем. В 2001 году Уилсон знакомится с израильским музыкантом Авивом Гефеном и основывает с ним проект Blackfield.
Будучи опытным продюсером, Стивен Уилсон проводит много времени в работе над записями других известных музыкантов. К ним относятся Opeth, O.S.I., Йоко Оно, Orphaned Land, Anathema и многие другие. Записанный им альбом «Fear of a Blank Planet» (Porcupine Tree) занял третье место в категории «Альбом 2007 года» по версии журнала Sound & Vision.
В период с 2003 по 2010 год Стив выпускает серию CD-синглов от его собственного имени, каждый из которых содержит кавер-версии его оригинальных произведений. На дисках присутствуют песни канадской певицы Аланис Мориссет, шведской поп-группы ABBA, британской рок-группы The Cure, шотландского композитора Момуса и певца Донована. Стив так же включил кавер в трибьютный альбом Тима Смита из Cardiacs.
Время от времени Уилсон пишет статьи для британского журнала Classic Rock, а также для мексиканского издания Rolling Stone.